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Billy Preston - The Most Exciting Organ Ever
Billy Preston
The Most Exciting Organ Ever
LP | 1965 | EU (Trading Places)
20,99 €*
Release: 1965 / EU
Genre: Organic Grooves
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Billy Preston’s mastery of the organ was such that he was commissioned for collaboration by The Beatles, The Stones and countless others, his classic Hammond work a defining element of ‘Get Back.’ Released in 1964 when Preston was still 19, The Most Exciting Organ Ever mixes swinging originals such as ‘Low Down,’ ‘Soul Meetin,’ ‘The Octopus’ and ‘Billy’s Bag’ with expressively soulful covers of standards such as ‘If I Had A Hammer’ and ‘Don’t Let The Sun Catch You Crying,’ ably showcasing Preston’s awesome dexterity and unmatched ability on his chosen instrument. With every track a winner, the title rings true!
The Esquires - Get On Up And Get Away
The Esquires
Get On Up And Get Away
LP | 1967 | EU (Trading Places)
20,99 €*
Release: 1967 / EU
Genre: Organic Grooves
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Family vocal group the Esquires was formed in Milwaukee in the late 1950s; by the time they moved to Chicago to launch their recording career the group featured Gilbert Moorer, Alvis Moorer, and Sam Pace and although Curtis Mayfield turned them down, Bunky Sheppard recognised their potential, their debut single ‘Get On Up’ a smash hit that led to the recording of this brilliant debut album, an excellent collection of upbeat melodic soul with the group’s vocal harmonies in the spotlight. Further permutations would follow but Get On Up And Get Away captures the group in its illustrious eginning, full of shining joy. A top-notch release!
Ike & Tina Turner - So Fine
Ike & Tina Turner
So Fine
LP | 1968 | EU (Trading Places)
20,99 €*
Release: 1968 / EU
Genre: Organic Grooves
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Among the most famous husband-and-wife soul duos of all time, Ike & Tina Turner scored an incredible array of hits in the 1960s and 70s, before Tina finally exited the partnership. The debut LP on the Pompeii label, So Fine dates from 1968, a couple of years after a support slot on a Rolling Stones tour boosted their profiles; in addition to a remake of early hit ‘A Fool In Love,’ there’s an awesome take of Johnny Otis’ ‘So Fine’ and a competent rendition of ‘Shake A Tail Feather.’ Tina is fully in her element, the Ikettes keep up the harmonic pressure, and producer Ike handles the rest. Recommended listening for all soul fans!
Don Covay And The Jefferson Lemon Blues Band - Different Strokes For Different Folks
Don Covay And The Jefferson Lemon Blues Band
Different Strokes For Different Folks
LP | 1972 | EU (Trading Places)
20,99 €*
Release: 1972 / EU
Genre: Organic Grooves
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During his long and fruitful career, multifaceted singer-songwriter Don Covay recorded in a variety of styles, including gospel, doo-wop, soul, rock, and blues, and his enviable skills as a songwriter were responsible for the likes of Chubby Checker’s ‘Pony Time,’ as well as Aretha Franklin’s ‘See Saw’ and ‘Chain Of Fools.’ Following his departure from Atlantic, Different Strokes For Different Folks was cut for the small Janus label at the esteemed Swampers HQ in Muscle Shoals, Alabama, the resultant groove irresistibly mixing funk, soul, gospel, and rock, all the while working in plenty of Covay’s individual humour.
Zzebra - Zzebra
Zzebra
Zzebra
LP | 1974 | EU (Trading Places)
20,99 €*
Release: 1974 / EU
Genre: Organic Grooves
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Ultrafunk - Ultrafunk
Ultrafunk
Ultrafunk
LP | 1975 | EU (Trading Places)
20,99 €*
Release: 1975 / EU
Genre: Organic Grooves
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Anonymous British funk studio outfit Ultrafunk was spearheaded by Blues & Soul magazine proprietor John Abbey, who ran a fashionable record shop and label called Contempo in London’s West End during the 1970s; he conceived of the group as the UK counterpart to US studio bands like Mfsb. Arranger Gerry Shury, who had worked with Barry White and Maurice Gibb of the Bee Gees, drafted guitarist Chris Rae and bassist Frank McDonald (who often composed library music together) and future Rubettes drummer John Richardson to form the group, in situ. A lack of band photos, suggestive song titles and a predilection for American cover tunes led many to believe the band was US-based. Their self-titled debut LP is where the myth all begins, with a number of truly atmospheric and cinematic hard funk instrumentals, given added textural depth through full orchestration, including covers of Bill Withers’ “Use Me” and Stevie Wonder’s “Living In The City.” Though not quite as compelling as the better-known follow-up set, Meat Heat, there is still plenty to savour on Ultrafunk, making this debut companion disc a must-have for all true funk aficionados.
John L. Watson - Let's Straighten It Out
John L. Watson
Let's Straighten It Out
LP | 1975 | EU (Trading Places)
21,99 €*
Release: 1975 / EU
Genre: Organic Grooves, Rock & Indie
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Following his tenure fronting British psychedelic rock act The Web, who cut a couple of likeable albums featuring his bluesy, soulful lead, US-born vocalist Mississippi John L. Watson went solo, working with Pete Wingfield on his 1970 debut, White Hot Blue Black. Superior sophomore set Let’s Straighten It Out was released on Bob Kingston’s Spark label in 1975 and credited to John L. Watson and White Mouse, with Watson headed in a funk direction; along with the potent title track, there’s a fine cut of Gwen McCrae’s ‘Rockin’ Chair,’ making the set a sure-fire winner for Watson fans and lovers of British funk and soul.
Zzebra - Panic
Zzebra
Panic
LP | 1975 | EU (Trading Places)
20,99 €*
Release: 1975 / EU
Genre: Organic Grooves
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