Trance Vinyl 120 Items

It's been 20 incredible years of psychedelic sound surfing with Shpongle and now we finally arrive at the magical maestros' 6th studio album, a visionary volume entitled Codex VI Codex VI is a cosmic collection of mystical music from Simon Posford and co pilot Raja Ram in which their elucidation of hallucination reveals once again, a seemingly effortless mastery of inter-dimensional audio. Simon and Raja are known and loved all around the globe for creating the ultimate psychedelic soundtracks to our lives and Codex VI is a fantastic further instalment in the epic audio adventures of the Shpongle story. After decades of virtuoso voyaging, Shpongle have delivered what is undoubtedly their finest masterpiece yet.

We invite you to share the inner secrets of the Codex VI formulae and get a direct download of illuminated inspiration which will leave you seriously Shpongled ! ‘this music should be put in a capsule and fired into space, as a show piece of how creative human beings can be’ iTunes

This collaboration between Skatebård, Philipp Lauer & DJ Sotofett dives deep into flux borders of italo, new beat and the melodic sides of industrial. A-side is contoured by a synthetic bassline riff on trigged drums & percussions for a full club version. B-side's two tracks are both differently bass driven, one with live piano solo and the other with airy whistles. All tracks cleverly composed with a richness of melody, rhythm & engaging arrangements.

Having discovered electronic music at the end of the 90’s, Thomass grew up going to raves where trance was one of the main styles played at this massive partys. The influence it had on him was planted deeply into his DNA and this EP is the interpretation he has these days of the genre. He moved on to different pastures soon after but the style was already in him. Thomass now takes the old fashioned elements he still likes and takes them to new directions. Fueled by gated chords, dreamy arpeggios, trippy vocals and percussions this tracks are destined to take you back into the past and bring you right back to the present. Forget what you learned. Trance not trance.

Beyond Space And Time is the new record label from Japanese music festival, Rainbow Disco Club (RDC). RDC has been welcoming music loving people to Japan for over a decade. Throughout the festival's history, RDC have been fortunate to constantly encounter performers and DJs who've collaborated with them in establishing a beautiful dance floor year in, year out. These relationships have lead RDC to start their own label, and now gives them the opportunity to reveal one of the best-kept secrets: What is in a DJ's record bag?
This time around, festival regular DJ Nobu kindly opens up his collection and shares the music he loves with us all. On visual duty we welcome Senekt - his representational yet contemporary drawing illustrates the emotion we feel from DJ Nobu.
We have much more music to come in future from artists that we trust and respect.

Two brand new smash hit singles the world has not been asking for. Absolutely vegan, hd-ready and with some extra heavy sub bass. Turn it up!

It’s no big secret: The elements of trance music have always played a vital part in the music of Prins Thomas. In fact, there are scholars who argue that these stylistic attributes were the ramp that shot his disco into space. But let’s not pour hot coffee onto the cold one. When the king they call Prins sent a loose bunch of tracks to Gerd Janson to get some sort of feedback, it was like an epiphany: the calling for the missing link between “Logic Trance” compilations of yesteryear and the honey for the strobe light bees of today has finally been answered. Naturally, it’s not all ice cannons and glow sticks, endorphins and euphoria. The private and poetic Prins stands just one step behind the sweaty one - in alphanumeric track list order. If there has ever been something like thinking-(wo)mans-trance, this is the album for it.

Post lockdown does not mean we need to fall back into the same patterns like we did before. This EP contains a smooth transition to a new reality.

Still transmitting from Lockdown in the UK. Banoffee Pies Records 14th release in the original series comes from London based Angel D'lite. A deep passion for rave and NRG with an established high-octane approach to music, heavily influenced by hardcore and early pop bangers, her debut EP further reflecting this mood. Three heavy club tracks and a broken beat dubbed remix from JAY to round things off.

Age in Decline marks the 50th release and 5th year in operation from Manchester based label, Natural Sciences: a v/a comp of new tracks from the contemporary underground alongside choice cuts pulled from the labels annual Future Works series available on vinyl for the first time. Get ready for the beat down.

Double vinyl-pack accompanying the new Planisphere cd on Bonzai incl. 5 remastered originals + brand new material.

Trends come and go, but our Speicher series has never been shy of releasing futuristic, renegade Trance. Though the hallowed grounds we inhabit may be on pause, we are always slaves to the rave. Welcome the debut from Sycum. An alias from a legendary Berlin musician who needs to remain faceless in order to let the music speak first. So let us dive in. “The Dream” whispers to the early days of UK rave. Ecstasy encoded transmissions are sent via a galactical groove, set out to space amid a constellation of euphoric sounds that make shapes. “Decoded” is built on the foundation of relentless progression – layered with synth built sorcery of the most profound kind.

Forbidden Planet is pleased to release Part 2 of its ongoing reissue of seminal Fifth ERA material, spanning the mid 90s to early 00s.

NYC’s 75 Dollar Bill began its prolific career in 2012, after percussionist Rick Brown—a veteran of the indie underground (Fish & Roses, Run On, V-Effect)—and noise scene guitarist and multi-instrumentalist Che Chen—connected via MySpace. Since that initial jam session, when Brown began experimenting with his signature plywood crate drum rhythms, they have released three LPs and a clutch of self-released cassette and digital releases. Last year’s double album I Was Real received serious critical acclaim—The Wire calling it 2019’s Album of the Year. On their first live album, Live At Tubby’s, 75 Dollar Bill assembled a unique “little big band” [Sue Garner on bass, Cheryl Kingan on sax, Steve Maing on guitar, Jim Pugliese on percussion and Karen Waltuch on viola] for the small Kingston, NY club show. Recorded on the last day of their spring tour, the record puts a new perspective on themes from their body of work: a little more intimacy, a little more freedom, a little more controlled chaos. Brown’s idiosyncratic rhythms are all the more hypnotizing in Tubby’s cozy setting, and Chen’s furious guitar work cuts and hums with sounds seemingly only attainable on stage. It’s an album both challenging and immediate. The expanded 75 Dollar Bill’s affinity for improvisation and the avant-garde even leads to a rousing take on the Ornette Coleman classic, “Friends And Neighbors” that feels right at home in their own repertoire. The listener can’t help but feel present and part of the communal joy and catharsis being shared here in this room. This performance at Tubby’s turned out not only to be the last show of their tour, but the last show possible as the pandemic hit. Originally offered as a digital-only release on 75 Dollar Bill’s Bandcamp, Live At Tubby’s now documents a highlight and closure of sorts; this kind of musical improvisation and community interaction being on hold for the foreseeable future. This double album on Grapefruit will have to tide everyone over until it can all happen again.

Black 2021 Repress!

Kölsch totally redefines the original with his remix. It is pretty rare that a remix is a completely different kind of track - a different aesthetic - but Kölsch does so - and that’s great! With his version of „numbers“, which is taken from Douglas Greeds album „angst“, he creates a whole new world around the voice by ODD Beholder. While Douglas Greed put it into a room of Indietronic Kölschlifts it up the Dancefloor and raises his Prime Time Fist.

After being featured on the "Realm Of Consciousness" installment as well as the all encompassing "Unity"-project - Coeus releases his first solo offering on Afterlife titled "Beyond Dreaming". 2024 Repress on orange Vinyl!

Following DJ LOSERs output on labels like Veyl, Puppy Tapes or Clan Destine Records is Stealth Hope. A blend of various styles and genres, Stealth Hope showcases the wide range and potential of the Greek artist who is destined for big things to come.

Single-sided Techno/Neotrance collectible by Rico Puestel. Hand-stamped and numbered limited edition of 150 copies only.

Law of pinch conscious; think hard, look up, surge - reach over for balance. The next chapter predicts new fragrance, hidden logic, harmony. All will be well, it’s meant to feel like slipping. The law is told from the top ledge. Links woven from grass, becoming thick columns and then chains. The law is held by the mouth, speaking blankly whilst meaning shifts. What balance. What deep understanding.

2021 Remaster on 3LP of this 1994 gem. Turbo Recordings is humbled to present this lovingly rendered reissue of Neutron 9000’s lost ambient trance classic. Composed and recorded at London’s Orinoco Studios in 1994 by Dominic Woosey, Lady Burning Sky was originally released on the legendary UK label Rising High. Turbo prides itself on living in the moment and fighting for the future, and this rare excursion into the past is arguably the most forward-looking release of the next five years. Carefully remastered by Bo Kondren from the original master DATs and spread over three 140g vinyl discs, housed in a beautiful gatefold sleeve with liner notes from Tiga and Neutron 9000 narrating the story of how this beautiful record came about.

Limited to 150 copies. Kapoor and Hvitling’s first album, The Odyssey, is monumental. It boasts eight tracks that are generous in terms of length and sophistication. Each has a distinctive feel and predominant mood, balancing intricate sonic arrangements with dynamic and rhythmically pleasant beats. Yet certain ethereal sound textures and melodies make the tracks echo each other, creating a sense of journeying through uncharted waters. Masterfully produced female vocal synths become spectral presences in several tracks, most notably in Vox Diaboli and Vox Angeli. In the former, seductive whispers hiss a rhymed incantation, creating a delightfully spooky atmosphere; while the latter lures the listener into sacred ecstasy with a combination of vibrant synths pristinely arranged with a string orchestra and LFO female vocals. Akumandra’s fourth official vinyl release stays true to its multicultural essence, adding this young Polish and Swedish producer duo to their vinyl catalog.

The first trip on Hardline's forest living, free party going, gary loving cousin Body High. Transcendent sound system music from Melbourne's Sedgwick. 5 spacey wafters that'll make you wish you were in a forest, in a field, on a beach or on a dance floor with your eyes closed swaying about.

Impressions cast from lyric and rhythm – desire in movement, now articulated and set forth. Meaning arises between attention and action. In darkness what is it? Air is breath, like light through crystal; it’s truth and sacred geometry. A version like ancient stone - the sample shows in layers, solid time. Compressed life. Pages packed together and seen from the edge, razor sharp and two dimensional. We are the salt we become, our children and ancestors. All at once, being forever; a verse, then volume and tome. But we slow, dragging like ploughs tilling clay. The physical is a language like memory – translated into real. Turn from backwards to parallel, watch it reduce; remember downstream. The rock, earth and salt, our real reconfigured. Type peels away, turning to sand in the wash. Disordering disorder - now still. Translation becomes everything, set sequence and entropy. Whole, to node, to nothing, and all. Not new, just another. Vector Trancer’s journey continues; re-emerging into the central stream, deep dub glows and woven polyrhythm conjure vital knowledge for protection and expression. Viridis Mantra and outer canopy steam, we’re brought tense rhythm experiments and biospheric reverb – see further excursions in atmos and shades from Touch, Fax, Geometrik, or Ed Handley on a dark one.

In the words of Jerzy Mączyński, Sariani is a musical meditation exploring Indian musical culture and the widely understood concept of trance. The album has its roots in Mączyński’s growing friendship with Waclaw Zimpel, a fellow Polish avant-garde musician with experience in both experimental jazz and meditative ambient music. The pair first connected online during the early stages of the Covid-19 pandemic, with Mączyński suggesting they join forces on an album-length collaborative project a few months later. Sariani was recorded over the course of eight months at two different studios in their home city of Warsaw (one of which included access to an empty swimming pool, whose unique acoustics were utilised during the recording). Both composers recorded electronic textures, loops, and rhythms, onto which they added saxophone (Mączyński) and voice textures courtesy of fellow Polish musicians Wiktoria Jakubowska and Olga Koziel. The album comprises six separate musical stories, each of which was inspired either by a specific “empirical experience” from Mączyński’s travels in India, or wider cultural themes relevant to the country in the 21st century. These include Mączyński’s first encounter with the Book of Rag (‘Raga or Raga’); the essence of spirituality within temple buildings (‘Temple of Jetsu’); a vivid dream featuring a superhero who calls for reflection on equality and freedom (‘Sariani’); and a life-changing trip to Mount Everest with guitarist Szymon Wójcik (‘Everest Inn’, which features recordings made by the pair at the Monkey Temple in Kathmandu).

For the second journey on ´Future Romance´ the french DJ and producer duo ´Esoteric Circle´ from Paris are delivering 2 masterpieces of melodic house & techno music. The two brothers bring their emotions together in a new innovative style, focussing on elaborating synth melodies and minimal percussive sounds, full of energy. As remixer for this brilliant release we could win the renowned italian duo ´Hunter/Game´, wellknown for their successful releases on labels like Kompakt, Afterlife or Lnoe, just to name a few.

With his third EP, THROUGH, Mexican musician Pablo Pina, best known as Sainte Vie, plunges deeper into
music’s power to evoke emotions and make memories come to life. Both tracks that make up the EP are highenergy,
innovative soundscapes. In Heart, a syncopated kick groove and filtered drum roll, accompanied by
unusual synth arpeggios create an ethereal atmosphere that is completed by a ghostly vocal recitation of a
mystical poem. The unorthodox chord progression in Phantom establishes a mysterious, eerie mood until a
synth with an LFO emulating an emotional vocal propels the track into catharsis at the break of the song.
Sainte Vie's masterful blending of melancholia and euphoria simultaneously manifests the excitement of a live
set and the deep thoughtfulness of meditation.

Day By Day is back with its second VA. With tracks from Kineticat, aka Anderson, Emissive, DJ Gusch, and Optmst, these four tracks are a special blend of Techno, Trance and IDM. We hope you are as excited of this one as we are!

Marie Montexier, the head behind Paryìa, releases the label’s first EP by the German-Turkish artist a.b.u.3.0.3. Creating a range of slow and fast rhythms while mixing different genres from experimental structures to floor fillers, Paryìa I doesn’t only highlight a personal and intimate side of a.b.u.3.0.3.’s work but also Marie’s sense for crossing genre boundaries. Influenced by this father’s culture a.b.u.3.0.3 blends elements of traditional anatol-folk with electronic music that shaped his youth. He combines bass heavy techno rhythms with deep acid patterns, letting his arrangements oscillate between nostalgic moods and contemporary sounds.

Agents Of Time are back on Afterlife with the Midnight Drive In Santiago EP, following their debut Forest Of Lies in 2018. Known for their distinct, synth-driven take on electronic music, the duo showcase their production prowess with four tracks that demonstrate their ability to tap into your emotional centre with varying styles. ‘Santiago’ is the melodramatic opener with its mesmerising melodic riff and bright layered synth work. ‘Midnight Drive’ takes us for a meandering moonlit spin in a shiny black Chevrolet Corvette. ‘Chain Reaction’ utilises an insistent rhythm and emotive pads to hypnotise you and draw your emotions to the surface. Finally, ‘Out Of Format’ invites us to explore the dark, mysterious corners of the universe as we embark on a whimsical cosmic journey beyond the stars. 2024 repress on dark green Colored Vinyl!

2020, a year that will be forever engraved in our memories as Year One of the Covid debacle. So much has already been said about it that we feel there is no need for more. However, 2020 was also the year when we’ve released Tapan’s remix to Decha’s song Niebla from her sold-out debut album Hielo Boca as part of Mt0028 Decha - Hielo Boca Remixes. This remix led to a fresh collaboration between the Serbian duo and the German vocalist, which in time bred a brand new track, titled simply Twenty. On Twenty, Tapan’s massive bass lines, heavy kicks and their sense for drama and epicness, meets Viktoria Wehrmeister aka Decha’s soft poetic lyrics and tribal style. The result is a massive slow yet heavy tribal industrial track for the alternative dance floors and late night situations in dark dark basements. The record is comprised of 4 tracks, an original version and a beatless version as well as a deep and trippy dancehall interpretation by our favourite remixers Full Circle (aka Joakim & Alexis Le-Tan) and a punky mid-tempo banger by Mexican maestro and total inspiration Rebolledo who gives his signature sonic attitude to his interpretation of the original track.

Mike Inzinger // Alias: Viewnix He’s also in the groups: Alpha 3 and Alpha Tracks in Vienna, Austria.

With sincere pride, Warning presents the debut EP of emerging artist JCow.

Magma, a manic rollercoaster, opens the A side and is accompanied by Purity of Spirit, an uplifting basement Rave anthem. On the flip things get a bit more twisted with Groove Ryder, a melange of funky Breakz and Trance with a fat hit of Organic Groove. The Acid Fiend Mix of Rave Patrol completes this record with an over the top composition of drums and JCow’s wild Guitar play.

Newly minted Berlin label Bulging Discs begins with a bang, with their first physical release from Novocastrian turned Berliner Okayokayokay. On the Zonts, is an introspective journey through a blend of nostalgic sounds from breakbeat, electro, garage, house and trance. While contrasting these eclectic and disparate influences via unexpected twists and turns, Okayokayokay uses these reference points to create something distinctly futuristic.

Stroom pull out two early Belgian Trance burners from '93. Tracks by Furyon & Anymus respectively. This is the the good shit. Mine's a Mitsubsihi. Artwork by Lucien

Melbourne’s very own Reflex Blue takes us on a five part journey through the terrain of his mind to bring in to reality the Twin Waters EP. Through this project Reflex’s unique fusion of deep, earthy sounds and other worldly aetherial textures, help us find the way back to a primal place, buried within us all. Digital and natural worlds come together in this project to work in harmony, coupled with a healthy dose of psychedelic accents, we are left in a mind altering state somewhere between transcendent euphoria and ecstat- ic dance... We hope you enjoy the ride.

Purveyor of lovecore, fabba and cakebeat, bestie and all-round DJ-inspo Angel D’lite blesses Ritual Poison with her ‘Re4mat’ EP.

‘Werk My Body’ is a swirl of feminine energy, empowered vocals blending with hardcore breaks and hyper bass, a four four switch warping temporally before the track drops again. Local Group return the remix favour from their own recent EP, slowing ’Werk My Body’ to a 140 emo-banger, trance melodies sandwiching a proggy mid-section, the bass bumping throughout.

‘R u Ready’ keeps the NRG and BPMs high, breakbeats rolling over booming sub and dubbed out rave stabs, the sexual charge of the female ragga vocal frank and unashamed. ‘Re4mat’ signs off, the hallowed B2. Drawing on rave anthems of the past, it looks boldly to the future.
“This particular historical juncture holds possibilities for change that we’ve never before experienced,” declares Angela Davis, as the euphoria subsides for a moment. ‘Re4mat’ and start again.

"The egg of the world is broken, my appetite is gone ...". Acid and mental sounds take us to a world on the border with reality. In a vitriolic environment, the box pushing and the arpeggiator rages violently. This is Egg and this is the sound of interstellar wars. A angry, dreamy mix of acid heavily influenced by sci-fi comics and psychedelia.

Acclaimed Trance producers Alpha Tracks and Oprofessionell team up as Kineta once again to present their first EP in a new trilogy of releases titled ‘Proto’. Written during relentless production sessions spanning a week in a secluded Mediterranean coastal town, the pair gathered an expansive constellation of music that is now ready to surface. ‘Proto’ effortlessly captures the creative symbiosis shared between the two producers while undertaking a journey through the realms of modern psychedelic dance music. A1 Aquila A2 Serpens B1 Hydra B2 Ursa Minor Written & produced by Felix Benedikt & Filip Storsveen Mastered by Helmut Erler | Cut @ Dubplates & Mastering Berlin Mixed by Ctrls Solutions Artwork by Johann Freitas Published by Blue Hour Music 2022 Made in the EU | Distribution by Ready Made

Back in 2021, when Volodymyr Gnatenko agreed to work on his debut album, none of us could have predicted it would be released, post-pandemic, against the backdrop of war. At the time, the 23-year-old producer from Lutsk was riding high on a string of well-received 12s for labels such as Where We Met and Animals On Psychedelics, besides local Ukraine labels such as LSS557 and Rhythm Buro. He was, between covid closures, playing live at Kyiv clubs such as Closer and Kureni, looking to tour in Europe, and spending every spare second making music.

How things change. When missiles began to rain on Kyiv, Gnatenko, alongside a few friends from Closer, hid in his studio. For a while, the bombings did not stop. But for the producer, neither did the music-making. Choosing to stay in the city, he continues to make beats, managing only to mix down between bombing raids. He changed his first name to match that of his president, ditching the previous spelling of his name because it was the same as the aggressor, “[the same as] my worst enemy, I am ashamed and disgusted that I started my career with it”.

The album speaks of softer, easier times. A combination of rich ambience, and laidback breaks alongside loose progressive and trance-fused dancefloor tracks, this debut brings together all the strands that Gnatenko plays with. The process, he says, was exhausting and long. Yet the results are lighter, fresher. Maybe because, he says, “it is dedicated to my future wife. All the tracks are my words of love for her". Deeply hypnotic and freely moving between ideas, it feels like it was made a lifetime ago, not a matter of months. Now, it resonates with a new defiance. It is a debut with an extra layer of meaning.

Danny Corten and Youri Parker head up our next 12” vinyl adventure on Bonzai Records with a duo of pumping tracks to get the floors rocking on Love Is An Ocean. Danny Corten aka Danny C is a Belgian DJ and producer with a plethora of releases under various labels. He and Youri have been collaborating in the studio for many Years, and he formed part of the Cherry Moon Trax collective. His DJ skills took him all over the world, performing in top spots with top rated DJ’s. Producing music has been somewhat of a success for Danny, his track, I Want You, climbed high in the Belgian charts with the follow-up, In My Mind, soared in the French charts. His tracks have also gained solid support amongst his peers, and he continues to churn out only the finest quality sounds. Youri Parker was influenced by the early 90’s rave and house music sounds. He started to spin vinyl in 1992 and soon after he gained a residency in the legendary Cherry Moon club, where he would stay for over a decade. During this time, he spun alongside some of the world’s most famous jocks and he also joined the mighty Cherry Moon Trax, which consisted of some of the biggest names in Belgium. He has produced a raft of track with many different artists, most of which got picked up and championed by the likes of Carl Cox, Tiesto, Sven Vath, Jeff Mills and more.

Love Is An Ocean gets the floor moving right from the off as heavy beats, spritely percussions and teasing acid flavours lay the foundation. The track builds nicely alongside ethereal vox and airy pads before a mighty, gritty synth line takes control for the duration. Pure pumping adrenaline that does not disappoint. First released in 2020, Reactivate proved popular and so getting cut to vinyl was a no-brainer. The track dishes out an upfront groove filled with energy and drive, with the intro boasting classic rave stabs and a teasing, underlying 303 lines. A short build up takes us to thumping kicks which ramp up the energy levels to critical mass. The main break imposes an infectious hook which, when coupled with the kick drums, unleashes a pounding groove straight to the pleasure receptors. The track oozes retro charm with a contemporary structure, something that will delight the crowds no doubt.

The third vinyl release of Loser Records comes in form of a happy-hands-up collaboration between label co-founder Michal Zietara and all beloved multi talent Kid Simius. Peak Time EP is full of positive energy and summer vibes, consisting out of three tracks by the duo and a mind blowing remix of Smallville‘s Julius Steinhoff.

Once Michal Zietara and Kid Simius met for the first time, they immediately found themselves on the same wavelength and there was no going back. Straight away, within their first studio session together the first track came to life in a playful manner that can be felt throughout the whole EP. One can sense the longing of two of Berlin’s favourite sunny boys for spending time together with friends on the dance floor, when listening to „peak time“ and „get together“.

Smallville’s Julius Steinhoff rounds up the release with, an emotional and exceptional remix for „peak time“.

All in all the EP provides the perfect soundtrack for celebrating life together on dance floors across Europe this summer.

James Asher is known for his individual and and distinctive approach to creating tribal drum music. He has had multiple library album releases for Bruton Music, Dewolfe, Abaco, Southern, Girasound and this year Kpm/emi with the album Global Village Percussion. He combines a confident grasp of fusion and worldbeat with a crystal clear audio production style. For the first time since Asher`s best selling releases « Feet In the Soil » and « Shaman Drums », Sleepers Records are delighted to be the first purveyors of his work in vinyl form, with six dazzling tracks which are earthy, grounded and compelling. Mastered by Gwyn Mathias @ GBdb

Changes’ is the second EP from Sydney producer Morgan Huggins, a very spiritual sequel to 2021’s ‘Anzac Bridge Filter’. Co-head of local community, event, radio show & label Lovejoy, Morgan’s production is an extension of the moments he experiences both within music & in his life apart from it. Morgan created ‘Changes’ in a period of great flux in his life. Moving between cities he’s called home for the majority of his life, out of homes that had great impact on him, and preparing to leave it all behind in pursuit of a journey across Australia, ‘Changes’ embodies a nervous excitement that we all feel in the most momentous occasions of our lives.

On May 20th On Rotation returns for their first VA release - Genetic Memories Vol. 1. Anderson opens the release with the mystical ‘Polymorphic Magic’ - a low-slung builder combining deep synths with sampled instrumentation.
“I’m a huge fan of self resonating / overtone instruments so using the Fujara was a no brainer. A naturally psychedelic sounding instrument, I wanted to accompany the flutey pipe with a deeper and low-mid tempo chug.” - Anderson. Next up is Musty Head Records main man Jamie Leather - combining the tight drums and skilful melodic work of his previous releases with all the influences we love, ‘Discovery’ is sure to get any party going. Leading the B-Side of the record is Ed Hodge's ‘Atreides’ - a tough yet playful banger drawing influences from across the spectrum of UK music. Gun fingers guaranteed! “It’s probably the fastest, rowdiest track I’ve made under the Ed Hodge moniker and pulls influences from house, trance and speed garage.” - Ed Closing the release, we speed things up and travel deep into the past with Phazma's ‘Arrakeen’. Featuring ethereal synths, driving rhythms and beefy low end, this floaty number works just as well at home as in the club - a perfect way to round off the EP!
“After some help from my musical peers and some heavy inspiration from the release of the new Dune movie, I managed to come up with something that I’m pretty stoked with!.” - Phazma

Edition of 500. Includes insert.

It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes/audial voyeurism and brutish stop/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense.

The record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D&D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp & Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty.

Edition of 500 includes insert & large poster.

Swedish progg is not to be confused with "prog" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. Blod's Knutna Nävar, originally released in an edition of 150 copies on Förlag För Fri Musik in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time.

Further developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack/library music and Swedish composers like the late Björn Isfält when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the Abba album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else.

Maara makes seductively uninhibited, proggy dance music. In fact, she’s quickly becoming one of its foremost exponents. Barely pausing for breath between releases, ‘Spiral 2 the Other Side’ finds the Montreal artist summoning divine feminine frequencies with a hypnotic, ritual-ready 4-tracker. Some Maara productions are shot through with an almost radiant optimism, but here, darkroom throb prevails. Big on the gated vocals, ‘Spiral 2 the Other Side’ achieves cybernetic sensuality through trippy, moiré-d electro, while ‘Take the Wheel Miss Sweetie’, with its driving, fathoms-deep approach, provides a direct take on the blueprint. The Canadian assumes the role of high priestess on the flip. ‘Forget the world’ is a ritual incantation for bridging seen and unseen worlds; prog house magick with shades of ‘90s trance utopia. Rounding things off with a tunnelling electro tripper, ‘Doom Quest’ references the vortex-dwelling atmospherics of early tribal modes to mind-altering effect.

Contemporary dancefloor oriented production's by Milan's Joseph Tagliabue featuring top class trance influenced electronic landscapes. Tagliabue’s impeccable groove and sound design combines avant-garde techno and trance aural textures. He arrives on Sound Metaphors’ Bless You label with four new pieces which mark once again his out-of-the-box music approach. A mix of ancestral weaves of Profonda Pulsione, unsettling atmospherics of Plasma and dense hypnotism of Medusa, Onda Sotto’s dominated by enveloping rhythms and transcendental atmosphere. Layered tracks that flowing over alternating cycles, theEP forms a collection of heavy sounds programmed for releasing deep unconscious pulsions and responding to the violence of the world, though not necessarily rationally.

The third volume of this modern classic, moroccan only compilation, blends peak-time heavy-hitters and more subtle moments. it gathers bergsonist kosh ocb malik jalil and viewtiful joe. OG soundtrack from the motion city, casablanca.

Should we look back and bring something of the past back into the forefront of our mind? We think yes!!! Because Kellerkind's “Disco on the Dancefloor” remains to this day a huge milestone in Sirion Records discography and the original track is still 10 years later an absolute earworm. Dedication, constant focus on music, care and respect for others, are attributes that continue to apply to Kellerkind and have moved us to a remake of this infamous title. As the title of the main track says, “Disco on the Dancefloor” with its groovy basses, poignant disco stabs is ideal for the dancefloor and still perfectly suited to inspire the masses. But Kellerkind doesn’t rest on the guaranteed success of the past, he immediately delivers a thriving remake that perfectly reflects his current musical taste. Percussive, hypnotic and an all-around successful job to dress the track in a new garb. Fittingly, there are two remixes by 8 Bit labelhead Gorge and Bernese producer Youen, among others. A housy framework paired with percussion, discoid bass line and the hypnotic synth surface in the usual Gorge manner, not only gets the legs bobbing and the head nodding, but animates to conquer the dance floor. Youen's techhousy remix puts the focus more on kick and clap and therefore comes as a true stomper. Peppered with the discreetly used samples, this makes for a wonderfully danceable mix for peak time. 10 Years of “Disco on the Dancefloor” is therefore more current than ever and an absolute must in the record bag, either on vinyl or digitally.

Today we have a piece from Kharkiv. Yes, That Kharkiv, the hometown of the Ukrainian dynamic duo of Komponente and Kurilo with their Trance Pandemic label, also the city on the frontier of the Russian/Ukrainian war. Living in a much calmer city in Ukraine, it’s really hard for me to imagine making any production plans there, in this case, it means nothing but honor and respect for the guys. Red and black colouring was changed to yellow and blue (the colors of the year), the music is still great.

Celebrating the 25th anniversary of the 1997 trance / breaks classic ‘Everytime’ with a reissue including the massive Nalin & Kane / Red Jerry mixes alongside a newly commissioned D&B mix from Electron C. Dialling it back to ’97, Lustral - a project from UK based duo Ricky Simmonds and Steve Jones, who also were responsible for other acts such as The Space Brothers, Chakra, Essence, Force Majeure, Ascension and many others, unleashed a future anthem ‘Everytime’. An ethereal breaks/house gem, the original version has euphoria written all over it, not least for those beautiful vocals from singer / songwriter Tracy Lee Ackerman. During the years the track got remixed a number of times, by people such as Nalin & Kane, Way Out West, Timo Maas, Red Jerry, Mike Koglin amongst others. On this reissue you’re served the classic, unforgettable remixes from Nalin & Kane and Red Jerry alongside an incredible new drum and bass rework from Electron C.

3rd Legacy comes from Raveld. You know the deal: first come/ first serve. Don't sleep as the releases always selling fast!

The Jaffa Kid joins the Cold Blow roster with a marvelous self-titled EP of hard-hitting, atmospheric techno and ethereal braindance. These analogue productions will undoubtedly evoke nostalgia in the fans of the styles’ formative years, accentuated by the warm and crisp mastering by the legendary Ed DMX. This is a record for the clubs and the armchairs alike.

Steyoyoke presents “Couple Affair Vol. 09” with 8 collaborative tracks by Nick Devon, Soul Button, Monarke, MPathy, Haffenfold, Clawz SG, Grammik, Darko Milosevic and THC. Together, bringing captive cohesion through ethereal soundscapes. This paramount release will be pressed into a double vinyl for the music fundamentalist.

The collection begins with “Spectra” by Nick Devon & Haffenfold, an awe-inspiring composition and an emotional force of attraction. Clawz SG & Soul Button come together on the second track, “Allegory”. An entrancing track full of hope and light. Next, Soul Button and MPathy use delicate and warm plucks in “Infinitude”, to set a groove over a powerful bass. Grammik joins Darko Milosevic with “Ecliptic”, a hypnotic otherworldly gem, and Monarke with “Abroad”, a dreamy and driving tune which will pull people into a peak time frenzy. The sixth track is a banger of a dance tune, “Dusk” by Monarke & Soul Button. Airy but bold, this piece is complex simplicity at its finest. Next, MPathy & Haffenfold join forces with “Erlin”, a wistful composition that is comprised of delicate and alluring leads. Last, but surely not least, Darko Milosevic & THC combine to present “Dark Night Of The Soul”, an enticing work of art with acoustic piano, warm all encompassing atmospheres.

Pairing members of the Steyoyoke family from around the world exemplifies that music knows no bounds. “Couple Affair Vol. 09” is a powerful compilation which yields brilliant and inspiring moments encapsulated in sound.

Tobias started his musical career back in 2009 on Johannes Heil´s and Daniel Schlender´s label called Metatron Recordings. After a few years as a resident DJ at Munich´s famous club Harry Klein he´s back with more melodic techno under his real name Tobias Wagner. We are delighted to welcome him to our small `Future Romance´ family and proud to present his wonderful debut EP with three impulsive but dreamy tracks full of shimmering synths, crisp beats and epic highlights. As if these Originals were not enough we could win the cutting-edge Tel Aviv-based producer ´Stereo Underground´ as a remixer. Wellknown for his impressive releases on labels like Guy J´s Lost & Found or iconic australian imprint Balance Music, he added some more atmospheric work on "Emilia" and created a deep & melodic masterpiece in his typical unique style!

Sound the alarms, red-hot new label Spray has checked in for round two; nummer zwei.. though far from dry; with Leisureplex, a suspiciously proficient debut from Dublin’s Drua. Joining the prog-parade full steam ahead, the 3 tracker dabbles in tech trance activity with a bonus remix from Berlin’s backbone Mor Elian. The enigmatic newcomer showcasing mature structural bliss, crafted for moments of subconscious synchronicity between the dj and their dancers. Breaking out of the cookie cutter mold in sharp fashion is the title track, rolling effortlessly with addictive bell delays and morish gating. Layers graciously build a wall of sound that can’t be broken down; splintered shakers flicker above board whilst demonic vocal blurs act as rhythmic counterparts. Mor Elian’s dystopian leaning rendition still holds some stealthily euphoric aura, the heavy handed machine drum freakout a brain scattering rendering on speed. The B Side stands alone tall and proud; Larp feels like a climax at the party. Sirens flaring high as hell, the rise and fall of the bassline bouncing in tandem with driving drums, only stopping for a dramatic drumroll. An essential to top off a seriously stunning first record from Drua, get it before he blows up!

A retrospective double LP compilation of the work of dutch producer Aad De Mooy. Specifically focusing on the first half of the 90's with his aliases as Interface, Time Warp and Paradise 3001 on ESP Records. This compilation attempts to encapsulate and expose the masterful prowess of Aad's work as a producer with a focus on maximum dancefloor efficiency. This double LP consists of 10 tracks ranging from downtempo acidic breaky chuggers to full on floor activators channeling tribal and early progressive trance inducing elements perfectly arranged in highly effective compositions. Can't go wrong – all killer no filler is all one can say about Aad's meticulous productions. Compiled by Castro & Nemo and re-mastered for vinyl at manmade mastering.

Blossom Kollektiv is proud to unveil their first full length release since relaunching in 2022, with Porto?s Pixle82 and his first album ?Infinity?. Following the single release of the title track of the album, the full nine track voyage makes it appearance this April. Pixel82 talks about this work, which was produced during a time of forced introspection and uncertainty, as a rediscovery of the past to find the future. He wanted to create an uplifting vibe for the songs on the album but while still having a subtle dystopian feel in some of the tracks. To achieve this sound, he experimented with polarities and used sounds that are personal to himself including organic sounds from nature and even from his personal life with the use of a recording of the heartbeat from his own daughter. During the nine-track expedition the artist creates an honest tour de force, without the constraints of making dance floor shakers and the end result is a highly effective trip that electronic music lovers around the world will adore, not only for listening but also with various moments that will work wonders on the dance floor. Each track is carefully crafted to play off the other with lively alluring synths, eclectic beats, and cleaver use of vocals throughout the album that seals each track together cohesively. Beginning with ?Breaking Free? its creative use of vox paired with uplifting synths sets the mood of the album that leads to the title track ?Infinity?, an underground pop venture with the same feel-good vibe but with catchy vocals that are sure to be stuck in the listeners head long after hearing it. Then the broken beat tracks ?Beyond? and ?Alien World? whisk you off to strange new worlds with interesting broken beat drum patterns and synths that keep the same harmonious vibe as the rest of the album. Moving on to the second half of the album ?The Grid? takes you straight to the dance floor with bouncy synth lines and tight grooves that is sure to keep the energy high. ?Beyond? and ?Sunset? present the liveliest tracks on the album that are perfect for those early morning sunrise moments if used in a set but also very pleasant to the ear for home listening. Arriving at our next destination to more slower jams with ?Music Box? the minimalistic approach to the drums along with the pleasant melodies keeps everything woven tightly together until finally arriving to our final chapter. ?Theta? brings everything effectively to and end with an ambient beatless experience that brilliantly wraps up the release and will keep the listener coming back for more. The final message of the album leaves an impression of hope through the title ?Infinity? that comes from what the artist calls a simple idea of a loop, the continuum of life, togetherness, and union, which he has seamlessly expressed through his own experience during a time of the unknown. As the listener takes an intimate tour of the album?s soundscapes, they will surely find the light at the end of the tunnel, either at the intimacy of their own home or on a sweaty dance floor.

Hale Bopp 2021 Remixes part 1

Arriving on There Is Love On You, following killer releases from Posthuman, Denham Audio and Saturday Night Rush, comes a sci-fi soaked five-tracker spanning headsy techno, proggytrance and chugging ethereal noise from 'Us' founder Desire, who heads the project that aims to 'shine the light on queer people' through releases and mixes.

'Express Self Love' sounds much like the expression of ecstasy. Spacey atmospheric and ear-wriggle acid lines meet in a dimly lit room with dark techno, electro and trance for a proper headsdown affair. 'Dernier Souffle' is a cut of contemporary progressiveness being championed by labels such as Kalahari Oyster Cult and Butter Side Up - minimal, malfunctioning and dubbed-out goodness.

'Keep Moving' maintains a meaty bassline that threatens to overflow at almost every turn - moments of celestial high-ends emotional transfixation sparkle amongst the tough-as-nails techno - before 'Incisiveness' follows up with what might be the fun-loving twin of its predecessor; a cut of peak moment, intellectual techno-trance.

The tempo comes down on 'Voyage Infini'; a chugging cut of transcendental synthwave best played as the sun is just coming up.

Axces Recordings is releasing their second various artist release “Trip Wire EP”. Compiling 4 different tracks from 4 different artists focussing on minimal experimental techno club music. The record premieres Søren Kinch aka CX alongside the usual gang: Alfredo92, Kasper Marott and Popmix.

Trip Wire’s 4 tracks all have common denominators of being moody, trippy and darker than the usual Axces europhoria. All composed from an idea of linearity whether it being the straight forward grooviness of the track IZA, the 8 minute suspenseful robotic tantra workout in Kasper Marotts “Welcome” or the more laid back in the sofa, über minimal parade in popmix’s Ultima. With the opener track “Sjunne” Sørens Kinch or CX makes a promising debut. The track is ultimately the most romantic piece of music on this next edition of Axces music frisbees, with swirling pads and a kick drum that goes deep as the ocean.

The EP will be available on black vinyl. The release is presented with beautiful artwork done by Axces visual artist A.V. Nielsen.

3 track EP by Overlords of the UFO, including 2 previously unreleased tracks and one track released on an earlier EP named Transcendental Overdrive. All tracks were produced in the late 90's. This EP continues the trademark retro sci-fi analogue synth vibe of Overlords of the UFO and is the 2nd release by Enlightenment Records.

Beyond the Outer Limits by Cult of the UFO is a new solo recording produced by Anthony Barker of Overlords of the UFO. Due to Anthony being an integral contributor to the music of Overlords of the UFO, the four tracks maintain the trademark retro analogue sci-fi vibe of Overlords of the UFO, although with a more contemporary edge. This is the 3rd release by Enlightenment Records.

Delivering his first solo EP in over two years, Blue Hour releases Origins, the 21st release on Blue Hour Music. Following a succession of remixes, V/A contributions and an EP under his Tracing Xircles alias earlier this year, the Berlin-based producer and DJ shares four tracks diving deeper into his UK roots. Channelling breakbeat, techno and trance with the hallmarks of 90’s rave, Origins builds upon the foundations created from his EP ‘Devotion’ in 2020. In this eclectic EP, Blue Hour explores several sonic palettes. The title track blends celestial chords with urgent drums and acid basslines, while uplifting vocals and subtle melodies wind through the track. ‘True’ dips more heavily into breakbeat territory with evolving and immersive pads, soaring strings and a twinkling synth-line. A dynamic fusion of fast-paced energy and soft touches.

On the flip, ‘Emergence’ dances a delicate line between melancholia and elation, as dystopian chords pool with a squelchy acid sequence and a classic house vocal. ‘Searching’ closes on an ambient tip with spell-binding pads and an angelic melody, conveying a bright side to Blue Hour’s aesthetic, akin to Origins as a whole.

quality 4 tracker mit high class 3d feeling cover

350 gr 7" black sleeve + banner sticker + cellophane sealed. Fiocco and Scoop are both productions from DJ/producer Jan Vervloet. These 2 massive hits were originally released on A&S Productions and now available for the first time in their radio edits on black wax.

Hey world, what happened?

Well anyway, Touch From A Distance is still here. Scratching our heads in awe of the ever-changing standstill of the past three years, we managed to get the ball rolling again with the help of Melbourne brothers extraordinaire Donald's House who have honed their skills during lockdown downunder to achieve the impossible: They got even better while pivoting towards a slightly different sound: Determined and muscular, yet trippy and playful. Juggling classic Acid and Progressive House tropes coupled with their prowess for perfectly balanced arrangements and catchy melodies, both „Bassian Plain“ and „The Isthmus Of Kra“ epitomise Pete's and Jim's peak time powers to fullest. The same goes for Alex Kassian's remix of „Bassian Plain“. Like Donald's House, Alex has been a core member of the Touch From A Distance family as one half of Opal Sunn from the start. He used the reset brought on by the pandemic to establish himself as one of the fastest rising stars of today's nightlife striking home with a slew of hit remixes and inspiring dj sets all over the world (keep your eyes peeled for a meeting of DH and AK in Australia soon).

2nd release on Castor. 4 deep progressive grooves from Pollux, Leach, and Pollux & Faber

After “Refined”, their first release on Thisbe Recordings back in April 2021, Radial Gaze are back on the Berlin-based independent label with “Tetra Seeds”, their brand new EP. It includes 3 original tracks and three remixes by Dominik Marz, Balam, and label owner Pyrame. The two St-Petersburg-based brothers , Andrey – electronic musician and producer, mixing and mastering engineer – along with Stas – sound designer, guitarist, and theatre director – stay true to their identity : In “Tetra Seeds”, they deliver an irresistible blend of slow techno, ethnic-infused electro, and percussive wonders. Printed on a yellow vinyl, the 6 tracks 12″ is a limited edition with astonishing artwork by Maksim Cherny.

After a long period of significant changes, comes a release that will set a mark on the label, in this pack the tempo has risen up, the usual chords, delays & reverbs this time evoke (till a certain point) an almost extinct sound where techno and trance manage to go hand in hand in a stylized and subtle way that in today´s field is hard to find. This release, aside from being the artist's first solo reference, also marks an evolution of the label's sound towards new horizons without losing the essence that has characterized the brand from the beginning. Long live the 10th.

For their sixth instalment, Lowlife Cartel follow up to their last two compilations (“Pimps Improvisations” in 2018 and “Omnia Vanitas” in 2020) with a new six-track VA named “Kodoku”; a vortical release, both bold and forward-looking, while fully geared for the club environment. Taking its title from a poisonous magic from the medieval Japanese era obtained by placing several venomous insects in a jar and letting them kill one another until only one survives, “Kodoku” - which interestingly also translates as “solitude” - features a cast of producers old and new to the fold including Saverio Celestri, the faceless △, Prince de Takicardie, Tundramane & Ko$te, Solar Alliance and Shampoo.

A staple element of the Lowlife Cartel bunch, Saverio Celestri paves the way and dishes out one of his signature jagged, EBM-informed weapons in “Sundays”. Through this hotchpotch of acid-steeped bass entangled with a frantic newbeat-ish swing and razor-sharp synthwaves, the Italian producer shows off the raw and playful facets of his craft to optimal effect. Unknown contributor △ clocks in with “Crachats de Lune”, a proper ominous banger going straight for the jugular with its clever mix of dusty, drum-laden churn, processed vox stabs and sci-fi-indebted laser bursts flashing by unrelentingly. Tailored for hi-octane action at the defunct Boccaccio or Hacienda, Prince de Takicardie “Jam’on’Acid (House Mix)” blows the winds of euphoria across the club like it was done in 1995. Vibing to a pulsating mix of rabid snares, 303-vehicled charges and mangled vocal samples on a classic free rave tip, throwback material that packs a punch.

Flip it over and here is North-American duo Tundramane & Ko$te shifting the scope to Memphis chopped-and-screwed in true hardcore fashion. Straight-out aggression, “Brick To The Face” lives up to its title, so expect leaving the place with a few teeth out your mouth and a good concussion, though more side effects could appear over repeated listens. A radical U-turn from the previous, Ute.- related triplet Solar Alliance - alias Ekkel, Oprofessionell and Mikkel Rev - bring their dashing trance touch to the comp with “Quest for Kiba”, an uptemp maelstrom for the senses, swirling and whirling up until space and time make no damn sense any more. Topping off that versatile tour de force, Japanese producer Shampoo adds his delectably sensuous spin on the record with the lush, sample-heavy lo-fi appeal of “四季ノ歌”. Unpolished feelgood vibes, sun- streaked soulfulness and deft-handed MPC wizardry are on the menu for this ultimate ride and jolly finale.

Expanding on the blueprint of previous releases, Trieste-born, London-based producer Sohrab is the Kalahari clan’s latest inductee. Oyster43 is a distillation of the Italian producer’s stylistic scope in its purest form; impeccably crafted dance music with a healthy dose of prog.

Running deep with this one. Smartly refined constructions primed for meditative club use, the first four tracks are rendered in pristine detail. From the widescreen and tunnelling to straight-up utopian, there’s a life-affirming vitality like only the most quintessential '90s prog-house can achieve.

The record begins to veer into realms of dilated abstraction on the second plate. Where ‘Fleeting Thoughts’ unfurls like a slice of hi-tech IDM undergoing an ayahuasca ceremony, ‘Sunseeker’ and ‘Deconstruct’ keep the ritual going at a lysergic, slo-mo chug. ‘Crystal Clear’, on the other hand, evokes the ‘70s with a bucolic, avant-garde synth lullaby.

After successful releases on Transatlantic and Monnom Black, German FM synthesis wizard Luca Daniel Schwarz (aka Lds) presents his latest record ‘algo5’. The EP captures a wide range of sonic ground with innovative and futuristic edge.

’nbdfoil’ the opening track starts the voyage with mesmerising awe before sliding into ‘kizzt_VF’ where reality distorts and mind-warping events unfold. Closing out the A side the interlude ‘<13’ stumbles along with playful weirdness and explorative sonic gestures. Back in more familiar territory the B-side’s ‘fl+’ and ‘Vone’ propel dynamic rhythms through the ether until arriving at the final track, ‘mfäg’ where fragmented arps and cinematic ambience give an emotional sense of closure.

LDS’s ability to compose to a high level of depth and intrigue is unmistakably a significant feat for any electronic dance music producer and testament to the possibilities of modern sound design.

We are extremely happy to introduce you the new Background Rimini label. For this first release, the rising Italian talent Paolo Mosca share the magic on wax. Following his productions for respected labels such as Slow Life, Paolo turns into a wizard with 4 mental and emotional tracks, full of psychedelic & trancey vibes. Be ready to be transported into a journey for your mind, body, soul, and heart. One love.