UK Hip Hop Vinyl LP 227 Items

We are delighted to unveil TrueMendous' sophomore album ‘Great. On Purpose’. ⁠ Sporting 15-tracks of evolutionary music, ‘Great. On Purpose’ is without question True's most ambitious body of work to date.⁠

Since sharing the unrelenting lead single 'Talkk' Feat. Mysdiggi, and after a double serving on follow up 'Really Wanna Love' x 'Still Don't Wanna', the album is a rollercoaster ride. Just listen to her most recent single 'Yourself or The World?' featuring the almighty Skinnyman if you're in need of anymore proof.

Featuring a heavyweight lineup of guest appearances from the aforementioned Skinnyman and Mysdiggi, but also including Janel Antoneshia, Vaddy, Princess, Ashley Allen, and DJ Sammy B-Side, complemented by Illinformed, GhostTown, Pitch 92, Forest DLG, Muckaniks, Mark Fear and Bear on production duties - ‘Great. On Purpose’ is Stacked from top-to-tail.

'Great. On Purpose' is available to pre-order on a Super Limited run of 2 x 12" Sunset Splatter Vinyl (250 Copies Only). Never to be repressed in this colour way again, be sure to secure yours now!

2022 repress - Colored Vinyl

Imagine if you could put together a dream line-up of MCs and producers from all four corners of the rap world? That’s what artist and illustrator Gangster Doodles set out to do when he put together a stellar collection of tracks by the rappers and talent that inspire his work.

The all-star line-up features everyone from hotly-tipped emerging producers like Eets, Caleb Stone, Maze Mountain and LoVibe next to underground perennials like Onra, Mndsgn and Jon Wayne all the way up to top flight producer Kaytranada and established rap vets like Madlib, Oh No, Blu and Defari.

This second collaboration between All City Records and Gangster Doodles is a jam-packed sonic adventure featuring 27 killer tracks from some of the finest creators out there. Doodles had the idea for a comp two years ago. Hyped after partnering with All City for Knxwledge’s "Wraptaypes" project back in 2015, they initially set out to put together an EP but as the tracks kept coming in it exploded into the sprawling double LP of low-slung grooves and bangers from the best in the business.

With everyone on the record being a friend or friend of a friend, the comp just kept growing as GD went to work with the hustle he has learned from penning his post-it sketches day in day out for the last decade. Word spread fast and soon he was being sent beats from all over, even reaching behind the prison walls of Bergen County Jail, New Jersey and securing a track from former Dipset affiliate Max B.

The last few years have been busy for Marlon "Gangster Doodles" Sassy. He released his acclaimed Gangster Doodles (The Book) alongside an ever-expanding array of prints, original works, apparel and exhibitions across the globe. Topping that off with animation projects, a graphic novel in the works and now, with this LP titled " Gang$ter Music Vol 1", he is about to debut his first ever music compilation. He says himself: “Every time a new track came in it was like running down the stairs on Christmas morning to open a present. What started as a slow trickle of work coming in soon turned into a tsunami with some of my heroes like Onra, House Shoes, Blu, Jeremiah Jae joining up with young guns Kojaque, Kean Kavanagh, Dream Panther and others to beef up the record”

“When an email pinged through with a track from brothers Oh No and Madlib it felt like the final gift and Gang$ter Music Vol. 1 was complete.”

Oh shiiiii - we're back in again with more unreleased joints from NJ producer Mixture. Some killers on this one, including a sick unheard 1995 demo from Massive Staff. Plus we also have an unheard banger from the Outsidaz 5 years before they dropped for the first time! Wow!!



There's also a dirty version of a previously radio-only track by obscure NJ act Sunz of K.O.S.S. (Kleptomaniacs Of Savage Society) as well as 4 unheard demos all produced by the man like Mixture. Amazing material for the heads!!!!

Whether folk, rock, jazz, electronica or hip hop, Stroud's musical innovators are united by a love of improvisation, experimentation and collaboration. This record is the first attempt to capture the key sounds of the scene and features acts as diverse as the haunting electronica of Orbury Common, the post-punk jazz of Mermaid Chunky, the etherial cello of Simon McCorry and glitchy hip-hop of Fidel Cutstro. The record also features a track from Blancmange legend Neil Arthur in his Near Future guise as well as the first ever recorded track by Wooolheads, a collaboration between Sound Records' own Sean Roe and artist Uta Baldauf. Other acts involved are Mahon Sounds, Little Metropolis, Unicorn Ship Explosion and Phonsonic.

This is a story about a young Russian girl named Jinna Morocha who had a vision of one day flying to the Moon.
Many years ago during the hard times of life in Moscow, the young girl saw the Moon consciously for the first time and at that very moment the dream began. These vivid thoughts remained in her mind and she started to ask herself “How can I get to the Moon?“. Soon she found the label Project: Mooncircle over the internet and told them her story, at once she saw a chance to come a few steps closer to her dream. By now Jinna lived in Germany and it was possible for her and the label to meet, her key question was “Can you bring me to the Moon?“. The answer was a faltering “No, but maybe we can let you fly to the Moon in your mind. Let’s build the soundtrack to this vision, close your eyes, clear your thoughts and let us begin on your journey“.

That was the beginning of “The Moon Comes Closer“, come embark upon this voyage with us lead by the next level soundscapes of:

Robot Koch, fLako, Pavel Dovgal, I.D. 4 Windz, John Robinson, Lambent, 813, Nienvox, Juj, Mr Cooper, MyOwn, Long Arm, Daisuke Tanabe, Graciela Maria, Scienz Of Life, Andy Kayes, Abnormal, Capella, Comfort Fit, Kansano, Gards From KC, Puzzle, Sense of The Q4, Sotu The Traveller, V. Raeter, Himuro Yoshiteru, Skyence, Dexter, Portformat, 40 Winks, Dela, Brazzaville & Killing Skills.

This is a story about a young Russian girl named Jinna Morocha who had a vision of one day flying to the Moon.
Many years ago during the hard times of life in Moscow, the young girl saw the Moon consciously for the first time and at that very moment the dream began. These vivid thoughts remained in her mind and she started to ask herself “How can I get to the Moon?“. Soon she found the label Project: Mooncircle over the internet and told them her story, at once she saw a chance to come a few steps closer to her dream. By now Jinna lived in Germany and it was possible for her and the label to meet, her key question was “Can you bring me to the Moon?“. The answer was a faltering “No, but maybe we can let you fly to the Moon in your mind. Let’s build the soundtrack to this vision, close your eyes, clear your thoughts and let us begin on your journey“.

That was the beginning of “The Moon Comes Closer“, come embark upon this voyage with us lead by the next level soundscapes of:

Robot Koch, fLako, Pavel Dovgal, I.D. 4 Windz, John Robinson, Lambent, 813, Nienvox, Juj, Mr Cooper, MyOwn, Long Arm, Daisuke Tanabe, Graciela Maria, Scienz Of Life, Andy Kayes, Abnormal, Capella, Comfort Fit, Kansano, Gards From KC, Puzzle, Sense of The Q4, Sotu The Traveller, V. Raeter, Himuro Yoshiteru, Skyence, Dexter, Portformat, 40 Winks, Dela, Brazzaville & Killing Skills.

Vanguard captures the iconic Bristol Sound. The early days of the iconic Bristol Sound are captured in a new album including an exclusive re-release of the very first track from Massive Attack and tracks from Smith & Mighty, Purple Penguin and more. The curated tracks are also linked in that all were originally released with bespoke original covers from legendary Bristol street artists, including Banksy and Will Barras, tying its release toVanguard’s current exhibition Bristol Street Art: The Evolution of a Global Movement at M Shed, Bristol, running until October. Compiled by DJ Boca 45 (Scott Hendy), Vanguard brings together the seminal tracks that defined the rebellious era which saw the birth of the Bristol Sound for the first time. Featured tracks include an exclusive re-release of Any Love - the first ever track by Massive Attack released on Massive Attack Records in 1988, Smith & Mighty’s breakout hit Walk On, Purple Penguin’s downtempo classic Memphis and other trip hop classics. The LP celebrates the globally recognised Bristol Sound whose experimental breakbeat rhythms and influence still dominate the scene today. Along with classic tracks from the ‘90’s into the ‘00’s and beyond, the album uncovers lesser known cuts by some of Bristol’s pioneering musicians such as One Cut and West Country hip hop’s finest Aspects. The explosion of the Bristol Sound coincided with the boom in UK street art which led to fruitful collaborations between artists and musicians. Finding inspiration in each other’s work, street artists frequently designed rave posters, logos and cover art while DJs provided the beats to accompany street artists’ clandestine painting. Vanguard The Album pays homage to these relationships with a beautifully put together gatefold LP featuring iconic cover art designed by some of the biggest names in street art such as Inkie, Dicy, Will Barras and Nick Walker. These early works capture the boisterous energy of the era and confirm Bristol’s status as an extraordinary cultural melting pot. The double vinyl record also features extensive sleeve notes written by Bristolian writer and curator Jamie Hombre as he reflects on these ground breaking cover art collaborations.

Vanguard captures the iconic Bristol Sound. The early days of the iconic Bristol Sound are captured in a new album including an exclusive re-release of the very first track from Massive Attack and tracks from Smith & Mighty, Purple Penguin and more. The curated tracks are also linked in that all were originally released with bespoke original covers from legendary Bristol street artists, including Banksy and Will Barras, tying its release toVanguard’s current exhibition Bristol Street Art: The Evolution of a Global Movement at M Shed, Bristol, running until October. Compiled by DJ Boca 45 (Scott Hendy), Vanguard brings together the seminal tracks that defined the rebellious era which saw the birth of the Bristol Sound for the first time. Featured tracks include an exclusive re-release of Any Love - the first ever track by Massive Attack released on Massive Attack Records in 1988, Smith & Mighty’s breakout hit Walk On, Purple Penguin’s downtempo classic Memphis and other trip hop classics. The LP celebrates the globally recognised Bristol Sound whose experimental breakbeat rhythms and influence still dominate the scene today. Along with classic tracks from the ‘90’s into the ‘00’s and beyond, the album uncovers lesser known cuts by some of Bristol’s pioneering musicians such as One Cut and West Country hip hop’s finest Aspects. The explosion of the Bristol Sound coincided with the boom in UK street art which led to fruitful collaborations between artists and musicians. Finding inspiration in each other’s work, street artists frequently designed rave posters, logos and cover art while DJs provided the beats to accompany street artists’ clandestine painting. Vanguard The Album pays homage to these relationships with a beautifully put together gatefold LP featuring iconic cover art designed by some of the biggest names in street art such as Inkie, Dicy, Will Barras and Nick Walker. These early works capture the boisterous energy of the era and confirm Bristol’s status as an extraordinary cultural melting pot. The double vinyl record also features extensive sleeve notes written by Bristolian writer and curator Jamie Hombre as he reflects on these ground breaking cover art collaborations.

Label co-founders Joey Deez & Doug (Remulak) had long discussed the concept of creating a compilation album in order to showcase the wide rage of styles that comprise the imprint's eclectic output.

In May of this year, the pair decided that the time had come to put their vision into action and began planning the compilation to be ready to celebrate the label's fifth anniversary in December 2020. Sadly, just weeks after the decision had been made, Joey Deez unexpectedly passed away. This compilation represents the last of the project that Joey had planned, and was curated and executed with his tastes firmly in mind.

The 21-tracks of the double vinyl release feature label favourites such as Funkonami, Aver & Move 78, Robohands, and Mr. Thing & Micall Parknsun, as well as label affiliates Evil Ed, Omas, and Fthmlss, plus a fitting debut release from one of Joey's best friends: Meridian Fold.

Label co-founders Joey Deez & Doug (Remulak) had long discussed the concept of creating a compilation album in order to showcase the wide rage of styles that comprise the imprint's eclectic output.

In May of this year, the pair decided that the time had come to put their vision into action and began planning the compilation to be ready to celebrate the label's fifth anniversary in December 2020. Sadly, just weeks after the decision had been made, Joey Deez unexpectedly passed away. This compilation represents the last of the project that Joey had planned, and was curated and executed with his tastes firmly in mind.

The 21-tracks of the double vinyl release feature label favourites such as Funkonami, Aver & Move 78, Robohands, and Mr. Thing & Micall Parknsun, as well as label affiliates Evil Ed, Omas, and Fthmlss, plus a fitting debut release from one of Joey's best friends: Meridian Fold.

High Focus Records are proud to present the latest collaboration from Verb T and Illinformed.

Stranded in Foggy Times both continues and completes the trilogy that began back in 2015, with The Man with the Foggy Eyes, before broadening the horizons with last year’s release of The Land of the Foggy Skies. This final chapter returns to the same conceptual landscape as its predecessors, but also sees Verb T and Illinformed returning to a more classic approach to album making.

In spite of its concept, the Foggy Trilogy is something of a personal outpouring for Verb T, with the original aim being to vicariously discuss the trials and tribulations that play a part in his life, including his struggles with chronic illness and the feeling of alienation from leaving his hometown, while also reflecting on the state of the world as a whole.

As with the previous albums, Stranded in Foggy Times finds Illinformed moving away from the more rugged sound that has shrouded the British scene over the last few months, thanks to his collaborations with the likes of Datkid and Wish Master, instead providing Verb T with an arguably more mellow backdrop. From the string and piano driven introduction on Legacy, to the blissful head-nod vibes of the closing track, Blind Faith, the union between beats and rhymes sits at the perfect level.

The album also boasts one of the most impressive guestlists of the year, one that is very much a product of both players’ worlds. Thanks to Illinformed’s Bristol connection, there are features from the likes of Res One, Datkid, Leaf Dog, Smellington Piff and Chillman, as well as some locally sourced cuts from DJ Rogue. While on Verb T’s side of the fence, we have features from Rye Shabby and Moreone, along with a collaboration that reignites the same creative spark he found in his early days, as King Kashmere steps into the booth on Feeling Strange.

All in all, Stranded in Foggy Times does exactly what it sets out to do, by drawing the trilogy to a close while also providing insights into Verb T’s personal world and the world at large. The fact that it also happens to be one of the strongest rap albums of the year is the icing on the cake.

High Focus Records are proud to present the latest collaboration from Verb T and Illinformed.

Stranded in Foggy Times both continues and completes the trilogy that began back in 2015, with The Man with the Foggy Eyes, before broadening the horizons with last year’s release of The Land of the Foggy Skies. This final chapter returns to the same conceptual landscape as its predecessors, but also sees Verb T and Illinformed returning to a more classic approach to album making.

In spite of its concept, the Foggy Trilogy is something of a personal outpouring for Verb T, with the original aim being to vicariously discuss the trials and tribulations that play a part in his life, including his struggles with chronic illness and the feeling of alienation from leaving his hometown, while also reflecting on the state of the world as a whole.

As with the previous albums, Stranded in Foggy Times finds Illinformed moving away from the more rugged sound that has shrouded the British scene over the last few months, thanks to his collaborations with the likes of Datkid and Wish Master, instead providing Verb T with an arguably more mellow backdrop. From the string and piano driven introduction on Legacy, to the blissful head-nod vibes of the closing track, Blind Faith, the union between beats and rhymes sits at the perfect level.

The album also boasts one of the most impressive guestlists of the year, one that is very much a product of both players’ worlds. Thanks to Illinformed’s Bristol connection, there are features from the likes of Res One, Datkid, Leaf Dog, Smellington Piff and Chillman, as well as some locally sourced cuts from DJ Rogue. While on Verb T’s side of the fence, we have features from Rye Shabby and Moreone, along with a collaboration that reignites the same creative spark he found in his early days, as King Kashmere steps into the booth on Feeling Strange.

All in all, Stranded in Foggy Times does exactly what it sets out to do, by drawing the trilogy to a close while also providing insights into Verb T’s personal world and the world at large. The fact that it also happens to be one of the strongest rap albums of the year is the icing on the cake.

High Focus Records are proud to present the latest collaboration from Verb T and Illinformed.

Stranded in Foggy Times both continues and completes the trilogy that began back in 2015, with The Man with the Foggy Eyes, before broadening the horizons with last year’s release of The Land of the Foggy Skies. This final chapter returns to the same conceptual landscape as its predecessors, but also sees Verb T and Illinformed returning to a more classic approach to album making.

In spite of its concept, the Foggy Trilogy is something of a personal outpouring for Verb T, with the original aim being to vicariously discuss the trials and tribulations that play a part in his life, including his struggles with chronic illness and the feeling of alienation from leaving his hometown, while also reflecting on the state of the world as a whole.

As with the previous albums, Stranded in Foggy Times finds Illinformed moving away from the more rugged sound that has shrouded the British scene over the last few months, thanks to his collaborations with the likes of Datkid and Wish Master, instead providing Verb T with an arguably more mellow backdrop. From the string and piano driven introduction on Legacy, to the blissful head-nod vibes of the closing track, Blind Faith, the union between beats and rhymes sits at the perfect level.

The album also boasts one of the most impressive guestlists of the year, one that is very much a product of both players’ worlds. Thanks to Illinformed’s Bristol connection, there are features from the likes of Res One, Datkid, Leaf Dog, Smellington Piff and Chillman, as well as some locally sourced cuts from DJ Rogue. While on Verb T’s side of the fence, we have features from Rye Shabby and Moreone, along with a collaboration that reignites the same creative spark he found in his early days, as King Kashmere steps into the booth on Feeling Strange.

All in all, Stranded in Foggy Times does exactly what it sets out to do, by drawing the trilogy to a close while also providing insights into Verb T’s personal world and the world at large. The fact that it also happens to be one of the strongest rap albums of the year is the icing on the cake.

High Focus Records is proud to present ‘A Question Of Time’, a brand new collaborative album from Hip Hop’s most prolific duo:
Verb T & Pitch 92.
Not only did the pair deliver one of the most solid Hip Hop albums at the tail end of 2017 with ‘Good Evening’, but they went on to
provide the score for Romesh Ranganthan’s Sky One Smash TV show ‘The Reluctant Landlord’ thrusting their signature sound into
prime time TV territory. Verb T is a highly respected veteran of the scene with over 14 LPs to his name spanning every era of the genre
so far, as well as being part of trailblazing super group The Four Owls. His partner in crime Pitch 92, is following suit & is churning out
incredible projects at an startling rate including last year’s ‘Lost In Space EP’ and February critically acclaimed ‘3rd Culture’ album - as
heard at length on Marry Anne hobbs’ BBC Radio 6 Music Show, not to mention being Manchester’s ‘go-to’ producer, producing
entire projects for the likes of [ KSR ], DRS, The Mouse Outfit and many more.
It is clear that these two artists are truly on a roll, this ’boost’ is unmistakable when listening to their brand new offering ‘A Question Of
Time’ - which resumes where the duo left off with ‘Good Evening’ but with a palpable & revitalised burst of energy which literally picks
the listener up by the scruff of the neck and hurls them into the future.
At 13 tracks, clocking just over 38 minutes, ‘A Question Of Time’ is a full on immersive experience. Much like the nature of time, its
hard to quantify how the pair have packed so many concepts, rhythms and rhymes into such a small space. Whether nostalgic or
looking forward, Verb T, guides the listener on an epic journey over the ever changing moods and atmosphere’s provided by Pitch 92
which vary from urgent ‘the clock is ticking’ type pressure to the ‘time slows down’ mellow vibes he has become known for,
appropriately described as ‘Pete Rock Perfection’ by The Wire.

High Focus Records regular and member of UK rap super group The Four Owls, Verb T has joined forces with production wizard Pitch 92 for the new album ‘Good Evening’. Pitch, who has spent the past few years as the musical mastermind behind the award winning
Mouse Outfit collective has excelled himself on this release bringing to the table a delectable selection of funk & soul infused bangers serving as the perfect backdrop for Verb T to unleash his smooth brand of thoughtful lyrics and hooks.
Having spent 3 years writing for ‘Good Evening’ Verb T has put forward some of his most personal rhymes to date, delivered with a new found passion that sees the veteran build on a body of work that stretches back to the days of Low Life Records and now sees him as a major part of the ever expanding High Focus Records movement. The album features guest vocals from UK giants Ocean Wisdom, Jehst, DRS, Fliptrix, BVA, King Kashmere of Strange U, Sparkz, Black Josh, Rye Shabby, Confucious MC and Moreone.
Individually, Verb T and Pitch 92 have accomplished a huge amount, however with ‘Good Evening’ both artists have put forward arguably the best work of their careers. Built from scratch with the live show element in mind, this album really feels like a party, Good Evening! Enjoy!

UK rap legend Verb T returns with ‘The Tower Where The Phantom Lives’, a mesmerising new LP that sits alongside the most enlightened and adventurous in his glittering discography.

Bound by a set of contrasting emotions and energies; fiction and fantasy wrestling with everyday curveballs, ‘The Tower Where The Phantom Lives’ showcases Verb T at his razor sharp best. It is the wisest version of Verb T to date; complemented by the wonderfully melodic production of Vic Grimes, the Canadian producer proving to be the perfect ally for Verbs to deconstruct the world at large, his magnifying glass growing more-and-more forensic as each track unfolds.

Mental exploration, self deprecating humour, didactic story telling woven together by haunting movie samples, ‘The Tower Where The Phantom Lives’ listens like an OST; each track / scene propping up a wonderful narrative arc; Verb T the lead role and Vic Grimes the composer of their very own psychological thriller, extreme highs and lows eventually settling into a contemplative groove on final track (and lead single) ‘Your Heart Deserves’.

UK rap legend Verb T returns with ‘The Tower Where The Phantom Lives’, a mesmerising new LP that sits alongside the most enlightened and adventurous in his glittering discography.

Bound by a set of contrasting emotions and energies; fiction and fantasy wrestling with everyday curveballs, ‘The Tower Where The Phantom Lives’ showcases Verb T at his razor sharp best. It is the wisest version of Verb T to date; complemented by the wonderfully melodic production of Vic Grimes, the Canadian producer proving to be the perfect ally for Verbs to deconstruct the world at large, his magnifying glass growing more-and-more forensic as each track unfolds.

Mental exploration, self deprecating humour, didactic story telling woven together by haunting movie samples, ‘The Tower Where The Phantom Lives’ listens like an OST; each track / scene propping up a wonderful narrative arc; Verb T the lead role and Vic Grimes the composer of their very own psychological thriller, extreme highs and lows eventually settling into a contemplative groove on final track (and lead single) ‘Your Heart Deserves’.

High Focus Records is proud to present the second pressing of Verbz & Mr Slipz’ milestone of an album ‘Radio Waves’.

This record is the culmination of 2 years of hard work and is jam packed with absolute Heat, as we have all come to expect. With their unrivalled chemistry, the dynamic duo have proven themselves to be some the most exciting artists on the scene. ‘Radio Waves’ is going to cement their position at the top of the pile, considering the calibre of Verbz' penmanship and the sheer density of Mr Slipz' production.

This repress of the "Radio Waves' double disc vinyl is limited to 500 copies only and comes in a full colour premium sleeve on blue marble heavyweight vinyl

High Focus Records is proud to announce Verbz & Mr Slipz’ forthcoming album ‘Radio Waves’ set to drop on the 13th of November 2020. This record is the culmination of 2 years of hard work and is jam packed with absolute Heat, as we have all come to expect. With with their unrivalled chemistry, the dynamic duo have proven themselves to be some the most exciting artists on the scene, and ‘Radio Waves’ is going to cement their position at the top of the pile. Considering the calibre of Verbz' penmanship and the sheer density of Mr Slipz' production, this is going to make some serious noise.

"Radio Waves' limited edition double disc vinyl is limited to 300 copies only and comes in a full colour premium sleeve with a digital download upon fulfilment of your order. Classic black heavyweight vinyl

Due for release on July 28, 2023 on High Focus Records, a new collaborative LP ‘Sight Beyond Sight’ from the powerhouse trio of producer Mr Slipz with rappers Verbz & Nelson Dialect. This new LP is a continuation and culmination of the sounds heard on their previous records. The dynamic rhyming partnership of Nelson Dialect & Verbz going back and forth with relentless wordplay over the signature hard hitting drums & jazzy samples of Mr Slipz production. Showcasing a variety of moods throughout the record from neck snapping, classic rap joints like 'Strike Back’ & the album title track 'Sight Beyond Sight’ to more reflective & personal songs about loss and relationships heard on 'Homecoming’ or 'Beside Me’. To vivid storytelling and conceptual cuts like 'Cause and Effect’ Verbz and Nelson communicate the aspirations and the choices of young artists in the modern world like a roadmap any individual can reference; ‘Sight Beyond Sight’ truly offers something for every listener. There are notable features on the album including the deeply reflective cut 'Homecoming’ with Hiatus Kaiyote back up vocalist Jace XL on the chorus. There is also the blistering posse cut 'Starting 5’ featuring UK Hip Hop legend King Kashmere, NuphZed & Renelle 893, who recently signed to High Focus. Having already released critically acclaimed albums on the cult UK Hip Hop label High Focus, the anticipation is brewing and stage is set for another landmark release for the label from this exciting new trio with ‘Sight Beyond Sight’.

Due for release on July 28, 2023 on High Focus Records, a new collaborative LP ‘Sight Beyond Sight’ from the powerhouse trio of producer Mr Slipz with rappers Verbz & Nelson Dialect. This new LP is a continuation and culmination of the sounds heard on their previous records. The dynamic rhyming partnership of Nelson Dialect & Verbz going back and forth with relentless wordplay over the signature hard hitting drums & jazzy samples of Mr Slipz production. Showcasing a variety of moods throughout the record from neck snapping, classic rap joints like 'Strike Back’ & the album title track 'Sight Beyond Sight’ to more reflective & personal songs about loss and relationships heard on 'Homecoming’ or 'Beside Me’. To vivid storytelling and conceptual cuts like 'Cause and Effect’ Verbz and Nelson communicate the aspirations and the choices of young artists in the modern world like a roadmap any individual can reference; ‘Sight Beyond Sight’ truly offers something for every listener. There are notable features on the album including the deeply reflective cut 'Homecoming’ with Hiatus Kaiyote back up vocalist Jace XL on the chorus. There is also the blistering posse cut 'Starting 5’ featuring UK Hip Hop legend King Kashmere, NuphZed & Renelle 893, who recently signed to High Focus. Having already released critically acclaimed albums on the cult UK Hip Hop label High Focus, the anticipation is brewing and stage is set for another landmark release for the label from this exciting new trio with ‘Sight Beyond Sight’.

This is Vice Beats’ full-length tribute to legendary Jay Dee called “Dilla: The Timeless Tribute” where he is using Miguel Atwood-Fergusson’s Mochilla tribute “Suite For Ma Dukes” as the foundation. 14 tracks full of harmonies that are connected to one of the greatest. Features Greg Blackman, Audessey (of Soundsci), J-Dubble, Brotherman and many more. Tip!

Unlike countless previous campaigns for his established labels Finders Keepers, Twisted Nerve and various other imprints, Andy Votel hasn’t come here today to try to persuade you to buy his latest record. From the quietest stall on a very niche market these late-to-the party U.K rap recordings simply Needed to be released, for sanity’s sake. And if it’s taken 30 years to do so, then so be it. Dirty laundry doesn’t air at the bottom of the basket. Demons don’t exorcise themselves. Even if you’re not a feline fan, this cat is now out of the bag. Emanating from a “prehistoric” existence, near the end of the last millennium, schoolies Votel and his slightly older college mates, were once best recognised in Mancunian clubs and bars as teenage vinyl nerds and bum-fluffed battle-rappers under the collective name “Violators Of The English Language” (which in acronymic form explains Andy’s own exotic pen-name). As steadfast supporters of the 80’s/90’s Brit-core rap scene coming out of London, the multicultural “Violators...” Mancunian accents were perhaps a bridge-too-far to secure dream-job contracts for humble labels like Kold Sweat and Music Of Life. An unlikely constructive meeting with Gang Starr’s DJ Premier (while Andy helped out at a radio station) and playing warm up DJ sets for countless US rap hero’s might have temporarily added inspirational fuel to the fire, but after an active period combining graffiti, rapping, scratching, obsessive record digging and beat making into their daily operations, adulthood eventually began to rear its unwelcome head. The tragic teenage death of one member was shortly followed by another’s young parental commitments, and then came the concept of “proper jobs”, an avenue that Andy would then partly evade by becoming a DJ and designer for labels like Fat City and Grand Central (who soon invested interest in the crews instrumentals) and the next chapter is now committed to a fertile Discogs database history. A decade later Andy Votel (with his reluctant moniker) and his digging skills would begin to provide direct sample material for the likes of Madlib, Mos Def, JayZ, Nas, Dr Dre, Ghostface Killa and Action Bronson amongst others, and the “Violators…” black book of break-beats and catalog numbers soon began to feed a same-but-different rap beast.

Debut LP by Manchester hiphop crew Voodoo Black (Sparkz, Dubbul O, Ellis Meade & Cutterz)

Deluxe double vinyl version of the latest album from Wish Master X Illinformed. Pressed on heavyweight double 12" vinyl which are two totally different colours A/B side is neon purple while C/D side is a neon orange which is a limited run of 150 with obi strip.

Limited to 500 copies.

Young Fathers - Alloysious Massaquoi, Kayus Bankole and G. Hastings - announce details of their brand new album Heavy Heavy. Set for release on February 3rd 2023 via Ninja Tune, it’s the group’s fourth album and their first since 2018’s album Cocoa Sugar. The 10-track project signals a renewed back-to-basics approach, just the three of them in their basement studio, some equipment and microphones: everything always plugged in, everything always in reach.

Alongside the announcement ‘Heavy Heavy’, Young Fathers will make their much anticipated return to stages across the UK and Europe beginning February 2023 - known for their electrifying performances, their shows are a blur of ritualistic frenzy, marking them as one of the most must-see acts operating today. The tour will include shows at the Roundhouse in London, Elysee Montmartre in Paris, Paradiso in Amsterdam, O2 Academy in Leeds and Glasgow, Olympia in Dublin, Astra in Berlin, Albert Hall in Manchester, Trix in Antwerp, Mojo Club in Hamburg and more (full dates below)

To mark news of the album and the tour, Young Fathers today release a brand new single, “I Saw”. It’s the second track to be released from the album (following standalone single “Geronimo” in July) and brims with everything fans have come to love from a group known for their multi-genre versatility - kinetic rhythms, controlled chaos and unbridled soul. Accompanied by a video created by 23 year old Austrian-Nigerian artist and filmmaker David Uzochukwu, the track demonstrates the ambitious ideas that lay at the heart of this highly-anticipated record.

Speaking about the title, the band write that Heavy Heavy could be a mood, or it could describe the smoothed granite of bass that supports the sound… or it could be a nod to the natural progression of boys to grown men and the inevitable toll of living, a joyous burden, relationships, family, the natural momentum of a group that has been around long enough to witness massive changes. “You let the demons out and deal with it,” reckons Kayus of the album. “Make sense of it after.”

For Young Fathers, there’s no dress code required. Dancing, not moshing. Hips jerking, feet slipping, brain firing in Catherine Wheel sparks of joy and empathy. Underground but never dark. Still young, after some years, even as the heavy, heavy weight of the world seems to grow day by day.