UK Hip Hop 51 Items

he next chapter in the “Seven Deadly Sins” saga brings you something very very special. Believe it or not, we managed to find another unheard/unreleased THE Sworn Lord tune from the vaults of Davy G. Originally recorded in 1990 after “the vengeance is mine” 12inch was released, which is impossible to find or huge expensive, super rare UK Holy Grail. to make “the vengeance is mine” available again, we tried our best to find the OG masters, but couldn’t find them, so we made a vinyl rip off and Gavin Weiss remastered this Beasttune the best way possible. The result is a bit different to the OG version from the 12inch, super dirty, super raw with deep bass. What this release makes so special is the flipside, “The B-Side wins again”: MC Phaser aka. The Sworn Lord -who sadly passed away a few years ago (R.I.P.)- spits pure fire over a 666% Britcore Style pure fire 131 bpm beat produced by Davy G feat. furious epic scratch pattern by DJ Soundmaster. Completly unknown, unheard UK hardcore hiphop from the early 90ies. People into classic Blade, Silver Bullet, Gunshot, Hijack etc etc. gonna love it. We listened to it 24/7 for over 6 months, its a heavy heavy tune which leaves you addicted, you cant stop listening to this, believe us and check the snippet. to underline again: This is NOT made for the club. this pure 1990 Golden Era UK HipHop Hardcore Fire, a document uk UK HipHop History, super dope Random Rap, a raw diamond perfect for the label and the “Seven Deadly Sins Series” on Britcore Rawmance. Nothing FOR Audiophile Hipsters. Regular copies in the usual artwork of the “7 deadly sins” series plus a n orptunity to change to a picture cover. includes a superdope Sketch by Hamburgs finest Skat inside the fold out sleeve.

Super Limited 'Cerise' Repress of Jam Baxter's 'The Gruesome Features'. First released in the summer of 2012, the LP remains one of Baxter's most celebrated projects to date.

With featured artists on every song (bar the first and last) and with a brilliantly curated list of production credits, 'The Gruesome Features' reads like an all-star list of UK talent...

Village Live Records is proud to announce the highly anticipated '10 year anniversary' reissue of Micall Parknsun's critically acclaimed album, 'Me, Myself & Akai,' originally released in 2013. This special reissue marks the first-ever availability of the album on vinyl, making it a must-have for collectors and hip-hop enthusiasts.

Produced entirely on the iconic Akai MPC 1000 by Micall Parknsun himself, 'Me, Myself & Akai' showcases his impeccable production skills. The album features captivating guest vocalists including Joker Starr and Ramson Badbonez, along with razor-sharp cuts by the legendary Jazz T.

Vinyl enthusiasts and fans of Micall Parknsun's work can secure their copy by pre-ordering the limited edition vinyl release. Pre-orders will be available exclusively on the Village Live Records Bandcamp store, with sales going live at 7 PM UK time on Friday, July 7th.

With only 300 copies available, this reissue promises to be a highly sought-after collector's item. Fans are encouraged to act swiftly to secure their copy of 'Me, Myself & Akai' and experience the raw talent and captivating production that Micall Parknsun has to offer

High Focus Records is proud to announce Verbz & Mr Slipz’ forthcoming album ‘Radio Waves’ set to drop on the 13th of November 2020. This record is the culmination of 2 years of hard work and is jam packed with absolute Heat, as we have all come to expect. With with their unrivalled chemistry, the dynamic duo have proven themselves to be some the most exciting artists on the scene, and ‘Radio Waves’ is going to cement their position at the top of the pile. Considering the calibre of Verbz' penmanship and the sheer density of Mr Slipz' production, this is going to make some serious noise.

"Radio Waves' limited edition double disc vinyl is limited to 300 copies only and comes in a full colour premium sleeve with a digital download upon fulfilment of your order. Classic black heavyweight vinyl

Magnetic is the 10th studio album by rock band Goo Goo Dolls, released on June 11, 2013, through Warner Bros. Records. The recording process took place during the latter half of 2012 and into early 2013. Rzeznik thought of the album title during a phone conversation with his manager, who told Rzeznik to "think of a title for the record. Try to use one word." Magnetic was the first word that came to Rzeznik's mind. This is the last album to feature drummer Mike Malinin who left the band in December 2013.

Limited to 200 copies.

Vinyl includes A 2-Part Full-Colour Vaughn Bodé Panoramic Collage. 4 x VB Stickers (10x10mm), Frame-able Insert Print (300x300mm), 180gm Black Vinyl, Shrink-Wrapped Gatefold Sleeve.

Limited to 2500 copies.

To mark Record Store Day in 2022 Universal Music Catalogue are making Rizzle Kick’s 2011album ‘Stereo Typical’ available as an LP, on limited edition light green vinyl.‘Stereo Typical’ has been newly mastered for 180 gm vinyl at Abbey Road Studios, and is housed in an eye-catching gatefold sleeve reproducing the original artwork.Originally released in October 2011, ‘Stereo Typical’ was the Brighton Hip-Hop duo’s debut album, peaking at No. 5 the following February.

High Focus Records is proud to unveil the artwork for the forthcoming Verb T & Illinformed collaborative album: ‘The Land Of The Foggy Skies’, designed by Siou Escalon.

As you would expect from two of the hardest working artists in the UK rap game, Verb T & Illinformed have delivered a fitting sequel to the iconic 2015 release ‘The Man With The Foggy Eyes’. The pair have both raised the bar, taking their already incredible chemistry to new levels, as demonstrated with singles ‘Rotten Luck‘ & ‘New Paths‘.

An all encompassing cinematic opus, ‘The Land Of The Foggy Skies’ once again proves why Verb T is one of the most decorated MC’s in UK Hip Hop and why Illinformed is in a class of his own when it comes to production.

High Focus Records is proud to present the second pressing of Verbz & Mr Slipz’ milestone of an album ‘Radio Waves’.

This record is the culmination of 2 years of hard work and is jam packed with absolute Heat, as we have all come to expect. With their unrivalled chemistry, the dynamic duo have proven themselves to be some the most exciting artists on the scene. ‘Radio Waves’ is going to cement their position at the top of the pile, considering the calibre of Verbz' penmanship and the sheer density of Mr Slipz' production.

This repress of the "Radio Waves' double disc vinyl is limited to 500 copies only and comes in a full colour premium sleeve on blue marble heavyweight vinyl

Dirty Dikes classic album 'Return Of The Twat'.

Sides A & B produced by Naive. Sides C & D produced by Pete Cannon. Features from Ronnie Bosh, Jam Baxter, Ed Scissortongue, BVA, Mr Key, Fliptrix, Leaf Dog, Verb T, Dabbla, DatKid, Stig Of The Dump, Dr. Syntax & DJ Manipulate.

Limited edition repress on red splatter vinyl, full colour 350gsm reverse board gatefold sleeve. 13 track LP over 2 discs. Shrink wrapped. Purchase comes with a digital download of the album upon fulfilment of your order.

Run of 500 vinyl.

Fliptrix's 4th album 'The Road To The Interdimensional Piff Highway' released on 12.12.12 Fully produced by Runone & Molotov. The album features such classic The High Way & Cycles! A certified classic for any collector or Hip Hop fan!

Limited edition repress on clear blue double vinyl, full colour 350gsm reverse board sleeve. 14 track LP over 2 discs. Shrink wrapped.

Following on from his last EP, 'Stacker Upper', Lunice returns to his spiritual home, LuckyMe, looking more confident than ever with his next release, 'One Hunned'. Much like his fellow LuckyMe cohorts, Hudson Mohawke and Rustie, Lunice takes ample inspiration from 80s/90s r'n'b, but still manages to be part of a small contingency of producers who are completely carving out a whole new path. Expect big neon-clad synths, soul laden vocal snippets and slick as hell drum-programming, with remixes from The Blessings and Girl Unit to boot.

John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label. The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. 'Maya' is inspired by John's favourite music: '91 to'96 UK breakbeat hardcore and jungle. It's a varied and personal take with sophisticated, authentic production balanced against John's acute sense of melody, an inspired blending of machines and samples infused with a joyful energy. "I don't have that interest in singing or writing lyrics like I used to. The natural thing when I'm by myself now, is to just make music like the stuff being released this year. I really love the back and forth with machines and the computer." The fun he's having on 'Maya' is infectious.

Village Live Records are proud to present 'Time & Tide', the new album by Mancunian poet and emcee, D'Lyfa Reilly.

The 12-track album is entirely produced by Village Live artist Aver and is the last release to be overseen by the label's co-founder Joey Deez, who sadly passed away earlier this year.

D'Lyfa burst onto the UK hip-hop scene in 2011 aged 19. After releasing a slew of mix tapes and videos he gained notoriety across the UK, most notably being featured on BBC Introducing and Charlie Sloth's 1xtra national radio shows.

It was during this period that D'Lyfa befriended fellow Mancunian hip-hop producer Aver. The two had a shared vision of an alternative, no-nonsense approach to music and worked together for years on a number of projects that never saw official release. 'Time & Tide' is a combination of reworked tracks from this era and new music the pair created in 2019.

The album will be available on limited edition 12" vinyl in two colour ways: standard black, and the other an aquatic-themed transparent blue with white swirl. The digital version of the album, along with the instrumentals will also be available to stream/buy when 'Time & Tide' is fully released at the start of 2021.

Finally, here it is, the impossible to find 1993er “chapter one” demotape from 1993. Back in the days only about 30 copies of this tape have been made. Numskullz, Britcore Rawmance Records, Burning Anger Records and Mr. Tibbz joined forces to put together the whole thing in its most possible original format, coming as a 6 track 12inch Ep incl. an intro. Furious early 90ies classic Bristol UK HipHop History right here. Mastered by Rola himself.

All Artworks by Mr.Tibbz.

Once again off the back of another very productive year, Micall Parknsun is on vinyl again. Teaming up with the mighty Boot Records to bring you his brand new Extended Player, the "Back In Business" EP. This killer record consists of 5 tracks and instrumentals , 3 produced by the main man himself, 1 produced by everyone's favourite DJ, DJ Jazz T and 1 produced by Jazz T & Dr Zygote. With the only feature being Brooklyn's very own Napoleon Da Legend, this is a sure fire bit of wax you won't want to miss out on.

Where the previous 184 & Big Toast album was a bluntly worded denunciation of the zeitgeist over a classic Hip Hop soundtrack, Who Shit in The Sandpit takes a sonic direction more akin to 184’s Trip-Hoppy electronic-folk collective, Button Eyes. With more

melodious production and a greater range in the vocal tones and styles of delivery, it sees the duo step outside of their comfort zones and attempt something less restricted by the confines of their genre. The title is an abstract and Toast-esque expression referring to how the world the next generation stand to inherit (the Sandpit) is being destroyed by the greed and stupidity of older generations (the shit). It is at least a partial departure from the nihilistic and misanthropic themes on previous projects, perhaps a consequence of Toast’s desire to leave a better world for his firstborn, who arrived during the making of the project. While no album which closes on a track about a nuclear holocaust can be described as light, Who Shit in the Sandpit? has moments of real humour, providing comic relief from the more pointed social and political statements elsewhere. Fellow Tuff Boy, The Strange Neighbour, joins Toast on “Anyone Order a Tough Guy?”, a verbal skewering of wannabe hardmen, and the offensively absurd “F.W.L.”. Sometime Sleaford Mods vocalist John Paul contributes his own unique brand of observational poetry to “Backpack” and Croydon’s Breezy Lee elevates every track she features on with her sumptuously soulful vocals. Halo Jones adds the finishing touches with his distorted guitar riffs,

providing further musicality to an already boundary- pushing Hip Hop album.

East London-born music legend and all round boundary-breaking innovator, Dizzee Rascal, today announces the release of his 7th studio album, entitled ‘E3 AF’ and new single ‘L.L.L.L (Love Life Live Large)’, out via Island Records. This new release marks the genesis of a new era for Dizzee and is the first album wholly written, recorded and produced in the UK in over a decade. ‘E3 AF’ is a 10-track layered, purposeful statement of intent, rooted in Dizzee’s inedible ties to both east London and Black British music’s legacy. He sound is sharper, stronger and more self-assured than ever, and it is obvious that he has poured the creative energy of the past few years into ‘E3 AF’ as a body of work. First single, L.L.L.L (Love Life Live Large), features Tottenham born MC Chip and kicks open the door with the force of a steel toe capped boot. Chip, adds another thwack of bravado to the rumbling, Dizzee-produced beat. ‘E3 AF’ confirms Dizzee’s status as an artist still very much in his prime, sonically it draws on the infectious pace of grime and resolutely forward-thinking UK rap. From one song to the next, you are taken on a journey through Black British musical excellence. Ice-cold UK drill drips on Smoke Boys-featuring ‘Act Like You Know’ (produced by MK the Plug) and Eastside pulses with pure grime courtesy of Chubby Dreadz and Platinum 45. Self-produced opener ‘God Knows’ (featuring P Money) and high-octane ‘You Don’t Know’ pull from dubstep, grime and drum ‘n’ bass while threatening to wreak havoc with your speakers. By the time Alicai Harley’s warm up vocals float over sunny syths on the deeply personal ‘Energies + Powers’ (produced by Steel Banglez), the album practically radiates heat. Dizzee Rascal is a unique artist that has inspired many for multiple generations. From his 2003 debut album release, the Mercury Prize-winning ‘Boy In The Corner’ to date, Dizzee has continued to push expectations and boundaries. He is British musical royalty. Every album that followed stacked up another marker of success. Between 2004 and 2017 all album releases blasted firmly into the Top 10 Official album chart, won awards, critical acclaim and amassed Dizzee a huge following of devoted fans. ‘E3 AF’ is set to confirm Dizzee Rascal’s status as the master at the top of his game.

Seeing himself as a social commentator, Coops continuously draws inspiration from everything around him and is feeling more inspired than ever. Having signed to the label in 2018 he has already released 2 poignant albums and continues to create at rapid speed. The 8-track project - which was made in just 4 studio sessions - is unlike Coops’ usual 14+ track albums both he and his fans have become used to. Coops turned the album around in record time to ensure his music was released during this unparalleled time in history. The homegrown beats come from his close friend and long term collaborator Talos who has produced almost all his beats to date. In the opening track, ‘ Boom Biddy Bye’ Coops doesn’t waste a second in putting his fellow rappers through their paces. A block rapper with no one to please but himself, Coops professes that he barely listens to what other rappers release to ensure they don’t infiltrate and influence his own music. Highly appropriate for these times, title track ‘ Crimes Against Creation ’ is the stand out voice of this generation and his message to the world. ‘W arped perception, thwart connections, they force perfection, then claim the antidotes an injection...’ plays out and we begin to appreciate how the current situation is playing heavily on his mind. As the album progresses we get to see all sides of Coops’ personality with ‘Piss Poor’ reminding us of the raw gritty London lifestyle from which he has risen from, whilst ‘Profile’ demonstrates his softer more promiscuous side as well as touching on themes of fatherhood and online relationships. Coops’ musical entry point begun by making music with his friends, but it wasn’t until he really looked at himself and the world around him when he decided he needed to go it alone, opening his mind and his solo stream of creativity which hasn’t stopped since. A self-proclaimed hermit he embodies the essence of a true artist and only finds comfort in doing what he loves, not what he is told.

Seeing himself as a social commentator, Coops continuously draws inspiration from everything around him and is feeling more inspired than ever. Having signed to the label in 2018 he has already released 2 poignant albums and continues to create at rapid speed. The 8-track project - which was made in just 4 studio sessions - is unlike Coops’ usual 14+ track albums both he and his fans have become used to. Coops turned the album around in record time to ensure his music was released during this unparalleled time in history. The homegrown beats come from his close friend and long term collaborator Talos who has produced almost all his beats to date. In the opening track, ‘ Boom Biddy Bye’ Coops doesn’t waste a second in putting his fellow rappers through their paces. A block rapper with no one to please but himself, Coops professes that he barely listens to what other rappers release to ensure they don’t infiltrate and influence his own music. Highly appropriate for these times, title track ‘ Crimes Against Creation ’ is the stand out voice of this generation and his message to the world. ‘W arped perception, thwart connections, they force perfection, then claim the antidotes an injection...’ plays out and we begin to appreciate how the current situation is playing heavily on his mind. As the album progresses we get to see all sides of Coops’ personality with ‘Piss Poor’ reminding us of the raw gritty London lifestyle from which he has risen from, whilst ‘Profile’ demonstrates his softer more promiscuous side as well as touching on themes of fatherhood and online relationships. Coops’ musical entry point begun by making music with his friends, but it wasn’t until he really looked at himself and the world around him when he decided he needed to go it alone, opening his mind and his solo stream of creativity which hasn’t stopped since. A self-proclaimed hermit he embodies the essence of a true artist and only finds comfort in doing what he loves, not what he is told.

Seeing himself as a social commentator, Coops continuously draws inspiration from everything around him and is feeling more inspired than ever. Having signed to the label in 2018 he has already released 2 poignant albums and continues to create at rapid speed. The 8-track project - which was made in just 4 studio sessions - is unlike Coops’ usual 14+ track albums both he and his fans have become used to. Coops turned the album around in record time to ensure his music was released during this unparalleled time in history. The homegrown beats come from his close friend and long term collaborator Talos who has produced almost all his beats to date. In the opening track, ‘ Boom Biddy Bye’ Coops doesn’t waste a second in putting his fellow rappers through their paces. A block rapper with no one to please but himself, Coops professes that he barely listens to what other rappers release to ensure they don’t infiltrate and influence his own music. Highly appropriate for these times, title track ‘ Crimes Against Creation ’ is the stand out voice of this generation and his message to the world. ‘W arped perception, thwart connections, they force perfection, then claim the antidotes an injection...’ plays out and we begin to appreciate how the current situation is playing heavily on his mind. As the album progresses we get to see all sides of Coops’ personality with ‘Piss Poor’ reminding us of the raw gritty London lifestyle from which he has risen from, whilst ‘Profile’ demonstrates his softer more promiscuous side as well as touching on themes of fatherhood and online relationships. Coops’ musical entry point begun by making music with his friends, but it wasn’t until he really looked at himself and the world around him when he decided he needed to go it alone, opening his mind and his solo stream of creativity which hasn’t stopped since. A self-proclaimed hermit he embodies the essence of a true artist and only finds comfort in doing what he loves, not what he is told.

Babylon Dead consists of J Man & Illinformed

The 18 track album features Badness, Daddy Freddy, Devilman, Irah, Jamalski, Killa P, Rider Shafique & Warrior Queen

Counting Trip-Hop, Ambient, West African High Life, Dancehall, Jungle, Folk and Film Soundtracks as his influences, there is something for everyone on this creative masterpiece.Predominantly instrumental but does have a handful of collaborations with vocalists Killa P, Jerome Thomas, RHI, Penelope Oddity and Chris Belson. ‘I Am Delicious And Cute. So I Will Go Buy Again’ is a meditative journey upriver, whilst ‘Wickedest Ting’ completely flips the switch with a dancehall barrage from Killa P. Another highlight is the apocalyptic jazz of ‘Greed’ which features the remarkable neo-soul vocals of Jerome Thomas.

During times of such uncertainty, music and its healing properties have become even more vital. ‘Boring & Weird Historical Music’ is a calming, curative and monumental 15 track journey through the mind of the enigma that is Telemachus. As he himself puts it: ‘the album certainly rewards a thorough and engrossed listen, but equally the general atmosphere is pleasant enough to play for your auntie when she comes for tea.’

This limited edition double LP comes in a premium gatefold sleeve, with exclusive artwork as well as the the story of 'Uncle Som', a peculiar parable, upon which the album is based around

Limited to 300 copies.

In uncertain times, hope and unity are important when moving through the unknown, so it feels like our latest release arrives at the perfect time. The title of the project is a handy mantra for these strange days, with the content serving as a reminder of what has come before, as well as a portent for what lies ahead.

A download code is included. High Focus Records is proud to present TrueMendous’ first official release on the label, the highly anticipated ‘HUH?’ EP. This 7 track EP is the perfect introduction to TrueMendous - One of the most talented MCs from these shores whether it be her storytelling expertise, varied range or unrivalled flow. Taking reign as the first female rapper to sign to High Focus Records she is definitely one to look out for. With production from Chemo, Pitch 92, Illinformed, Winchester and Marcus Jakes this EP is going to make a serious dent in the scene. Featuring singles ‘That Don’t Mean’ and ‘O.T.Y.L Part 2’, the ‘HUH?’ EP sets the tone for TrueMendous’ future with unparalleled confidence.

The EP comes on single black vinyl, shrinkwrapped for extra freshness.

There are very few Mc’s in the UK rap game as engrained into the culture as Ramson Badbonez. Rising through the ranks as one of the most cut throat MC’s London had ever seen at 14, it wasn’t long before people started to take notice of the young talent, gathering London wide respect as well as getting recognition from UK Hip Hop godfathers Task Force. The rhyming machine has been a living and breathing embodiment of the culture ever since. By far one of the most prolific creators in the scene, Ramson Badbonez employs one of the strictest work ethics ever seen with over 12 full length albums to his name and showing no signs of slowing down.

On the 28th February, Badbonez will present his latest work, a brand new album, with producer & long time collaborator Mark Fear, entitled ‘Death Mask’.

Following his previous ‘Jason Bonez’ & ‘Mic Day The 13th’ releases, Badbonez has removed the hockey mask to don the Egyptian Death Mask, as he leaves the Jason Bonez moniker behind to focus on a much broader palette of concepts and inspiration.

With topics ranging from the mysteries of the afterlife, the energy crisis to the lasting effects of colonialism to the failings of modern language - Badbonez has left no stone unturned. Fearlessly launching himself into the deep end, covering new ground and constructing incredibly dense prose perfectly matched by Mark Fear’s diverse yet crisp sound.

Perhaps Ramson Badbonez’ most solid release to date, we expect ‘Death Mask’ to make a serious impact in 2020.

Debut LP by Manchester hiphop crew Voodoo Black (Sparkz, Dubbul O, Ellis Meade & Cutterz)

All the instrumentals and cuts by Habitus
Recorded, mixed and mastered by Habitus at Dusty Sounds Studios.
Album produced with Akai S950 and Mpc 2500.

This is Vice Beats’ full-length tribute to legendary Jay Dee called “Dilla: The Timeless Tribute” where he is using Miguel Atwood-Fergusson’s Mochilla tribute “Suite For Ma Dukes” as the foundation. 14 tracks full of harmonies that are connected to one of the greatest. Features Greg Blackman, Audessey (of Soundsci), J-Dubble, Brotherman and many more. Tip!

30th anniversary of Neneh Cherry’s classic hit album Raw Like Sushi (1989),“an unorthodox and brilliantly daring blend of R&B, rap, pop, and dance music”.
The album features 5 singles - includes the worldwide smash hit single ‘Buffalo Stance’ (number 1 US Dance Chart) as well as hit singles – ‘Manchild’ produced by Massive Attack’s Robert Del Naja, ‘Kisses On The Wind’, ‘Heart’ & ‘Inna City Mamma’. One of the most important records of all-time. Listed as one of the "1001 Albums You Must Hear Before You Die".

This set features the original album plus Demos and Remixes, incl. Massive Attacks Remix of "Manchild". Three discs in single LP sleeves, housed in a rigid slip-case, includes original album remastered and two bonus discs of b-sides, remixes & extras
Also features the 48-page book

Remastered at Abbey Road, pressed on heavyweight vinyl, with download card included.

30th anniversary of Neneh Cherry’s classic hit album Raw Like Sushi (1989),“an unorthodox and brilliantly daring blend of R&B, rap, pop, and dance music”, sees the original album remastered and given the super deluxe treatment as a 3LP box set.

This box sets feature a 48-page 12x12 book packed full of iconic photos, new interviews, liner notes and memorabilia. The album features 5 singles - includes the worldwide smash hit single ‘Buffalo Stance’ (number 1 US Dance Chart) as well as hit singles – ‘Manchild’ produced by Massive Attack’s Robert Del Naja, ‘Kisses On The Wind’, ‘Heart’ & ‘Inna City Mamma’. Also features rare mixes of key tracks by Massive Attack, Arthur Baker, Smith N Mighty, and more.One of the most important records of all-time. Listed as one of the "1001 Albums You Must Hear Before You Die".

We are very very pleased to come up with the exclusive vinyl pressing of "Escape Music", a heavy 19 track album from Manchester's The Mouse Outfit with such vocal guests like Dr. Syntax, Sparkz, Dubbul O, Fox and Black Josh.

Take your time and check out the official videos to a few certified bangers off the album and you'll know why we are so damn enthusiastic about this release.

Issued in a 6 panel digipak.

Limited pressing!

Limited pressing!

Limited pressing!

That new type of british rap … feat. Joe Goddard & Roots Manuva!