UK Hip Hop Vinyl 163 Items

Hit plus 2 unreleased tracks

Written during a year of hedonistic isolation whilst exiled to a forgotten mining village, Alecs in Wonderland’ is the debut self-produced rap album by rap enigma and ‘one man band’ Alecs DeLarge.

Alecs navigates ‘Wonderland’ with a bulging backpack of references to 90’s Toonami imports, king skins and rap nerdology, multi-syllable boxing through beats in a smoked out stream-of-consciousness drawl. From the cartoonish braggadocio on ‘Scooby Snax’ and ‘AM To AM’, to proclaiming his love for his anthropomorphic MPC 2000 on ‘Girl Joint’, Alecs emphatically proving that he’s much more than just the man behind the boards. Merging classic New York rap sensibilities with sarcastic British humour, 110’s and Berghaus coats taking the place of Timb boots and Lo sweaters.

Musically Alecs draws inspiration from Quasimoto’s anything goes approach, feeding his sampler a range of ingredients from 80’s pop to private-press French prog. Grainy samples of VHS TV recordings warble atop rumbling 808s, diced up jazz and funk fragments punch their way through stuttering MPC drums, whilst guitar loops rock back and forth, all glued together by a loose narrative made up of cut up cartoon dialogue, movie trailers and adlibs.

Wonderland is Alecs’ custom built version of The Matrix, a perfect world created to escape the one outside his council flat window, idyllic living in Lynchian reality. A therapeutic outpouring of the lonely man’s psyche, or maybe just a slow descent into madness, polished and delivered to your ears

in Long Play form.

For the majority of ‘in Wonderland’, Alecs is the sole cast member. The first of the two guest spots going to the ever brilliant King Kashmere, reuniting with Alecs to ruminate the two sides of fame on ‘Megabus Dreams’, whilst Hpblk swoops in to drop a “stack on your conscious” on ‘Empty Pocket Posse’.

Village Live Records are proud to present ‘Phantoms / Subterranean’ (tvi038), the forthcoming new 7″ vinyl by Reading-based rapper, Ash The Author!

Featuring production from DJ Drinks & George Fields, with additional razor-sharp cuts from Mr Brown on the A-side

"This record is about...growing up. I think. It's about dealing with your own stuff for once. Accepting responsibility, maybe. It's a self help book addressed to myself. And just like every other piece of art ever made in history of the hominid, I was going through some shit when I was making it. I'd just left home and everyone I knew, looking to chase a dream. It was an awkward phase, like stage two puberty. I was learning how to be grown. Humility had my pride in a headlock. I was the old man at the art exhibition, the young boy at the art gallery. Everyone was in a K-hole, I was at K-Mart." - Tom Scott

Axel HolyandMarka Sandeliver three songs off their first collaborative effort, the Chess (ep), available on limited 7" vinyl. "Strange World," "Parlez Vous," and "Chess," are the first offerings from the pair's EP.
All 7" include a free download code for the full EP.
The full6-track features six original tracks with an incredible amount of depth: grime, hip-hop, and trap. Axel Holy delivers gritty UK grime vocals over Marka San's dark post-apocalyptic atmospheric soundscapes.
Bouncing nitty gritty beats and rhythms between Ljubljana and Bristol, Axel Holy and Marka San's goal of a small EP quickly turned into 20-plus songs. The duo handed the songs over to their label,rx:tx, to finalize the track list of what would become theChess (ep).
Make sure you check out this exclusive 3-track release from Axel Holy and Marka San's upcomingChess (ep). Don't miss out, get yourself a limited vinyl while supplies last!

15 track album by Bronze Nazareth and Leaf Dog.

Lex Neville is a 16 track album produced by Leaf Dog and Illinformed with guest verses from Datkid, Jack Jetson, King Kashmere, Leaf Dog, Smellington Piff and Verb T, cuts by Jazz T

2 Years since the drop of the aptly titled 'A Fleeting Now' Capriisun returns to Group BraCil to flex that dexterity over glistening grand piano and Spanish guitar

laden beats we know him so well on, in fact he demonstrated this expertly on his recent collaborative project with Group BraCil family and affiliates Verbz and Mr Slipz ('Pass Thru'), yet on Calliope we have some surprises. On the latest release Cap opts to show off his more suave and brash side. 'Calliope' is a more of a series of themed paintings than a collage like the album proceeding it, less dense , more like scenes from a european film noir than excepts from a chunky holiday novel. Attune to his work on Clbrks x Morriarchi's "Bonito", Cap is out the garden and firmly on the bustling strip, and with both the aforementioned artists appearing on the project, its definitely a continuation of Cap's more mischievous persona.

CoN and KwAkE are Confucius MC and Kwake Bass. They share long and entwined histories with saxophonist and Native Rebel label owner Shabaka Hutchings, and with many of the incredible London musicians and producers who have emerged over the last decade.

Eyes In The Tower, their debut album released one year ago, was the second release on Shabaka Hutchings’ Native Rebel Recordings, where he invites friends and family to RAK Studios improvise around sketches he’s written specifically for the invited artists. A uniquely London evolution of classic hip hop, it was brewed for over a decade before being made in three days.

Two tracks from the album have now been remixed to celebrate the one year anniversary of the album: 15 Minutes gets reworked by Daisuke Tanabe and Dance In The Dark by Anja Ngozi.

Confucius MC has been embedded in UK hip hop since the early 2000s. He was the support of choice for Mos Def, and recently toured with UK hip hop stalwart Jehst.

Kwake Bass is musical director for Sampha and Kae Tempest. Behind the kit he has become the player of choice for travelling US heavyweights, playing with MF Doom, The Roots and Joey Bada$$, as well as UK major players Lianne La Havas and Mica Levi.

Seeing himself as a social commentator, Coops continuously draws inspiration from everything around him and is feeling more inspired than ever. Having signed to the label in 2018 he has already released 2 poignant albums and continues to create at rapid speed. The 8-track project - which was made in just 4 studio sessions - is unlike Coops’ usual 14+ track albums both he and his fans have become used to. Coops turned the album around in record time to ensure his music was released during this unparalleled time in history. The homegrown beats come from his close friend and long term collaborator Talos who has produced almost all his beats to date. In the opening track, ‘ Boom Biddy Bye’ Coops doesn’t waste a second in putting his fellow rappers through their paces. A block rapper with no one to please but himself, Coops professes that he barely listens to what other rappers release to ensure they don’t infiltrate and influence his own music. Highly appropriate for these times, title track ‘ Crimes Against Creation ’ is the stand out voice of this generation and his message to the world. ‘W arped perception, thwart connections, they force perfection, then claim the antidotes an injection...’ plays out and we begin to appreciate how the current situation is playing heavily on his mind. As the album progresses we get to see all sides of Coops’ personality with ‘Piss Poor’ reminding us of the raw gritty London lifestyle from which he has risen from, whilst ‘Profile’ demonstrates his softer more promiscuous side as well as touching on themes of fatherhood and online relationships. Coops’ musical entry point begun by making music with his friends, but it wasn’t until he really looked at himself and the world around him when he decided he needed to go it alone, opening his mind and his solo stream of creativity which hasn’t stopped since. A self-proclaimed hermit he embodies the essence of a true artist and only finds comfort in doing what he loves, not what he is told.

A combination from MC, Cosm and Decksterrortry producer g-man. This E.P is the opening salvo from Cosm and g-man who have been busy in the lab and will be following this up with the long awaited "Iron Statue" L.P.

Village Live Records are proud to present 'Time & Tide', the new album by Mancunian poet and emcee, D'Lyfa Reilly.

The 12-track album is entirely produced by Village Live artist Aver and is the last release to be overseen by the label's co-founder Joey Deez, who sadly passed away earlier this year.

D'Lyfa burst onto the UK hip-hop scene in 2011 aged 19. After releasing a slew of mix tapes and videos he gained notoriety across the UK, most notably being featured on BBC Introducing and Charlie Sloth's 1xtra national radio shows.

It was during this period that D'Lyfa befriended fellow Mancunian hip-hop producer Aver. The two had a shared vision of an alternative, no-nonsense approach to music and worked together for years on a number of projects that never saw official release. 'Time & Tide' is a combination of reworked tracks from this era and new music the pair created in 2019.

The album will be available on limited edition 12" vinyl in two colour ways: standard black, and the other an aquatic-themed transparent blue with white swirl. The digital version of the album, along with the instrumentals will also be available to stream/buy when 'Time & Tide' is fully released at the start of 2021.

10 years since their debut LP, Jam Baxter, Dabbla and GhostTown make their long-awaited return with 'Cherry Turbo / Death By A Thousand Cocktail Sticks'.

‘Cherry Turbo / Death By A Thousand Cocktail Sticks’ is available to Order.

Limited edition pressing on vinyl, full colour 350gsm reverse board gatefold sleeve. 6 track album. Shrink wrapped.

Limited to 100 copies

That new type of british rap … feat. Joe Goddard & Roots Manuva!

"The future of UK Hip Hop" - Times

Dirty Dike's legendary High Focus Records debut 'Constant Dikestar' featuring classics such as 'Pork Pie', 'Hi I'm James' as well as appearances from Jam Baxter, Fliptrix, Ronnie Bosh, Edward Scissortognue, Mr Key, Leaf Dog, BVA, Stig Of The Dump and more! This is a must for all High Focus vinyl fiends.

Limited edition repress on blue vinyl, full colour 350gsm reverse board sleeve. 14 track LP over 1 disc. Shrink wrapped. Purchase comes with a digital download of the album upon fulfilment of your order.

Run of 500 vinyl.

Uluru is back with a Reggae Hip-Hop future classic. Following the teaching of masters like J-Star, Dj Maars and L'Entourloop, Dj Dibba makes is own solo debut on vinyl with 2 heavy weight dancefloor killers, meticulously assembled in Rome, Italy. Fusing rocksteady with hip hop, spicing it up with dub influences and modern drum beats, this 7” will definitely give a shake to the reggae hip-hop scene.

Pull up guaranteed!

Pressed on high quality black and yellow/orange vinyl (48 gr.) Edition of 500, cut it loud and fat, highly recommended for big sound systems.

Uluru is back with a Reggae Hip-Hop future classic. Following the teaching of masters like J-Star, Dj Maars and L'Entourloop, Dj Dibba makes is own solo debut on vinyl with 2 heavy weight dancefloor killers, meticulously assembled in Rome, Italy. Fusing rocksteady with hip hop, spicing it up with dub influences and modern drum beats, this 7” will definitely give a shake to the reggae hip-hop scene.

Pull up guaranteed!

Pressed on high quality black and yellow/orange vinyl (48 gr.) Edition of 500, cut it loud and fat, highly recommended for big sound systems.

Ed Scissor + Lamplighter return with Joysville.

Written in the witching hour of lockdown one, Joysville represents a distinct shift in process from the duo. Ungoverned by the more meticulous considerations of the past, Joysville evolved freely from a small zip of instrumental sketches, before taking shape as a fully realised concept in the space of a short few weeks.

Ed Scissor’s signature storytelling, accompanied by Lamplighter’s sparse and spacious instrumentals, make Joysville their most personal and accomplished work to date.

Exploring unchartered territories both through his raw yet refined lyricism and genre-bending experimental soundscape, Fliptrix flips the notion of conventions on its head and delivers this in the form of brand new album ‘Inexhale’. Expanding the lexicon of Hip Hop, the project goes beyond the boundaries as he takes you on a metaphorical journey buried deep with out of the box symbolism and concepts.

Brand new album from legendary UK Grime / Hip Hop maestro!

Recorded with a traditional live set up this time!

Recorded with a traditional live set up this time!

Magnetic is the 10th studio album by rock band Goo Goo Dolls, released on June 11, 2013, through Warner Bros. Records. The recording process took place during the latter half of 2012 and into early 2013. Rzeznik thought of the album title during a phone conversation with his manager, who told Rzeznik to "think of a title for the record. Try to use one word." Magnetic was the first word that came to Rzeznik's mind. This is the last album to feature drummer Mike Malinin who left the band in December 2013.

While most spend their days wading through the treacly undercurrents of a decaying hometown, Jam Baxter spends his days carving out on a new existence in the heart of Mexico City.

With a forest of rare succulents of house plants on his eighth floor balcony, a notepad in his back pocket (for lizard spotting) and a flea market typewriter primed in his writing room, Baxter affords himself the time and grace for his new surroundings to seep into him, watching his writing take on new life in the exchange; days and nights spent in quiet contemplation as he sharpens his skills in unpacking the universe.

Granuja has eschewed the at-times chaotic metropolis of Medellín for a quiet life in the hills of La Ceja, where he produces and writes (followed around by his pack of loyal dogs). Six years since his debut solo LP ‘Círculo Vicioso’ dropped back in 2017, Granuja has been steadily carving a name for himself in Latin America and beyond with a series of critically acclaimed rap releases.

Baxter & Granuja first met in 2020; the former taking an impromptu 2-hour taxi cab in thickest night to Granuja’s studio way up in the winding hills of Antióquia. As with all great creative endeavours, plans to record ‘a couple of tracks’ snowballed; a single became an EP became an album, the momentum fuelled by a new Jack Danz’ instrumental landing in Baxter’s inbox every fortnight.

Before sunrise the bones of ’De las Sombras’ were born.

There is no question that Granuja and Baxter bring out a different side of one another. The two artists hopping borders, barriers and time zones; switching languages as often as they switch flows across an album unified by an all-encompassing sense of doom.

At its core, ‘De las Sombras’ is a gothic listen. A haunting, swooning downward spiral. Blacks, whites, purples and greens bubbling a thick concoction. Life and death at loggerheads in the back-and-forth; expertly soundtracked by Jack Danz most haunting works to date and complemented by a series of curated vocal samples furthering the gloom.

We like to think of ’De las Sombras’ as an OST for the album artwork. The castle a picture perfect symbol of an album persistently flirting with the supernatural.

While most spend their days wading through the treacly undercurrents of a decaying hometown, Jam Baxter spends his days carving out on a new existence in the heart of Mexico City.

With a forest of rare succulents of house plants on his eighth floor balcony, a notepad in his back pocket (for lizard spotting) and a flea market typewriter primed in his writing room, Baxter affords himself the time and grace for his new surroundings to seep into him, watching his writing take on new life in the exchange; days and nights spent in quiet contemplation as he sharpens his skills in unpacking the universe.

Granuja has eschewed the at-times chaotic metropolis of Medellín for a quiet life in the hills of La Ceja, where he produces and writes (followed around by his pack of loyal dogs). Six years since his debut solo LP ‘Círculo Vicioso’ dropped back in 2017, Granuja has been steadily carving a name for himself in Latin America and beyond with a series of critically acclaimed rap releases.

Baxter & Granuja first met in 2020; the former taking an impromptu 2-hour taxi cab in thickest night to Granuja’s studio way up in the winding hills of Antióquia. As with all great creative endeavours, plans to record ‘a couple of tracks’ snowballed; a single became an EP became an album, the momentum fuelled by a new Jack Danz’ instrumental landing in Baxter’s inbox every fortnight.

Before sunrise the bones of ’De las Sombras’ were born.

There is no question that Granuja and Baxter bring out a different side of one another. The two artists hopping borders, barriers and time zones; switching languages as often as they switch flows across an album unified by an all-encompassing sense of doom.

At its core, ‘De las Sombras’ is a gothic listen. A haunting, swooning downward spiral. Blacks, whites, purples and greens bubbling a thick concoction. Life and death at loggerheads in the back-and-forth; expertly soundtracked by Jack Danz most haunting works to date and complemented by a series of curated vocal samples furthering the gloom.

We like to think of ’De las Sombras’ as an OST for the album artwork. The castle a picture perfect symbol of an album persistently flirting with the supernatural.

In uncertain times, hope and unity are important when moving through the unknown, so it feels like our latest release arrives at the perfect time. The title of the project is a handy mantra for these strange days, with the content serving as a reminder of what has come before, as well as a portent for what lies ahead.

All the instrumentals and cuts by Habitus
Recorded, mixed and mastered by Habitus at Dusty Sounds Studios.
Album produced with Akai S950 and Mpc 2500.

Freedom Of Speech. A new album that is the meeting of 2 minds & 2 styles, an old school flavour with a definite new school twist. Haynesy & JD had a chance meeting on social media & decided to swap a few ideas for fun, but it soon became apparent that something good was happening & they agreed to do a single which quickly led onto to the idea of a whole album instead. Haynesy fresh from the well received ‘Dope Beat Biz Vol 1’ & JD similarly with his ‘Chapters’ series then embarked on what would become ‘Freedom Of Speech’, an 11 track album with every track stand alone in its own right & each with an individual style & message. Digital release set for August 3rd with a vinyl release to follow

When TWO London Hip-hop Heavyweights Join Forces, It’s Going TO BE “style SO Incredible” THE Enigma Howard Stevens Produces A Hard Hitting Slab OF B-boy Rocking Hip-hop Featuring THE MAN With THE Golden Sound, Lewis Parker. Conscious Street Lyrics Flow Effortlessly Over THE Uptempo Classically Styled Beat, With A Furious Funky Scratch Chorus & Remix From Producer/dj Juice. ADD A HOT Video Directed BY Ringz OV Saturn AND THE Whole HIP HOP Package IS IN Order

Limited to 200 copies.

Jason Williamson (Sleaford Mods) slamming words reflecting a society ever further disorientated into a lawn cut by scissors. Have a look, and listen to the inner parts of a world which isn't ours anymore.

Referencing the cult alien sitcom from the turn of the 80s, ‘Mork Calling Orson’ is Jehst’s sixth album reaching a typically supreme standard of syllables and similes bearing a red-eyed hue.

Featuring the tracks ‘Daily Planet’, ‘One Horse Town’, ‘Wild Herb’ and ‘Autumn Nights’, and with Confucius MC, Eva Lazarus, Lee Scott, CW Jones and SINDYSMAN guesting, Jehst continues to unlock his superpower of making the melancholic incisively slice through all before him.

His partiality for provocative references to the fore, and sloganeering that “you hear the voice of God when I rock the mic”, “Jehst for president” and “I’m Nas in that ‘Illmatic’ phase” without either irony or pretence, ‘Mork Calling Orson’ begins as drowsy, clouded and dry-mouthed, occasionally letting light peer through the curtains, otherwise at peace with self-imposed exile (“ain’t no sunshine, regardless of climate change”). Nostalgic soundbites are interspersed with namechecks of Audio Two, Vanilla Ice, Daley Thompson, Mayor Quimby and Aloe Blacc, and Keor Meteor and Beat Butcha provide subtleties of assistance on production.

The classically 90s, NYC beats of ‘Footsteps’, and ‘Lonely World’ mutedly following its lead, have Jehst rising up, alert to self-examination and the outside world. Returning to familiar sticky green comforts on the G-funked ‘Wild Herb’, is a trigger for the album to find strength and leave its shell, with the subsequent ‘Doctor’ and soft rock lineage of ‘Daily Planet’ and ‘Flight to L.A.’ allowing for streams of consciousness and the sort of word association and reactions to reality that have been Jehst’s hallmark for decades.

The lullaby of ‘One Horse Town’ is the album’s centrepiece, gently ascending and fighting any previous pessimism, before Jehst retreats behind the ‘Front Door’ and on the graceful ‘Skyline’; a fractured soul conflicting his previous status of “mentally irate, physically primate”, stays eloquently, edgily tack-sharp to the last.

Produced by Sonnyjim (1/2/12) Jehst (3/5/6/11) Sam Zircon (4) Mr Brown (7) Beat Butcha (8) Keor Meteor (9) Taharka (10)

Jester Jacobs on the mic Formz on the beats

John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label. The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. 'Maya' is inspired by John's favourite music: '91 to'96 UK breakbeat hardcore and jungle. It's a varied and personal take with sophisticated, authentic production balanced against John's acute sense of melody, an inspired blending of machines and samples infused with a joyful energy. "I don't have that interest in singing or writing lyrics like I used to. The natural thing when I'm by myself now, is to just make music like the stuff being released this year. I really love the back and forth with machines and the computer." The fun he's having on 'Maya' is infectious.

Juga-Naut, a multi-talented artist, emcee, producer and chef with an international following. He creates every aspect of his music himself from concept to final product. He has gained major recognition with a prolific plethora of solid self released projects. 'Marble & Granite' is a gargantuan collaboration between Jugz & Jazz T. The sound is two mountains colliding with the classic Hip-Hop ethos and a modern flyness. The core of the track is sculpting beautiful art from the hardest materials, starting from scratch with raw talent, never stopping, constantly honing your craft to create a solid lasting legacy. Available on 7" vinyl with full colour artwork by Jugz and digital!

Rising star Kilder releases his 10-track debut EP ‘Don’t Hide’, taking listeners on a whirlwind ride through club music as heard through Kilder’s ears: emotive house, hard-edged bass and divine indie-disco bring the energy, while more cerebral ambient tracks wind things down. Although it’s largely club music, there’s a pop sensibility at play throughout, with punchy song structures and a keen ear for melody that poke at the pop zeitgeist. Guests on the EP range from established names like underground legend Trim and Japanese soulstress Friday Night Plans to art-school-upcomers Jasper Lotti, Lyzza, k_anti and Lyam. As a debut body of work, it’s a product of self-discovery and a bold first statement that speaks of big things to come. Kilder has released half the record as warmup singles, starting with the title track ‘Don’t Hide’ back in July which reverberated in underground circles and saw him featured by Dazed, Dummy, The Line Of Best Fit and The Independent in addition to heavy tastemaker playlist support across all DSPs. Since then, the producer has racked up over 2 million streams, received plaudits from Jack Saunders’ Future Artists show on BBC Radio 1 and was dubbed “one to watch” by Notion magazine. At just 20 years old, the Amsterdam based producer is an essential new addition to your record box and a thrilling new talent for 2021.

The adequately titled ‘The Album To End All Alien Abductions’ sees UK stalwart King Kashmere and producer/rapper extraordinaire Alecs DeLarge unite for a 24- track ride through an epic space age boom bap odyssey. “F**k with your boy Judas Ascariot, who came back swinging - whipping the super chariot” declares a triumphant King Kashmere on the album opener ‘Angel Strike’, proving he hasn’t lost a step since his last full length rap project, #lp4080 dropped back in 2017. Thematically Kash’s lyrics are routed in sci-fi and Jack Kirby era comic lore, but on cuts such as ‘Old Earth’ (an ode to his Mother and coming of age on a North London council estate and ‘House of Cards’ (an exploration of mental health) the Iguana Man shows a rare glimpse into the man behind the freshly pressed super suit. Several cuts also see Alecs stepping from behind the boards to join Kashmere on mic duties, a pairing best displayed on the dusty bubbler ‘Most Blunted’ in which the duo trade verses in a puff puff pass of lyrical spliff boxing.

You know Krash Slaughta right? The man behind the recent wildly successful Doom/Sugacubes mash-up LP Sugar-Coated Doom, not to mention his unofficial remixes of the Wu’s K.R.E.A.M. and P.L.O. Style and collab. 45 with Phill Most Chill, Rebel Base? ‘Is he at it again?’ the monkey hears you ask. Yes, he is at it again, though the closest of the the three aforementioned releases to what he’s about to drop is the Wu remix 45. And what he’s about to drop is Diggin Deeper, not a single this time but a whole remix album of one of his (and the monkey’s!) all-time favourite hip-hop LPs – to wit, Niggamortis – more usually known as Six Feet Deep (especially in the U.S., though minus the best track under that name) by hip-hop supergroup Gravediggaz.

As many will know, this LP with its horror-movie fixated lyrics gave birth to a whole hip-hop sub-genre – that of ‘horrorcore.’ However, none of those who came after seemed to manage the lyrical humour of The RZArector, The Grym Reaper and The Gatekeeper (a.k.a. RZA, Poetic and Frukwan) and the only bit of production by The Undertaker (a.k.a. Prince Paul) that they seemed interested in was the sub-metal rap sludge of the shouty Bang Your Head – i.e. the LP’s one weak spot. But don’t worry, Krash isn’t interested in that sort of thing. Not only does he avoid rap-metal beats for Bang Your Head, he doesn’t use any on the LP at all – hurrah! What he does do is employ, arguably, as eclectic an array of sample sources as Prince Paul on the original – though with an entirely different end result. Bang Your Head with its apparently sixties garage band-derived beat for example is one of the standouts. The skeletal piano skank of 6 Feet Deep is another, while a beat featuring spaced-out eighties synths forms the new musical backdrop to Constant Elevation. Two more of the monkey’s favourites on this one are Here Comes The Gravediggaz, now underpinned by double-bass-led funk and the glorious inappropriately joyous bounce of Blood Brothers. The result? Your favourite cuts on this one might not be the same as your favourite cuts on the original. Two different versions of a much-loved LP, then; it’s why people remix hip-hop. All the vocal stems were created by Krash and the ultimate intention is to do a limited vinyl release. Cover art is by the Dead Residents’ Junior Disprol.

You know Krash Slaughta right? The man behind the recent wildly successful Doom/Sugacubes mash-up LP Sugar-Coated Doom, not to mention his unofficial remixes of the Wu’s K.R.E.A.M. and P.L.O. Style and collab. 45 with Phill Most Chill, Rebel Base? ‘Is he at it again?’ the monkey hears you ask. Yes, he is at it again, though the closest of the the three aforementioned releases to what he’s about to drop is the Wu remix 45. And what he’s about to drop is Diggin Deeper, not a single this time but a whole remix album of one of his (and the monkey’s!) all-time favourite hip-hop LPs – to wit, Niggamortis – more usually known as Six Feet Deep (especially in the U.S., though minus the best track under that name) by hip-hop supergroup Gravediggaz.

As many will know, this LP with its horror-movie fixated lyrics gave birth to a whole hip-hop sub-genre – that of ‘horrorcore.’ However, none of those who came after seemed to manage the lyrical humour of The RZArector, The Grym Reaper and The Gatekeeper (a.k.a. RZA, Poetic and Frukwan) and the only bit of production by The Undertaker (a.k.a. Prince Paul) that they seemed interested in was the sub-metal rap sludge of the shouty Bang Your Head – i.e. the LP’s one weak spot. But don’t worry, Krash isn’t interested in that sort of thing. Not only does he avoid rap-metal beats for Bang Your Head, he doesn’t use any on the LP at all – hurrah! What he does do is employ, arguably, as eclectic an array of sample sources as Prince Paul on the original – though with an entirely different end result. Bang Your Head with its apparently sixties garage band-derived beat for example is one of the standouts. The skeletal piano skank of 6 Feet Deep is another, while a beat featuring spaced-out eighties synths forms the new musical backdrop to Constant Elevation. Two more of the monkey’s favourites on this one are Here Comes The Gravediggaz, now underpinned by double-bass-led funk and the glorious inappropriately joyous bounce of Blood Brothers. The result? Your favourite cuts on this one might not be the same as your favourite cuts on the original. Two different versions of a much-loved LP, then; it’s why people remix hip-hop. All the vocal stems were created by Krash and the ultimate intention is to do a limited vinyl release. Cover art is by the Dead Residents’ Junior Disprol.

Got dust? Krash Slaughta has. In fact, for him, Everything’s Turning Up Dusty right about now. Surely this can’t be his brand-new double-vinyl LP journey into sound which finally realises an ambition to create a cut n paste opus held since his pre-turntable days of pause-button mixes? It certainly can! The project comes in four parts corresponding to four sides of 12″ vinyl which weigh in at approximately fifteen minutes each and each side of which took around a month to make! Man, that is epic! When did he ever get the time and concentration to put such a beast together? Wait – are we talking about yet another Krash Slaughta lockdown project? We are! And this bad boy stitches together vintage vocal loops, rare breaks, library records and obscure samples along with remixes of Stetsasonic, O.C., Tanya Winley, Jurassic 5, Edan, Nas, ODB, Gang Starr, Super Lover Cee & Casanova Rud (any one of which would be straight fire on 7″or 12″) along with pretty much whatever the hell else he wanted to put on there. Pressed at 45 rpm, this one features two differently-coloured slabs of wax: one mauve and one blue while even the centre labels and cover art get in on the cut n paste vibe having been created by hand by Krash homie Saleem Andrew McGroarty. As with previous such efforts from the KS camp, there will be no re-press! Sleep at your peril.

Leaf Dog’s classic ‘Dyslexic Disciple’, his second solo instalment on High Focus Records.

1/3rd of The Three Amigos, 1/4 of The Four Owls, 1/3 of Brothers Of The Stone and one of High Focus Records very first signings, Leaf Dog has dedicated his life to hip hop music. Many years have passed since ‘From A Scarecrow's Perspective’ revealed Leaf Dog's unmistakable voice to the rap world and he has left fans the world over pining for more ever since. ‘Dyslexic Disciple’ ended that wait and Leaf Dog returned with his best work to date!

Limited edition repress on forest green double vinyl, full colour 350gsm reverse board sleeve. 16 track LP over 2 discs. Shrink wrapped.

Run of 500 vinyl.

Little Simz' debut album from 2015 reissued.

Pitchfork gave a 7.8 rating back then and wrote: "At 21, the London rapper Little Simz raps with a shapeshifting hardness and ragged sense of spiritual burden that brings to mind Lauryn Hill and Kendrick Lamar. Both Lamar and J. Cole have cosigned her, and her debut is a tense, terse concept album wrestling with her sense of destiny."

The incredible follow-up to an magnificent predecessor. Now on vinyl. This is the regular white edition.

“Introvert” is an expansive piece of music that begins with a mighty orchestral fanfare and doesn’t let up as Simz peels off bars that grapple with fear, frustration, and possibility on both a personal and more universal level. “My speech ain’t involuntary,” Simz raps, “Project with intention straight from my lungs/I’m a black woman and I’m proud one/We walk in blind faith not knowing the outcome/But as long as we unified then we’ve already won.”

Sometimes I Might Be Introvert follows Little Simz’s 2019 album, Grey Area. Simz produced the album with her regular collaborator Inflo, and it will feature guest appearances from Cleo Sol, Obongjayar, and even The Crown star Emma Corrin.

19 tracks feat. Noah23, Icon The Mic King, Lady Daisey, Chefket and many more, rapping in English, Spanish, Dutch, Bosnian, German and other languages.

Stellar debut south-londons rising star Loyle Carner! No exaggerations, no fakin', just pure UK flavor. Tip!

Originally released in 2017, Loyle Carner’s album Yesterday’s Gone will be released on picture disc for Record Store Day 2023.Loyle chose photos of him and his beloved poodle Ringo for the front and reverse of the disc: “People say I should have a rottweiler”, says Loyle, “But I like poodles”. Nominated for the 2017 Mercury prize, Yesterday’s Gone is a certified classic of UK hip-hop which continues to win new fans as it’s remarkable streaming figures prove.

Following on from his last EP, 'Stacker Upper', Lunice returns to his spiritual home, LuckyMe, looking more confident than ever with his next release, 'One Hunned'. Much like his fellow LuckyMe cohorts, Hudson Mohawke and Rustie, Lunice takes ample inspiration from 80s/90s r'n'b, but still manages to be part of a small contingency of producers who are completely carving out a whole new path. Expect big neon-clad synths, soul laden vocal snippets and slick as hell drum-programming, with remixes from The Blessings and Girl Unit to boot.

Once again off the back of another very productive year, Micall Parknsun is on vinyl again. Teaming up with the mighty Boot Records to bring you his brand new Extended Player, the "Back In Business" EP. This killer record consists of 5 tracks and instrumentals , 3 produced by the main man himself, 1 produced by everyone's favourite DJ, DJ Jazz T and 1 produced by Jazz T & Dr Zygote. With the only feature being Brooklyn's very own Napoleon Da Legend, this is a sure fire bit of wax you won't want to miss out on.

Village Live Records is proud to announce the highly anticipated '10 year anniversary' reissue of Micall Parknsun's critically acclaimed album, 'Me, Myself & Akai,' originally released in 2013. This special reissue marks the first-ever availability of the album on vinyl, making it a must-have for collectors and hip-hop enthusiasts.

Produced entirely on the iconic Akai MPC 1000 by Micall Parknsun himself, 'Me, Myself & Akai' showcases his impeccable production skills. The album features captivating guest vocalists including Joker Starr and Ramson Badbonez, along with razor-sharp cuts by the legendary Jazz T.

Vinyl enthusiasts and fans of Micall Parknsun's work can secure their copy by pre-ordering the limited edition vinyl release. Pre-orders will be available exclusively on the Village Live Records Bandcamp store, with sales going live at 7 PM UK time on Friday, July 7th.

With only 300 copies available, this reissue promises to be a highly sought-after collector's item. Fans are encouraged to act swiftly to secure their copy of 'Me, Myself & Akai' and experience the raw talent and captivating production that Micall Parknsun has to offer

Boot proudly present Micall Parknsuns 6th studio LP "Still..." on limited edition single black vinyl. With killer features from Kyza, Scriblah, Joker Starr, AyePee, Josiah and Naughtz. Produced by Micall Parknsun, Aypee and Apollo with cuts by Jazz T. Killer artwork by Glen Stone. Includes the smashes "Still... "and "Kept Going"

Debut vinyl release from Spinning Wheel Records. Luxury g rap music. High quality lacquer cut premium 45. Anti themes throughout playfully mused through different women - heavy drums - analogue, sample led sound. All written and produced by Mosik Rhymes. MPC2000xl. Mixed and mastered by Morriachi & Mr Slipz. Graphic design by Mosik Rhymes. Cover model Lauren Leola

Something a little special for the landmark AE Productions catalogue number Ae050. Recorded circa 2012 and intended for release on High Noon Music, Mr Fantastic and J. Todd’s follow up to their superb ‘All The Critics’ has sat in the vaults ever since. With AE’s 50th release coming up we arranged with the kind help of High Noon Music to release ‘Don’t Worry’ on AE as originally intended on 7” with the instrumental on the flip, albeit around 11 years later.

The beat starts with a nice slice of Funk guitar which leads into Mr Fantastic’s customary big crunchy drums and a booming 808 sub kick. The intro sample then doesn’t reappear as is but is chopped to pieces and replayed with all guitar and bass parts taking on an entirely new groove which sits on the drums perfectly and is augmented with additional sounds.

Milwaukee’s finest J. Todd graces the track with a nice aggressive pacey flow which works as a nice counter balance to the vocal on ‘All The Critics’ and giving the track a more hardcore underground feel. J. Todd’s freestyle and tongue in cheek braggadocios battle rhymes ride the beat with ease which provides an easy listen considering the tough feel of the track.

We dug out an image taken around the time of recording to keep it in keeping with the image that may have been selected at the time had it been released. The audio is the original master from 2012 so as to retain the original flavour of the track but was done by our mastering engineer of choice Rola @ Khameleon Sounds. We hope you agree that the wait was worthwhile.

This year Natty Wylah has been cementing himself in London’s rich contemporary music scene with festival performances at Glastonbury, We Out Here with Silhouettes Project and a headline Southbank show as part of Nabihah Iqbal’s ‘Glory To Sound’ series. As well as contributions to Rhythm Sections, compilation ‘Shouts’ all in the run up to his next EP, Willowisp. Moth Wings / FB Trap is the perfect introduction to Natty’s world where magic, slime and reality all mix together. With his cinematic lyrics on MothWings, Natty conjures up the imagery of celestial moths, who when seeking the moonlight end up stuck chasing flickering artificial light bulbs. The track features the unmistakable characteristics of Natty’s sound: traipsing across hip-hop, the psychedelic and punk, all adorned with ethereal vocals and woozy synths from Poppy and Finn Billingham. Moth Wings/FB Trap are the first tracks available to listen to from his debut EP, Willowisp. Taking its name from a painting by Jamaican artist John Dunkley based on the myth of Will-’o-the-wisp, a ghost light seen by travelers over bogs and swamps at night that often led them to their demise. This world of light and dark is expressed by Natty throughout the EP, questing through the unknown forest in the dark, wet air and moss, in order to move past constraints and to find freedom.

30th anniversary of Neneh Cherry’s classic hit album Raw Like Sushi (1989),“an unorthodox and brilliantly daring blend of R&B, rap, pop, and dance music”.
The album features 5 singles - includes the worldwide smash hit single ‘Buffalo Stance’ (number 1 US Dance Chart) as well as hit singles – ‘Manchild’ produced by Massive Attack’s Robert Del Naja, ‘Kisses On The Wind’, ‘Heart’ & ‘Inna City Mamma’. One of the most important records of all-time. Listed as one of the "1001 Albums You Must Hear Before You Die".

This set features the original album plus Demos and Remixes, incl. Massive Attacks Remix of "Manchild". Three discs in single LP sleeves, housed in a rigid slip-case, includes original album remastered and two bonus discs of b-sides, remixes & extras
Also features the 48-page book

Remastered at Abbey Road, pressed on heavyweight vinyl, with download card included.

30th anniversary of Neneh Cherry’s classic hit album Raw Like Sushi (1989),“an unorthodox and brilliantly daring blend of R&B, rap, pop, and dance music”, sees the original album remastered and given the super deluxe treatment as a 3LP box set.

This box sets feature a 48-page 12x12 book packed full of iconic photos, new interviews, liner notes and memorabilia. The album features 5 singles - includes the worldwide smash hit single ‘Buffalo Stance’ (number 1 US Dance Chart) as well as hit singles – ‘Manchild’ produced by Massive Attack’s Robert Del Naja, ‘Kisses On The Wind’, ‘Heart’ & ‘Inna City Mamma’. Also features rare mixes of key tracks by Massive Attack, Arthur Baker, Smith N Mighty, and more.One of the most important records of all-time. Listed as one of the "1001 Albums You Must Hear Before You Die".

Finally, here it is, the impossible to find 1993er “chapter one” demotape from 1993. Back in the days only about 30 copies of this tape have been made. Numskullz, Britcore Rawmance Records, Burning Anger Records and Mr. Tibbz joined forces to put together the whole thing in its most possible original format, coming as a 6 track 12inch Ep incl. an intro. Furious early 90ies classic Bristol UK HipHop History right here. Mastered by Rola himself.

All Artworks by Mr.Tibbz.