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Fairport Convention - Live At Rock City
Fairport Convention
Live At Rock City
2LP | 2024 | EU (Trading Places)
23,99 €* 29,99 € -20%
Release: 2024 / EU
Genre: Rock & Indie
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A veritable institution of British folk, Fairport Convention has been going strong since the mid-1960s. Double album "Live At Rock City" is chock full of winners: along with strong adaptations of "John Barleycorn" and "Reynard The Fox" there are top tracks from "Expletive Delighted", including "Three Left Feet", "Sigh Beg Sigh Mor", "Portmeirion" and "Sack The Juggler". There's beautiful symmetry between Dave Pegg's mandolin and Martin Allcock's bouzouki; Ric Sanders raises the roof on electric violin, Dave Mattacks' drums are quietly steady and Simon Nicol's guitar and voice completes the picture. A must for all Fairport fans!
Sandy Bull - Live In San Francisco Late 1969
Sandy Bull
Live In San Francisco Late 1969
LP | 2023 | EU (Trading Places)
21,99 €*
Release: 2023 / EU
Genre: Rock & Indie
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Sandy Bull’s unorthodox approach to guitar was as unique as his personal circumstances. Son of jazz harpist Daphne Hellman and brother to the sitarist Daisy Paradis, Bull became part of the bourgeoning Greenwich Village folk circuit. A move to San Francisco in 1963 found him sharing an apartment with Nubian oud master, Hamza El Din, which had a profound effect on his playing, spurring early world music experiments. The previously unreleased Live In San Francisco features bluesy electric ‘Memphis, Tennessee’ and ‘Instrumental Blues,’ plus the abstract ‘Untitled Instrumental’ and ‘Solo Experimental,’ all classic morsels of Bull wizardry.
J.P. Sunshine - J.P. Sunshine
J.P. Sunshine
J.P. Sunshine
LP | 1987 | EU (Trading Places)
20,99 €*
Release: 1987 / EU
Genre: Rock & Indie
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In 1967, the English poet George Duffell, alias Jorgy Porgy, decided to set his verses to music, birthing J.P. Sunshine with guitarist/vocalist Rod Goodway of pop act the Pack (later with the Crazy World of Arthur Brown), the line-up expanding with a bassist and bongo player, Duffell’s girlfriend on percussion, and former Pack guitarist Andy Rickell on electric lead. These resultant recordings, cut on basic gear in Duffell’s flat, evidence an individual psychedelic sound, marked by the incestuous claustrophobia of the group’s romantic rivalries, the meandering lyrics and disjointed melodies pointing to the pervasive drug use that ultimately squashed the project. This is psych with a difference: rare, rough, and freaky!
Gilli Smyth - Mother
Gilli Smyth
Mother
LP | 1978 | EU (Trading Places)
20,99 €*
Release: 1978 / EU
Genre: Rock & Indie
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The London-born vocalist and former Sorbonne lecturer Gilli Smyth became known as the ‘space whisperer’ for the poems she performed in Gong, formed in Paris in 1967 with her Australian-born partner, Daevid Allen of Soft Machine, with whom she also performed. Debut solo album Mother, released by French label Charly in 1978, featured her breathy suppositions on motherhood, the cosmic lifeforce, and the powers of Mother Earth, cut with fellow Gong members such as bassist Christian Trisch, saxophonist Didier Malherbe, drummer Pip Pyle, and Allen himself, as well as their children. A must for all Gong fans!
Ithaca - A Game For All Who Know
Ithaca
A Game For All Who Know
LP | 1973 | EU (Trading Places)
20,99 €*
Release: 1973 / EU
Genre: Rock & Indie
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Dando Shaft - Lantaloon
Dando Shaft
Lantaloon
LP | 1972 | EU (Trading Places)
20,99 €*
Release: 1972 / EU
Genre: Rock & Indie
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Dando Shaft’s third LP continued their explorations into the progressive and psychedelic strands of folk, now with shifting time signatures evidencing an increasing sophistication, as well as an ongoing commitment to experimentation; more varied in theme than their previous releases, there were shades of blues in places and an array of new instruments in the mix, including harpsichord, accordion, and slide guitar, yet the progressive folk that was always at the core of the group is still intact. With original copies costing in the hundreds, this is another worthy exploration for Dando Shaft fans, and all lovers of progressive folk music.
Heron - Twice As Nice And Half The Price
Heron
Twice As Nice And Half The Price
2LP | 1971 | EU (Trading Places)
24,99 €*
Release: 1971 / EU
Genre: Rock & Indie
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Formed in suburban Maidenhead by singer Tony Pook, guitarist/pianist Roy Apps and guitarist Robert Collins, Heron solidified when Collins was replaced by uitarist/mandolin player GT Moore. After a debut album recorded at the Pook family farm, specially priced double LP Twice As Nice And Half The Price achieved a fuller sound with guitarist Mike Cooper, bassist Mike Finesilver, drummer Terry Gittins and guitarist Willie Boazman. The epic set sounds absolutely brilliant from start to finish, with strong vocal harmonies, intricate guitar interplay and excellent musical communication. Arguably Heron at their absolute best!
Unicorn - Uphill All The Way
Unicorn
Uphill All The Way
LP | 1971 | EU (Trading Places)
21,99 €*
Release: 1971 / EU
Genre: Rock & Indie
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Getting their start in the mid-1960s as a covers band, the Surrey-based group that began as The Late and who would be forced to take the name Unicorn mid-way through the recording of this excellent debut LP soon understood that originals made better sense, pointed in that direction by the success of Crosby, Stills and Nash. Given greater depth by Gerry Rafferty’s producer, Hugh Murphy, Uphill All The Way makes for superb listening, the musical craftsmanship yielding intricate textures beneath Ken Baker’s dreamy lyrics, the intelligent folk rock complete with country and western underpinnings. A must for UK folk rock fans!
Comus - Diana
Comus
Diana
12" | 1971 | EU (Trading Places)
13,99 €*
Release: 1971 / EU
Genre: Rock & Indie
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Progressive folk act Comus was a true one-off, their unique take on folk rock a spine-tinglingly shocking one, even as the music draws the listener into singalongs. Formed by singer-guitarist Roger Wootton with some art school mates, including guitarist Glen Goring, violinist Colin Pearson and oboist Rob Young, Comus began recording their debut LP for RCA, who dropped them halfway through, leading to further recordings for Dawn with Barry Murray. Every song on this single bears the hallmark of their exceptional take on folk rock, too far ahead of its time to gain favour on release, and all the more to savour now.
Dando Shaft - Dando Shaft
Dando Shaft
Dando Shaft
LP | 1971 | EU (Trading Places)
20,99 €*
Release: 1971 / EU
Genre: Rock & Indie
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Dando Shaft’s self-titled sophomore set continued to build on the reputation established by their excellent debut, and now the arrival of female singer Polly Bolton added another textural dimension, as heard most clearly on the soaring ‘Riverboat,’ the absence of drums throughout allowing us to fully appreciate the players’ excellent musicianship, with Martin Jenkins’ masterful mandolin, flute and fiddle drawing the sound to higher realms. As it was issued on RCA’s prog sub-label Neon, which folded soon after its release, the LP is as rare as it is excellent—another must-have for fans of progressive folk and psychedelic folk rock.
Dando Shaft - An Evening With Dando Shaft
Dando Shaft
An Evening With Dando Shaft
LP | 1970 | EU (Trading Places)
20,99 €*
Release: 1970 / EU
Genre: Rock & Indie
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Formed in the West Midlands manufacturing town of Coventry in 1968, esteemed psychedelic folk group Dando Shaft are revered as key influencers of the progressive strand of the 1960s folk revival, and the interplay of melodies on guitar, mandolin and violin made their sound distinctive, thanks to frontman Martin Jenkins, whose expressive vocals compliment his intricate lines, while Roger Bullen’s melodious bass helps to lubricate the proceedings. Recorded before Polly Bolton’s harmonic presence shifted the emphasis of their output, this masterwork is required listening for all progressive folk devotees.
Beau - Beau
Beau
Beau
LP | 1969 | EU (Trading Places)
20,99 €*
Release: 1969 / EU
Genre: Rock & Indie
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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks
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