Techno | Minimal | Tech-House 108 Items

Limited 10 year anniversary repress with black/white artwork. In May 2014, Icelandic producer Yagya released his fifth album, Sleepygirls, across three slabs of vinyl on Dutch label Delsin. It's a deep, spacious and dubbed out affair that stays locked at a pleasingly sedentary tempo throughout. Since 2002 Yagya has been crafting lush electronic albums and always manages to find pure bliss and beauty and his simple, nature inspired soundscapes. "I wanted to create an album that's atmospheric, repetitive, and easy to listen to over and over again," says the man himself. "Something that works well in the background (e.g. when concentrating on work), as well as up close in a big sound system. I also wanted to learn how to make my music sound better than before, since I'm a huge sound-nerd, so that was a part of the goal for me personally." The album is a fine fusion of tropes from Yagya's earlier albums, features jazz instrumentalists that improvise beautiful melodies over monotonic, almost drone-like, techno beats and also uses live recordings of Japanese vocals, saxophone and guitar to counter the repetitiveness of the rhythms. Right from the rolling bliss of the opener, you're suspended in a womb like pillow of sound that is soft, warm and serenely beautiful. As tracks roll on, the pace stays the same but themes vary from upright and summery to more elongated and insular. This is natural, organic dub that is a delight and a pleasure to listen to. The vinyl versions of each track have been specially mixed with random LFOs, sonic quirks and unique fingerprints making them the subtly different to the CD version, but overall this is a brain soothing and mind melting album that can soundtrack lazy days, long summer afternoons and warm winter evenings in equal style.

Somewhere between House, Detroit Techno & Bass, Martyn comes through strong with a little help from Four Tet & Inga Copeland!

After a successful year for both Big Strick and Generation Next, they come with the LP album titled "Like Father Like Son2. Four months after they collaborated on the "Like Father Like Son" EP , this 10-track masterpiece shows off skills from two eras of dance music on one platform with an array of styles and versatility.

One of the most beautiful albums of this decade gets a re-issue on 2-vinyl – in 2014 the Swedish duo Gidge released their debut: Autumn Bells. “The very beginning of I Fell in Love are the most passionate and emotional couple of notes i have heard.” “An incredibly organic listen from start to finish, ‘Autumn Bells’ is the season’s distilled feeling put in song. Gidge successfully captures microscopic moments of decay and beauty within the framework of pop and ambient-inflected techno.“ “An utterly captivating piece of work. Each new listen only enriches the songs.” “One of the finest, most enjoyable electronic albums I have heard in recent times. Every sound is so well thought out and sculpted, some seriously head-tingling music.“

Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the nest in this collection were contributed by Surgeon: “Basictonalvocabulary”,
“Balance” and “Force + Form” all originally came out on the Berlin institution between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases on Tresor. Tresor Records have decided
that its high time to give these seminal albums another airing, and will present each in a staggered series of 2LP
represses throughout the year.
“Force + Form” is the last chapter of this re-issue series, centered around Surgeon and represents a turning point
both in the artist’s career as well as for the history of techno music. Tresor117 was remastered in 2015 by Matt
Colton at Alchemy Mastering, London.

A download code is included.

Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Every track on 'Variations' is a battle-tested bomb. Gesaffelstein’s sound is clearly
influenced by New Wave and the Gigolo-era electro (2001-2) of fellow Frenchmen
The Hacker and David Carretta, but it sounds like a fresh update rather than
pastiche, revitalized and refined down to a modern and versatile core. These tracks
work in Tiga's festival sets alongside some of the summer's biggest anthems, yet are
equally at home in a more underground setting, e.g. Von Party's 5am warm-up
before Ivan Smagghe at a London warehouse party.
The title track has the most attitude, establishing a palette of dark staccato basslines,
crunching hi-hats, hands-in-the-air cowbells and trippy synth leads. Selected Faces
and Atmosphere are arguably even more straightforward club weapons, their
breakdowns creating just enough 'insanity' without getting annoying, their grooves
dropping back in with a cool, restrained power that will win over hiss-weary DJs.
With remixes upcoming for Turbo and Institubes, a follow-up EP for Turbo in the
works... if you want an idea as to how big Gesaffelstein will get this year, just think of
him as 'Brodinkelstein.'

2021 repress / comes in newly designed full colour sleeve -

Including the big hit "Mixtion"! Originally released in 2014.

*** I walked away from the mirror. It was morning, it was afternoon, it was night.

Nothing changed, it was locked in place.

I was born for this. Shot like a flower in the dance.

Thomas Fehlmann remains as one of the most endearing and respected artists on Kompakt. He has inspired generations of fans and musicians over the course of his 30+ year career. From his early days as part of the legendary band Palais Schaumburg, and the pioneering Detroit/Berlin act 3mb (With Juan Atkins and Moritz Von Oswald), to his longstanding membership with The Orb, combined with his contributions as a solo artist to esteemed imprints R&S, Plug Research and of course Kompakt, where we have proudly released two full length solo albums: Visions Of Blah (Kompakt CD 20/Kompakt 67) and Honigpumpe (Kompakt CD 59 / Kompakt 157), his musical works have been prolific, not to mention four singles and a full serving of tracks found on our Pop Ambient and Total collections. Now, after 3 years, Fehlmann returns with 'Gute Luft'.

Technopunks 'Last Mensch Standing' with his darkest and well-conceived album ever. Including guest appearances by Julian of 'Scheissediebullen', Luna Nogood and Frittenbude.

Dark Rave is a document of time, Dark Rave is 1994, Dark Rave is 2006, Dark Rave is 2024, Dark Rave is 2034. Somehow, it's simply the place where past and future inevitably merge. For a brief moment. Somewhere between dancing, dreading and rejoicing, because it goes on and on and on...

Björn Peng liebt Metall. Metall, Blut und Knicklichter. In seinem Keller lagern 1000 VHS Kassetten. Alles B-Movies, Horror - und Heimatfilme. Oft bastelt er in seinem Studio an Songs für morgen die klingen wie die Zukunft von gestern. Der Chaos-Computer-Club sind seine Nachbarn. Oft ist es hell draussen, drinnen ist es dunkel, sehr dunkel. Dark Rave, eine Reise.

Dark Rave ist ein Zeitdokument, Dark Rave ist 1994, Dark Rave ist 2006, Dark Rave ist 2024. Dark Rave ist 2034. Irgendwie halt einfach auch die Stelle an der Vergangenheit und Zukunft unweigerlich miteinander verschmelzen. Für einen kleinen Moment. Irgendwo zwischen tanzen, fürchten und freuen klebt es, aber nicht fest, denn es geht immer so weiter und weiter und weiter…

Soma welcome the debut album from the ever-growing roster of youthful talent as Lewis Fautzi drops The Gare Album, named in homage to The Gare Club, Porto, where Lewis made his discovery of Techno. A bold 4 track single debut gave rise to the album process midway through 2013 and under the careful supervision of Soma, Lewis has provided a definitive peak in his sound cultivated on the back of years of studio work. A collection of deep, dark and twisted techno awaits.

A definite maturity in production shines through on this fantastic LP from Fautzi as he creates a cold and calculating output, clearly focused on the future. The Gare Album has allowed Fautzi to express himself fully through electronic music, a task that he has taken to whole-heartedly.

Soma welcome the debut album from the ever-growing roster of youthful talent as Lewis Fautzi drops The Gare Album, named in homage to The Gare Club, Porto, where Lewis made his discovery of Techno. A bold 4 track single debut gave rise to the album process midway through 2013 and under the careful supervision of Soma, Lewis has provided a definitive peak in his sound cultivated on the back of years of studio work. A collection of deep, dark and twisted techno awaits.

A definite maturity in production shines through on this fantastic LP from Fautzi as he creates a cold and calculating output, clearly focused on the future. The Gare Album has allowed Fautzi to express himself fully through electronic music, a task that he has taken to whole-heartedly.

Remastered into analogue bliss from the original ampex tape masters conducted at the NSC mastering lab in Detroit by the legendary Ron Murphy (R.I.P.) Recorded from a live session near the heart of Detroit, using countless modular synths, analog devices and custom made effects producing a hypnotic state like no other; tugs right at the heartstrings!

Rare and previously out of print Detroit electro bomb from Bileebob.

10 Year anniversary edition, recut and remastered from the analogue tape masters from Bazza's Alchemy Mastering in London; focusing and enriching every finite detail. This EP features 2 new pieces of sonic meditation residing somewhere between space and time, somewhere in the cosmos. With the title track, "Beyond Starlit Sky", vaporous atmospheres emerge from the distance, while ghostly apparitions and analog modulations rise to the surface of a truly hypnotizing rhythm, submerging the mind deep into an analog world. With the "Live" version a mixture of themes from "Fading Lights" and "Beyond Starlit Sky" find an engaging syncopation, resting somewhere in the ether. Those who loved Echospace's "The Coldest Season" on Modern Love will have plenty to adore here, timeless in all senses of the word.

Michael is the debut full length from Les Sins, the dance project of Toro Y Moi’s Chaz Bundick. Inspired by cartoon and movie soundtracks, the largely instrumental album explores classic dance and pop music traditions. Catchy, repetitive vocal hooks gel with beats and synth work influenced by house, techno, French electronic, and ’90s hip-hop production. Bundick made the album over two years and recorded everything in his home studio.

The funky “Why” features vocals from Berkeley, Calif. singer-songwriter Nate Salman asking “Why you wanna go and do that?” “Bother” holds down a head-bobbing, body-moving groove until a stunning hallelujah moment straight out of a sci-fi version of Kanye West’s My Beautiful Dark Twisted Fantasy. While there are no concrete themes associated with the album, Chaz says he can imagine all of these songs playing in the middle of the brilliantly lighted and busy Ginza district in Tokyo.

Touchstones like Timbaland, Mr. Oizo, and Daft Punk, and contemporaries such as Motor City Drum Ensemble offered inspiration, but most influential on the making of the album was the sage advice of a design icon. “My favorite graphic designer, P. Rand always said, ‘Don’t try to be original, just try to be good,’” Bundick says. “When making this record that was/is my mantra—it was just constantly looping in my mind. I believe ‘good’ is timeless and once you can recognize that you’ll see the world in its fullest.”

Michael follows a 12” on Carpark Records and two singles for Jiaolong. The LP is the first release on Company Records, a new label partnership between Chaz and Carpark.

Part 3 of the "Satellite" Album. Heavy!

Nearly 15 years have passed since the original release with all tracks lovingly remastered for this new remastered edition; which also includes STL's first ever remix and sounds just as beautiful as the day we first heard it! As Bleep so elegantly stated, "Deep, reduced dub-techno with ethereal production nuances from Stephen Hitchell and Rod Modell. Both original tracks here reveal the duo's obsession with the likes of Maurizio, Basic Channel and Chain Reaction. Features a dreamy, minimal house reduction from STL.

5 tracks of jackin' beats from Jamal MOSS's partner in Africans With Mainframes. The tracks mostly eschew an easy four-on-the-floor rhythm in favor of raw, jacking beats. One for fans of Detroit influenced Chicago beats. Originally released back in 2010. Paper sleeve.

UK soundboy Beneath makes a shocking step forward with the ice cold bassbin futurism of his PAN debut. Since 2012 the Sheffield-based producer has carved a steadfast reputation with an ascetic production technique augmenting the dread torque and atmospheres of early DMZ dubs with the velocity of classic Grime and Bleep Techno, and the haughty rudeness of early New York House, minting a distinct new sound which sent shockwaves thru the scene thanks to his now-legendary showcase mix for Keysound.

Alan Fitzpatrick is back with a two-track EP that encapsulates what Alan's Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam's stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo's that have been sent to Adam have been top notch. Adam has now decided to release two compilations with 10 tracks each, consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode's core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam's stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo's that have been sent to Adam have been top notch. Adam has now decided to release two compilations with 10 tracks each, consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode's core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

Bart Skils returns to Drumcode with his third solo release, "Shadowprint". Consisting of Bart's famous rolling drums and bass rhythms he has crafted an EP that is exceptionally functional. With each track Bart has added character by introducing vocals, interesting melodies and deep percussion to keep it interesting. The EP is made up of 3 peak time tracks that are eloquently put together. "My Part Of Town" is a bit deeper from Bart and contrast's well to the rest of the EP with it's melodic bass line.

Timmo is a new name to Drumcode and one in which they hope to be seeing more of. Having released tracks on Fone, BluFin, Octopus and Alleanza to name a few, Timmo's production career is set to shine as his new material is getting noticed from the likes of Adam Beyer, Joseph Capriati, Richie Hawtin, Nicole Moudaber, Len Faki, Dustin Zahn to name a few. Timmo's debut Drumcode release "We Beat On" carries a flow through out that gives Timmo his own unique sound that has captured the ears of many highly revered techno DJ's around the world. Timmo uses hypnotic sounds and phrases whilst he always maintains a thumping techno beat that underlies all the tracks within this EP to maximum effect. Furthermore, there is a ghostly feel amongst Timmo's tracks that really provide him with his acquired sound, the pads in "Canvas" are a beautiful reminder of this. Timmo also uses strong synth stabs to full effect that juxtapose against the drums to help create the tension and aggression that is present within techno.

Official re-edtion by Phil Week & Didier Allyne with Sunkiss aka David Alvarado. Released on Groove on in 1996 & hard to find these days. Apogee/Eclipse are deepest dub techno. Will appeal too all Basic Channel/Deepchord fans.

2023 repress

Based in the industrial harbour of Rotterdam, the fresh started 'Self Reflektion' techno imprint presents its first release. The person responsible for starting the label is stranger, who also goes by the not-so-mysterious name of Mitchel Polderman in daily life. His debut release 'Warehouse Memoires' reflects his passion and interest for the 90's warehouse rave sound in various ways, all produced while living in a Warehouse down the docks of Rotterdam.

Featured on the release are the original mix, a recording which can be marked as a 2014 warehouse techno track. The 'UK Rave mix' probably speaks for itself, breakbeat influenced techno, 90's UK warehouse material. The US Revival mix takes you from Chicago to New York in 4 minutes, and closing off the release is the Bergweg mix - an additional DJ Tool for the hoover freaks.

2023 repress -

Perfect Big/Room Techno, he delivered something very special and unique for our seventh release, 4 weapons that will change the cards on the table, anytime and anywhere.

With its glistening melodies and rousing beats, Weval's Easier EP displays a staggering sense for danceable drama - spread over four expertly crafted tracks that will speak to your hearts and feet through radiant synths, ardent vocal snippets and sublime melodies.

Jet-setting Irish duo Bicep return to Will Saul’s Aus label with two steady analog techno grooves ready for deployment in either their own wildly celebrated sets or those of any DJ looking for modern dance tracks that are still faithful to the classics - this is techno that hasn’t forgotten where it came from, essentially. Using gritty, vintage-sounding rhythm sections as solid foundations, each track gradually builds up its own lush, melodic embellishments overtop.

Adam Beyer has been showing us the extent of his versatility for years and this EP solidly cements the idea that Beyer can confidently swing between genres and keep up his consistently high standards within electronic music. 'You're The Same' is a remarkable piece of work and keeps the tech house bods moving and shaking. All the tracks on this three-part stunner are chunky, solid grooves, that are infused with dashes of techno, house and dub. Vocal snippets are used to create some spine tingling hooks as well as moody pads to create eerie atmospheres. 'Valium & LFO's' has already built up quite a following courtesy of its inclusion in Beyer's landmark Amnesia Terrace set for Cocoon that was later broadcast as part of his Drumcode Live radio show. It has also been a mainstay in Richie Hawtin's sets along with other accomplished DJ's including the likes of Joseph Capriati. A well accomplished single from the Swede.

Seattle/San Francisco based Techno label, From 0-1 issue "Time Dilation", a 12" vinyl/digital EP by label director, and co-owner Milkplant (Justin Pennell) of the San Francisco Bay Area. Andrei Morant and From 0-1 co-owner Sone join in as remixers. Including an endless groove and two locked grooves, this piece of vinyl is meant to be as utilitarian for the vinyl DJ as possible. 'Dimension 4' starts off the EP with a classic big room percussive Techno vibe, closing in an endless groove. Following is Andrei Morant's absolutely punishing treatment of Dimension 4, a tearing lead, and searing percussion point to the main room. Two locked grooves, one percussive, the other synth based close out side '0'. On the flip side Milkplant's 'Spherical' reps a tight "future-retro" vibe; elements of old Motor City Techno dominate with a bit of grit to keep it dirty. Sone dials in a perfect toned down, more expansive and hypnotic interpretation of Spherical showcasing slowly evolving filters and modulation fit for the wee hours of the morning. 'Plasmic' is included only as a digital extra in this release- tough, noisy, and a little tripped out with a bit of swing to keep them on the floor.

Another Hood classic from the vaults, but with a twist: an exclusive track not featured on the original release of Protein Valve: 'Analog Track (Ghost)'. All tracks have been remastered to bring up to today's standard.

From the depths of the Detroit underground, Black Catalogue presents MD. This 5 track EP is just a small glimpse into the soul and versatility of this artist. Deep, futuristic soul from another dimension. And it's just the beginning. Another winner from Monty Luke's label.

Talismann dominates the assault with it's fourth release, marching towards imminent victory. Haunting soundscapes coming from the filthiest trenches, sudden rhythmic strikes with such brutal force that it will leave the auditory senses shell shocked...

Mark Broom delivers these exceptional edits of 'Untitled 1' from Hood's series 'Moveable Parts' and 'One Touch' from the 'Minimal Nation' album.

Koze's new one, this time on Rampa!

Starting out in 2001 to tie up some loose ends from our regulars, SPEICHER has since become a guarantee for vanguard dance sounds from all over the planet, allowing KOMPAKT to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. For SPEICHER 81, Amsterdam-based DJ and producer PATRICE BÄUMEL presents two adventurous minimal epics with decidedly mind-bending propensities.

As a long-running resident DJ at Amsterdam's renowned Trouw club, PATRICE BÄUMEL certainly knows how to draw in a crowd, having proven his skillful approach to hypnotic techno time and time again, as an impeccable host as well as an internationally acclaimed guest DJ in the world's leading venues. Just as his DJ sets, Patrice likes to infuse his own music with raw energy and a sense for sonic adventure - MILE HIGH GANG serves as a perfect example for his credo, underpinning its vibrant synth sequences with a meticulously crafted - and intensely propelling - beat.

The true mind bender, however, arrives with the flipside's aptly named VERTIGO, a deceptively simple, yet unstoppable son of a pitch shifter, cutting its way through spiralling serpentines in dizzying heights. Never one to let himself get bogged down by genre markers or scene compliancy, PATRICE BÄUMEL commutes between electronic factions with ease: he caters to a purist crowd as well as those in dire need of sonic surprises, giving both daydreamers and nighthawks something to rock out about.

Two classic cuts from these essential UK Techno artists!

LEGENDE is both the continuation and alteration of Matias' well-established aesthetic canon, drawing from all stages in his production career und ultimately synthesizing various sonic strains into a wholly new listening experience.

Classic track from Stasis with a contemporary rework by Unbroken Dub!

The PGH guys drop their debut album, focused on the dancefloor and sequenced for those whose favorite dancefloor is at home, putting their distinctive spin on house, techno, electro, & disco. Warm, inviting, & perfect for the summer months ahead!

The second part of Thomas Melchior’s “Meditations” Series. also:PERL103-1 Melchior Productions Ltd - Meditations 1-3 / 12

1st Kompakt outing under Sascha's proper name in a decade combines the straightforward and the uncanny.

Timeless deep house anthem by Larry 'Mr. Fingers' Heard!

Including the Zomby Remix plus "Maze" in a long version!

Shortly after the release of his hugely successful album “Death Star Droid” , Robot Koch returns with this Remix EP, that also includes 2 brand new tunes by the sleepless robot.On this EP, Robot gathered some friends and like minded artists from around the globe to flip his original compositions.
The EP kicks off with a brand new original tune from Robot Koch: “Blind” featuring Grace on vocals, who also appeard as a guest vocalist on on Death Star Droid.
Robot and Grace are working on some new stunning material at the moment that will come out sometime in fall 2010.
When Robot played in NY last time, he met Brooklyn based band Body Language, who release on Machine Drum's Normrex label, and shared a stage with them at Coco66 in brooklyn.
For this EP Robot remixed their tune “New day” and they made a surprising flip of Koch's dubstep infused album tune “Gorom Sen” in return.
Robot's berlin mate fLlako, who recently grabbed the attention of the likes of Giles Peterson and Stones Throw, make a nice re-edit of the title track of Robot's album: “Death Star Droid”.
Phon.o (of CLP/Shitkatapult fame) took the club banger potential of the tune “Gorom Sen” to the next level and made it sound like zomby and boy 8 bit jamming it out.
Upcoming beatmaker Shlohmo from San Francisco also remixed “Gorom Sen”, making some noise on the blogoshpere about it prior to the release already.
Loops Haunt from Scotland, who could be found recently in Rustie's Fact magazine mixtape and Hudson Mohawke's BBC Essential Mix, made a ten remix of “Gorom Sen”.
Producer Beat Laden from Portugal, that recently caught attention with his KUBO remix on man recordings gave that original sengalese vocal scatting a rerub and turned it into a solid club banger.
Talen, from Switzerland made their very own unique interpretation of Robot Koch's frenetic original.
And last but for sure not least, UK Producer Blue Daisy made a sublime remix of the song “While” feat. Manya one of the few vocal tracks on Robot Koch's Album. His mix does the cinematic original justice and takes it even further out of space or underwater. A pure sound trip.

Following up from this years prominent release 'Reference 97' along with a recent appearance on Berghain's Ostgut Ton remixing Tobias. Blue Hour pushes the label into faster territory with two percussive assaults of 909 tripping techno tools.

Soma mainstay Deepchord returns with part 2 of the Luxury Series. This Double A release feature Deepchord s signature atmosphere rich tones and lush environments and also mark a slight upturn in terms of pressing on a more Techno vibe.

Luxury 3 opens as spacious as can be as the dynamic Modell crafts otherworldly pads and haunting tones, driven by muted kicks and driving subs. His effective use of delay and reverb knows no bounds as he subtly shifts synth stabs and background noise through the dimensional barrier, creating rhythms so refined they defy the natural law. His usual percussive wizardry is at work here that, whilst vigorous, retains a light atmospheric feeling keeping fully in line with the melancholic tones of the track. Clocking in around 14minutes, this is Modell as his most immersive.

Luxury 4 has a distinct Detroit heart to it. Those almost instantly recognisable saw waves, moulded by layers upon layers of processing, swirls and evolve and Deepchord slowly works in various elements of the track to unparalleled levels. Fairly reminiscent of earlier, more stripped work, subtle percussion brings things to life fairly quickly as Modell allows the layers of ethereal synths and processing to blend and fuse naturally, creating a cohesive background to which the listener can easily spend hours listening to, every time finding ever so slight nuances to each cycle of the track.

Deepchord never fails to impress with every release and can easily change his style up from previous incarnations based in pure atmospherics to his own unique brand of legendary Dub Techno

2022 repress

Hot as lava! Broken English Club delivers the 4th chapter of Jealous God! Comes as usual with a Mix CD.

2021 Repress. Another irresistible one-liner on the dance-floor that can’t be missed or forgotten. So much sex and attitude, so few elements. A staccato kick-snare rhythm, a robo-funk synth line, a futuristic pad, a detuned ride, a cheeky vocal hook and a one-note acid line that brings it all together. That’s it. All you need if you know what you’re doing and have an experienced pair of Canadian Electro-godfather balls intact. Tiga has made a career out of being catchy: from Sunglasses to Mind Dimension, from Plush to Pleasure From the Bass, from You Gonna Want Me to Let’s Go Dancing. How does he do it?? It’s his ability to drop a clever turn of phrase that separates him from the pack, but the strength and character of his production choices keep things clear of kitsch and make him a perennially hot-tipped cool-commodity everywhere from the great American EDM stage to the hallowed-haus of Panorama’s deep underground credibility. His career is like a Veyron - stable AND insane. So listen to it, get it stuck in your head. This track is crazy dope, it doesn’t sound like anyone else, and it’s the most hip-hop thing all you house DJs are likely to fit into your sets this weekend so go on, get loose and take it for a ride. This is what Tiga had to say about the Vinyl-Only remixes 12″ : For this, my most personal record, i hand selected remixers of the highest order. Cliff Lothar, absolute legend, and current king of the enigma groove, delivers an absolute masterpiece. It’s seriously a 10 on 10, and I never say that. Vinyl only bitches. Perth Drug Legend, somebody else who I kinda know and yet totally don’t know (or I guess I just thought I knew) slams the ‘gatti with raw tribal funk: again suitable for a warehouse or a particularly forward-thinking car

Throughout these three tracks, Antigone attracts us in his technological and futuristic universe, an immersion in the spirit of this sound architect!

Only ONE Music presents another outstanding release from the past. This time it's Jaime read - Never The Future EP, originally released in 2010 on Elektrosouls Recordings. A must have item which will be availalable only on vinyl - highly recommended!

SNTS is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

The ever-reliant Deepchord kicks off 2014 in his usual stylish way with two deep cuts in the Luxury EP. After last years jaunt into the ambient with 20 Electrostatic Soundfields, Rod Model return to the world of slick beats and even dreamier synths and atmospheres.

Luxury 1 ebbs in majestically as beautifully crafted layers of synths glide across field recorded drops of water that instantly play with your senses. Pumping sub bass fills the rest of the spectrum as Rod does what he does best by creating an unending slick groove, pieced together by crisp percussion.

Yet more atmospherics come into play in Luxury 2 as otherworldly field recordings are brought to life through the use of Rod's unique processing and layers of dream state synths. A perfectly worked groove seems to come out of nowhere and glides gently under the atmosphere; again subtle percussion ties everything together seamlessly.

The master of Deep Techno strikes again with nothing short of 2 elegant works that typify his skills as a producer.

Jonas Kopp / Dadub / Eomac / Chevel

Maybe the most varied collection of ‘Chapter V’ material yet, leaving a lasting reminder of the depth and quality of artists SA have accrued.

New Kid on the DN/Downwards label roster on Clear white vinyl, printed sleeve.

Zeitgeber and L.B Dub Corp split the second in Stroboscopic Artefacts' series of fifth anniversary records.

Four selected dancefloor tracks from the debut album of Egokind & Ozean.

From Francesco: "After first performing together at Sonar Festival with what was essentially a live version of our respective "B.O.A.T.S." and "Adamant" albums, Thomas and I decided to expand on these ideas for something more broad and improvisation-centric. After months in the studio drinking nothing but amaretto and working on new music for this purpose, our new live experiment (now simply called CW/A) was ready. The reception on these shows was so (thankfully) positive that Vakant eventually pressured us into releasing some sections as tracks. "Conducting the Method" is nothing other than a sample of what this new project is about: a collection of three excerpts taken from this year's performances. To round things off, we invited over our friends Dead Heat for a reinterpretation of one of our tracks. We can state with confidence that we are excited these tracks are no longer confined to our club and festival performances and can't wait for everyone to hear them. Hopefully you will enjoy them as much as we enjoy playing them out. "

Voodoo Thunders Outa Mars on 180g Vinyl. Pumpin'!

Limited Edition for Record Store Day 2014!

ARTS is an independent label based on Sonic dimensions. ARTS005 Is Mark Broom, they call him the Prime Time Uk Techno Master, We call him Mark the Legend.

The Scottish techno veteran with some forward-thinking & energetic pumping house/bass tracks!

Second in a series of four limited edition 12-inch singles constituting the vinyl release of A Guy Called Gerald’s killer new album ‘Tronic Jazz : The Berlin Sessions’

Mr.G opens the new year with a bouncy and oldschoolish 12 on his home label Phoenix G. Ferm and deep kickdrums that are being accompanied by lengthy chords and a frequently return male vocal that states, bounce. All and all this is the dancefloor music we are used to from Mr.G. The A2 brings a more technoish vibe to dance to. This fits perfect in the modern trend of bass producers turning techno. While of course G is somewhat more of a legend and he didnt just turn to this type of music recently. It does proove that he is still abel to catch any kind of vibe to get the people moving. On the B1 we find a Ben Sims remix. Which of course is enough said. Mr Sims turns the A2 original into an absolute floor wrecker.

Hailing from Bucharest, Romania, Eddy and Levii aka Vinyl Speed Adjust deliver "Groovin N Moovin", a three track 3 EP that excellently shapes the sound that brought their homeland the well deserved attention, yet breaking the pattern.

The Console commander also known under his moniker "Acid Pauli" again asked befriended producers to remix tracks from his album "Herself". After Douglas Greed, Marek Hemmann, Wareika and Dirty Doering it is now up to Daniel Bortz, Der Dritte Raum and Nu to reinterpret the Console’s songs and tickle new facettes out of original material.

Next Manzel by the mysterious unknown. Proper spaced out and spooky techno for the dark hours.

Lower Parts is a Greek label involved in music, fashion, art and multimedia projects and it has been since 2013. After starting by showcasing lots of local talent, next up on the label is international talent Andreas Gehm aka Elec Pt1, who gets remixed by Damcase and Anoplois. German Andreas is an acid and techno innovator who has released on Mathematics and Chiwax and here comes correct with two great new cuts.