UK Hip Hop 309 Items

His most striking offering to date, ‘Tears Of The Dragon’ is an evolutionary listen, Onoe staying true to the primordial pillars found in the DNA of all the great albums; love and lust, loss and heartbreak key players in an inspired narrative arc that sees Onoe reveal all about his recent past in unmistakeable fashion.

Having written a heap of songs and arranged a number of versions he was More than happy with, real life events saw Onoe return to the bones of the album, with a desire to create something truly timeless. As a result, he moved away from a mixtape mentality and began to carve out the real truth along a stricter, more considered sonic path, crystallising his experiences with an immediacy that makes the album even more unique.

Writing a love album made all the more sense after speaking directly to fans when touring Europe late last year. Stories of love, heartbreak, and the positive influence his music has in moments of extreme emotion became a driving force for Onoe when writing the record and constructing the arc…

“…everything is fine, then they break up, then follows the aftermath. Repeat.”

‘Tears Of The Dragon’ follows the same aesthetic that has become synonymous with Onoe’s universe. A tapestry of speeds and rhythms, nights and days, smooth and hardcore; expertly tied together by Onoe's love-fuelled source code.

15-tracks, with features from Lofty305, Ledbyher, Eter & 169 stalwart L-Zee Roselli, ‘Tears Of The Dragon’ really is an album for the ages.

As Onoe explains…

“I want this album to be my Michael Jackson ‘Thriller’ … I also listened to Prince a lot and would tell people my next album is gonna sound like Prince meets Max B at a Halloween party…”

Unsettled Scores Records is thrilled to announce the long-awaited release of Bombin’ by Brim, available for the first time ever on 7” vinyl and digital download. Bombin’ is the iconic title track from Dick Fontaine’s acclaimed graffiti documentary that originally aired on UK’s Channel 4 in early 1988. The documentary follows the journey of graffiti artist Brim in 1985, as he travels from The Bronx, New York to various locations across the UK, encountering legendary figures including a young Goldie (mbe) and 3D (Massive Attack / The Wild Bunch). The track became legendary to a generation of graffiti artists and Hip Hop lovers who grew up with the documentary. Remastered from a recently discovered cassette tape in the collection of Bombin’ composer David Toop Unsettled Scores Records is proud to finally release the full length recording, including previously unheard verses by Brim.

“Talk about a misfit, living in his own world…”

High Focus Records is delighted to announce ‘Art Thief’, the debut album from Renelle 893.

Citing Steve Jobs’ famous use of Picasso’s "Good artists copy, great artists steal” quote as central to the concept, ‘Art Thief’ is the culmination of Renelle’s wide-eyed appreciation of the river of influences that feed into the music he makes. From the trials and tribulations of life in the big smoke, to the grandiose cultural references that contribute to his style, the album is a triple distilled example of taking cues from the world and making them your own.

‘Art Thief’ is also a transformative listen, Renelle embarking on a profoundly personal journey across 14-tracks; addressing love, family, addiction, loyalty, pleasure and pain, each chapter expertly soundtracked by long-time collaborator Bay29. His expert production serving as the glue that binds the deeply personal with the wider narratives amidst a flurry of samples and signature breaks.

With guest appearances from Clbrks, Illiterate and HF’s own Nelson Dialect, ‘Art Thief’ is Renelle’s best attempt (to date) of transcending the rap game; this notion best represented in the album artwork which pays homage to Caravaggio's 'St. Jerome Writing', casting Renelle as both creator and masterpiece.

Written during a year of hedonistic isolation whilst exiled to a forgotten mining village, Alecs in Wonderland’ is the debut self-produced rap album by rap enigma and ‘one man band’ Alecs DeLarge.

Alecs navigates ‘Wonderland’ with a bulging backpack of references to 90’s Toonami imports, king skins and rap nerdology, multi-syllable boxing through beats in a smoked out stream-of-consciousness drawl. From the cartoonish braggadocio on ‘Scooby Snax’ and ‘AM To AM’, to proclaiming his love for his anthropomorphic MPC 2000 on ‘Girl Joint’, Alecs emphatically proving that he’s much more than just the man behind the boards. Merging classic New York rap sensibilities with sarcastic British humour, 110’s and Berghaus coats taking the place of Timb boots and Lo sweaters.

Musically Alecs draws inspiration from Quasimoto’s anything goes approach, feeding his sampler a range of ingredients from 80’s pop to private-press French prog. Grainy samples of VHS TV recordings warble atop rumbling 808s, diced up jazz and funk fragments punch their way through stuttering MPC drums, whilst guitar loops rock back and forth, all glued together by a loose narrative made up of cut up cartoon dialogue, movie trailers and adlibs.

Wonderland is Alecs’ custom built version of The Matrix, a perfect world created to escape the one outside his council flat window, idyllic living in Lynchian reality. A therapeutic outpouring of the lonely man’s psyche, or maybe just a slow descent into madness, polished and delivered to your ears

in Long Play form.

For the majority of ‘in Wonderland’, Alecs is the sole cast member. The first of the two guest spots going to the ever brilliant King Kashmere, reuniting with Alecs to ruminate the two sides of fame on ‘Megabus Dreams’, whilst Hpblk swoops in to drop a “stack on your conscious” on ‘Empty Pocket Posse’.

While most spend their days wading through the treacly undercurrents of a decaying hometown, Jam Baxter spends his days carving out on a new existence in the heart of Mexico City.

With a forest of rare succulents of house plants on his eighth floor balcony, a notepad in his back pocket (for lizard spotting) and a flea market typewriter primed in his writing room, Baxter affords himself the time and grace for his new surroundings to seep into him, watching his writing take on new life in the exchange; days and nights spent in quiet contemplation as he sharpens his skills in unpacking the universe.

Granuja has eschewed the at-times chaotic metropolis of Medellín for a quiet life in the hills of La Ceja, where he produces and writes (followed around by his pack of loyal dogs). Six years since his debut solo LP ‘Círculo Vicioso’ dropped back in 2017, Granuja has been steadily carving a name for himself in Latin America and beyond with a series of critically acclaimed rap releases.

Baxter & Granuja first met in 2020; the former taking an impromptu 2-hour taxi cab in thickest night to Granuja’s studio way up in the winding hills of Antióquia. As with all great creative endeavours, plans to record ‘a couple of tracks’ snowballed; a single became an EP became an album, the momentum fuelled by a new Jack Danz’ instrumental landing in Baxter’s inbox every fortnight.

Before sunrise the bones of ’De las Sombras’ were born.

There is no question that Granuja and Baxter bring out a different side of one another. The two artists hopping borders, barriers and time zones; switching languages as often as they switch flows across an album unified by an all-encompassing sense of doom.

At its core, ‘De las Sombras’ is a gothic listen. A haunting, swooning downward spiral. Blacks, whites, purples and greens bubbling a thick concoction. Life and death at loggerheads in the back-and-forth; expertly soundtracked by Jack Danz most haunting works to date and complemented by a series of curated vocal samples furthering the gloom.

We like to think of ’De las Sombras’ as an OST for the album artwork. The castle a picture perfect symbol of an album persistently flirting with the supernatural.

UK rap legend Verb T returns with ‘The Tower Where The Phantom Lives’, a mesmerising new LP that sits alongside the most enlightened and adventurous in his glittering discography.

Bound by a set of contrasting emotions and energies; fiction and fantasy wrestling with everyday curveballs, ‘The Tower Where The Phantom Lives’ showcases Verb T at his razor sharp best. It is the wisest version of Verb T to date; complemented by the wonderfully melodic production of Vic Grimes, the Canadian producer proving to be the perfect ally for Verbs to deconstruct the world at large, his magnifying glass growing more-and-more forensic as each track unfolds.

Mental exploration, self deprecating humour, didactic story telling woven together by haunting movie samples, ‘The Tower Where The Phantom Lives’ listens like an OST; each track / scene propping up a wonderful narrative arc; Verb T the lead role and Vic Grimes the composer of their very own psychological thriller, extreme highs and lows eventually settling into a contemplative groove on final track (and lead single) ‘Your Heart Deserves’.

Uluru is back with a Reggae Hip-Hop future classic. Following the teaching of masters like J-Star, Dj Maars and L'Entourloop, Dj Dibba makes is own solo debut on vinyl with 2 heavy weight dancefloor killers, meticulously assembled in Rome, Italy. Fusing rocksteady with hip hop, spicing it up with dub influences and modern drum beats, this 7” will definitely give a shake to the reggae hip-hop scene.

Pull up guaranteed!

Pressed on high quality black and yellow/orange vinyl (48 gr.) Edition of 500, cut it loud and fat, highly recommended for big sound systems.

This year Natty Wylah has been cementing himself in London’s rich contemporary music scene with festival performances at Glastonbury, We Out Here with Silhouettes Project and a headline Southbank show as part of Nabihah Iqbal’s ‘Glory To Sound’ series. As well as contributions to Rhythm Sections, compilation ‘Shouts’ all in the run up to his next EP, Willowisp. Moth Wings / FB Trap is the perfect introduction to Natty’s world where magic, slime and reality all mix together. With his cinematic lyrics on MothWings, Natty conjures up the imagery of celestial moths, who when seeking the moonlight end up stuck chasing flickering artificial light bulbs. The track features the unmistakable characteristics of Natty’s sound: traipsing across hip-hop, the psychedelic and punk, all adorned with ethereal vocals and woozy synths from Poppy and Finn Billingham. Moth Wings/FB Trap are the first tracks available to listen to from his debut EP, Willowisp. Taking its name from a painting by Jamaican artist John Dunkley based on the myth of Will-’o-the-wisp, a ghost light seen by travelers over bogs and swamps at night that often led them to their demise. This world of light and dark is expressed by Natty throughout the EP, questing through the unknown forest in the dark, wet air and moss, in order to move past constraints and to find freedom.

The adequately titled ‘The Album To End All Alien Abductions’ sees UK stalwart King Kashmere and producer/rapper extraordinaire Alecs DeLarge unite for a 24- track ride through an epic space age boom bap odyssey. “F**k with your boy Judas Ascariot, who came back swinging - whipping the super chariot” declares a triumphant King Kashmere on the album opener ‘Angel Strike’, proving he hasn’t lost a step since his last full length rap project, #lp4080 dropped back in 2017. Thematically Kash’s lyrics are routed in sci-fi and Jack Kirby era comic lore, but on cuts such as ‘Old Earth’ (an ode to his Mother and coming of age on a North London council estate and ‘House of Cards’ (an exploration of mental health) the Iguana Man shows a rare glimpse into the man behind the freshly pressed super suit. Several cuts also see Alecs stepping from behind the boards to join Kashmere on mic duties, a pairing best displayed on the dusty bubbler ‘Most Blunted’ in which the duo trade verses in a puff puff pass of lyrical spliff boxing.

Psych-rap enigma Onoe Caponoe returns with his fifth studio album ‘Concrete Fantasia’ on High Focus Records.

In crystal clear communication with the mothership; littered with striking references to fantastical realms and uncommon lore, but very much anchored in the inner city blocks and smoggy roadsides that inform his everyday, ‘Concrete Fantasia’ is a dark fantasy tape that expertly blurs the lines between genres, tones, moods and character profiles.

Of this world and out-of-this-world perfectly poised; Onoe offering up escape portals, before quickly pulling the listener back in with wave-upon-wave of catdelix riptides. ‘Concrete Fantasia’ is something of a tug-of-war; peppering movie samples, vignettes and complex go-betweens tickling the senses, combining with a cacophony of mind-bending lyricism resulting in a singular journey, with Onoe confidently filling the shoes of both author and narrator.

Pinocchio ducking feds in the hood, an Ice King ruling over a frostbitten kingdom, The Cheshire Cat trying to clean up Alice’s act, sweet serenades to off-shore mermaids, the trials and tribulations of life in a haunted trap house, big booty witches, flying carpets and beyond, ‘Concrete Fantasia’ is a real trip through the imaginative mind of Onoe Caponoe.

With an eclectic line-up of featured artists and productional talent propping up the fictional cast, ‘Concrete Fantasia’ has all the makings of an alt-rap odyssey for the ages.

Speaking on the album, Onoe Caponoe explains…

“I wanted to create a record that offers up an alternate space for the listener to escape while still commenting on the highs and lows of city life.”

"Every album is a reflection of where I am currently; reflecting on the past, projecting to the future…”

Fliptrix earmarked a nine album run when he released his first solo offering back in 2007. The highest numeral has always played a significant part in Fliptrix’s appreciation of the universe, so it always felt a fitting number to aspire to.

Fast forward sixteen years and Fliptrix finds himself where he always hoped to be; gearing up to reveal his ninth album ‘Mantra No. 9’ to the world.

As an artist committed to spreading positivity, sharing light and love through his music, and with a clear focus on inspiring his fans to achieve what they want in life through the messages he champions, ‘Mantra No. 9’ is as potent an example of these driving forces from Fliptrix to date; written and recorded in his new studio, off-grid, deep in the Portuguese mountains he now calls home.

After a year long break from writing, ‘Mantra No. 9’ sees Fliptrix more focussed and reactive than ever. Contemplating his immediate and speaking on the profound impact his new surroundings have had on him as both a person and musician, the album is truly from the source; interwoven by escapism, solitude, nature (and the chaotic world events that saw him embark on a new life chapter in the first place).

In celebration of the journey, ‘Mantra No. 9’ sees Fliptrix reconnect with the classic sonics that defined his earlier output, calling upon an all-star list of production and feature talent from the High Focus roster to help him on his way.

18-tracks, showcasing the evolution of the artist, each reaffirming why Fliptrix is regarded as one of the most valuable and forward-thinking voices in the hip hop movement today.

Opening with euphoric keys and soothing birdsong, Jman & The Argonautz’ debut LP ‘Therapy In Session’ feels like a seminal moment. Not just for the band (it’s not everyday you reveal your debut album to the world) but also in the HF canon.

As a label founded on emcees and breaks, the notion of releasing a fully fledged Live studio album, crafted by a 6-piece of likeminded and deeply connected musicians makes for a hugely refreshing kink in the arc, at a time when championing true art has never been more important.

The thing we love most about ’Therapy In Session’ is the sense of togetherness that runs through the album. From the aforementioned opening notes to the very last cymbal, every member bringing out the very best in one another as the track list unfolds. Everything poised and perfectly measured, Jman’s lyrical dexterity and Maddy’s accompanying melodies offering up a rich assortment of emotion and mood for the band to blanket in warm arrangements.

Above all else, ‘Therapy In Session’ represents catharsis for both Jman and The Argonautz; each track a deep dive into the highs and the lows, fears, lessons and regrets that life too often throws at us; 16-tracks, each eloquent and razor sharp at every turn.

Includes two previously unreleased instrumentals by The Summit from 2013 Amulets demo sessions, available only on cassette.

The incredible follow-up to an magnificent predecessor.

Wow, we’re so happy to reissue these incredible two gems from the mighty Brian Auger’s Oblivion Express. Mr. Auger is a superb Hammond organist & pianist. Known previously for his work with Julie Driscoll, Brian Auger & The Trinity in the 60s, Oblivion Express vibes kicked off in the 70s.

Our A side ‘Inner City Blues’ is a cover of the Marvin Gaye classic. A Hammond driven groove with a deep percussive backing and killer vocals, this version stands up as a banger in its own right, a must have cut!! b/w ‘Voices Of Other Times’ is one of my favorites from the Closer To It LP, a super funky, jazz-rock thang, up-tempo and includes a wonderful sample and loop. Dynamite Cuts DJs tool, and one for the collectors!

Both tracks are taken from the groundbreaking ‘Closer To It’ album from 1973 which was such a genre bending release it entered the US jazz, R&B and rock charts simultaneously. We release this amazing 45 with the permission & cooperation of Greg Boraman’s Soul Bank Music – who recently announced they have licensed Brian Augers’ full back catalogue to re-issue, including many previously unheard rarities from Brian’s personal archive.

The Frosted label is back with more brilliance from Inland Knights in the form of this newly remastered version of the classic 'Figure It Out.' It was first put out back in 2013 as the first release on the label and remains a vital tune from the British pair. On the flip, Mark Farina is one of those hallowed producers who always has his own unique sonic signature, most famously under his Mushroom Jazz alias. His edit brings plenty of depth and broken beat lushness with noodling guitar riffs and spoken words making it a backroom gem.

Limited to 200 copies.

Bristol based MC and Split Prophets member Upfront has once again teamed up with beppo on production for their second collaborative project "Reflections". Originally written, produced and recorded during Upfront's extensive stay in Leipzig in 2017, this very personal and lyrical album finally sees the light of day in 2022.

The new album from Creatures of Habit (Eric the Red, Sean Peng, Illinformed).

“Introvert” is an expansive piece of music that begins with a mighty orchestral fanfare and doesn’t let up as Simz peels off bars that grapple with fear, frustration, and possibility on both a personal and more universal level. “My speech ain’t involuntary,” Simz raps, “Project with intention straight from my lungs/I’m a black woman and I’m proud one/We walk in blind faith not knowing the outcome/But as long as we unified then we’ve already won.”

Sometimes I Might Be Introvert follows Little Simz’s 2019 album, Grey Area. Simz produced the album with her regular collaborator Inflo, and it will feature guest appearances from Cleo Sol, Obongjayar, and even The Crown star Emma Corrin.

Limited Edition 12" Vinyl.” LP

Dawuna follows that insane ‘Glass Lit Dream’ album with a stunning 3-track whitelabel, burning thru R&B's resinous ash with lilting, minimal production and a neo-soul glow. Some of the best music we’ve heard this year - of any description - essential if yr into anything from Prince/Camille to Coby Sey/Tirzah x Nearly God x D’angelo

The opening moments of 'white boy' define the whole of "EP 1": a pitched-up sample of Black Panthers chanting "no more pigs in our community" looped into an unimpeachable demand. Skip past it at your peril, it's a historical remnant from the tail end of the US civil rights movement that grounds Dawuna's music in tangible real-world politics at a time when police are still unremittingly exterminating unarmed black men across the USA and beyond. Close to a minute later, a brittle pinprick rhythm rattles beneath Dawuna's unmistakable croon and a low, growling bassline, with the lightest, most evocative drones as accompaniment.

Lead track 'baby boy' is even stronger, matching a svelte, dismantled trip-hop shuffle with one of Dawuna's craziest vocal performances to date. It's impossible not to fantasise about Prince on this one - the layered, panning vocal transposed and deployed in multiples, like Bob George and a Camille production merged into one of the most immersive pieces of soul music you’ll likely ever hear. Dawuna's vulnerability transports the sound into 2022, offering a level of melancholy that feels funereal, mourning the broken promises of the past.

The sentiment carries into the heartbreaking finale 'yout done tried', a deliriously lo-fi stepper that sounds like a ‘Baduizm’-era Erykah demo dubbed to overworn tape. Dawuna's vocal is pitched and distorted before being chipmunked for the chorus, crying over bone-dry acoustic drum bumps and gut-piercing sine wave warbles. It's a sensual lullaby for the modern age.

Levels.

Rising star Kilder releases his 10-track debut EP ‘Don’t Hide’, taking listeners on a whirlwind ride through club music as heard through Kilder’s ears: emotive house, hard-edged bass and divine indie-disco bring the energy, while more cerebral ambient tracks wind things down. Although it’s largely club music, there’s a pop sensibility at play throughout, with punchy song structures and a keen ear for melody that poke at the pop zeitgeist. Guests on the EP range from established names like underground legend Trim and Japanese soulstress Friday Night Plans to art-school-upcomers Jasper Lotti, Lyzza, k_anti and Lyam. As a debut body of work, it’s a product of self-discovery and a bold first statement that speaks of big things to come. Kilder has released half the record as warmup singles, starting with the title track ‘Don’t Hide’ back in July which reverberated in underground circles and saw him featured by Dazed, Dummy, The Line Of Best Fit and The Independent in addition to heavy tastemaker playlist support across all DSPs. Since then, the producer has racked up over 2 million streams, received plaudits from Jack Saunders’ Future Artists show on BBC Radio 1 and was dubbed “one to watch” by Notion magazine. At just 20 years old, the Amsterdam based producer is an essential new addition to your record box and a thrilling new talent for 2021.

Fresh from supporting Blur at Wembley Stadium this summer, Sleaford Mods are getting set for some of their biggest ever UK and Europe dates this autumn with the release of new six track EP, More UK Grim, on 20 October. Recorded at the same time as their acclaimed 2023 album, UK Grim, the freshly released songs not only continue Andrew Fearn and Jason Williamson's current dancefloor dominance, but with a mix of insight and wit, outrage and compassion, they critique and celebrate our turbulent times.à Lead single Big Pharma, shares a 'take no prisoners' lyrical approach with the band's recent album as it casts a doubtful eye down the 'truther' wormhole, although entwined around a slinky bass riff the track confirms the two-piece at their most dexterous musically. Big Pharma, which sets the tone for the More UK Grim EP, is accompanied by a sharply satirical animated video directed by Sean Sears, who has applied his distinctive, stylised 2D vision to examining the consequences of a health 'philosophy' that prizes drinking urine over carefully researched medical treatments.à "Big Pharma was written in the opening chapters of autumn 2022 when Covid kicked in again. It carries a lot of the normal Sleaford Mods absurdism but also looks at the ongoing fascination with trying to find truths in information wholly pushed by very questionable people," explains Jason Williamson. Alongside the lead single, the More UK Grim EP also features Under The Rules, Old Nottz, PO Crazeh and My 18hr Girdle, all previously unavailable.

From Munchen 2 Croydon ... Producer Bobby Slice (Germany), LeoLex (Germany) & The Strange Neighbour (uk) link up to create this international connection ... featuring artists from all over the globe!

Finally, we have it in our hands. The long overdue 6 Track Monster EP by Franky Roar (Hamburg Hardcore City) and Alikazam (of Dookie Squad). 6 superdope tracks bringing together the classic Hardcore HipHop / Britcore Vibe in a modern way, 666% our cup of tea with hevay features by DJ Specifik (of B-Line Recordings), Mr.Memory (of Dookie Squad), Chrome (of Def Tex / Chrome/ill Inspired), Mistha Bohze and DJ Krashslaughta (of Two Tone Committee), MC Oliver Twist, Whirlwind D (Solid ‘n’ Mind / B-Line Recordings) and Remark (of Deliveranc).

check the snippets here or on youtube, we are sure, you gonna love it as we do.

full picture cover with incredible Artwork by John Dyer.

This is the limited red vinyl edition with additional cover artwork once again made by the incredible Skat himself, only 100 made.

Jester Jacobs on the mic Formz on the beats

Finally, here it is, the impossible to find 1993er “chapter one” demotape from 1993. Back in the days only about 30 copies of this tape have been made. Numskullz, Britcore Rawmance Records, Burning Anger Records and Mr. Tibbz joined forces to put together the whole thing in its most possible original format, coming as a 6 track 12inch Ep incl. an intro. Furious early 90ies classic Bristol UK HipHop History right here. Mastered by Rola himself.

All Artworks by Mr.Tibbz.

In uncertain times, hope and unity are important when moving through the unknown, so it feels like our latest release arrives at the perfect time. The title of the project is a handy mantra for these strange days, with the content serving as a reminder of what has come before, as well as a portent for what lies ahead.

This is Vice Beats’ full-length tribute to legendary Jay Dee called “Dilla: The Timeless Tribute” where he is using Miguel Atwood-Fergusson’s Mochilla tribute “Suite For Ma Dukes” as the foundation. 14 tracks full of harmonies that are connected to one of the greatest. Features Greg Blackman, Audessey (of Soundsci), J-Dubble, Brotherman and many more. Tip!

This is a story about a young Russian girl named Jinna Morocha who had a vision of one day flying to the Moon.
Many years ago during the hard times of life in Moscow, the young girl saw the Moon consciously for the first time and at that very moment the dream began. These vivid thoughts remained in her mind and she started to ask herself “How can I get to the Moon?“. Soon she found the label Project: Mooncircle over the internet and told them her story, at once she saw a chance to come a few steps closer to her dream. By now Jinna lived in Germany and it was possible for her and the label to meet, her key question was “Can you bring me to the Moon?“. The answer was a faltering “No, but maybe we can let you fly to the Moon in your mind. Let’s build the soundtrack to this vision, close your eyes, clear your thoughts and let us begin on your journey“.

That was the beginning of “The Moon Comes Closer“, come embark upon this voyage with us lead by the next level soundscapes of:

Robot Koch, fLako, Pavel Dovgal, I.D. 4 Windz, John Robinson, Lambent, 813, Nienvox, Juj, Mr Cooper, MyOwn, Long Arm, Daisuke Tanabe, Graciela Maria, Scienz Of Life, Andy Kayes, Abnormal, Capella, Comfort Fit, Kansano, Gards From KC, Puzzle, Sense of The Q4, Sotu The Traveller, V. Raeter, Himuro Yoshiteru, Skyence, Dexter, Portformat, 40 Winks, Dela, Brazzaville & Killing Skills.

10 years since their debut LP, Jam Baxter, Dabbla and GhostTown make their long-awaited return with 'Cherry Turbo / Death By A Thousand Cocktail Sticks'.

‘Cherry Turbo / Death By A Thousand Cocktail Sticks’ is available to Order.

Limited edition pressing on vinyl, full colour 350gsm reverse board gatefold sleeve. 6 track album. Shrink wrapped.

When TWO London Hip-hop Heavyweights Join Forces, It’s Going TO BE “style SO Incredible” THE Enigma Howard Stevens Produces A Hard Hitting Slab OF B-boy Rocking Hip-hop Featuring THE MAN With THE Golden Sound, Lewis Parker. Conscious Street Lyrics Flow Effortlessly Over THE Uptempo Classically Styled Beat, With A Furious Funky Scratch Chorus & Remix From Producer/dj Juice. ADD A HOT Video Directed BY Ringz OV Saturn AND THE Whole HIP HOP Package IS IN Order

19 tracks feat. Noah23, Icon The Mic King, Lady Daisey, Chefket and many more, rapping in English, Spanish, Dutch, Bosnian, German and other languages.

You know Krash Slaughta right? The man behind the recent wildly successful Doom/Sugacubes mash-up LP Sugar-Coated Doom, not to mention his unofficial remixes of the Wu’s K.R.E.A.M. and P.L.O. Style and collab. 45 with Phill Most Chill, Rebel Base? ‘Is he at it again?’ the monkey hears you ask. Yes, he is at it again, though the closest of the the three aforementioned releases to what he’s about to drop is the Wu remix 45. And what he’s about to drop is Diggin Deeper, not a single this time but a whole remix album of one of his (and the monkey’s!) all-time favourite hip-hop LPs – to wit, Niggamortis – more usually known as Six Feet Deep (especially in the U.S., though minus the best track under that name) by hip-hop supergroup Gravediggaz.

As many will know, this LP with its horror-movie fixated lyrics gave birth to a whole hip-hop sub-genre – that of ‘horrorcore.’ However, none of those who came after seemed to manage the lyrical humour of The RZArector, The Grym Reaper and The Gatekeeper (a.k.a. RZA, Poetic and Frukwan) and the only bit of production by The Undertaker (a.k.a. Prince Paul) that they seemed interested in was the sub-metal rap sludge of the shouty Bang Your Head – i.e. the LP’s one weak spot. But don’t worry, Krash isn’t interested in that sort of thing. Not only does he avoid rap-metal beats for Bang Your Head, he doesn’t use any on the LP at all – hurrah! What he does do is employ, arguably, as eclectic an array of sample sources as Prince Paul on the original – though with an entirely different end result. Bang Your Head with its apparently sixties garage band-derived beat for example is one of the standouts. The skeletal piano skank of 6 Feet Deep is another, while a beat featuring spaced-out eighties synths forms the new musical backdrop to Constant Elevation. Two more of the monkey’s favourites on this one are Here Comes The Gravediggaz, now underpinned by double-bass-led funk and the glorious inappropriately joyous bounce of Blood Brothers. The result? Your favourite cuts on this one might not be the same as your favourite cuts on the original. Two different versions of a much-loved LP, then; it’s why people remix hip-hop. All the vocal stems were created by Krash and the ultimate intention is to do a limited vinyl release. Cover art is by the Dead Residents’ Junior Disprol.

As a long time player in the UK Scene with the likes of The Mouse Outfit, Voodoo Black, and Levelz - We’re sure that most of you will be familiar with Sparkz by now.

Coming in strong with his debut release on HFR, Sparkz brings the heat with a series of unforgettable bangers that are guaranteed to liven up even the dreariest of functions.

Self-produced, written, and recorded by the man himself, ‘Overload’ is a testament to the years in which Sparkz spent honing his multi-disciplinary skillset.

‘Overload’ is available to order now on a limited run of 250 black vinyl, as well as available to purchase digitally from the HF shop, and across all digital platforms.

DARYL HELMS AKA SPACE & HOWARD STEVENS OFFER THEIR NEW GROUP EFFORT.
DNH A HYDRA WORLD.
THE LP SEES THE NATURE SOUNDS RECORDING ARTIST DROPPING HIS ABSTRACT
NEW YORK LYRICISM OVER HYPNOTIC PRODUCTIONS BY THE LONDON BASED PRODUCER.
THE LP SHOWCASES DNH’S FUNK PUNK REGGAE & SOUL INFLUENCES & STANDS PROUD IN THEIR
REVOLUTIONARY THOUGHT & MULTICULTURALISM.
DNH FIRST RECORDED TOGETHER ON THE FIRST WEATHERMEN PROJECT “PARANOID ANDROID”
WITH CAGE & MASAI BEY.
SPACE WOULD GO ON TO FEATURE ON LP’S WITH CAGE, VAST AIRE, CAMUTAO,
CANNIBAL OX….
HOWARD STEVENS WOULD PRODUCE FOR THE LIKES OF MF DOOM, MF GRIMM,
LEWIS PARKER ETC….
THE LP WAS MIXED & MASTERED BY JUICE, ALSO PRODUCING “HYDRA WORLD TRANSMISSION”.
IT ALSO FEATURES A CO-PRODUCTION WITH HIS GREEDY FINGERS BRETHREN SMIMOOZ ON
“MADE IN AMERICA”
THE ALBUM IS AVAILABLE AS SHRINK WRAPPED LP VINYL & DIGITALLY.
THE SINGLE “ANGELS OF GOD” IS AVAILABLE TO DOWNLOAD & THE VIDEO BY TRYPTA MEDIA
THERE WILL ALSO BE A SUPPORTING VIDEO AFTER RELEASE FOR “ROUND THE WORLD”

Coby Sey steps out with his remarkable debut album 'Conduit'. "'Conduit' is a statement of intent, reaffirming my dedication to transcend the tangible through music – it’s my way to continue and contribute to the musical lineage laid by those before me, locally and worldwide." - Coby Sey

The new album from Creatures of Habit (Eric the Red, Sean Peng, Illinformed).

Little Simz' debut album from 2015 reissued.

Pitchfork gave a 7.8 rating back then and wrote: "At 21, the London rapper Little Simz raps with a shapeshifting hardness and ragged sense of spiritual burden that brings to mind Lauryn Hill and Kendrick Lamar. Both Lamar and J. Cole have cosigned her, and her debut is a tense, terse concept album wrestling with her sense of destiny."

TYRON is a tale of two halves exposing human complexity. Just as with the narrative of his own life, there are always two sides to every story. Side one re-introduces us to the classic hubris, machismo, and braggadocio typical of rap music. Side two takes what you thought you knew about slowthai and flips on its head. ‘feel away’ and ‘nhs’ go some way to dip a toe inside the complexities of his mind but delve deeper and you’ll be left with a clearer understanding of who he truly is. Honesty is paramount as ultimately Ty wants listeners to know that “it’s ok to be yourself”.



TYRON was formed against the backdrop of an unforgiving climate where judgement, shaming and underdeveloped and simplistic conceptions of other people are fashionable. Instead of succumbing to such simplicity, TYRON presents an artist who is unabashedly complicated and willing to explore themes of loneliness, identity, self-acceptance, and the difficulties in becoming an individual. Unlike the political overtone of slowthai’s debut album ‘Nothing Great About Britain’ which took listeners on a journey through slowthai’s turbulent upbringing and his stance on British life – this self-titled follow up, TYRON is a melodic dive through the expansive landscape of his feelings. His ability to bear his imperfections and contradictions makes TYRON an album that is the antithesis of a culture of purity. A resistance to the rising tide of moral one-upmanship and the pervasive self-righteousness that blinds us to our own fallibility.

Here's the all new The Mouse Outfit album with guest appearances by IAMDDB, Black Josh, Dubbul O, Sparkz, Dr. Syntax and many more. Another quality release by one of our favorite UK crews. Tip!

Pitch, Chini and Defty present the follow-up to the well-received "Escape Music" album with features by Sparkz, Verb T, Fox, Dr. Syntax, Truthos Mufasa, Dubbul O, Jman, Ellis Meade, T-Man & Cutterz!

We are very very pleased to come up with the exclusive vinyl pressing of "Escape Music", a heavy 19 track album from Manchester's The Mouse Outfit with such vocal guests like Dr. Syntax, Sparkz, Dubbul O, Fox and Black Josh.

Take your time and check out the official videos to a few certified bangers off the album and you'll know why we are so damn enthusiastic about this release.

Recorded with a traditional live set up this time!

2 Years since the drop of the aptly titled 'A Fleeting Now' Capriisun returns to Group BraCil to flex that dexterity over glistening grand piano and Spanish guitar

laden beats we know him so well on, in fact he demonstrated this expertly on his recent collaborative project with Group BraCil family and affiliates Verbz and Mr Slipz ('Pass Thru'), yet on Calliope we have some surprises. On the latest release Cap opts to show off his more suave and brash side. 'Calliope' is a more of a series of themed paintings than a collage like the album proceeding it, less dense , more like scenes from a european film noir than excepts from a chunky holiday novel. Attune to his work on Clbrks x Morriarchi's "Bonito", Cap is out the garden and firmly on the bustling strip, and with both the aforementioned artists appearing on the project, its definitely a continuation of Cap's more mischievous persona.

Following on from his last EP, 'Stacker Upper', Lunice returns to his spiritual home, LuckyMe, looking more confident than ever with his next release, 'One Hunned'. Much like his fellow LuckyMe cohorts, Hudson Mohawke and Rustie, Lunice takes ample inspiration from 80s/90s r'n'b, but still manages to be part of a small contingency of producers who are completely carving out a whole new path. Expect big neon-clad synths, soul laden vocal snippets and slick as hell drum-programming, with remixes from The Blessings and Girl Unit to boot.

A year on from ‘Good Evening’, the critically acclaimed collaborative album with Verb T & his
stellar contribution to Ocean Wisdom’s UK TOP 40 ‘Wizville’ album, producer Pitch 92 is
ready to show off his new works to the world, as he enters a new stage in his career and begins
to spread his wings as a solo artist. Known for his soulful sound, inspired by the likes of
Madlib, Pete Rock & J Dilla, Pitch 92 has carved out his own unique style and pulled out all the
stops for his debut release on High Focus Records.
Entitled ‘Lost In Space’, this new EP is a perfectly balanced mix of vocal and instrumental
tracks showcasing the raw talent of the Manchester based producer. Pitch 92 has assembled a
healthy roster of artists to work alongside, ranging from UK Hip Hop royalty to up & coming US
artists as well as accomplished musicians.
Spanning from UK Hip Hop favourites such as Jehst & Verb T, to new faces such as [ K S R ],
Sparkz and Doctor Outer as well as hooking up with Sony Music’s Ashely Henry, one of the
UK’s most accomplished jazz pianists as heard on ‘One Handed’ - Pitch 92, armed with his
trusty MPC, expertly provides the perfect backdrop to accommodate each of his guests, as well
as putting forward instrumentals that stand out as masterpieces in their own right, Pitch 92
applies finesse and the ability of a veteran producer, despite only being 26 years old - One
listen of lead single ‘Lost In Space’ featuring Jehst and Confucius MC is all you need to
confirm that we are indeed listening to a master at work.
In short, ‘Lost In Space’ is a production masterclass and serves as the perfect introduction to
the Pitch 92 sound, of which you will be hearing more and more, guaranteed.