US Hip Hop 342 Items

At 6’9” and 400+ pounds, rapper/producer KING MAGNETIC is arguably
the “biggest rapper alive.” Fans of the underground phenom know that
his massive size is a complement to his larger-than-life personality – a
maddening mash-up of creativity, sensitivity, and a strong dose of “I just
don’t give a fuck.”
A native of Allentown, PA - King Magnetic began his career producing and
featuring on various projects while crafting his own mix tape series
"Everything's A Gamble". His debut solo LP, "Timing Is Everything" was
delivered July 10, 2015 and followed by "Everything Happens 4 A Reason"
on March 31, 2017. He has worked with heavyweights such as Sean Price,
Masta Ace, Smif N Wessun, Marco Polo, Prodigy, Edo G, Conway, DJ
Premier, 9th Wonder, Cappadonna, Atmosphere, Jedi Mind Tricks,
Immortal Technique, Jadakiss, Rapsody and more.
While recording his third solo LP, Magnetic teamed up Winnipeg's
docwillrob for "Back In The Trap". The album showcases Magnetic's lyrical
flow over the most modern soundscape in his catalog. This combination
also highlights the production talents of the rookie Canadian producer.
Songs like, "Where I Be", "Everybody" and "The Problems" have eerie, yet
infectious club rhythms while "That's What It Is" takes a smoother
approach. "We Want It All", "Help Me" and "Targets" are darker street
records with signature Magnetic bars. Features include GQ Nothin Pretty,
Recognize Ali, Born, Cassidy and Benny The Butcher for this epic visit to
trap houses throughout North America.

In recent years, Los Angeles rapper Blu has become one of hip hop’s most prolific artists, releasing more than a dozen acclaimed projects and building a worldwide fanbase. The gifted lyricist often joins forces with a single producer for an entire collection, leading to classic collaborative releases with Exile, Nottz, Madlib, and more. Now, Blu is back with The Blueprint, a new mixtape produced by Shafiq Husayn. Known as one third of visionary production team Sa-Ra Creative Partners, Shafiq has produced for the likes of Erykah Badu, Kanye West, Andre 3000, John Legend, Anderson Paak, Thundercat, Bilal, Ty Dolla $ign, Ice T, and many more. Dedicated to the gang culture that permeates the city they both call home, The Blueprint reflects Blu’s eternal L.A. state of mind, with Shafiq’s eclectic soundscapes providing the perfect backdrop.

When you hear the phrase, “everything’s fine,” we immediately understand it as emotional shorthand. In daily life, we depend on those perfunctory clichés (hope all is well, good to hear from you, etc.) to spare ourselves from the psychological unpacking that the truth requires. For that, there’s art. For that, there’s Everything’s Fine from Jean Grae and Quelle Chris, a jagged, acerbic odyssey that brilliantly riffs on this dystopian zeitgeist.
The thing is, anyone without a lobotomy and a toxic red hat understands that things are definitely not fine. The crush of modern anxiety, the late capitalist scramble to survive, and the brain warp rot of social media has left most of us half crazy.
“We have a dickhead for a president, and before our eyes, racial, religious, and sexual identity rights are moving backwards,” says New York’s (by way of Detroit) Quelle Chris. “Money is still a thing (I’m waiting for Star Trek life to start). There’s war, your kids may be sick, but if someone randomly asks ""how's it going?"" most people will say ""fine.""
Released on Mello Music Group, this album replaces that reflexive cliché with honest and eloquent tangents. It’s specific and subtle in its execution, achieving equilibrium between lackadaisical detours to smell the flowers and the frantic acknowledgement that there’s an inferno raging outside.
If the great political albums are often grim polemics, Everything’s Fine achieves its goals partially through withering satire. See the opening skit, a Prince Paul-style game show in which three contestants (including a futuristic robot) numbly croak that everyone’s fine despite flying high on every imaginable drug, crying themselves to sleep at night and being unemployed for a decade and a half despite having a Master’s in Fine Arts. I promise it’s much funnier than it reads off a screen.
“We’re both perfectionists in different ways,” Jean Grae describes their working relationship. “We both see huge pictures and concepts. So while listening, pay attention to the subtleties, the nuances, the dissonance and the harmony. The conversations and pieces of ourselves in the words, the flows, the beats. All of the open spaces. .Be uncomfortable and be okay with that. Be layered and be okay with that. Be angry and be okay.”
It’s rare to find a record where two rappers are so seamlessly intertwined. Yes, that’s partially a by-product of the teamwork that goes into being in any normal relationship where you wake, sleep, and dream together. But the album also bears the hallmarks of two singular creative geniuses trading bars, collaborating on beats, and combining fun with internal therapy and external observations. It features indelible cameos from Denmark Vessey, Grammy Award winner Anna Wise, Your Old Droog and Big Tone, as well as comics Ashok “Dap” Kondabolu, Michael Che, Nick Offerman, and Hannibal Burress.
In the streaming era, we tend to naturally overlook albums that require multiple listens. This is a record that will grab you on first listen, but it’s greatness only reveals itself through its careful construction, slick wordplay, and esoteric allusions.
On “Zero,” Jean artfully references Rachmaninoff and The Donner Party in the first two bars. With “Scoop A Dirt,” she name-drops the Babadook alongside the truth bomb that Friends was little more than a whitewashed rip off off Living Single. Meanwhile, Quelle balances boasts about bags of cash the size of Chris Christie with poignant existential laments. Somewhere in between, Jean will stealthily slip in jewels like, “it took me until my 30s just to put my finger on it, once you accept the knowledge/solace doesn’t follow/honest.”
It’s a record with only a couple antecedents: De La Soul is Dead, Organized Konfusion’s Stress: The Extinction Agenda, Blackstar, and maybe Cannibal Ox’s Cold Vein. Yet it doesn't sound remotely like any of them. It’s spontaneous and free, yet refined and meticulous. Even if everything is abject, it’s a reminder that music can transcend.
“This album is full of our minds. Our hearts. Our love for production, and words. flow and a lot of musicality,” Jeans says. “We don’t approach topics, issues, writing, or making beats in the same way. I’m harsh, blunt, quick, technical, I arrange classically and play more than I sample. I make joints with 80 tracks. I’m layers upon layers upon layers. Quelle is patient, he’s kinder. More loose and minimalistic. He makes sounds work together that shouldn’t fucking work. How? I have no idea. These are dreams within dreams.”

Strictly limited vinyl edition!
Only one copy per customer!
On his endless quest for the perfect joint, Tuff Kong’s main man Cuns, joined on this project by fellow Roman producer Sine One, has linked up with Detroit's legendary Guilty Simpson to bring you one killer collaboration on wax.
Tuff Kong are proud to bring you this 7" that features the title-track, aptly entitled "CO-OP", featuring Queens natives Meyhem Lauren and Starvin B, and the second one, entitled "REVENGE", which features Maffew Ragazino.
Tuff Kong are proudly presents this killer ROMA-DETROIT-NYC co-operation in a limited run of 500 copies (200 copies colored vinyl / 300 copies black vinyl).

Limited edition vinyl!
French beatmaker Odweeyne is back with #3 and #4 of his grimey Blacklist series, this time teaming up with Conway (The Machine), one of the dopest newcomers and latest signees on Eminem's Shady Records, as well as Detroit's own Nolan The Ninja. Dope SP1200 production on both tracks.
Hailing from Paris, France, Odweeyne is a passionate DJ, producer, crate-digger, hip-hop enthusiast and vinyl lover.
After years of turntablism including DJing for various artists and witnessing countless studio sessions, Odweeyne decided to put all his energy into sample based production. As a self-described "child of the 90's" Odweeyne's weapons of choice are classic production tools such as the SP1200, S950, E6400 Ultra, and MPC 2000XL. With musical influences ranging from K-Def and Lord Finesse to DJ Muggs and Madlib, Odweeyne's musical outcome is all about creating hard-hitting, warm, dusty, and hypnotic sounding bangers constructed with the help of dope samples and rare breaks.
After collaborating with a long list of artists (Awon, Unknown Mizery, Reak, Don Streat, etc.) and putting out the first two installments of his Blacklist series (featuring Sadat X and AG of D.I.T.C.) on his own indie label So Cracked Lab, the French beatmaker is back with #3 and #4 of his grimey series, this time teaming up with Conway (The Machine), one of the dopest newcomers and latest signees on Eminem's Shady Records, as well as Detroit's own Nolan The Ninja.

"Kiss The Sky" is Melinda Camille, John Robinson, and Pat Van Dyke; a collective of soulful singer/songwriter, veteran MC, and multi-instrumentalist. Funky organic production, intelligent wordplay, and soulful songwriting define the group's sound.

"Kiss The Sky" is Melinda Camille, John Robinson, and Pat Van Dyke; a collective of soulful singer/songwriter, veteran MC, and multi-instrumentalist which first came to fruition in 2012 on the B-Side of the Cotter Records' release "Miles & Trane" from John Robinson & PVD. The organic chemistry between the 3 artists continued to flourish on the "Modern Vintage" LP as Camille lent her vocals and songwriting skills to 3 tracks from JR & PVD's full length debut.

Here with "Sugar Pie" b/w "Glory", we witness the formal debut of the project from the 3 artists now known as "Kiss The Sky".

Recorded in Jersey City off and on over the course of the past few years, these two tracks introduce the world to what's to come from "Kiss The Sky". Funky organic production, intelligent wordplay, and soulful songwriting define the group's sound.

Since bursting onto the scene in 2012, Brooklyn hip-hop collective Pro Era has sent shockwaves through the culture. Crew leader Joey Bada$$ has become one of rap’s biggest stars, and Pro Era artists like Kirk Knight, Nyck Caution, and CJ Fly have launched their own successful solo careers. Chuck Strangers has been a key member of Pro Era from the start, producing classic Joey Bada$$ tracks like “Daily Routine”, “FromdaTomb$” (which he was also featured on), “Summer Knights”, “My Yout”, “Escape 120”, “Rockabye Baby”, and more. A true double-threat who’s just as skilled on the mic as he is behind the boards, Chuck is poised as the next breakout star from the Era. Now, the talented artist is announcing his highly-anticipated debut solo album, Consumers Park. Set for release on March 16th, the album features guest appearances from Joey Bada$$, Kirk Knight, and Issa Gold (of The Underachievers). Primarily produced by Chuck Strangers himself (with the notable exception of the lead single “Fresh” produced by Alchemist), Consumers Park is sonically masterful, with a heavy emphasis on raw, soulful vibes. This provides the ideal platform for Chuck to showcase his impressive rap skills, with vivid, nostalgic, witty, personal rhymes that perfectly capture the rising star’s ongoing journey from Flatbush to international hip-hop notoriety.

Canadian super-producer, Factor under the new moniker Factor & the Chandeliers, creates his first sample-free fully instrumental album which Factor's signature dusty breaks experiment with a variety of genres from Hip Hop, 80s era R&B and Shoegaze.

Recently, a mysterious album titled Jesus turned up on the popular music site Bandcamp, uploaded by an artist calling himself “b”. Soon, the LP was discovered to be the latest work from enigmatic L.A. rapper Blu, and within hours, it was the talk of the blogosphere. The album was soon removed, but now it’s back, this time in physical form. New World Color is proud to present the latest lo-fi masterpiece from one of hip-hop’s most intriguing figures. Officially the debut for alter-ego “b”, Jesus is sure to satisfy the cult-like fanbase that’s been steadily growing around the artist most famously known as Blu ... feat. Madlib, Planet Asia, Alchemist, Hezekiah!

Samples Nu Shooz … whoop!

Everybody's darling Blu finally drops the long awaited full length album. Dooooooooope!

Despite being of hip-hop’s most in-demand producers, !llmind has never released an official album of his own until the instrumental Behind The Curtain, which isavailable from Nature Sounds on now. Having spent so much time working with vocalists, !llmind assures listeners that this is no ordinary beat tape. “ I make music based on emotion, that feeling you get when you are drawn to a piece of music.” To give fans a true look “behind the curtain,” !llmind will also be offering the album’s audio stems (drums parts, bass parts, horns parts, etc) through a download code on each CD. While hip-hop producers are known to operate in secrecy, !llmind hopes to inspire the next generation of track masters. “I’ve found that so many of my fans are producers,” he explains. “I know they’ll be excited for this.”

You’ll fall in love with Slum Village all over again with these
collectible 45 issues of the J Dilla produced cut “Fall In Love” first
issued on the group’s Fantastic Volume II. Classic Slum Village song and instrumental on black vinyl 7" in a custom diecut sleeve"! This is the REMIX!

Limited edition of 50 C-35 music grade type 1 tape, lime green shells with blue imprint and blue & clear Norelco boxes, 3 panel J-cards printed both sides. Featuring
Westside Gunn and Baby Aztro

Since receiving critical acclaim for their debut LP Good Luck With That, an album which was praised for the duo’s classic east coast touch, and secured a spot on Bandcamp’s 10 Best New Hip Hop Releases of 2017, Career Crooks (producer Small Professor and rapper Zilla Rocca) are back to prove that no idea is original. The two have kept busy throughout 2017, not only performing alongside Busdriver, Billy Woods, Quelle Chris, Elucid, and B Dolan, and releasing their LP, but also gearing up for their new air tight collection of remixes, titled Thieving As Long As I’m Breathing.

The new single “Crook With a Deal”, is a reworking of the 50 Cent and Mad Rapper classic “How to Rob”, targeting indie rappers like Open Mike Eagle and Run The Jewels. The album also features five in-house remixes from Small Pro and Zilla Rocca, draped in styles inspired by the likes of DITC and the Beastie Boys. Canadian MPC champ FreshKils also makes an appearance and flips the fan favorite “Steve Martin” into a soundtrack for a car chase outside a Chemical Brothers show. Other remix features include DJ Manipulator, Willy, Shane Great, Rolled Gold Beats, and John Morrison.

The twelve track LP moves as fast as a cat with its tail on fire and maintains its own vibe while paying homage to that which has come before it. The group’s primary sound encompasses “…raw ‘90s flows while still maintaining a modern edge.” (Philip Mylnar, Bandcamp.com)

Strictly limited edition of 300 copies only!
After years of creating street music this is the first Cormega 7" single featuring Queens, New York alumni Capone N Noreaga. Produced by STREETRUNNER & Tarik Azzouz this is a breath of fresh air for all who miss the epic sounds that resonated from Queens Bridge.

After over 15 years of releasing countless solo
projects & 2 group projects (ST. Da Squad, Pages
from the Pavement Ep), New England Hip-Hop
super group ST. Da Squad (consisting of
Termanology, Reks, Ea$y Money, SuperSTah Snuk,
Artisin, Hectic, Clip, Machete & DJ Deadeye) have
released their highly anticipated debut album "Self
Titled"!
The album is packed with 17 Tracks & features
production from Statik Selektah, Baby Paul, Vinny
Idol, Deli, Shawneci, Billy Loman, Shortfyuz &
more. The first single "It's The ST. 2.0 (Let em'
Know)" is a reintroduction to the entire group
backed by signature production from Statik
Selektah. The second single "Gun Clap" is an ode to
vintage Hip Hop with a smooth boom bap & jazz
soundscape. With "Self Titled" the group is back to
give the fans what they've been asking for, that
authentic Hip-Hop music! #SelfTitledST

Limited edition vinyl!
The Legion (Molecules, Chucky Smash & Cee-Low) is back with some more Bronx rawness for your ears! Following the success of their "Lost Tapes" album from 2014, the re-release of the underground classic "Theme + Echo = Krill" LP, plus the Molecules & Showbiz "A Bronx Tale" EP from last year, the D.I.T.C. affiliates continue to keep the buzz going surrounding their upcoming full-length album entitled "Three The Bronx Way". "1980 Something" and "Heard We Quit" are two certified bangers recorded at the infamous D.I.T.C. Studios.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

While the buzz around Blu has continued to grow, one aspect of the L.A. rapper’s artistry has been overlooked: he’s becoming one of hip-hop’s best new producers. Since early work with producers Exile, Ta’Raach, and Mainframe, Blu has begun creating his own soundscapes for recent projects Her Favorite Colo(u)r and Jesus. Now, he’s putting his beats on full display, with the producer album Open. Featuring a slew of promising up-and-comers on the mic, Open is a perfect showcase for Blu’s hazy, lo-fi production. The album also showcases Blu’s ear for talent, turning fans on to the next generation of rhyme-spitters.

Wolfgang or Odd Future or OFWGKTA or whateveryoumightcallem come up with their first proper release: Tyler, The Creator's Goblin on XL Recordings … includes the 4 million-youtube-surprise 'Yonkers'!

HFC is now finally mastered and commercially available for the first time, marking the first-ever proper solo releases for Blu.

A virtuoso, known for boundary-pushing production (often fusing traditional hip-hop drum programming with sampling and live music) and thoughtful lyrics, Black Milk is respected across the industry for his unique sound, consistency and innovation. Returning to the scene amidst a turbulent political climate, the Detroit-born rapper/producer announces Fever, his upcoming studio album.

Black Milk's sixth solo rap album, and his first since 2014's If There's a Hell Below, Fever combines pointed and topical lyrics and brilliant musicianship, including percussion from all-star musicians Chris “Daddy” Dave (D'Angelo, Adele, Justin Bieber) and Daru Jones (Jack White), bass by long-time collaborator Malik Hunter, and keys and guitar/bass from newcomers Ian Fink and Sasha Kashperko, respectively. Black Milk evolves his production style of fusing electronic, soul, rock and other soundscapes with electronic programming and live music, a method he began experimenting with on his 2010 release Album of the Year. A cohesive 12-track project, listening to Fever evokes the feeling of scrolling through an endless news feed, finding Black Milk reporting and commenting on the world's problems with empathy, clarity, and wit. Additional vocals from Dwele, Aaron "Ab" Abernathy, and Sudie (a producer / vocalist signed to Black Milk’s Computer Ugly label) serve to juxtapose Black’s heavy lyrical content with airy vibes.

Limited edition vinyl!
Only one copy per customer!
Chopped Herring had to return to Bushwick on the L train to drop "God Bless The Child" & "Truth Hurts All Colours", two previously unreleased (prior to the recent Herring CD drop), mid-90's joints on wax for the very first time and included are two classic Dysfunkshunal jawns for those of you, who haven’t managed to pick up the original yet!!! Always a pleasure to have Da Dysfunkshunal Familee aboard the trawler yo...TIP!!

Get On Down keeps kickin’ it old school with the latest installment in the Get On Down 7” series, IOU’s “Chill Out”. As with other offerings in the series, this one was originally released as a 12” and has never before been available on a “doughnut”. First issued on Peter Brown’s Georgia Peach imprint even the most rabid
collector’s and Mr. Brown aren’t certain of the exact year of release. But the thick layers of electro funk and vocoder has the educated ear landing this between ‘82 & ‘84. In fact, this cut may have the most vocoder per minute of any cut in recorded music history. Which only reinforces its status as an electro classic and gives you good reason to Get On Down and pick up this destine tom be collectible reissue.

Everyone's favorite Punani connaisseurs are back with yet another deeply emotive and well-produced album. Tip!

Stix Recordings rounds up all those essential Mato 7" anthems onto this extended player, with all the cuts remastered for the occasion! Includes two unreleased hits featuring Blackstreet (No
Diggity) & Snoop Dogg and Dr. Dre (The Wash). Woopiwoop, that's the sound of reggae-hip hop perfection!

This is a limited 7″ sampler from the debut album by our man in the Bx, Hahyeem which will be droppin very soon in full on cd. Included here are 4 of the nicest joints available on vinyl for the heads. Keep peepin!!

When I first met Seprock he gave this tape of his beats and raps by Blackbird. Lifetime got a lot of play, and then the whole tape. Since then Sinking City released a double LP of some of Sep’s beats. He’s prolific and visionary, and these tracks feature his guitar playing and production paired with Blackbird’s OG tales of New Orleans streets.