US Hip Hop Vinyl 511 Items

Radio Juicy proudly presents "No Love Lost" the debut album by Mike Nasa. Together with B-Side on the production they brought us an incredible hour long album that will most definitely take you away. Mike explores a lot of pertinent subjects with style and grace. No Love Lost is one incredible journey of words & beats that will make you get up your chair and make you wanna get a piece of the action! It comes on this amazing deluxe edition gatefolder 2LP vinyl set that comes in limited quantity and will shine in your collection!

All tracks written and recorded by Mike Nasa
All tracks produced by B-side
Additional credits featuring artists Naomi Olive, Chuuwee, Tesla Aslet and Bobby Witt.
Mastering by B-Side
Photography by Felix Schöppner
Typography by Eddy Dessaso
Graphic design by Invention_
Layout by Alex Brade
Published, manufactured and distributed by Urban Waves

MIKE’s music carries age beyond his years. Born in New Jersey, MIKE moved to London with his mother before settling in The Bronx for the remainder of his teenage years. Both regions have had an audible influence on the young rapper’s music – in London he was immersed in grime and the music of King Krule, and in the Bronx he was turned on to Earl Sweatshirt and MF Doom. Through his mixtapes Winter New York, Longest Day, Shortest Night, May God Bless Your Hustle and his EP By The Water, he has made a definitive statement on the current state of youth in New York. The releases turned heads outside of MIKE’s immediate community in the city, earning praise from The Fader, the New Yorker, and being selected as Best New Music by Pitchfork. MIKE raps over characteristically lo-fi, and soulfully hazy, self-produced beats. Themes about the depression and anxiety that accompany being young and African American abound throughout his music, but a muted sense of hopefulness and certainty that he is moving towards ultimate triumph is the motor quietly propelling things forward. In New York, he discovered several artists with a similar ear and style, and formed his collective [sLUms]. Consisting of sixpress, dj ???, King Carter, Jazz Jodi, and DJ Mason, the group is a diverse range of producers and rappers who each make music about the tribulations of coming of age and being black in New York.

Grammy® Award-nominated multi-platinum hip hop trio Migos (Quavo, Offset, and Takeoff) return with their anxiously awaited full-length album, Culture II, almost exactly a year after the record breaking first installment. Lead single "Motorsport (feat Nicki Minaj & Cardi B)" is already topping charts, followed by the Pharrell produced smash, "Stir Fry".

Lonely Horizon is the 1st full length solo album by the talented funk musician and composer Michele Manzo. Drifting along a crest of lush chords, rhythmically driving vintage drum machines and rich, piercing bass lines Manzo has created a work which puts the mind at ease and compels the body to move.

Manzo’s Lonely Horizon was produced in his Italian studio and mastered by the legendary Dave Cooley of Elysian Masters in Los Angeles. With brilliant features from long respected Brooklyn MC J-Live and Mo’Funk Records resident boogie queen Moniquea, This 8 track vinyl is a must have for groove hounds, dance floor junkies and perpetual chillers alike.

In mid march of 2018 Manzo will be touring with UK soul staple Omar in promotion of Lonely Horizon’s record store day release. Two additional Italian vocal edits are included on the cassette recording and both cassette and vinyl are complete with exciting artwork which fits the sounds so closely that the lines between your visual and audio experience may feel blurred. Don't stress though, you’re just drunk on the funk.

In 2018, Meyhem Lauren teamed up with Brooklyn-based producer Harry Fraud to bring you Glass. The original 9-track project featured Action Bronson, Westside Gunn, Conway the Machine, Big Body Bes and more. For Glass 2.0, the duo went back to the archives and as the quarantine started, they began to revisit all of the music they recorded together while recording the original Glass. “Meyhem and I had some new records and a bunch of demos and that we hadn't done post-production on yet. Over the course of about a week in May, I locked in and pretty much tore the songs apart production wise. Then rebuilt them into what would become Glass 2.0” – Harry Fraud “Me and Fraud had a bunch of unfinished music in the stash that was recorded during the time that we made the original Glass project. During quarantine extra spices were added and a new dish was born. To make a long story short, sometimes the leftovers taste better than the initial meal.” – Meyhem Lauren While the majority of Meyhem’s vocals were recorded in 2017-2018, Harry Fraud’s tailor-made production of each song gives Glass 2.0 a sound and style unique from its predecessor. While the second installment of Glass only features Big Body Bes and Bags, this leaves plenty of time for Meyhem to showcase his lyrical ability, which is especially sharp on “Poseidon’s Wrath”, “Root of Evil” and “Yucca” (all previously unreleased in any format). A respected staple of the modern underground hip-hop scene, Meyhem Lauren is no stranger to the game. Having been on the scene since the mid-2000s, Meyhem is best known for blending his “luxury rap” flows over production reminiscent of 90s east coast hip-hop. Throughout his career, he has worked closely alongside DJ Muggs of Cypress Hill, Madlib, Freddie Gibbs, Czarface, Sean Price, Roc Marciano, J-Love, and his childhood friend, Action Bronson. Their friendship is evident in the Viceland television show F*ck, That’s Delicious, in which Meyhem is featured alongside Action in each of the episodes. Harry Fraud’s production first popped off on “New York Minute” for French Montana before the two delivered the breakout “Shot Caller” in 2011. A string of influential Harry Fraud-produced songs and records followed, including tracks for The Weeknd, Sam Smith, A$ap Rocky, Wiz Khalifa, Lil Peep, Action Bronson, Benny the Butcher and more. Meyhem and Harry have proven to be a perfect match and Glass 2.0 is sure to be an instant fan favorite.

Described by music journalists as German wonder boy and multinational phenomenon, Berlin-based music producer and beat maker Meeco has been an internationally respected big name among music lovers and music experts for quite some time. Deeply rooted in jazz and soul music, he has released four albums featuring an eclectic mix of star guests from different genres including Talib Kweli, Gregory Porter, John Scofield and Casey Benjamin (Robert Glasper Experiment), always moving effortlessly between jazz, soul and hip-hop. Not a conservative musician by any stretch, Meeco is used to doing things big, out of the norm and striking new approaches. On this new venture, WE OUT Here, Meeco delivers a pure hip-hop album. Again, he did not skimp on star power as the featured artists include big names such as Smif n’ Wessun, Masta Ace, Little Fame (of M.O.P.), Big Shug, and A.G. (of D.I.T.C.). All of the tracks were exclusively produced on the legendary EMU Sp1200, a 12-bit sampler, providing a particular grit and signature boom bap sound.

J Dilla’s protege Guilty Simpson first collaborated with Madlib’s protege MED on the hard hitting ‘Jungle Love’ track off J Dillas ‘The Shining’ LP. They continued to reunite on several tracks after and now offer us the Loyalty EP. With beats by Black Milk, MNDSGN, Exile and Preme, the duo have no choice but to come correct with the lyrics and they do.

From Cali to Detroit, MED and Guilty Simpson deliver a 10 track EP to get you ready for the album dropping later this year on Bang Ya Head Entertainment.

LP comes with 16 page lyric book and 7inch. Produced by Prince Paul, MF DOOM, Mark Ronson, ?uestlove and Memory Man!!
Featuring Open Mike Eagle and Masta Ace.
"If you work with words, like I do, there are a few achievements that we secretly fantasize about. Winning a Nobel Prize in literature. Having a #1 best-seller. College professors teaching our writing in their courses. But one achievement that most of us don’t even fantasize about is having an “original citation” in the Oxford English Dictionary.
The unabridged OED is the compendium of the history of English. Every time a word in common parlance was used for the first time, or in a new way, that usage and its author are recorded in the OED’s endless pages. Shakespeare’s got a bunch. Milton, too. These days, getting an original citation is like hearing the voice of God. It doesn’t happen much. But Paul Barman has one.
This is relevant to (((echo chamber))) only because it indicates the level that MC Paul Barman writes at. His rhymes are original in the sense of “no one has ever used that word like that before… but we will now.” Bring your brains. You’re gonna need them.
Not that (((echo chamber))) is hard work. It is perfectly pleasurable to bop your head along to great tracks laid down by ?uestlove and DOOM and Prince Paul, while MCPB says, “Meat keeps an enemy as a bone-deep identity. It’s the hardened shell that starts to smell. At one time, it might have guarded you well. But maladaptive strengths turn to captive feints and you become your own warden in hell.” And then in the next breath, “Would it blasphemy to ask you to shake that assphemy?”
If your ears are open, MCPB is gonna plug your brain in at voltages to which you are unaccustomed. He’s a social critic with a searing conscience that makes (“my”) comfortable bourgeois house of lies tremble with each jagged line on the PB Richter scale. Comfortable notions of being a “good” white person, blow up in the first two tracks, (((Echo Chamber))) and “YOUNGMAN Speaks on (((Race)))”. It takes MCPB just shy of three minutes to make this semi-observant Jew feel skeptical about the Ten Commandments. In ((((((Antennas)))))) he says, “we feel conflicting agendas rise and fall / what we call our identity tries to synthesize them all.” But he offers a solution, too. You’ll have to listen to the song to hear it. And at the end of the anthemic “Age War,” you’re ready to stand up, cheer, and then go join children in battle against the calcified bankrupt status quo. After all, it’s “already dead. Mentally a baby step from a deli spread.”
But, like any great poet (and MCPB is), he gets personal, too. I am certainly “a self in sheep’s clothing, a wealth of cheap loathing…” Aren’t you?
MC Paul Barman tells us, “Rest assured I’m the crested bird of nested words,” and that is no empty boast. In poetry, to rhyme both at the end of line and internally, in the middle of a line, is showing off. Which makes MCPB a crested bird indeed. There are songs, like (((Believe That))), where your eyes just go wide and you can’t believe the number of rhymes in a row that tell the truth. That much truth all placed in a row—you don’t see that anywhere. And it rhymes, on three levels at once.
MC Paul Barman is the most ambitious type of rapper. He is rhyming art. Why bother? It seems hard, and indeed the long hiatus between his albums tells us that it is. Well, MCPB has a reason: “art is the answer, the be end all... art, art and only art give solace to all this chaos and lonely hearts.”

So take some solace. (((Echo Chamber))) by MC Paul Barman is here. It’ll make your brain spin. And make you check your guts."
--- Adam Gidwitz, New York Times Bestselling & Newbery Award Winning Author

Not a lot is known about the mysterious Mayz Road Kartel. They only created this outstanding underground joint in the mid 90's in the concrets of Memphis. For many this is the sound of Memphis in his purest form. All tracks produced by no other than Blackout and backed by featured rappers Playa Posse. The

This newly formed trio composed of Philly Hip Hop Legend ”Rahsheed aka Maylay Sparks”, newcomer “Chukk Rukkuz” and rapper/producer “K-Sluggah” from the squad known as Muddy Fatique, have joined forces to form the “Hood Thrill Hunters”. This 10 track urban reprise was entirely produced by Karl “K-Sluggah” Frigyes and is a must have!

K-Sluggah, an MC and beatmaker whose origins lie in the city of Malmö in Sweden, is part of the Muddy Fatique collective that’s revered in Sweden for sharp rhymes over rugged beats. In 2007 K-Sluggah started taking his beat-making craft more serious. His preferred weapons of choice are the classic beat machines ASR-10 and MPC 2500 and of course some dusty old records to go along. The result is a production style which is sample based, soulful, rugged and raw. He has released numerous projects with his ”Muddy Fatique” partners both behind the mic and behind the boards. On this particular project K-Sluggah exibits his talents by composing some of the illest breaks, tripped out bass lines and synth tones with the help of Jack Winge, studio aficianado and bass player, who also contributed to the 2013 release ”Spit On It”.

Last year he released the LP “Twin Cannons“ with NY rapper John Jiggs which was very well received in the underground circuit. He also has notable past work with Hus kingpin, Maylay Sparks, Granddaddy I.U, Mykill Miers, Tha God Fahim, Mach Hommy, Rozewood, Monsta Mook and Shady Records signees Westside Gunn & Conway.

Maylay Sparks delivers as usual, with his trademark dynamic, swift, and descriptive delivery over broken melodies, accompanied by riffs ranging from Balkan jazz clips to 70’s Vietnamese soul. His counterpart Chukk Rukkuz, whose fierce and aggressive flow with a hint of the golden era style cadence, is the perfect match for every selection. Features include John Jiggs, Rucker P.A.W.K, and Rocc Spotz (now known as Rocc Boogie) who is yet another heavy hitter from the Muddy Fatique team. The music is accompanied by the precise turntable assistance from Italy’s finest and most respected DJ, Bassi Maestro.

The artwork is a very personal touch, it's the Avenue Maylay Sparks grew up on as a kid during the 70's in Philly and it’s actually a cartoon of an actual picture.

As an added bonus the elpee will include an extra track, an insane posse cut that will feature Conway the Machine to close off the project. Limited to only 300 copies!