Techno | Minimal | Tech-House 196 Items

The original track is an industrial and distortion experimental project of the owner label Federico Amoroso which contain a really metallic and dark sound. Positive Centre his remix it's a Dark walk into Industrial noise and distortion audio bites, with ambient moments and powerful destroy counter. The first track of B side it's remixed by Italian producer Plukkk which heavy dominating with relentless attitude and distortion driving kick - drum, with big impact for the dancefloor. The last remix is a collaboration with the Japanese producer Yuuki Sakai which has an original idea to add a lyrical singer in the middle of distortion broken techno beat.

After stepping away from studio production for 2 years in order to focus on Djing and live electronics performances, Young Male surfaces to deliver a club 12" for White Material Records. "Hot For Destiny and The Street" comes fresh from the subways, sewer systems and sidewalks of current WM headquarters in Queens NY. The focus for the EP is on deep but cracking functional techno, created both for basement dance floors and skyline view roof tops. The release is intended as the single for WM009, his debut album which will be released in late October.

Swinging leftfield House trips

Out of the gate “Dread Nox” hits hard like a Jungle track with dusty breaks and bizarre buried vocal samples blasting through over a dark ambience clattering about the track. “Portals” following with a similar progression nasty drums and creeping strings moving the cut along, while “Tea and Oranges” closes with a stepping cadence which will undoubtedly resonate with certain DJs. Another strong outing from this up and coming artist.

This release comes on 140g vinyl. Utopus is Ion D's project that deals with tehno heresies, not-minimal and fragmented melancholy. Ion D is the ubiquitous main-character of Future Nuggets standing as a producer behind many entities like Steaua de Mare, Raze de Soare, Australopitecus Oltensis, co-producing Delusion Men and appearing under different cameos in both volumes "Sound of the Unheard from Romania". On P-Balans imprint Utopus will endevour with club-oriented laboratory work, keeping intact the "delics" of each genre compressed in the amalgan. Set yourselves up for some balanced grooves augmented by unfinished melodies, abstract dramaturgy and very serious tehnodelic motors.

The second release on TB Arthur's (312) label finds the mysterious artist revealing a collaborative project with Magda as Blotter Trax. The pair first encountered each other at the famous Motor City record store Record Time, when Detroit artist BMG introduced his then co-workers Magda and Derek Plaslaiko to Arthur, who was visiting the shop from Chicago. Sometime after that meeting, Magda and Arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4" tape and then three tracks were selected for release. 1A is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. Full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2A then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. Last of all, 2B snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. This, then, is a truly fascinating pairing.

Vinyl Only. The 9th release from Cabaret Recordings. Evan Baggs + Katsuya Sano = EKBOX!

Between the high-rises and the depths there's a light glowing. Alex.Do's second EP for Dystopian combines Techno with melancholic Wave, percussive brilliance and heavy bass drones.

Fashion Flesh is a sort of bedroom version of "The Art of Noise." However instead of sampling, most of his sounds are birthed from the guts of hand built exotic electronics and audio devices. Fashion Flesh transcends genre. According to the man himself, "Easily Categorized is predictable. Predictable music is most often boring...Now is the time to illustrate the beauty of confusion and anxiety. Predictability will be used only when it's least expected..."

The mix of Dub and Techno is not exactly new. However, JPatterson found a way to combine these genres in a way that checks all the boxes to be classified as fresh and exciting. His rustic Prog-a-Dub grooves burst with reckless danceability, the sound of his tumpet has an emotional intensity that simply doesn’t exist in the digital music domain. But the catchiest element of his track Elevator is yet another one: It’s his voice and its contagious casualness. The Dub Version of this track is a bright summer day turned into rhythm and melody. It gets even more exciting than this, as a hand-selected group of party heads from the Acker family has remixed Elevator. Timboletti turned it into a slow, delirious afterhour groove (digital only). Dole & Kom redesigned it into an understated anthem. And Mollono.Bass created an energetic rhythm environment for the weightless trombone that feels like it’s vibrating right in middle between the original and the Dub Version of Elevator.

FLANGERTRACKX, no compromise Techno with Flanger. Limited edition hand-stamped vinyl.

5 years old, born, raised and based in Berlin, but all at home in the club. Nitam’s debut Retold EP (U-TON 06) already set the tone in 2015, and here we are three catalogue numbers and 14 months later with his second 12" release on Unterton taking a similar line as his debut four-tracker did: new varied sonic themes with an overall fresh sound. Although still being young of age, Nitam outlines once again his interest in dance music from the late 80s and early 90s, presenting himself schooled by classic Detroit House as well as Chicago Acid House, but all without limiting himself to a restricted pallet of styles or catering towards musical expectations.

Second release from Alex Font imprint, Acme

Vinyl is close to NM.

For the LPR002, Dub Creators release on their own imprint La Pince Records. This trio deliver to us their EP Kanpekina made up of 4 strong-deep bass line tracks the Original Mix & 3 dance-floors Remix witch goes from House to Tech house.

The first Raw Imprint 12" will be a VA EP produced by our three founding members Felix Fleer, Jonas Landwehr & Tizian Assmann.

Monnom Black 008 comes from Stranger, one of Rotterdams fast rising talents. Known for his love of classic Techno, Stranger delivers 4 peak-time Rave Acidic cuts, ready to do the damage.

New Levon Vincent. The one with the horn track.

DBH Music welcomes Mystic Bill and his imprint Physics to the label Family!
We're happy to present you Bill's 1996 banger "The Neutral EP" re-mastered and back on black solid vinyl!

Tecture / Steve Martin / Nick Beringer / Ed Herbst

We are very glad that our favorite spanish producer “Eduardo De La Calle" is back to Mule Musiq. There are four deep analog techno tunes.

With his first EP on Orbis, Binny is ramping it up, once again.
We're very pleased & honoured to host him, his 11th appearance on a vinyl record so far.
Someone to watch out for!

"Resistance" & "Infinite Ratio" has a brilliant hypnotic tension to it.
We won't bother explaining these two. Simply Binny, UK tension building up and excellent for playing 3 decks.
Excellent DJ tools.

On the B-side, Lee takes it to the raw side of analogue techno.

Lee Holman, a veteran that should ring a bell.
Performing in clubs since the late nineties, he has travelled throughout Europe compounding a reputation for his unique vision on Techno.
Production has earned him international recognition, leaving his mark building a reputation for consistency, originality and delivering his dynamic sound on both cutting edge and classic Techno Labels. In other words, Perfect Orbis material!

"Instructional" is no-nonsense raw material, the way Lee likes to build up his tracks.
Straight forward. No compromises. Plain old good techno.
If you're a fan of some older and raw flavoured repetitive techno, you'll want this to light up the dancefloor!

"Urbanite" well. Quircky, filthy, heavy, stomping,... You get the picture.

We're very honoured to host these the gentlemen,
as we're convinced they are a very good fit that matches our vision: transcending mediocre electronic music.

Stamped White Label! Close to NM!

Label concept Born in April 2014, Midgar is a Berlin based label that aims to bring innovative features into modern techno, and to deliver a new and meaningful sound loaded with positive energy. Leaving the trends behind, Midgar has a wide range of interests spanning from Deep Techno to Ambient and Downtempo. A sound that tells stories as people dance. Artist’s biography Ruhig is the new project of Luigi Cicchella, also known as Audiolouis , Dj/Producer and founder (together with Synthek) of Natch Records, respected techno label based in Berlin. Ruhig (real name Luigi Cicchella) musical background has deep roots in drum and bass, trip hop and ambient, which through the years he naturally extended to techno, but still keeping a really peculiar approach to it. Ruhig debuts on Midgar in 2014 with the deeply atmospheric (mdg002) ‘Lost In The Instability EP’ followed by a remix pack (mdg002x) from the likes of Edit Select, Luigi Tozzi, Wata Igarashi and Synthek. After one year Ruhig comes back on Midgar with a double Ep, which the first installment (MDG005.1) Particles EP is scheduled for mid december 2015.

Intense tempos, railing percussion, muscle charge. The music of Repro radiates like an electric skyline across the inner eye, as the striking beat sends you spiralling down through the cold fabric of modern life. This is techno in it’s most urgent, and unapologetic form.

The Israeli producer Yotam Avni, though not one of the main players in the Stroboscopic Artefacts story to date, nevertheless shows that he is definitely here for a reason: having contributed with an entry in the Monad series back in July,he returns with a new set of tracks that fit perfectly into the label's overall aesthetic of evolving hyper-reality, while also being a strong personal statement.

Earlier this year Jamal Moss aka Hieroglyphic Being released “The Disco’s Of Imhotep” album via Ninja Tune’s Technicolour imprint. Drawing on the energy and spirituality of Sun-Ra, Moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. Never one to rest on his laurels, Hieroglyphic Being returns to Technicolour on with an essential 12” two-tracker paying homage to “The Natives” of Chicago’s nascent and fertile electronic music scene in the 90s. Fiercely visceral and channelling the same “rhythmic cubist” approach, “This Is 4 The Rave Bangers” and “Home 95” are proffered as “Reinterpretations or a Revisionist’s retrospective of the early 90's electronic music based in Chicago during the rise of Rave Culture from a sonic anthropological narrative”.

After recent records by Kobosil, ∑ (Summe), Etapp Kyle and Nitam, Unterton continues its path of presenting young faces with a new EP by Somewhen. With his Null EP the Berlin-born and -grown producer expands his musical repertoire, connecting to the tonal range of his live and DJ sets in and out of Berghain.

Whereas many electronic producers aim at being the most prolific in their genre, or the most extreme, Lucy and Rrose have wisely chosen to be the most consistently curiosity-provoking representatives of their craft. Their decision to team up as a production duo for the newest Stroboscopic Artefacts EP may have seemed inevitable, given their shared responsibility for shifting techno’s focus towards the facilitation of profound psycho-acoustic effects. And yet, even those who saw this coming will still be in for a wild ride.

Efdemin & RNDM are back with a brandnew 12inch release featuring three enormous “Lost Tracks” dedicated to all the wonderful clubs around the world from Beijing to Buenos Aires.
Two solo tunes that perfectly draw the trademark sound of RNDM & Efdemin with a twist of weirdness plus one rare appearance of their collaboration project Pigon will make this fall sound like a hot dance under the full moon.

Norwegian Christian Tilt’s dedication to techno over the last two decades has securely placed him in high ranks to play alongside the likes of the Zenker Brothers, Margaret Dygas and Ploink label head Thomas Urv at clubs such as Berghain, Jaeger and Østre - all in the last year.

New Kern Space Adventures by Zadig.

Psyk, Rod, Architectural and Yotam Avni. This is a 12" vinyl with a hand stamped white label, black ink. Non Series celebrates five years with three-part compilation series. Psyk, Rod, Architectural and Yotam Avni feature on Non Series's vinyl part I/III.

The Swedish label Fasaan Recordings reinvents itself once again with a 4-track EP from the Free Arts Band. Still rummaging around in the general field of dance music, but now with a touch more avant-garde on their palette. The faceless entity that is the Free Arts Band introduces us to the simple idea of bringing a drum machine to art school. Infused with the creative space of the white-painted studio, a healthy dose of post-modernist pondering and the depth of traditional lineage, these four jams seem oddly timeless. Each of them riding on the verge of reductionism, they seem to ask: how funky can this get with as limited means as possible? Opening track "Cool Grey" offers synthesized new age jazz with some sundazed guitars, while "KADK" strips everything down to their primal elements and lets the rhythms do the talking, pierced occasionally by a woozy keyboard figure that perfectly mimics the gestures of someone walking in on the wrong party. With lo-fi gloom, the heavyweight of the EP, "Inhouse" rolls along on a beat that gently approaches the aesthetics of a West Coast low rider cruising track. Closing the cycle is a sequel to its opening track, and walks you out into a Japanese garden of British new wave guitar twang and brightly colored Badarou-style synths.

Hypnotising Remix Pack by Thomas Schumacher and Paride Saraceni.

It's in the depths of the oceans that PierroX finds his inspiration for this ambient music. He uses natural sounds (like whale songs for example) to take us on an abyssal trip between purity and aggression. Two talented producers, Nutia (German) and Shcaa (English) take us back to the surface with their minimal Tech-House remix.

Planet Rhythm is steadily outing material these days. The next in the string of releases is a VA by Planet Rhythm usual suspects ''Robert S'' ''Deepbass & Repart'' ''Jamie Haus & CSGRV'' and ''Dubiosity''. 4 versatile Techno cuts that each showcase a different sound within the Techno spectrum.

Eclectic, raw, diverse and deeply driving - these 4 tracks are pure hypnotic Hreno vibes. New Life! That is what has inspired and influenced this EP on many levels. New life brings new inspiration and new energy often in beautifully diverse and unpredictable ways. Everest. Positivity throughout, heights, strength, light, potential and future instantly come to mind, when listening to these songs. We are happy to present Hrenos second release on Meander as the follow up of his well received 2012 Frank Barns record. 180g vinyl release, comes with fullcover artwork illustrating traditional indigenous art from Borneo.

Technorama records is honoured to bring to you another superb release by Stephen Brown.

River In Me’ is the first single taken from Trentemøller’s new album ‘Fixion’. While the new album is scheduled for a September release, ‘River In Me’ will be available from June 24th and features Jehnny Beth of Savages on vocals, while Trentemøller contributed his own rework for the B-side. ‘I’ve been a huge Savages fan since their debut record.’ says Trentemøller. ‘ I met their producer Johnny Hostile at a festival in Paris and ended up inviting him to support us on our tour. Jehnny actually tagged along for some of the dates. Afterwards, he dropped me a line and asked me to mix the next Savages record ‘Adore Life’. Myself, Johnny and Jehnny built a real friendship in the process so it felt right to ask her to sing on a few of the songs. She has this really intense and unique voice and it ended up being really challenging, and fun, to take that voice out of the Savages’ universe and into mine.’ Swedish director Åsa Riton and Swedish artist Andreas Emenius created an outstanding video for ‘River In Me’ which will be published on the release date of the single. The new album ‘Fixion’ follows on three full length albums ‘The Last Resort’, ‘Into The Great Wide Yonder’ and ‘Lost’ as well as ‘artist-compilations’ like ‘The Trentemøller Chronicles’, ‘Reworked/Remixed’, ‘Live In Copenhagen’ and ‘Late Night Tales’.

This is the vinyl part 2 / 4 of the Orlando Voorn Collected double CD what we believe is the best from the Dutch producer in his early days. This EP focuses on the early '91 rave side of Orlando Voorn.

Anopolis are a collective of four Thessaloniki based producers coming together for their second release on Lower Parts. Three tracks of electro acid tinged techno with some serious drum machine tinkering. Also comes backed with an incredible Hieroglyphic Being remix!

Established Berlin based producer Carsten Aermes, aka PHON.O, delivers his latest EP ‘Afterglow’, bringing the Vorsprung Durch (to) Tectonic. Having dropped a number of acclaimed releases on Modeselektor’s dynamic imprint 50 Weapons over the last several years, PHON.O has also had a variety of singles and EPs for the likes of Kompact, BPitch, Shitkatapult and Detroit Underground, as well as remixes galore.

‘Mercurial’ kick starts the EP at 137bpm, melting the boundaries between techno, dubstep and footwork with effortless grace. The track sets a mood with an initial sense of ominous tension, before embarking on a strange, cosmic journey, narrated by polyrhythmic layers of percussive interplay. Kick drums bounce, snares crack, hats and the melody builds with mysterious intent.

Flip over then for the first of two further tales in dubwise beat science. First up is ‘U8 Phunk’, taking it’s name in part from a Berlin underground metro line, it represents a tougher, harder edge to the EP. Recalling echo’s of jungle music alongside techno sensibilities, ‘U8 Phunk’ follows on again at 137bpm with a series of hyperactive drum hits and twisting percussive manoeuvres, charged with a reese-like bassline and grimy bass stabs.

‘Bell Blender’ closes off the EP, further developing themes of broken breakbeats and grimy sci-fi atmospherics, this time at a tempo more accessible to techno dancefloors. Dubbed and spacious, smattered with crashing remnants of breakbeats and scorching synth sonics - it’s a fine way to round things off!

Berlin experimental techno duo These Hidden Hands recently teamed up with Lucrecia Dalt for a 12inch on Hidden Hundred, These Moments Dismantled. The abstract sonic terrain plotted in the eponymous first track finds its logical conclusion on the B-side, where tension and release oscillate in a harrowing groove. The artwork, created by Jesse Draxler, adds another layer of apocalypticism to the package. (Electronic Beats)

Satori´s latest Album “In Between Worlds” gets its second round of Remix Treatments. First Mix is coming from Satori´s good friend and former release partner El Mundo who turned “Compulaire” into a hypnotical tech house version. Second is Just Emma and the duo made a perfect dancefloor suitable mix of “Pink & Orange Sky” – likewise Britta Arnold did this to “Compulaire” and spiced it with a acidish bassline. Norwegian duo Of Norway have chosen “Tuti” and mixed it with groovy and relaxed beats – perfect for the morning after hours. For the way home Alexander Christian´s Remix of “Ehsan” is the best companion. Last but not least we have Joney who turned “Pink & Orange Sky” into a powerful crossover Mix somewhere between Broken Beats and Electronica.

Dubby delays whirling trough the air like leaves. Welcome to Acker Dub 2016.

WM009 is the debut album from White Material co founder Young Male. A collection of dark ambient and textured experimental songs created as a personal soundtrack for life in uncertain times. Paranoia, lust, virtual experience, and tension/release are themes explored in this tour through a dystopian American landscape.

We have seen Jorge Velez's at his most adventurous when working with L.I.E.S. Here he's at again with a set of hypnotic tripping arrangements.

Drumcellʼs debut on Dystopian. Evoking visions of a forbidding future. Heavy drones, doomy synths and vibrant stepping Techno all blended in masterly precision.
Artwork by Eric Winkler.

Following contributions by DJ Deep and DJ Hell, Tresor Records are proud to present the third instalment in their Kern mix-series, this time headed by Berlin based producer Objekt, his first release following his 2014 debut album Flatland for PAN. In keeping with the series mission of showcasing a more personal approach to mixing Hertz describes his process as such;

Kern Vol. 3 is made up of tracks that I know I will play and love for years to come. Some of these records have been in my bag for years; others are almost as new to me as they are to you. A handful are by lesser known artists whom I admire and who I think deserve wider recognition. Planned, recorded, embellished, reworked, tweaked and chiselled away at over a period of 6 months, the mix was gradually carved out in a way that makes use of new and old techniques alike, presenting itself primarily as a DJ mix but settling in a sweet spot between live recording and studio trickery. The tracklist spans styles, decades and BPMs in an attempt to craft a mix that’s unpredictable and compelling in equal measure – one that draws from the more adventurous corners of my club sets, but above all, one that’s a pleasure to listen to.

Clocking in at 75min across 36 tracks, Kern Vol. 3 delivers on Objekt's promise, stitching together everything from the playful breakbeats of Beatrice Dillon's "Halfway" to Kirk DiGiorgio's classic techno "Nebula Variation" and the lightspeed IDM of Aleksi Perälä and Ueno Masaaki without missing a beat. A descent through ambient bliss, thundering cello drones and vocal contortions (courtesy of Anna Caragnano, Yair Elazar Glotman and Senyawa's Rully Shabara respectively) give way to the stoned haze of Sensational vs Sotofett and metalwork of Machine Woman and Skarn, rounding up a highly eclectic and adventurous mix which also includes previously unreleased tracks by Bristol's Shanti Celeste, rising Brooklyn producer Via App and accomplished electro technicians Clatterbox and Polzer.

Keith Carnal is back with the 2nd release of our catalog, the 1st made a massive impact in the Techno/Electronic playground. Played in every different platform this Artist showed us how electronic music can reach many different levels and people. Keeping a simple and unique style that many try to imitate, but nobody reach his level. 3 Cuts w/ our man Shlomo did the rest of the job, doing a very deep and intelligent remix.

ARTS is back with a classy debut, this is Geinst, a very young Artist coming from France. His music is Unique, Literally one of a kind. We are happy to present Uchronie EP. When people don't express themselves, they die one piece at a time, don't forget it.

Music has always coursed through Roman Lindau's blood. Even if he weren't the accomplished producer and respected DJ he is today, the German audiophile would still be spending all his money on the stuff; giving over all his time to the art form. ''I'm a music junkie. I need music to live'' he states matter-of-factly. ''For me it's the elixir of life.''
Good job, then, that he gets to spend his ..
Roman Lindau is a German techno DJ, artists and producer, as well as being a core member of the infamous Fachwerk Records from Berlin.
Music has always coursed through Roman's veins ever since he was a young boy so it is no suprise that he became the accomplished producer and highly respected DJ that he is today.
In the late 2000´s Lindau became active in the Berlin electronic music scene, beginning to play music in clubs as well as producing his own music.
The first track he released in 2008 on his home label Fachwerk Records appeared in one the world famous Berghain Mix Compilations, mixed by Len Faki.
Following from this Berghain invited Roman to contribute an exclusive Track for Ben Klock´s Berghain Mix in 2009. After this success the gates opened for him to play regularly as a DJ at Berghain.
At the same time he continued to work on music for Fachwerk Records. He produced dance floor smashers like ´Crasse´ in 2011 and ´Rave on´ in 2014, which were charted by the likes of Ben Klock, Sven Väth & Chris Liebing, afirming his deserved place amongst the techno elite.
More recently in 2015 the well known Victor Calderone from NYC invited Roman to release on his label Matter+.
The reason why Roman is such a great DJ is because of the fact he knows what the people want! ''I love to dance and that's very important: as DJ you need to feel what the crowd want so you can help them to party and have fun.''
Combining a varied selection of raw house and techno in his sets, recent bookings have taken Roman across the world; from the hallowed techno Mecca that is Berghain to dark underground clubs as part of the recent Fachwerk label tour.
He has performed at every legendary Berlin venue, past and present from Tresor to Berghain, and it is this that gives Roman the edge above the rest. If you can do it there, you can do it anywhere!
From 2014 Till the closing he was a resident DJ at Stattbad, one of Berlins findest adress for Electronic Music.

Supernovas originally formed the basic chemical elements which subsequently merged in a myriad of variations, creating life as well.

All the components of our world descend from that single original replicating molecule.
In a primitive stage, a functional distribution of energy was regulating the self-selection as the only workable explanation for the design and variety of all life on this planet. Such harmony meant prosperity of hearth as a whole unique entity; a perpetual thriving of life cycles.

Meanwhile, humans developed their own ego to the point to think that they were fallen angels rather than risen apes. Their unique highly developed intelligence made humans the only rational beings on the planet, but it is by rational choice that they consciously keep inflicting pain and humiliation, a planetary torture running through the ages.

Proliferation of humans doomed the dynamics, tampering with the energy fluxes and distorting the relationships amongst the entities. By rationally choosing to ignore their native compassion, humans become guilty and they self-sentence their own end. We have gone too far and sacrificed too much to disdain the future that we designed now, while the metastasizing process of the planet grows, the past increases and the future recedes.

Single release of the star_dub lp on dubwax.

DJ Mo Reese excites crowds with his unique brand of House music. A Detroit native, his music is steeped in the tradition of his hometown and blended with his own soulful, funky style.

Influenced by such legends as Dennis Ferrer, Kevin Saunderson, Todd Terry, Derrick May, Roger Sanchez, and Terrence Parker, DJ Mo Reese has entertained around the world for over 25 years. Most recently, he performed at Tresor, in Berlin, Germany and Kitsch in Eindhoven, Netherlands. A crowd of over 100,000 was blown away as he performed his special four turntable set at the Detroit Movement Festival. He banged the box at the Cornerstone Event near Chicago before a crowd of 600+. DJ Mo Reese shined at the Winter Music Conference in Miami, and has been featured on stations WGPR, WJLB and won the Mixidome contest on WHYT. As a performer/producer, DJ Mo Reese inspires audiences with his uplifting and soulful style of House music.