US Hip Hop Vinyl 12 Inch 349 Items

The Ill Adrenaline Records camp continues to push forward with pure unapologetic boom bap hip-hop. In 2012 Beneficence and AG (of D.I.T.C.) released the now classic collabo track/video for “All Real”, the strongest cut off Benef's much sought after underground smash album "Concrete Soul". The duo veterans are back at it once again with visuals and a limited edition 12” for the Jazz Spastiks produced track “Smooth Hardcore”, taken off the critically acclaimed LP "Basement Chemistry” (2016). The single contains the original album version plus a 90’s ultra-jazzy remix from legendary producer K-Def (Real Live, LL Cool J, Tragedy, Lords of the Underground, Ghostface Killah, etc.), and a Latin flavor remix from up-and-coming beatsmith Brous One.

Still in shrink but opened. Cover is close to NM. Limited edition.

limited edition of 500 handnumbered copies!

The legendary Ultramagnetic MC touches down in London for a one-away collab with We Are The Horsemen, featuring the one and only Kaidi Tatham.

What you sayin’, Kool Keith...? Enter your spaceship for a transatlantic meeting of minds as the legendary Kool Keith links up with We Are The Horsemen (Outernational Sounds head honcho Harvinder Singh Nagi and producer Sub One) and the great Kaidi Tatham for a future-jazz flavoured trip through the great MC’s London adventures.

Kool Keith needs no introduction to hip-hop heads worldwide. As one of the greatest MCs ever to touch the mic, Keith has never stopped innovating and progressing. From his days in the seminal 1980s Bronx unit Ultramagnetic MCs, through his pioneering development of new conceptual characters and styles in the 1990s (Big Willie Smith, Dr. Octagon, Dr. Dooom, Black Elvis), to his continuous run of radically independent recordings in the 2000s and beyond, Kool Keith defines rap longevity and artistic originality. No one else in hip hop has a comparable record of continuous reinvention, conceptual boldness, and stylistic panache.

And after four decades in rap, Keith is still one of the hardest working rappers in the game, perpetually seeking new sounds to spit on and new collaborators from across the musical spectrum. Fresh off the acclaim for his new Black Elvis 2 release, the protean MC has touched down on Outernational Sounds for a unique collab with We Are The Horsemen and Kaidi Tatham. ‘London Is The Place’ finds Keith riding the Horsemen’s atmospheric, break-toughened riddim and reaching back in time to drop kaleidoscopic, stream-of-consciousness impressions of the Ultramagnetic MCs infamous 1989 tour, before flashing forward to the present in order to namecheck Honest Jons Records, saxophone star Nubiya Garcia and master keyboardist and broken beat pioneer Kaidi Tatham, who contributes trademark jazz keys and bruk steez to the AA side remix. The 12” is closed out by a third version, the Horsemen’s own Kool Jazz Mix, bringing see- sawing organ stabs and a neck-snapping Ultra-sampling hook.

Kool Keith, Kaidi Tatham and We Are The Horsemen, taking it higher and overcoming the pressure with ‘music so progressive’, to quote Keith himself! Limited press – don’t sleep on this one!!'

CircoLoco Records is proud to announce CircoLoco Records & NEZ Present CLR 002, now on vinyl with cover art designed by Toiletpaper. The second release from the collaborative record label project between CircoLoco and Rockstar Games, CircoLoco Records & NEZ Present CLR 002 features three genre-blending tracks from the Chicago-born, LA-based artist and producer, with guests including Detroit master Moodymann, Three 6 Mafia’s Gangsta Boo, and longtime collaborator ScHoolboy Q.

Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length? These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax. The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence. Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky. This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.

After 2017’s 10 year anniversary tour of Below The Heavens and a b-sides/rarities release in In The Beginning many wondered whether or not Blu & Exile would ever reunite for a proper new release or if that year was as much a curtain call as it was a celebration. Putting those questions to rest, Dirty Science Records is proud to announce the True & Livin EP – as Blu & Exile’s undeniable chemistry is yet again put on display. “True and Livin feels like a spiritual call to all that have honor and truth in their being. It sees how present day and beyond is always trying to calculate or monetize what comes from God or what comes from an artist’s spirit, but it also recognizes the truth that is inside of Blu and Exile's music and brags about it, even in a humble way somehow. This might be the first hip hop braggadocio song that invites us all to feel the same about themselves as long as they connect to the spirit and truth that is inside this song and inside us all.” Exile says about the EP’s title track. Positivity and strength remain a theme on this EP, in Spread Sunshine and the stand out posse cut featuring most of the Dirty Science crew in Choosey, Johaz, Cashus King, Aloe Blacc, Fashawn & Blame One on Power To The People. Blu adds, ““Power To The People” is a call to the people, a call for the people to unite. Unification is power, power in numbers.

Kemastry and Jazz T collaborate to bring you this heavyweight 5 track EP with features from Ramson Badbonez & Roughneck Jihad. The dope video for Hamster wheel has been smashing it on Youtube! Instrumental versions are on the B side.

/ Remix / America's Most Blunted

Absolutely stunning very rare old school party disco rap 12" performed by members of the Chicago public highschool Carver High. Originally released in 1982 on their own private-press Challenger Records. The track is the opening highlight of Soul Jazz Records" recent Yo! Boombox collection and is featured here in its full glorious seven and a half minutes and comes complete with exact-replica of the striking original hand-drawn artwork.

Still in shrink but opened. Tiny corner wear.

Becauseweliveit are dropping their debut release. And they're doin' it the right way. A classic black 180 gr 33,3 rpm 12" maxi-single including 3 versions plus the respective instrumentals of the smasher track “To The Fullest”.

On 12 Finger Dan's original version they got REKS, Masta Ace, and Rakaa Iriscience [of Dilated Peoples] droppin' powerful verses – that's Hamburg, Boston, New York, and Los Angeles united for the cause of that boom-bappin' true Hip Hop.

For the cuts Stevie Drumz from Munich joined 12 Finger Dan of Soulbrotha, and they went crazy. The spherical Dilla-esc Rekless remix does not only feature an extra Roger Rekless verse and him plus his companion Boshi San singin' the hook. But also some extra keys by Ningu Strom of Tribes of Jizu, and scratches by Al Rock who is one of Roger's 4zu1 crew members.

Version #3 is on a beat by Munich Boom Bap producer Roccwell. Besides REKS, Ace, and Rakaa another LA legend stepped up to the mic. Mykill Miers the Hitchcock of Hip Hop! DJ Aspect, former IDA/ITF champion, also from Munich, did what a dj gotta do.

Here we have some seriously dope unheard and unreleased material outta QU by Shabar (Bar Love] outta the obscure NY group Food of The Gods. Damn there are some heavy NOI flavored joints here all produced by our man Artwell Smart who also produced the Big Sha grail material. Been trying to get to this gold for a minute yo!!! Just peep it….

One of the biggest New Orleans bounce/dance tracks of last few years on a hand stamped white label listed edition 12”. First vinyl record for Hasizzle the King of Bounce

"What I'm Talkin' About", a jazzy boombap beat by the Jazz Spastiks (Scotland) that celebrates the 90s vibe of the "Golden Era". Dope verses from Beneficence und Phantasm (of legendary NY Rap Crew Cella Dwellas). A tribute to Hip Hop and how it has made its way from the cradle in the South Bronx to the remotest suburbs of the world.

Exclusive remixes by Figub Brazlevic (Berlin) and Retrogott (Cologne) only available on vinyl. Rounded by an exclusive art print from graffiti artist Stohead. All proceeds are used to support the subcultural music center Stellwerk in Hamburg/Harburg.