UK Hip Hop Vinyl 203 Items

Whether folk, rock, jazz, electronica or hip hop, Stroud's musical innovators are united by a love of improvisation, experimentation and collaboration. This record is the first attempt to capture the key sounds of the scene and features acts as diverse as the haunting electronica of Orbury Common, the post-punk jazz of Mermaid Chunky, the etherial cello of Simon McCorry and glitchy hip-hop of Fidel Cutstro. The record also features a track from Blancmange legend Neil Arthur in his Near Future guise as well as the first ever recorded track by Wooolheads, a collaboration between Sound Records' own Sean Roe and artist Uta Baldauf. Other acts involved are Mahon Sounds, Little Metropolis, Unicorn Ship Explosion and Phonsonic.

The first AE Productions release of 2022 comes in the form of a 7” by J & Mo – otherwise known as J Man (of Cut Beetlez) and DJ Mo Money. Finnish DJ/producer duo who are in the midst of creating an album. To pre-empt the album release this lead off 7” serves as a taster of what is to come - a mix of well-crafted vocal and instrumental Hip Hop tracks with some great guest MC’s.

The main cut here ‘Rhymes Be Bomb’ features Emcee G Roc Gayle (of The Vibe Drops/Piece Of Mind), and is a perfect example of a track that works on 45 for DJ’s with a nice bouncing groove, excellent turntable work and good vocals that are clean so great for radio play.

The flipside ‘Pelottaa’ (Finnish for frightened) is exclusive to this 7” but is an indication of the flavour of the instrumental tracks that appear on the album and features J Man’s fellow Cut Beetle HP Lovescratch on the vanishingly rare vinyl appearance of human beatbox.

Sleeve design and direction by Mr Krum references a vintage board game with superb results by replacing the bombs with microphones which takes the theme of musical bombs and applies the same metaphor to the artwork.

Limited to 2500 copies.

To mark Record Store Day in 2022 Universal Music Catalogue are making Rizzle Kick’s 2011album ‘Stereo Typical’ available as an LP, on limited edition light green vinyl.‘Stereo Typical’ has been newly mastered for 180 gm vinyl at Abbey Road Studios, and is housed in an eye-catching gatefold sleeve reproducing the original artwork.Originally released in October 2011, ‘Stereo Typical’ was the Brighton Hip-Hop duo’s debut album, peaking at No. 5 the following February.

Very Limited (120 copies through Srd) RED Vinyl 7” with Shepard Fairey artwork. Ree-vo Announce THE Release OF Their ‘spacebox’ Single ON 7” With Remixes BY Nøise AND Batbirds AND Stunning Original Artwork BY Shepard Fairey.

Limited vinylpostcard in collaboration with Postmanslove. The card features the track "Be Together" and shows art by 2econd Class Citizen himself aka Aaron Auguste Thomason. The card additionally features access to the Vinylpostcards app.

“Be Together” is the first single off of 2econd Class Citizen’s album “unlearn”. It is available digitally as well as a limited vinylpostcard in collaboration with Postmanslove.

A few more notes about the upcoming album:
Unlearn is the long awaited fourth album of DJ and producer 2econd Class Citizen. It marks the artist’s return back to the newly relaunched label Equinox Records. Their previous collaborations achieved high acclaim for their genre bending fusion of hip hop, electronica and folk to form a cinematic journey which is full of twists and turns.

Unlearn is an exploration of an artist journeying beyond their conventional confines. It is a musical adventure peppered with vintage samples concerning the perception of reality and our struggles with conforming to a broken society. It teaches us to discard rigid rules, to trust our instincts and to work mindfully.

High Focus Records is proud to present the second pressing of Verbz & Mr Slipz’ milestone of an album ‘Radio Waves’.

This record is the culmination of 2 years of hard work and is jam packed with absolute Heat, as we have all come to expect. With their unrivalled chemistry, the dynamic duo have proven themselves to be some the most exciting artists on the scene. ‘Radio Waves’ is going to cement their position at the top of the pile, considering the calibre of Verbz' penmanship and the sheer density of Mr Slipz' production.

This repress of the "Radio Waves' double disc vinyl is limited to 500 copies only and comes in a full colour premium sleeve on blue marble heavyweight vinyl

High Focus Records are proud to present the latest collaboration from Verb T and Illinformed.

Stranded in Foggy Times both continues and completes the trilogy that began back in 2015, with The Man with the Foggy Eyes, before broadening the horizons with last year’s release of The Land of the Foggy Skies. This final chapter returns to the same conceptual landscape as its predecessors, but also sees Verb T and Illinformed returning to a more classic approach to album making.

In spite of its concept, the Foggy Trilogy is something of a personal outpouring for Verb T, with the original aim being to vicariously discuss the trials and tribulations that play a part in his life, including his struggles with chronic illness and the feeling of alienation from leaving his hometown, while also reflecting on the state of the world as a whole.

As with the previous albums, Stranded in Foggy Times finds Illinformed moving away from the more rugged sound that has shrouded the British scene over the last few months, thanks to his collaborations with the likes of Datkid and Wish Master, instead providing Verb T with an arguably more mellow backdrop. From the string and piano driven introduction on Legacy, to the blissful head-nod vibes of the closing track, Blind Faith, the union between beats and rhymes sits at the perfect level.

The album also boasts one of the most impressive guestlists of the year, one that is very much a product of both players’ worlds. Thanks to Illinformed’s Bristol connection, there are features from the likes of Res One, Datkid, Leaf Dog, Smellington Piff and Chillman, as well as some locally sourced cuts from DJ Rogue. While on Verb T’s side of the fence, we have features from Rye Shabby and Moreone, along with a collaboration that reignites the same creative spark he found in his early days, as King Kashmere steps into the booth on Feeling Strange.

All in all, Stranded in Foggy Times does exactly what it sets out to do, by drawing the trilogy to a close while also providing insights into Verb T’s personal world and the world at large. The fact that it also happens to be one of the strongest rap albums of the year is the icing on the cake.

Following on from his last EP, 'Stacker Upper', Lunice returns to his spiritual home, LuckyMe, looking more confident than ever with his next release, 'One Hunned'. Much like his fellow LuckyMe cohorts, Hudson Mohawke and Rustie, Lunice takes ample inspiration from 80s/90s r'n'b, but still manages to be part of a small contingency of producers who are completely carving out a whole new path. Expect big neon-clad synths, soul laden vocal snippets and slick as hell drum-programming, with remixes from The Blessings and Girl Unit to boot.

John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label. The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. 'Maya' is inspired by John's favourite music: '91 to'96 UK breakbeat hardcore and jungle. It's a varied and personal take with sophisticated, authentic production balanced against John's acute sense of melody, an inspired blending of machines and samples infused with a joyful energy. "I don't have that interest in singing or writing lyrics like I used to. The natural thing when I'm by myself now, is to just make music like the stuff being released this year. I really love the back and forth with machines and the computer." The fun he's having on 'Maya' is infectious.

Dirty Dike's legendary High Focus Records debut 'Constant Dikestar' featuring classics such as 'Pork Pie', 'Hi I'm James' as well as appearances from Jam Baxter, Fliptrix, Ronnie Bosh, Edward Scissortognue, Mr Key, Leaf Dog, BVA, Stig Of The Dump and more! This is a must for all High Focus vinyl fiends.

Limited edition repress on blue vinyl, full colour 350gsm reverse board sleeve. 14 track LP over 1 disc. Shrink wrapped. Purchase comes with a digital download of the album upon fulfilment of your order.

Run of 500 vinyl.

Village Live Records are proud to present 'Time & Tide', the new album by Mancunian poet and emcee, D'Lyfa Reilly.

The 12-track album is entirely produced by Village Live artist Aver and is the last release to be overseen by the label's co-founder Joey Deez, who sadly passed away earlier this year.

D'Lyfa burst onto the UK hip-hop scene in 2011 aged 19. After releasing a slew of mix tapes and videos he gained notoriety across the UK, most notably being featured on BBC Introducing and Charlie Sloth's 1xtra national radio shows.

It was during this period that D'Lyfa befriended fellow Mancunian hip-hop producer Aver. The two had a shared vision of an alternative, no-nonsense approach to music and worked together for years on a number of projects that never saw official release. 'Time & Tide' is a combination of reworked tracks from this era and new music the pair created in 2019.

The album will be available on limited edition 12" vinyl in two colour ways: standard black, and the other an aquatic-themed transparent blue with white swirl. The digital version of the album, along with the instrumentals will also be available to stream/buy when 'Time & Tide' is fully released at the start of 2021.

Self Produced Album By Oliver Sudden

A combination from MC, Cosm and Decksterrortry producer g-man. This E.P is the opening salvo from Cosm and g-man who have been busy in the lab and will be following this up with the long awaited "Iron Statue" L.P.

Seeing himself as a social commentator, Coops continuously draws inspiration from everything around him and is feeling more inspired than ever. Having signed to the label in 2018 he has already released 2 poignant albums and continues to create at rapid speed. The 8-track project - which was made in just 4 studio sessions - is unlike Coops’ usual 14+ track albums both he and his fans have become used to. Coops turned the album around in record time to ensure his music was released during this unparalleled time in history. The homegrown beats come from his close friend and long term collaborator Talos who has produced almost all his beats to date. In the opening track, ‘ Boom Biddy Bye’ Coops doesn’t waste a second in putting his fellow rappers through their paces. A block rapper with no one to please but himself, Coops professes that he barely listens to what other rappers release to ensure they don’t infiltrate and influence his own music. Highly appropriate for these times, title track ‘ Crimes Against Creation ’ is the stand out voice of this generation and his message to the world. ‘W arped perception, thwart connections, they force perfection, then claim the antidotes an injection...’ plays out and we begin to appreciate how the current situation is playing heavily on his mind. As the album progresses we get to see all sides of Coops’ personality with ‘Piss Poor’ reminding us of the raw gritty London lifestyle from which he has risen from, whilst ‘Profile’ demonstrates his softer more promiscuous side as well as touching on themes of fatherhood and online relationships. Coops’ musical entry point begun by making music with his friends, but it wasn’t until he really looked at himself and the world around him when he decided he needed to go it alone, opening his mind and his solo stream of creativity which hasn’t stopped since. A self-proclaimed hermit he embodies the essence of a true artist and only finds comfort in doing what he loves, not what he is told.

Freedom Of Speech. A new album that is the meeting of 2 minds & 2 styles, an old school flavour with a definite new school twist. Haynesy & JD had a chance meeting on social media & decided to swap a few ideas for fun, but it soon became apparent that something good was happening & they agreed to do a single which quickly led onto to the idea of a whole album instead. Haynesy fresh from the well received ‘Dope Beat Biz Vol 1’ & JD similarly with his ‘Chapters’ series then embarked on what would become ‘Freedom Of Speech’, an 11 track album with every track stand alone in its own right & each with an individual style & message. Digital release set for August 3rd with a vinyl release to follow

In uncertain times, hope and unity are important when moving through the unknown, so it feels like our latest release arrives at the perfect time. The title of the project is a handy mantra for these strange days, with the content serving as a reminder of what has come before, as well as a portent for what lies ahead.

Counting Trip-Hop, Ambient, West African High Life, Dancehall, Jungle, Folk and Film Soundtracks as his influences, there is something for everyone on this creative masterpiece.Predominantly instrumental but does have a handful of collaborations with vocalists Killa P, Jerome Thomas, RHI, Penelope Oddity and Chris Belson. ‘I Am Delicious And Cute. So I Will Go Buy Again’ is a meditative journey upriver, whilst ‘Wickedest Ting’ completely flips the switch with a dancehall barrage from Killa P. Another highlight is the apocalyptic jazz of ‘Greed’ which features the remarkable neo-soul vocals of Jerome Thomas.

During times of such uncertainty, music and its healing properties have become even more vital. ‘Boring & Weird Historical Music’ is a calming, curative and monumental 15 track journey through the mind of the enigma that is Telemachus. As he himself puts it: ‘the album certainly rewards a thorough and engrossed listen, but equally the general atmosphere is pleasant enough to play for your auntie when she comes for tea.’

This limited edition double LP comes in a premium gatefold sleeve, with exclusive artwork as well as the the story of 'Uncle Som', a peculiar parable, upon which the album is based around

Limited to 300 copies.

Counting Trip-Hop, Ambient, West African High Life, Dancehall, Jungle, Folk and Film Soundtracks as his influences, there is something for everyone on this creative masterpiece.Predominantly instrumental but does have a handful of collaborations with vocalists Killa P, Jerome Thomas, RHI, Penelope Oddity and Chris Belson. ‘I Am Delicious And Cute. So I Will Go Buy Again’ is a meditative journey upriver, whilst ‘Wickedest Ting’ completely flips the switch with a dancehall barrage from Killa P. Another highlight is the apocalyptic jazz of ‘Greed’ which features the remarkable neo-soul vocals of Jerome Thomas.

During times of such uncertainty, music and its healing properties have become even more vital. ‘Boring & Weird Historical Music’ is a calming, curative and monumental 15 track journey through the mind of the enigma that is Telemachus. As he himself puts it: ‘the album certainly rewards a thorough and engrossed listen, but equally the general atmosphere is pleasant enough to play for your auntie when she comes for tea.’

This limited edition double LP comes in a premium gatefold sleeve, with exclusive artwork as well as the the story of 'Uncle Som', a peculiar parable, upon which the album is based around

Limited to 300 copies.

Debut LP by Manchester hiphop crew Voodoo Black (Sparkz, Dubbul O, Ellis Meade & Cutterz)

All the instrumentals and cuts by Habitus
Recorded, mixed and mastered by Habitus at Dusty Sounds Studios.
Album produced with Akai S950 and Mpc 2500.

A download code is included. High Focus Records is proud to present TrueMendous’ first official release on the label, the highly anticipated ‘HUH?’ EP. This 7 track EP is the perfect introduction to TrueMendous - One of the most talented MCs from these shores whether it be her storytelling expertise, varied range or unrivalled flow. Taking reign as the first female rapper to sign to High Focus Records she is definitely one to look out for. With production from Chemo, Pitch 92, Illinformed, Winchester and Marcus Jakes this EP is going to make a serious dent in the scene. Featuring singles ‘That Don’t Mean’ and ‘O.T.Y.L Part 2’, the ‘HUH?’ EP sets the tone for TrueMendous’ future with unparalleled confidence.

The EP comes on single black vinyl, shrinkwrapped for extra freshness.

There are very few Mc’s in the UK rap game as engrained into the culture as Ramson Badbonez. Rising through the ranks as one of the most cut throat MC’s London had ever seen at 14, it wasn’t long before people started to take notice of the young talent, gathering London wide respect as well as getting recognition from UK Hip Hop godfathers Task Force. The rhyming machine has been a living and breathing embodiment of the culture ever since. By far one of the most prolific creators in the scene, Ramson Badbonez employs one of the strictest work ethics ever seen with over 12 full length albums to his name and showing no signs of slowing down.

On the 28th February, Badbonez will present his latest work, a brand new album, with producer & long time collaborator Mark Fear, entitled ‘Death Mask’.

Following his previous ‘Jason Bonez’ & ‘Mic Day The 13th’ releases, Badbonez has removed the hockey mask to don the Egyptian Death Mask, as he leaves the Jason Bonez moniker behind to focus on a much broader palette of concepts and inspiration.

With topics ranging from the mysteries of the afterlife, the energy crisis to the lasting effects of colonialism to the failings of modern language - Badbonez has left no stone unturned. Fearlessly launching himself into the deep end, covering new ground and constructing incredibly dense prose perfectly matched by Mark Fear’s diverse yet crisp sound.

Perhaps Ramson Badbonez’ most solid release to date, we expect ‘Death Mask’ to make a serious impact in 2020.

Sleaford Mods' third album now on red & white splatter vinyl.

The latin word “magnum opus” literally translates into “masterpiece”, and what this UK dream team has put together on this fulllength is exactly that. MC Micall Parknsun and producer Giallo Point’s collaboration “The Magnum Opus” has been elaborated on the three or four colour model by enumerating a variety of chemical steps to be performed. This was often arranged in groups of seven or twelve stages, this consistency is crafted within 13 solid forms. The process of transmutation, weaving their entire narrative with alchemical symbolism. The full-length boasts collaborations with Ric Branson, SmooVth, Jehst, Confucius MC, The Jones Bros, Juga-Naut, SonnyJim, Phybaoptikz, Napoleon Da Legend and Da Flyy Hooligan. Limited edition of 250 numbered copies, 100 on yellow vinyl w/ black splatter and the remaining 150 on black vinyl. This is the black one.

This set features the original album plus Demos and Remixes, incl. Massive Attacks Remix of "Manchild". Three discs in single LP sleeves, housed in a rigid slip-case, includes original album remastered and two bonus discs of b-sides, remixes & extras
Also features the 48-page book

Remastered at Abbey Road, pressed on heavyweight vinyl, with download card included.

30th anniversary of Neneh Cherry’s classic hit album Raw Like Sushi (1989),“an unorthodox and brilliantly daring blend of R&B, rap, pop, and dance music”, sees the original album remastered and given the super deluxe treatment as a 3LP box set.

This box sets feature a 48-page 12x12 book packed full of iconic photos, new interviews, liner notes and memorabilia. The album features 5 singles - includes the worldwide smash hit single ‘Buffalo Stance’ (number 1 US Dance Chart) as well as hit singles – ‘Manchild’ produced by Massive Attack’s Robert Del Naja, ‘Kisses On The Wind’, ‘Heart’ & ‘Inna City Mamma’. Also features rare mixes of key tracks by Massive Attack, Arthur Baker, Smith N Mighty, and more.One of the most important records of all-time. Listed as one of the "1001 Albums You Must Hear Before You Die".

At 14 years old, Funky DL and his older brother permanently moved from living with their Mother in Hackney to living with their Father in London’s Borough of Newham. It was this significant change that would begin to shape the most formative years of his transition from childhood into adulthood and his relentless pursuit into the world of music.

In the heart of Stratford, East London, a two bedroom apartment in a towering 22 story building was to permanently become DL’s new home. Lyrically encapsulating DL’s experiences between 1992 and 2005, from the first track, “Moving In” to the final song, “Moving Out”, this is a remarkably personal Funky DL album, aptly titled after the name of the building... DENNISON POINT.

LIFE AFTER DENNISON:
After an incredibly warm reception from the fans of the auto-biographical November 2018 release "Dennison Point", Funky DL returns precisely one year later with the sequel, "Life After Dennison". Keeping in theme with vocal accompanied breaks, the album explores topics such as, racism, discrimination, family, friendship, education, conflict, hardship, good fortune and the life lessons gained from them all. The focus sits firmly on the lyrical aspect of the album moreover the beats, however DL's trademark sound still weaves through and compliments the rhetoric throughout. One would think it difficult to capture so much insight into the last 14 years since moving out of Dennison Point, however, in just 30 minutes running time, the album showcases the continuation of DL's life exploits from October 10th 2005 to present day. The annexation of the 10 tracks from "Dennison Point" to "Life After Dennison" paint a vivid picture of the man behind the music and provide the backdrop of who Funky DL was, is and potentially might become. Enjoy.

‘Green & Gold’ is the second collaborative release from Mr Key & Greenwood Sharps, the long awaited follow up to their critically acclaimed 2015 album ‘Yesterday’s Futures’. The record was written and recorded between Greenwood Sharps’ cottage in the verdant English countryside and the off grid Finca in the foothills of the Andalusian Sierra Nevada, Spain where Key is based. The title has multiple meanings none of which are anything to do with weed or money. First and foremost, green and gold are the colours which synesthete (a person who sees sound) Greenwood Sharps, composed the record in. It also alludes to the dialogue between the green of the UK and the dusty gold of Andalucia which created the project. Finally green and gold speaks of the dynamic between the sun and photosynthesising organisms, the driving force of life on earth. ‘Yesterday’s Futures’ took the listener on a meandering journey through a vast landscape of moods, sounds and ideas, leading ultimately to redemption and the possibility of resolution. Thematically, ‘Green & Gold’ picks up where ‘Yesterday’s Futures’ left off, but structurally it takes the opposite tack; an extended exploration of a single ubiquitous idea: universal love for all things and all people and the challenge of maintaining these shiny ideals in day to day life, as our cynical side reasserts itself.

Producer, beatmaker and inter dimensional boombap specialist Percy Filth returns with a brand-new project VIBRANIUM DELUXE. Utilizing unique ultra-swung out glitchy drums and his trademark outer space sonics Percy occupies a custom built lane that services traditional rap purists ,die hard boombap fans and everything in and around the spectrum of instrumental hiphop.

The title track is an all out wonky sci-fi adventure and features probably the most fitting figure King Kashmere to get busy over the intergalactic funk, the project also features Detroit heavy hitter Guilty Simpson and one half of Camp-Lo the unmistakable Geechi Sueude (a personal bucket list feature for Percy).

Closer to home Wundrop & Kemastry (of the High Focus CMPD) are featured on the disturbing the peace anti-establishment "Open Up" and Bristol natives, Bill Next of Split Prophets and DJ Rogue on Rogue Troopers and Finally to bring things home theres long time collabrators Kosyne, Redbeard, Booda French & Gen Uchiha on the chapter closing "Bon Appetit". Redbeard, Kosyne, Booda French and Gen Uchiha on the chapter closing "Bon Apetit"

Vibranium Deluxe is an all out boombap glitch assault of bangers on the ears and not one to miss.

Following the release of Truck’s ‘3,665’ single featuring Phill Most Chill back in 2018 we are pleased to announce the release of the ‘Food For Thought’ album. It includes the aforementioned single although the 7” has the radio version backed with a special skeleton version of ‘Right Or Wrong?’ with the album containing the main versions of each.
Truck has supplied his unique vocal abilities (often about food – hence the title) on a host of releases by Beat Route 38, S.O.E, The Journeymen and a large portion of the vocals on Mr Fantastic’s ‘Harvey’s Bristol Cream’ album but has rarely featured as a solo artist, until now his only solo vinyl releases are his ‘Able To Stable’ and ‘3,665’ singles - both also released by AE Productions of which he is co-founder.
The album features guest verses from Rola, Phill Most Chill, Gee Swift, Paten Locke, Coherent, Whirlwind D, Tha Cheese and Taka Highsnow who all bring additional flavours from the USA to Japan to the (dinner) table. The beats have been cooked up by Truck, Mr Fantastic, Sir Beans OBE with a few courses each plus one dish supplied by the legendary Kutmasta Kurt, who appears courtesy of Threshold Recordings – the first time he’s worked with a British MC!
The incredible artwork concept by one of AE’s favourite designers Mr Krum is a stroke of genius! Taking the album title ‘Food For Thought’ quite literally the sleeve is made up from alphabet spaghetti which is actually a word search including Artist, Title and Label on the front and then guest features on the reverse panel. All track information is supplied on an insert to keep the sleeve design clean.

Eagle Court' is the highly anticipated debut album from Brighton based hybrid rap three piece, CMPND, formed of members Kemastry,
Wundrop & Vitamin G. Since joining the High Focus Records family in April, the group have been tearing up the live circuit & churning out
singles showcasing their sonic versatility - Clearly demonstrating why they are the torch bearers ushering in a whole new generation & sound
into the UK Rap world.
On the 11th of October 2019 CMPND will present ‘Eagle Court’, a densely packed album that defies categorisation, the trio bring a whole new
vision and aesthetic to the forefront without sounding or mimicking the current sounds emanating from America, falling into the trappings of
Grime & Drill or recreating the ‘90‘s Golden Age’ Hip Hop sound - Whether it be the mind bending production or the next level pen game, they
are bringing something truly unique to the table. Named after the flat where they all lived and produced the album, it is clear the trio were
hermetically sealed in the lab, crafting an exceptional vision devoid of outside distractions and influences.
With surreal unpredictable rhymes from Kemastry, Vitamin G's multi-syllable machine gun verses and Wundrop providing cold, scathing social
observations as-well-as handling all production duties, expect ‘Eagle Court’ to provide a modern day, new-generation saga, fusing the gritty &
the suave in an audio visual experience like no other.

The mighty Oxygen returns to AE Productions with a highly anticipated full-length album produced entirely by the multi-talented Tea Sea Records owner and producer/MC Tom Caruana.
Anyone familiar with AE Productions releases will know that Oxygen has been rolling with us for many years so we’re hyped to be able to release his debut solo long player. His first AE appearance was on the now classic Phill Most Chill & Paul Nice Fabreeze Brothers album on the track Golden Crown back in 2015, then in 2017 alongside his Soundsci cohorts Audessey (Jack Jones) and U-George featuring on the debut Cut Beetlez 12” single Droppin’ Needles and most recently in 2018 AE dropped his Body Language 7” produced by Paul Nice, which does not appear on the LP.
The aptly titled Age Appropriate was released on download and on physical pre-order on Oxygen’s 50th birthday and the long wait was worth it! This is Hip Hop through the lens of an MC that has a vast experience in the world of Hip Hop and life in general and covers an array of topics, some personal and some of the verbal word play dexterity that we have come to expect from one of the finest and underrated MC’s around today.
Some track titles may be familiar such as ‘Guillotine 16’s’, ‘The Process’ and ‘33.3’ that have previously appeared as single releases but presented here are all brand new versions that had a better fit with the overall soundscape co-ordinated by Tom Caruana so every track on the album is new material.
We’re also treated to some help from Emskee, Dr Becket, Jesus Mason, BusCrates, Apani B, Jack Jones and U-George plus some turntable duties covered by DJ Presyce and Jazz Spastiks. The timeless design by artwork supremo Mr Krum perfectly encapsulates the contents of the album.

High Focus Records is proud to present ‘A Question Of Time’, a brand new collaborative album from Hip Hop’s most prolific duo:
Verb T & Pitch 92.
Not only did the pair deliver one of the most solid Hip Hop albums at the tail end of 2017 with ‘Good Evening’, but they went on to
provide the score for Romesh Ranganthan’s Sky One Smash TV show ‘The Reluctant Landlord’ thrusting their signature sound into
prime time TV territory. Verb T is a highly respected veteran of the scene with over 14 LPs to his name spanning every era of the genre
so far, as well as being part of trailblazing super group The Four Owls. His partner in crime Pitch 92, is following suit & is churning out
incredible projects at an startling rate including last year’s ‘Lost In Space EP’ and February critically acclaimed ‘3rd Culture’ album - as
heard at length on Marry Anne hobbs’ BBC Radio 6 Music Show, not to mention being Manchester’s ‘go-to’ producer, producing
entire projects for the likes of [ KSR ], DRS, The Mouse Outfit and many more.
It is clear that these two artists are truly on a roll, this ’boost’ is unmistakable when listening to their brand new offering ‘A Question Of
Time’ - which resumes where the duo left off with ‘Good Evening’ but with a palpable & revitalised burst of energy which literally picks
the listener up by the scruff of the neck and hurls them into the future.
At 13 tracks, clocking just over 38 minutes, ‘A Question Of Time’ is a full on immersive experience. Much like the nature of time, its
hard to quantify how the pair have packed so many concepts, rhythms and rhymes into such a small space. Whether nostalgic or
looking forward, Verb T, guides the listener on an epic journey over the ever changing moods and atmosphere’s provided by Pitch 92
which vary from urgent ‘the clock is ticking’ type pressure to the ‘time slows down’ mellow vibes he has become known for,
appropriately described as ‘Pete Rock Perfection’ by The Wire.

Drawing diverse soundscapes from psychedelic rock to lounge jazz to hungarian folk. The album is at times light-hearted and humourous and at others bleak and dark, with subject matter ranging from the simple joy of a shot of espresso or a slice of cake to struggles with mental health and despair at the current political landscape. Actual Cake is a soulful and often psychedelic jaunt that serves a fresh slice of contemporary life in austerity Britain.

The second full-length LP from Jungle Brown, ‘Full Circle’, drops on Mr Bongo in September 2019. Featuring collaborations with Sampa The Great, Fliptrix (High Focus) and Terri Walker amongst other super-talents.
The trio – Ric Flo, MAEAR & Tony Bones – have spent the last two years redefining soulful hip-hop – the sound is bigger, more thought-provoking, and it has matured with a rich soulful underpinning. They have also entered
territories fans are yet to hear from them as they glide effortlessly over Tony Bones’ productions that introduce trap and house into their repertoire. The project is an eclectic array of their influences, twisted and blended together to create a ground-breaking release for UK music.
Jungle Brown’s debut album ‘Flight 314’ has achieved more than a million streams without any budget for marketing or promotion. They spent much of 2016 in Apple Music’s ‘Best of 2016 category, featuring on Spotify and SB.TV,
were requested to curate an exclusive playlist for Tidal and attracted attention from New York with Beats 1’s very own, Ebro.
They’ve shared the stage with the likes of De La Soul, Ghostface Killah, Lowkey, Akala and Donaeo, played major festivals including Glastonbury, Boomtown and Lovebox as well as a huge number of clubs shows across the UK.

Limited edition 45 of the “What Ifs?” single.
Taken off “The Last Resort” EP released by Old Paradice.
Features a guest appearance from LA rap royalty, Blu (Exile, MED, Madlib)
Also included is a remix by another LA representative , Swarvy (Mndsgn , Pink Sifu , Joyce Wrice)

A distanza di 10 anni dalla sua uscita e
dopo il rapido sold out della versione
"Limited Edition", la Tuff Kong Records è
orgogliosa di presentare la nuova reissue
in vinile di "kARMA", il masterpiece di
Kaos. Seguito e curato da Kaos in ogni
suo singolo aspetto, il disco dimostrò una
grande evoluzione e maturità dell'artista,
consolidandosi negli anni come un vero e
proprio classico dell'hip-hop Italiano del
nuovo millennio.
10 years since its original release and
after the quick sold out of the limited
edition, Tuff Kong Records is proud to
present a new vinyl reissue of "kARMA",
Kaos masterpiece. Curated by Kaos
himself in every single aspect, the record
shows great evolution and maturity from
the artist, solidifying this record as a true
classic in italian hip-hop of the new
millennium.
"L’album hip hop più importante degli
ultimi anni. È la chiave per aprire una
blindata di una casa senza finestre. Buia
come il buio. Pungente come il filo
spinato che la circonda" - Rockit
"Karma è un ottimo lavoro, la perla
hardcore e underground di questo 2007,
piena di raffinatezze e citazioni letterarie
e cinematografiche" - hano.it
"È l’immensa personalità di Kaos, i suoi
incastri metrici da infarto, le liriche
sempre ispiratissime. È la sua voce. Una
voce che esce dalle viscere: profonda,
sofferta e ringhiante" - Debaser
"Un disco di un altro spessore, di un altro
livello. Scritto da un mc di un altro
spessore, di un altro livello" - Rap
ManiacZ

C.Tappin is a pianist/singer from South-London and member of the Lightworks crew, which consists of him and
jazz-rap duo Summers Sons. In 2018 they released their debut album "Uhuru" on Melting Pot Music. "Ashes To
Ashes" is Tappin's first solo EP. It's a reflection of a musical and personal journey. On four original jams Tappin fuses
cosmic jazz, broken beat, house and rap. Inspired by his life in London as well as by his travels to Tansania where
he is working as a teacher for various school projects. "Ashes To Ashes" comes with three radical reworks by some
of Tappin's favourite producers: Slim (Summers Sons), Reginald Omas Mamode IV and Hodini. The cover artwork
has been done by UK painter / illustrator Tilly Mint (known for her artworks for Yazmin Lacey and Wulu).

Following on from Ramson Badbonez’ super limited ‘Jason Bonez’ concept album release in May 2018,
the rapper is once again donning the blood stained hockey mask as he returns to the character of Jason
Bonez and presents us with the blood curdling ‘Mic Day The 13th’. Continuing where the first ‘Jason
Bonez’ left off, this LP is heavily influenced by the cult classic horror film ‘Friday The 13th’ - Badbonez
proceeds to execute, mangle & massacre everything in his path over 12 expertly produced tunes, taking
care to explore different flow patterns and cadences on each track, a true feat considering Badbonez’
already very impressive level of lyricism. Featuring gritty production from Illinformed, Jazz T, Skeleton
Key & Mark Fear Beats; ‘Mic Day The 13th’ is not for the faint hearted, taking the term hardcore to
levels unheard.

Known as the 1st MC to fully use the English accent mixed with Yardie, to make it more distinctly an African thing, is Green Crypto Knight formerly known as Bionic from the Human Beatbox Sipho Jozana's group London Posse alongside Rodney P and DJ Biznizz. Sipho left the group early and Bionic retired a few years later. In the following years he continued to make music,producing his own tracks just to stay match fit but with no intentions to release anything. That was until Jan 2018 when DJ Jazz T sent him a track they had done along with producer Dr Zygote 10 years earlier called Superlover (the first word in the chorus). The tune was a banger and as he now went by the name Green Crypto Knight he decided the tune should be renamed "Superman"(the last word in the chorus). He knew it was time for the resurrection after that career death at age 33. Now back Better Stronger Faster Bionicman (BionicAsar) has been rebuilt on positive settings to do was he was made for and release music infused with love and intelligence .
The 12" is pressed on Transparent Green vinyl and has full colour artwork by Ronny Oner.

Exploring unchartered territories both through his raw yet refined lyricism and genre-bending experimental soundscape, Fliptrix flips the notion of conventions on its head and delivers this in the form of brand new album ‘Inexhale’. Expanding the lexicon of Hip Hop, the project goes beyond the boundaries as he takes you on a metaphorical journey buried deep with out of the box symbolism and concepts.

Debut album by UK trio following their “Undertones” EP on Meltin Pot
Music, the label that brought you Twit One, FloFilz, Suff Daddy, Brenk
Sinatra, Dexter and others!
"Uhuru" is the debut album by Summers Sons & C.Tappin from London and Bristol.
The journey of this album started back in 2015 and was inspired by the people and
places of Tanzania. After three years of channelling the vibe into beats and bars, it is
finally here!
Summers Sons are Turt (rap) + Slim (beats) who are actually brothers. They are
longtime friends with vocalist and pianist C.Tappin. Their music can be described as
rap with a lot of jazz. We like to call it cool bap.
Turt first got into hip-hop through Grime but also cites UK wordsmith Jehst as a
major influence. Slim was doing UK Garage for a while, when his brother asked him
for some more chilled beats to rap to. Tappin came up in a musical family, picked up
the piano as a kid and played in indie bands.
With such diverse backgrounds Summers Sons and C.Tappin are not your average
rap group. They would actually rather name their crew a band. Which makes total
sense when you catch them live. Slim slices up the beats on his SP404. Tappin gets
busy on the keys and adds vocal harmonies while Turt holds down the vibe on the
mic, spitting lyrics with a message.
Still only in their early twenties Turt, Slim and Tappin are somehow old souls when it
comes to music. If you listen to "Uhuru" you are unmistakably reminded of the
Soulquarians school of fusing hip-hop, soul and jazz. Follow the Sons' "Road To
Uhuru" playlist on Spotify and you are treated with gems from D'Angelo, Dilla, Badu
and Bilal back to back with new UK Jazz tunes from Alfa Mist or Ezra Collective.
Rounded up with a selection of dusty beats from German beatmakers like Hubert
Davis and Twit One. On their own songs Summers Sons and C.Tappin are
connecting these dots in their very own style and fashion.
While Slim had already released beats on Banoffee Pies and Brownswood, Turt and
Tappin made their official debut on the "Hay Luv" album by Twit One , who they had
met when he played a DJ gig in Bristol some years ago. With the release of the
Summers Sons' "Undertones" EP on MPM in early 2018 the London - Cologne
connection became official. The six tracker introduced the sound of the Summers
and Tappin to a bigger audience and included remixes by FloFilz and Twit One.
Now get yourself ready for "Uhuru" ! To learn more about the album we recommend
the liner notes: We’re all as simple complex as the next man. No one really comes
correct with a set plan. It’s all guesswork. Feet stepping, Keep checking with my
head first.

Funky DL steps into the arena with his highly demanded album “Blackcurrent Jazz 3”. Seamlessly weaving his boom-bap style with jazz breaks throughout every track and topped with his smooth and often intense flow, his lyrical ability is top shelf and the beats are at an unequalled standard of excellence. The album showcases some of the finest Jazz Hip-Hop in the scene as it shifts through varied styles of Jazz and Jazz moods. With features from the Nujabes collaboratives Cise Starr and Substantial, the entire set oozes with golden droplets of musical magic moment after moment. The tone is set immediately as the album starts and continues an incomparable and superb standard of quality music right up until the final track.

Original AE co-founder Truck is back with a new album coming soon and delivers a taster with this lead off 7” single featuring fellow AE Productions recording artist and Hip Hop legend Phill Most Chill. 3,665 refers to the distance between Truck and Phill Most Chill’s home cities and the pair duel brilliantly over a heavy beat by Sir Beans OBE (The Aroma/Parlour Talk/Ruztik Records). No chorus hook nonsense here but Mr Fantastic supplies some sharp cuts to complement the MC’s.
The B-side is the ‘Raw Skeleton Version’ of Right or Wrong – a special stripped back version of a track from the forthcoming album produced by Mr Fantastic which will not to be released elsewhere. Truck flows effortlessly over the DJ friendly obscure Funk groove.
Available on black vinyl 7” in a run of 350 retail copies in full colour sleeve designed by Mr Krum.

Produced by Four Tet & Machinedrum!

Recorded with a traditional live set up this time!

We are very very pleased to come up with the exclusive vinyl pressing of "Escape Music", a heavy 19 track album from Manchester's The Mouse Outfit with such vocal guests like Dr. Syntax, Sparkz, Dubbul O, Fox and Black Josh.

Take your time and check out the official videos to a few certified bangers off the album and you'll know why we are so damn enthusiastic about this release.

Limited pressing!

19 tracks feat. Noah23, Icon The Mic King, Lady Daisey, Chefket and many more, rapping in English, Spanish, Dutch, Bosnian, German and other languages.

That new type of british rap … feat. Joe Goddard & Roots Manuva!

Worldwide reknown for his unique Industrial North West New Town Retro Futuristic Philosophical Ignorant Rap Music from outer space, Lee Scott has recorded a live version of his latest self-produced full-length offering "There Is A Reason For Everything" in his living room. We're happy to release this unique take take on vinyl, with a brand new artwork by Jack "getarealjobkid" Rogers, housed in a beautiful screen printed thick cardboard jacket for all you collectors out there.

“Talk about a misfit, living in his own world…”

High Focus Records is delighted to announce ‘Art Thief’, the debut album from Renelle 893.

Citing Steve Jobs’ famous use of Picasso’s "Good artists copy, great artists steal” quote as central to the concept, ‘Art Thief’ is the culmination of Renelle’s wide-eyed appreciation of the river of influences that feed into the music he makes. From the trials and tribulations of life in the big smoke, to the grandiose cultural references that contribute to his style, the album is a triple distilled example of taking cues from the world and making them your own.

‘Art Thief’ is also a transformative listen, Renelle embarking on a profoundly personal journey across 14-tracks; addressing love, family, addiction, loyalty, pleasure and pain, each chapter expertly soundtracked by long-time collaborator Bay29. His expert production serving as the glue that binds the deeply personal with the wider narratives amidst a flurry of samples and signature breaks.

With guest appearances from Clbrks, Illiterate and HF’s own Nelson Dialect, ‘Art Thief’ is Renelle’s best attempt (to date) of transcending the rap game; this notion best represented in the album artwork which pays homage to Caravaggio's 'St. Jerome Writing', casting Renelle as both creator and masterpiece.

Recorded with a traditional live set up this time!

Written during a year of hedonistic isolation whilst exiled to a forgotten mining village, Alecs in Wonderland’ is the debut self-produced rap album by rap enigma and ‘one man band’ Alecs DeLarge.

Alecs navigates ‘Wonderland’ with a bulging backpack of references to 90’s Toonami imports, king skins and rap nerdology, multi-syllable boxing through beats in a smoked out stream-of-consciousness drawl. From the cartoonish braggadocio on ‘Scooby Snax’ and ‘AM To AM’, to proclaiming his love for his anthropomorphic MPC 2000 on ‘Girl Joint’, Alecs emphatically proving that he’s much more than just the man behind the boards. Merging classic New York rap sensibilities with sarcastic British humour, 110’s and Berghaus coats taking the place of Timb boots and Lo sweaters.

Musically Alecs draws inspiration from Quasimoto’s anything goes approach, feeding his sampler a range of ingredients from 80’s pop to private-press French prog. Grainy samples of VHS TV recordings warble atop rumbling 808s, diced up jazz and funk fragments punch their way through stuttering MPC drums, whilst guitar loops rock back and forth, all glued together by a loose narrative made up of cut up cartoon dialogue, movie trailers and adlibs.

Wonderland is Alecs’ custom built version of The Matrix, a perfect world created to escape the one outside his council flat window, idyllic living in Lynchian reality. A therapeutic outpouring of the lonely man’s psyche, or maybe just a slow descent into madness, polished and delivered to your ears

in Long Play form.

For the majority of ‘in Wonderland’, Alecs is the sole cast member. The first of the two guest spots going to the ever brilliant King Kashmere, reuniting with Alecs to ruminate the two sides of fame on ‘Megabus Dreams’, whilst Hpblk swoops in to drop a “stack on your conscious” on ‘Empty Pocket Posse’.