US Hip Hop Vinyl 418 Items

38 Spesh and Benny The Butcher have brought together their respective labels (tcf and Bsf) for a compilation entitled Trust The Sopranos. This monumental meeting of the minds features potent verses from Benny The Butcher, 38 Spesh, Elcamino, Ransom, Che Noir, Klass Murda, Heem, RickHyde, Chase Fetti, Ampichino, and Street Justice. As well as production from an all-star line-up which includes 38 Spesh, RickHyde, DJ Shay, IceRocks, Buda + Grandz, Corty Tez, and Reddy Roc. The album boasts the hit singles "Immunity,” “Spineless,” and “Love Left.”

In 2019 rapper/producer 38 Spesh put together a compilation album to celebrate the 25th anniversary of a seminal year in Hip-Hop, 1994. It features the biggest names in the underground like Benny The Butcher, Conway, Rome Streetz, Eto, Flee Lord, Elcamino, Che Noir, Hus Kingpin, Daniel Son, and many more. They all rap over popular beats from 1994, which are actually all remakes by Spesh. Then in late 2020 Spesh followed up his well-received comp with a sequel titled 1995 (of course). However, with this instalment of the series, Spesh decided he would make it a solo mixtape on which he raps on classics from 1995. To make it official, he had the project presented and mixed by his longtime affiliate DJ Green Lantern.

Although the i-38 is a fictional highway, it represents the road Spesh has taken to get where he is today. His hustle and grind are well known among his peers. The trafficking themed song titles on this album (“The Mule,” “Toll Booth,” “Road Back,” “Made It Home,” etc.) tease the kind of weight-moving bars to be found within. Guests on the album include Spesh's TCF Music Group labelmates Ransom and Che Noir, as well as regular collaborators Benny The Butcher, Elcamino, and Klass Murda. Further, contributions from notable producers such as Buckwild, The Heatmakerz, and Streetrunner make this album an all-star affair.

38 Spesh’s TCF Music Group didn’t just pop up overnight. The label and its reputation have been built over the last decade. After dropping a trio of mixtapes with DJ Green Lantern between 2008-2012, Spesh debuted his stable of TCF artists at the top of 2015 with a compilation titled The Trust Tape. The project put a spotlight on three up-n-coming talents: Benny The Butcher, Klass Murda, and Spesh himself. The overwhelmingly positive response to the mixtape led Spesh to get right back in the lab to pump out a sequel. Only a couple months later 38 gave listeners The Trust Tape 2. The collection of freestyles and original songs exceeded its predecessor and became a benchmark for the Upstate New York scene. On top of the TCF trinity of Spesh, Benny, and Klass, this offering also features Yonkers icon Styles P.

Having produced full albums for numerous buzzing names in the last couple of years, 38 Spesh has become recognized as one of the most prolific beatmakers in the new era of hardcore Hip-Hop.

So, to mark this achievement, he has decided to start giving fans the instrumentals to their favorite songs with a new series titled Speshal Blends. The first volume of the series includes beats off of Che Noir's Thrill of the Hunt II, Flee Lord x 38 Spesh's Loyalty + Trust, 38 Spesh's 5 Shots EP, and more.

The title of the series is a homage to MF DOOM’s classic instrumental collection, Special Blends. The album art also references DOOM’s series, but instead of playing on the Zig-Zag motif, the Speshal Blends covers riff off the logos of popular cigar brands most commonly used for blunts.

9th Prince alias Madman aka Iron Fingers one of the founding members of rap group Killarmy. He was initially responsible for bringing the various members together, under the guide of his older brother the RZA from the WU Tang Clan.

Solo debut album Granddaddy Flow finally on vinyl for the 1st time very limited and numbered to 250 x black and 100 x red black splatter.

Ace Hashimoto is a contemporary R&B singer, songwriter, and producer whose smooth vocals, frequently applied to jazzy hip-hop inspired productions, resemble a distinctive cross between Pharrell Williams and Frank Ocean. The Chicago native has been active on the hip-hop scene, producing for SZA, Mac Miller, and Chance the Rapper amongst others before moving to Toyko in 2017 to hone his songwriting & singing capabilities. While living in Japan, he wrote for two of the country's biggest acts in Exile and CRAZYBOY/Elly of J-Soul Brothers and collaborated with fellow label-mate, Devin Morrison.

The following year, around the time he scored his first digital hit "Natural" feat. Moeshop -- acquiring over 2 million plays on Spotify -- Hashimoto began working on Play.Make.Believe, an album recorded over a 3 month span after returning to the United States. He was able to enlist the talents of pH-1 (of Jay Park's H1ghrmusic), H.E.R producer, Lophile & many more assist in crafting this beautiful nod to his influences. The album's title, "Play.Make.Believe." comes from Hashimoto's acknowledgement of the music he grew up on as child and his effort to recreate that nostalgia for the future generation.

Ace Hashimoto is a contemporary R&B singer, songwriter, and producer whose smooth vocals, frequently applied to jazzy hip-hop inspired productions, resemble a distinctive cross between Pharrell Williams and Frank Ocean. The Chicago native has been active on the hip-hop scene, producing for SZA, Mac Miller, and Chance the Rapper amongst others before moving to Tokyo in 2017 to hone his songwriting & singing capabilities. While living in Japan, he wrote for two of the country's biggest acts in Exile and CRAZYBOY/Elly of J-Soul Brothers and collaborated with fellow label-mate, Devin Morrison. The following year, around the time he scored his first digital hit "Natural" feat. Moeshop -- acquiring over 2 million plays on Spotify -- Hashimoto began working on Play.Make.Believe, an album recorded over a 3 month span after returning to the United States. He was able to enlist the talents of pH-1 (of Jay Park's H1ghrmusic), H.E.R producer, Lophile & many more assist in crafting this beautiful nod to his influences. The album's title, "Play.Make.Believe." comes from Hashimoto's acknowledgement of the music he grew up on as child and his effort to recreate that nostalgia for the future generation.

Originally released in 1999, Appleseed cemented Aesop Rock as a new face whose talent could not be denied. The album explores creative concepts with inventive writing and stripped-down yet melodic and melancholic production. Recalling his DIY approach, Aesop says, "I did the Appleseed hand style while working at Tepper Galleries in NYC. The cover was made at Kinko's. The first copies were CD-R's I duped at home and sold from my backpack at an MF Doom show at Brownies, which was right below my apartment at the time. I continued to sell hand to hand in NY, while Blockhead started fielding some mail orders from a young internet. People would send us cash or a check, and he'd cut the covers out and mail them off." The two of them were able to move a couple thousand CDs that way before turning their attention to newer projects, particularly “Float” in Aesop's case. As a result, in all that time it was only ever available on CD, directly from Aesop. Finally, 21 years after its debut, Appleseed officially returns, now available on vinyl for the first time!

When Aesop Rock debuted in the late 90s with Music For Earthworms and Appleseed, Blockhead was also a part of the process, not only as a producer, but also helping coordinate sales of the CDRs to hungry Hip Hop fans. Blockhead and Aesop continued to collaborate, creating an impressive list of songs along the way, including two of Aesop's most popular songs to date; "Daylight" and "None Shall Pass". In recent years, Blockhead has contributed production, as well as remixes, to manyof Aesop's solo releases and group projects, and Aesop has made a handful of guest features on Blockhead's solo projects, but in all that time, Aesop and Block have never done a full album together, until now! Garbology came together over the course of the pandemic, as well as in the midst of Aesop processing the loss of a close friend in January of 2020, resulting in a period of time of feeling uncreative. Looking back on that time that feels both like yesterday and forever-ago, Aesop recalls, "Theworld got real weird during those months. I knew at some point I had to get back to making something. Make a beat. Draw a picture. Write. Just go. But the idea of making a beat felt like math homework, and drawing is just so hard. Writing is hard too, but at some point I had to pick one." With writing as the chosen path, Aesop hit up Blockhead to send over some beats. At the beginning there wasn't a plan for an album, or any particular plan beyond creating some songs. However, it wasn't long before one song became a few, and then a handful, until finally an album was born. Garbology encapsulates the soundtrack of current times, capturing a snapshot of Aes and Block expressing a means of entertaining themselves in the midst of less social interactions than usual, "anchored on a goulash of cabin fever, fear, anger and boredom", as Aesop describes it. As for the album title, Aesop explains, "Garbology is defined as the study of the material discarded by a society to learn what it reveals about social or cultural patterns. I find a lot of parallels between that and the idea of picking up the pieces after a loss or period of intense unrest, and seeing what's really there. It's information that speaks to who I am, who we are, and how we move forward. Furthermore - the idea of digging through old, often neglected music from another time with an ear tuned for taking in that data in a different way than your average listener would is exactly what Tony does. Go through the information and see what you find."

HHV exclusive variant including the double lp and a slipmat.

When Aesop Rock debuted in the late 90s with Music For Earthworms and Appleseed, Blockhead was also a part of the process, not only as a producer, but also helping coordinate sales of the CDRs to hungry Hip Hop fans. Blockhead and Aesop continued to collaborate, creating an impressive list of songs along the way, including two of Aesop's most popular songs to date; "Daylight" and "None Shall Pass". In recent years, Blockhead has contributed production, as well as remixes, to manyof Aesop's solo releases and group projects, and Aesop has made a handful of guest features on Blockhead's solo projects, but in all that time, Aesop and Block have never done a full album together, until now! Garbology came together over the course of the pandemic, as well as in the midst of Aesop processing the loss of a close friend in January of 2020, resulting in a period of time of feeling uncreative. Looking back on that time that feels both like yesterday and forever-ago, Aesop recalls, "Theworld got real weird during those months. I knew at some point I had to get back to making something. Make a beat. Draw a picture. Write. Just go. But the idea of making a beat felt like math homework, and drawing is just so hard. Writing is hard too, but at some point I had to pick one." With writing as the chosen path, Aesop hit up Blockhead to send over some beats. At the beginning there wasn't a plan for an album, or any particular plan beyond creating some songs. However, it wasn't long before one song became a few, and then a handful, until finally an album was born. Garbology encapsulates the soundtrack of current times, capturing a snapshot of Aes and Block expressing a means of entertaining themselves in the midst of less social interactions than usual, "anchored on a goulash of cabin fever, fear, anger and boredom", as Aesop describes it. As for the album title, Aesop explains, "Garbology is defined as the study of the material discarded by a society to learn what it reveals about social or cultural patterns. I find a lot of parallels between that and the idea of picking up the pieces after a loss or period of intense unrest, and seeing what's really there. It's information that speaks to who I am, who we are, and how we move forward. Furthermore - the idea of digging through old, often neglected music from another time with an ear tuned for taking in that data in a different way than your average listener would is exactly what Tony does. Go through the information and see what you find."

* The eleventh record in the Crane City Music collection * Only one pressing of 500 copies on individually-numbered 140g black vinyl * Cover design by Seattle artist Damascus Purnell * Liner notes by Martin Douglas (kexp) * Specially mastered for vinyl by Adam Gonsalves (Telegraph Mastering)'

Here's a split vinyl of quarantine protest jams from two Seattle heavy-hitters: AJ Suede & Specswizard. Both artists were inspired by 2020's Black Lives Matter protests, mask-wearing, and stay-at-home orders to produce boom-bap tunes that could only exist in the 21st Century. Insomniac magazine praises the pair's 'next level lyricism.' The Seattle Times picked AJ Suede's brilliant 'Long May We Rain' as one of the best albums of 2020. On the flip side of this cross-generational split LP, you'll find the vinyl-only 'Lost Gems' project from Specswizard. He's a veteran of Seattle's scene, releasing dozens of self-produced albums and EPs since his start in 1988. On his latest, the familiar sound of buzzing amps and tape hiss makes way for major-key soul turned into pensive bangers. Specswizard’s low, late-night-in-the-living-room baritone conjures the feeling of recording in a cramped apartment while the neighbors are sleeping. Still, the beats knock like side doors and his narratives hover like heavy rain and cumulus clouds of weed smoke. Together, these two records provide a powerhouse portrait of Black life in the American Northwest today. Only 500 individually numbered copies have been pressed.

Limited Edition.
No. 232/500

Cover corners dented, otherwise VG+
Record with just a few paper scuffs.
Includes original insert.

China White cuttet Samples mit Katana, flippt puristisch – aber nur Filets. Almighty Warpath schwingt die Nunchaku gekonnt gewieft im Takt des Säbelrasselns und Glockenläutens. Chinese War Chants. Das Album kommt als 12inch über Am Apparat und blumeblau aus Münster.

The 9th entry into the Heat Rock catalog dives deep into Memphis Soul / Funk territory with a pair of stems remixes. The A-Side features a track from Chicago's Altered Tapes crew and their take on a West Coast Gangsta Rap classic. And on the fip, Oakland's own DJ Platurn banged out a drum break heavy edit and homge to one of our favorite, early cutnpaste producers. Cop doubles.

After joining the likes of Lord Finesse, Large Pro, and Nottz on the production lineup for The Xav’s recently released Black Duke LP with Come On (feat. A.G.), Cologne, Germany-based producer Amazing Maze blesses us with another sureshot. His new single No Comp features the legendary Cella Dwellas and Ran Reed and sounds like it could've been from the Dwellas legendary "Realms & Reality" album.

Orange vinyl. Cover is close to NM.

Andy Cooper, member of Californian Hip Hop group Ugly Duckling recently released his solo project »Hot Off The Chopping Block« on LP and digital. Now here's your chance to get Andy's and Oonops' favorite handpicked tracks plus two unreleased fiery and exclusive instrumentals on your favourite format of choice.

Cop your personal limited crystal clear recycled 45 version or the black recycled one.

Andy Cooper, member of Californian Hip Hop group Ugly Duckling recently released his solo project »Hot Off The Chopping Block« on LP and digital. Now here's your chance to get Andy's and Oonops' favorite handpicked tracks plus two unreleased fiery and exclusive instrumentals on your favourite format of choice.

Cop your personal limited crystal clear recycled 45 version or the black recycled one.

The first solo effort from New Orleans based MC/producer and 1/2 of the group Sic Hop, Anthony DeMar. An album carefully crafted with the intent to provoke the thoughts and feelings of a psychedelic experience. Albeit slightly experimental, Galaxy Juice remains rooted in traditional hip hop with hard hitting sample-based production provided by Sir No Face, Gl!nn, Wino Willy, ET Deaux, and Sonny Paradise. Fill your cups up and enjoy the trip!

Record Store Day 2021 Release.
Limitation: 1000 copies.

Detroit's Apollo Brown and Cali Agent Planet Asia take side A of this special edition Hip Hop vinyl, while SP1200 wizard Gensu Dean and Motor City MC Guilty Simpson handle all the B-Side tracks.

Dope 8-track 100% unreleased and unleaked material from the early to mid 90’s outta Texas, produced by Papa Chuk and Landlords of the Morgue producer Ashton “DJ Cassanova” Irons. You will know Teddy Lee from the group Project Crew but the rest are pretty obscure acts that passed through Ashton’s studio in the early to mid 90’s to record their demos. Check out the flava!!