Techno | Minimal | Tech-House 129 Items

DBH Records presents Orlando Voorn aka Basic Bastard - Volume Three. This great record was originally released on Spiritual Records in 1995! Highly recommended!

Legendary Techno Producer Steve Rachmad's Iconic "Tir Na Nog" Ep Returns, Now Remastered and Released on Syncrophone. This Release Revisits and Revitalizes the Genre-Defining Tracks That Shaped an Era..

Roberto Cagnoli started his musical career in 1995 in Florence, enriching the already prosperous regional musical heritage with numerous aliases. He produced music for labels like Disturbance and appeared in the “Progressiva” compilation by Gigi D’Agostino. Evasione Digitale teamed up with the artist to reissue his project “Megaton - Essence”, originally released on Stefano Noferini’s experimental techno label Plate Records in 2000. Mesmeric and heavy on percussions.

4 new artists on the rise for this new VA. 3 from Spain and one from Berlin creating the new axis of modern techno. Techno quality without concessions for the dance floor that is having the best reviews by professional DJs. An indispensable release for the first half of 2019.

Pushmaster discs welcome a new talented artist on the roster, Earwax. Following great release on Planet Rhythm and Arts, the Italian based producer delivers a massive debut solo EP on vinyl.

Rompe HECHIZO's first release comes in the form of an 11-track CD compilation from different ATX artists such as Marcos Cabral (L.I.E.S. Records), Bill Converse (Dark Entries), Mures (MRT/Lux Rec), and Quarters Eye (Joshua Cordova & Kyle Dixon - Kyle being a musical composer for the Stranger Things TV series). Techno, EBM, and other forms of 4/4 experimentation take the listener to different corners of the dance-floor.

Concrete Husband's "Pelvic Resonance" EP on White Owl Records embodies NYC's techno vibe in four tracks, highlighting emerging talent in the city's DJ and producer scene.

Not new, but new to us. 6 track EP of "Ghetto House" from Chicago's own DJ Slugo. Big badass boomin' booty bass beats. Came out last year in 2023. Full pic sleeve.

After a hiatus of three years, RICO PUESTEL brings back MODERN MINIMAL SOUND RESEARCH and devotes himself again to a highly reduced approach on production techniques - the results are bloodcurdling, delivering 76 minutes of minimalistic ecstasy!

Alongside co-founder Nils Hess, Sushitech's main man Yossi Amoyal ventures into new territory with Endell Street, a fresh imprint named after a bustling London thoroughfare that was home to the Eukatech record store. The label's focus? Reissuing gems from the Eukahouse archive. With Amoyal's expertise and dedication to curating quality releases, Endell Street is poised to make waves in the realm of deep house and beyond and it does that with this EP. Featuring a trio of no-frills, original tech house sounds that are primed and ready for the club, The Missing Member, Nathan Coles and Flunky all feature.

LTD Repress ! Melody Of the Soul proudly presents the third exclusive vinyl record, featuring four stunning tracks from electronic music trio Krasa Rosa and their fellow collaborators M.O.S., Ranta, Miroshin.

The Maltasian master Sound Synthesis with a brand new album! Another fine timeless journey into electro and electronix that will stand the test of time..

Black Eco Wax Repress. Vinyl Only! Strong Andre Kronert remixes from Robag Wruhme s Track Wadd Bodun. Heavy 190g Marbled pressing.

Marbled Vinyl Version! Subtle and hypnotic grooving 4 tracker. Longtime friend and partner in crime Markus Suckut is back on Andre Kronerts very own Odd Even. Part 1 of his Museum Series.

Subtle and hypnotic grooving 4 tracker. Longtime friend and partner in crime Markus Suckut is back on Andre Kronerts very own Odd Even. Part 1 of his Museum Series.

Amazing mixup between Techno and Dub. Hypnotic grooving banger. Part 2 of his Museum Series.

First new album in 3 years from Bruno Pronsato, fusing experimental tunings with his signature percussive workouts

Immerse yourself in the darkest sonic depths in this new release. Includes a remix by Michael James that reinvents the second track with irresistible rhythmic layers.

French composer ZEppaP aka Cédric Alyotis, active since the mid 90's releases this high standards Double LP. Real teamwork behind it creating 9 tracks that integrate traditional music into a minimalistic sound universe.

French composer ZEppaP aka Cédric Alyotis, active since the mid 90's releases this high standards Double LP. Real teamwork behind it creating 9 tracks that integrate traditional music into a minimalistic sound universe.

French composer ZEppaP aka Cédric Alyotis, active since the mid 90's releases this high standards Double LP. Real teamwork behind it creating 9 tracks that integrate traditional music into a minimalistic sound universe.

Exploring deeper strains of club music from his home base in Helsinki, Kaspiann presents the
latest transmission on VALA alongside frequent collaborator VC-118A. Samuel van Dijk previously adopted his deep techno guise Multicast Dynamics for a joint track with Kaspiann on VALA 1, and now he switches stance to his celebrated VC-118A alias to bring an elegant kind of electro to this EP. It’s a style which also informs Kaspiann’s solo work on ‘Moraalivesi’, which upholds the producer’s patient, meditative sound palette while toying with crooked electro rhythms. It’s ‘Metsätutka’ where he locks into a driving 4/4 propulsion adorned with subtle electro-acoustic percussion and a keen sense of space.

We Are Thrilled to Announce the Reissue of Ellery Cowles' Iconic "Sonic Control" Ep, Originally Released in 1995 on the Legendary Djax-Up-Beats Label. Ellery Cowles' "Sonic Control" Ep Is a Masterpiece That Has Stood the Test of Time, Embodying the Raw Energy and Innovative Spirit of 90s Techno and Acid House. the Reissue Preserves the Original's Groundbreaking Sound While Delivering a Fresh and Vibrant Listening Experience on a Limited Blue Marbled Vinyl....

Vol.3 of Batter Down's series is ready for pre-order, one of the most exciting labels from Georgia; laser focussed on club weaponry from the Caucuses. Label-head Toké turns the gun on himself with Sacral Dance, a high energy electro EP.

Four Charm Remixes - 4 interpretations of Avalon Emerson & the Charm track by Young Marco, Minor Science, Ineffekt and Tornado Wallace. Artwork by Alex McCullough and mastered by Justin Van Der Volgen

- 2024 repress / marbled vinyl, comes in generic sleeve -

Minimum Syndicat (also known as MS or M-Syndicat) are two musicians from Paris who have been making electronic noise and live performances for decades. They are known for their very unique mix of acid, rave and industrial on the one hand and cinematic, psychedelic, sci-fi landscapes on the other. S.C.H.O.R.L. is their first full length album. Like some kind of bleak space opera it tells its story of lonely subaquatic outposts, Soviet droids and mantis-priests gathering. The core is spaced out electro, but it also has elements of techno, doomcore, breakbeat and industrial, one could say. "At this point subgenres are less important than in the past, it's more like the alternative electronic scene against the industry turning techno into moronic money-driven entertainment.“, they say, and right they are, so let's end this here. The album features two collaborations with French heavyweights Umwelt and Voiron, the artwork comes from the legendary Belgian artist Elzo Durt, who made some of our strongest artworks in the past and who is a fan of Minimum Syndicat himself. The 2x12“ is limited to 100 copies, hand numbered and comes with a silk-screen A2 poster with a version of the artwork.

Gideon Jackson and Eddie Richards are bona fide tech house titans who have more than helped to shape the genre since day dot and the All Rise EP sees three of their finer past glories gathered together and remastered and pressed on lovely red wax. The excellent 'Biscuit Barrel Blues' opens with exactly the sort of compelling drum work you would expect and it is imbued with some prying synths and sultry vocals. There is an irresistible glitch and dryness to 'Pull Tab 2 Open' and its smeared pads that make it perfect body music then 'Crying' (Gideon Jackson remix) brings a more heavy tech house sound with extra dub weight. Perfection.

‘Fine Day Xxiv’ is a reinvention of the seminal Rave track recently brought back to mainstream popularity via the Skrillex and Boys Noize ‘Fine Day Anthem’

Originally released during the heyday of rave culture in 1992, Kirsty Hawshaw’s ethereal vocals remain the main focal point of this reimagination of the track, keeping all optimistic, hypnotic elements intact while generating a multi-layered anthemic sense of euphoria. The production by Adam F and Shadow Child maintain the elation of Edward Barton’s lyrics, while Hawkshaw’s newly recorded vocals are as crisp, clear, innocent and all-knowing as ever.

“We are delighted to share that "Fine Day" continues to be a cherished anthem of positivity,” say Hawkshaw and co-producer Adam F. “It is a humble reminder of the power of spreading good vibes into the world. As we celebrate the milestones achieved and our journey in the world of music, we are thrilled to present a reimagined rendition of this timeless song.”

Monika Kruse's iconic classic is back incl. new Joyhauser remix. As bonus please enjoy Ilija Djokovic's remix for Monika Kruse & Timmo's 'Violet'

Marhu is set to make her debut on Electric Ballroom with a captivating two-track EP slated for release on May 24th, 2024. Inspired by the iconic Opera monument in her hometown of Brussels the lead track "La Monnaie" is a compelling blend of bittersweet melodies, intricate orchestral elements, epic violins and choirs intertwine with massive rave synth and acid undertones, creating a sense of powerful grandeur and drama. Marhu's fusion of classical and electronic influences brings a fresh perspective to the genre, captivating listeners with her creative ingenuity from start to finish. Reflecting on her debut release, the artist from Belgium expresses her excitement about joining Thomas Schumacher's esteemed label, Electric Ballroom: "La Monnaie" has been a standout feature in my recent sets, showcasing my ability to craft immersive musical journeys that resonate with my audience” Known for her infectious positivity and high-energy performances, Marhu's mission is to connect with her audience and take them on musical journey. We are thrilled to welcome this uber talent to the EBM family.

Futuristic Architecture continues with superbly well - crafted straight up Techno from Nicto...

Erich Fromm's "Escape from Freedom" was published 83 years ago. His assumption was that modern man, having freed himself from the shackles of the old days and living freely, longs to return to the totalitarian, destructive and conformist world. In 2024, the pluralistic and individualized way of life of the so-called West seems self-evident. Boundless freedom is suggested - but we continue to flee. Utopias are crumbling and conservatism is experiencing a renaissance. At the same time, the freedom to decide -to be able to stay- in contrast to ?having to leave? currently seems to represent a high value.

This EP, between the two producers from Germany and Ukraine, was created in this field of tension. David Heine and Konstantin Kost are already working together on the current Amas project (Odessa EP) "Freedom From Esacape" adapts the former title of Erich Fromm's central work, which is given a prominent role on this record. Music and techno are freedom and escape at the same time: transcendence and escapism. In interaction and contradiction at the same time.

The cover picture was taken on 25 July 1909, when Louis Blériot became the first person to cross the English Channel in an aeroplane with the Blériot XI, which he had designed himself. The reversal of the title and the idea for the cover artwork came about during a conversation with the artist Jennifer Mattes in Vienna.

About the tracks: On the A-side, the two protagonists create a world of minimalist dub techno, which also has melodic, flat side strands in its narratives. The more than 60-year-old fragments from TV interviews with Erich Fromm on the subject of freedom, decisions, constructivism and destruction are presented so densely and rustlingly that you do not feel compelled to follow the lecture. Instead, the spoken word corresponds with the minimalist framework of the two pieces. The old audio recordings are embedded as part of the composition. Some of it may be understood and arouse the listener's curiosity, but again and again you get lost in the repetitive swamp of sound, so that you may understand more of the text each time you listen to it without it imposing itself on you.

The two remixes of the first track take a different approach.

Rambal Cochet's "Kebra Negus" EP takes listeners on a sonic journey through mystical forests and the far reaches of space. The release features five tracks that seamlessly blend deep, hypnotic rhythms with expansive, otherworldly melodies. Including a moody, raw chugger by French producer S.O.N.S, and owner of the cult Seoul-based record label Junction Forest. Perfect for those seeking an immersive and transformative listening experience, each track pushes the boundaries of acid, psy, and progressive genres, creating captivating soundscapes for deep mind trips.

The next of Toolroom’s 4 track vinyl sampler series kicks off with a bang(er!). Welcoming Chaney back onto the label with possible his finest release to date in the shape of ‘I Choose You’. On Toolroom alone he has amassed over 40m streams across leading streaming stores in just 3 years and can add massive imprints like Defected, Insomniac and Perfect Havoc to his list of musical successes. Everything in this record is 100% original and written by Chaney himself from the self-played bass line, lush rhodes chords and distinctive, poignant vocals.

Next up is Gene Farris who has been a mainstay on Toolroom in recent years and is a regular artist at our label events all over the World. ‘In My Heart’ lands as an exciting collab with the Basura Boyz, a duo also hailing from Gene’s hometown of Chicago and the chemistry between the 3 of them is evident from the first beat! A super cool, stripped back vocal tech house track that sits in that sweet spot of club and specialist radio.

Kicking off the B-side is Deeper Purpose who returns to Toolroom alongside Jalja & Lazy Joe, after his debut club weapon ‘Stutter’ dropped on the label last year. He has had success across all the scene’s leading imprints over the past 12 months including Fisher’s Catch n Release, Experts Only and Repopulate Mars and this record is an anthem in the making! Jalja is on vocal duties, the vocalist that shot to fame after her huge ‘Hanging Tree’ record alongside Michael Bibi. She adds her trademark ethereal vibe to the record and delivers a typically killer hook - This is a real EAR Worm!!

Wrapping things up on Sampler 14 is a very exciting collaboration from 2 of the scene’s brightest shining new stars; Tony Romera and Crusy. Having been die-hard Toolroom fans for many years, this record came about during a conversation about old Toolroom records, and how they collectively wanted to emulate that slightly progressive tech house but bring it right up to date. And they have certainly done that! A real peak-time dance floor moment here with insane production and a unique, intense build up that is already causing maximum mayhem!

Fragments of Us, the 13-track debut album from DJ/Producer Midland will arrive in stores physically in Vinyl, CD & Tape format and across all digital and streaming outlets on October 4th, 2024. The album comes via Midland’s own imprint, Graded. The cover art is a photo by his brother Dom Agius, and the type and graphics are by longtime friend and designer, Nick Shea.

Alongside the announcement, Midland has shared the lead single ‘Never Enough’.

The full length album from which the single is taken features the voices of some Midland’s artistic heroes including Marlon Riggs, David Wojnarowicz alongside the contemporary voices of Stereogamus‘ Jonny Seymour and Horse Meat Disco’s Luke Howard.

Following the groundbreaking debut of “Resurrection Part 1,” Dean Dennis and his project Sector are back with “Resurrection Part 2.” After his influential time with Clock DVA, Dennis aimed to push boundaries by blending industrial techno, hip-hop, drum and bass, jazz fusion, and Detroit house into a unique, experimental sound.

“Resurrection Part 2” delves deeper into this sonic landscape, offering listeners an immersive experience. Each track, carefully selected from Dennis’s personal archives, combines the raw energy of past recordings with modern production techniques, creating a bridge between history and innovation.
This second installment is more than a continuation; it’s an evolution. With hypnotic rhythms, stimulating melodies, and an enveloping atmosphere, “Resurrection Part 2” transports listeners to an alternate dimension where music transcends traditional boundaries.

Oh yes, Kepler in the house!
I’ve been a huge fan for years and when he sent me some unsigned tunes I knew I had to sign these.
Three slamming house cuts + an epic remix by no other than S.A.M. that makes you drive 50mph over speed limits.

Rawax proudly welcomes Mark Hawkins to the Family! We re very happy to present you the "Autonomy EP" under his Cypherpunk alias! A great blippy tweaky and jacking release which reminds us the time of Neil Landtsrumm on Peacefrog. Highly recommended!

Thousand Yard Stare is re:ni's 3rd 12" and her first on re:lax, the label and club-night she runs with Laksa. Following on from records from Harba, Jurango and Laksa, the ep stays true to the imprint's exploration of emotive high-tempo club records which marry the character and energy of the hardcore continuum with technical precision and slick sound design. With her distinguished alien vocal chops it’s proper ‘get IN UR Hed’ business. The title is a nod to the dissociative state we can find ourselves in as a result of trauma, and how creativity/music is able to illustrate emotions that words cannot. Sonically the ep is continuation of the bass-driven, vocal-led 140-150bpm territory explored on her Timedance and Ilian Tape records, this time more explicitly drawing on inspiration from electro, drill and jungle in the dynamic drum programming, growling 808 bass and icy snares that feature across the 3 tracks.

cat can do presents M Series VOL.10. A double LP 12" Vinyl with a printed cover that will go straight to your all-time collection. Techno as a conductive channel with Detroit and Acid overtones will make you never stop listening to this organic and timeless album. A masterpiece that will last forever.

Kaizen Label Boss Madam X marks her debut into production & the record label's 10 YR reign with her self-released 'Homecoming' EP.

Early support from Hudson Mohawke, Bicep, James Blake, Mella Dee, Teed, Zed Bias, Florentino, and Sally C.

4 club functional bangers, designed for sweaty dark rooms and dingy basements.

The four-track release is a 'back-to-the-roots' call to the underground, with collaborations from DJ JM, Cartridge, Andy Martin & Doctor Jeep inside.

Based between Athens & London, Madam X’s debut EP ‘homecoming’ honours the multi-disciplined artist’s musical roots in the UK, merging Dubstep, wobbly Bass, moody Techno, and playful club-driven aesthetics.

For our final release of the year, we're delighted to welcome Louison, a producer on the rise! After his acclaimed debut earlier this year on Sentaku, he's back on Cosa Vostra with his “Frog Eat Frog” EP. Four tracks that blend numerous influences from his rich and varied musical universe, infused with his distinctive touch ranging from progressive house to downtempo.

In a world of division, BEÃTFÓØT’s delayed second album is as an invitation to unite at a utopian celebration of life. Originally scheduled for release in October 2023 but postponed due to the ongoing Israel/Palestine war, the intrinsically-political ‘TOO CUTE’ has taken on more prominence than the Tel Aviv duo of Udi Naor and Adi Bronicki could have imagined.
“It's more urgent than ever for us to share this now, even though the album has been ready for a while,” says producer Naor. “BEÃTFÓØT are against any war, and believe that people should talk and not use violence - never,” he adds vehemently. “We feel the pain of Palestinians and Israeli loss of life, and are devastated by it. We hope the war will be finished soon and that peace and prosperity will come soon for both sides.”
While both Naor and vocalist Bronicki have been active in protests, charity work and community efforts over the past year - explicitly against the current government in Israel - such values of peace, acceptance, coexistence, inclusiveness and anti-hate from all sides are further instilled in the songs that form ‘TOO CUTE’.
“We're really trying to highlight that there are people here working tirelessly for a brighter future for our ill kids and our neighbour’s kids,” adds Naor, who is also co-founder of techno duo Red Axes. Having had to flee the country with his family, it’s through music that Naor and Bronicki have found hope.
In light of such conflict, the multi-layered yet sonically-bonkers record also enables escapism, which is needed more now than ever. Following their self-titled 2021 debut (released on DJ Tennis’ label Life and Death), ‘TOO CUTE’ is a refreshingly-ridiculous dark-rave rollercoaster which careers between hard-dance, big-beat, post-punk, techno, hyperpop, country and everything in between.
Things blast off at breakneck speed with the chaotic title track’s hyperpop snares, instantly-catchy lyrics (which feel ominously striking considering the war) and a stadium-ready chorus that erupts into rolling breakbeats, punishing EDM and even a nod to The Bloodhound Gang’s ‘The Magic Touch’. Somehow, we’re just three minutes into the record.
The tongue-in-cheek ‘HEART OF LEAD (TAKE IT OFF)’ still bangs despite its silliness, like if Kero Kero Bonito got in the studio with will.i.am. Later, ‘LEO’S SONG (THE SOCIAL MEDIA GUY)’s wittily satirical one-liners - “I just wanna get high with AI” - come thick and fast amid a barrage of glitches and guitars. ‘SUKC MY DIKC !!!’, meanwhile, pairs flute with pulsing hardstyle beats.
While their first record’s experimental explosion captured the pure carnage and energy of the BEÃTFÓØT universe in a conceptual fashion (though remaining polished in its own way), album two is primed to connect with a bigger audience thanks to its pop melodies, structures and songwriting.

Much of ‘TOO CUTE’ was written while the duo toured Europe for the first time, with rough sketches of tracks created in the moment during their incendiary live shows, and then recorded in planes and cars.
If their first record was a case of testing the vibes, album two is more assured and confident within their sonic world. “In the first album, we stepped into the club, metaphorically, and started making eye contact with everyone to figure out the energy,” Bronicki says. “But, this time round, I already had an idea of the story that I wanted to tell to these random people.”
And what is that story? “Radical silliness, or radical fun – that’s the essence of BEÃTFÓØT,” Naor confirms. “What we really want to do is goof around and have fun, and that brings out something very profound and honest,” he explains. A sense of nostalgic freedom is also at the album’s core, thanks to the removal of adult predetermined social constructs that decide how people should behave or look. “There’s a very honest and positive energy in holding onto your childlike wonder and trying to explore that with others,” Bronicki suggests, adding that “the adult world can be so wrong and angering”.
She feels this relates to both the album’s lyrics and the artistic state of mind that the duo always work to: “the goal is to feed a really thought-out and profound idea, but through a playful spoon,” she says. With this in mind, the recurring theme of ‘TOO CUTE’ stems from the duo’s “radical and lived experience of existing in a place that holds a lot of guilt and fear – because death is so imminent and prevalent in a very confronting way”. This is clearly represented on ‘FOOTYLICIOU$’, on which Bronicki screams “someone’s gonna die tonight!” before emphatically shouting “NOT ME!”
The album title is BEÃTFÓØT’s response to that: “We want to be a celebration of life, and that applies to all lives, of all backgrounds, including animals… that’s our guiding light,” Bronicki says.
“We create in the context of living in a country where the current government’s anti-democratic measures are limiting who is included in the celebration of life. Because different people are always being pushed out and excluded: whether it’s queers, Palestinians or people from different religions.”
BEÃTFÓØT - who have found a home among the LGBTQIA+ community - are fighting back against oppression. “We want everybody to come to the party and celebrate life together,” says Naor, setting out his and Bronicki’s mission… “and our goal is to widen that party as wide as it can go.”

Techno House Connoisseurs are back with a proper VA full of acid and tech house delights for the heads. This EP has 5 dance floor whoppers for even the most discerning ear. Starting things off on the A side is Los Angeles duo Warehouse Preservation Society with a chunky bass heavy breakbeat-ish slammer called Fugitive Funk. Hypnotic west coast music at its finest. THC is stoked to welcome Londons Flash Mitra to the label. Flash's debut track is a psychedelic acid house gem perfect for those looking for something moody, dreamy and percussive. This jam will be welcomed on dance floors worldwide. Flip to the B side with THC stalwart Praus unleashing another low slung acid chugger. Magnetism creeps along working its way into your psyche with its warped and unusual vocal snippets and percussive rhythms topped with a healthy dose of 303. Big room cosmica muziks! Track 2 on the B finds label head Space Ace and Seattle's Sherman C of Selector records together bringing to light a buried acid monster titled Just a dream. Crisp percussion underlies a burly acid baseline with more 303 with a breakdown that will bring the floor to a peak. Not for the faint of heart. Lastly Warehouse Preservation rounds out the VA with a filthy dub of Fugitive Funk with a bass line that will rumble the floor and percussion that is so satisfying you will be looping it throughout your set. Bells, congas and claps all reverberating and panning for that head candy you won't be able to get out of your head.

Label founder Mark Gavrikow presents Body2Body, his debut release, delivering a powerful tribute to the energy of the dancefloor.

The A-side is a driving mix of UK influences and the hard, percussive sounds of the classic CLR Schranz era. Drum-heavy and full of energy, it's perfect for peak-time sets. The B-side reveals a different side: more housey, dubby, and infused with warm chords, deep grooves, and hypnotic acid, offering the perfect balance between functionality and depth.

This beautiful splatter vinyl, color-matched to the inner sleeve, comes in a tie-dye cover with a large HFM logo. This special edition is strictly limited to 200 copies.

Groovy, percussive and hypnotic tracks by Louis the 4th.

Taken [2024] Made IN Stockholm FOR [TH TAR Hallow]

Taken = Elias Landberg & Nihad Tule

Repress, generic sleeve with inner circle artwork only. Imogen announces the launch of her Wigs label with the inaugural release Wigs001, boasting collaborations with DJ Stingray 313, Ben Pest, DJ Plant Texture and Jerome Hill. Wigs001 EP takes off with a strong pairing, Imogen and DJ Stingray 313 join forces to mark their first production collaboration with ?A New Earth?. It is a hefty track blending electro and techno in an elegant and energetic fashion. ?Synthesised Heart? teams up Imogen and a long time favourite Bristolian Ben Pest to offer a hypnotic mixture of grainy and noisy electro textures laced with acid basslines. Second half of the release is where DJ Plant Texture and Jerome Hill come to play. ?What Should I Do Next? from DJ Plant Texture proves there?s no time to waste. Sophisticated percussion and chopped up broken vocals persisting throughout form a propelling dancefloor driving force. Lastly, Jerome Hill?s ?Hoods Up? loops a catchy sample, twisting the four to the floor approach into a layered acid jacking frenzy that builds up with vigour and patience.

Ryan James Ford's Fuzz Gathering is a five-tracker that delves into the artist's personal exploration of sound and texture. Centered around the concept of "fuzz gathering," Ford collects, analyses, and manipulates various sonic elements using innovative techniques and processes. Each track offers a fresh perspective of his sound, blending intricacies with experiments to create a unique auditory experience. Complementing the music is Ford's own artwork, which visually mirrors the EP's theme of exploring and deconstructing textures, adding another dimension to this creative expression.

Rawax welcomes Stoerung aka Alex Bau to the artist Family! We are very happy to present you Alex under his new moniker with this deep dub monster! Highly recommended!

Vibes Addikt presents "Addikted", a concept dedicated to discovering new artists.Volume 1 features Silver Cee, Jan Kaeber, Matt Timerman, Sebastien Haze, UNKW666, Skors, and I-RIS

Secondo's awaited return comes in the form of Unlikely Companions — a growling, alien rhythm from the warmer tropics of technofunk. Marco Passarani’s wild take flips the mood with some skittering Aphex-style darkness, primed for the late, after hours dancefloor.

Dublin’s most dedicated Detroit district has just assembled a fresh set of space shuttles ready to take off. Xistence Records is known best from its true to the cause, hypnotic rhythms forged to the ethos of the classic Motown techno. The label owner Phil Robertson brings three variations for galloping grooves on whirling synth fields, with pulsating percussion here, chimey chords there, and even French Kiss-esque stabs appear somewhere. Last but not least, John Beltran joins the show with a beautiful Transmatic acidic bliss as his reimagination of ‘Lonely Moments’. Mesmerising.

In the mid 90's Audio Science released two CD only albums that have gone on to be well received and lately revered. This LP has been compiled featuring the standout tracks originally released from those recordings on Aural X-Perience and Hypnotic.

The eight track journey begins with Timothy Smith of 90s American darkwave band Lestat along with Pat Berdysz and Mekena Berdysz under their View So Cruel guise, “Corpses” is the blackened offering. A blend of styles and voices coalesce in this bright and burnt work. Colombia’s Ravetop follows, rich textured rhythms support scaling synthlines and distant vocals. Acid squawk and looming menace are the ingredients of Ruksby’s romp before Dragée presents an insurmountable wall of string and reverb in “Chapter VI.” The flip brings old friends back into the fold as well as welcoming new names. Canada’s Red Mass conspires with Lieutenant Freebase with unsettling results while Croatia’s Honored Matres returns with the bent and buckled bars and beats of “Sisterhood.” Diana Berti delivers a powerful psychological soundtrack, “Neptune”, before 80s band Simbolo from Brazil closes proceedings with the absorbing analogue abstraction of “For A Better File.” Eight pieces from far and wide, eight tracks that transcend borders and genre tags.


Format: LP, 12” 180g Heavy Black vinyl - Etched side with DVA’s logo, Numbered copies, Black inners - Printed sleeve on 350g cardboard.

The first vinyl release of Enemy Dance comes from CB, an Italian-French duo with many eclectic releases. In this EP, (Sangue means blood : it’s a nod to Italian horror cinema from the ’70s) they navigate between genres such as electro, rave house, progressive trance and techno to bring you a solid 4 track EP, like a journey through the darkness to the light.

Fourth R.A.N.D. Muzik x Echocentric Records collaboration
release is an album by DC Salas. DC Salas' second album,
To The Places I Call(ed) Home, is a deeply personal
exploration of memories, grief, and the concept of home,
blending house, progressive, new beat, acid, goa, and trance.
Crafted over two years in his Brussels studio and on the road,
the album served as a healing process following personal
losses and reconnects Salas with his father's Peruvian roots.
It features collaborations with Curses and Moroccan artist
Zaatar, and each track re

Bridging the gap between past and present, Framboisier
lands on Gestalt Records with a jacking 4-tracker where tech
and hardgroove lay the foundation for a new type of club
sound.

Adam Beyer shares his first collaboration with Brazilian superstar Vintage Culture, ‘Lift Me Up’ feat. Kyozo.The track has been brewing ever since the two artists crossed paths while touring and discussions soon turned to a potential collaboration. Passing ideas back and forward, ‘Lift Me Up’ took shape, before Kyozo’s signature vocals were added, with the British vocalist on their radar after link ups with Prof & Fitch, Aiken and Made by Pete. The final work is a pristine slice of dance music built for the summer festival season and reinforces Beyer’s continuing expansion and maturation of his sound palette, following the runaway success of his remix of Sharam’s Patt (Party All The Time) with Green Velvet and Layton Giordani and recent EP on Drumcode ‘Ghost Kiss’.‘Lift Me Up’ has soldered the relationship between Beyer and Vintage Culture, with the Drumcode boss playing the Brazilian’s So Track Boaevent earlier this year, with an anticipated B2B coming before the end of 2024.

Monologues boss Ben Gomori has found acclaim far and wide with his official edits of African gems for labels like Sterns Music and Analog Africa (for artists including Orchestra Baobab, Amadou Balake, Oby Onyioha). Here he rounds up four of his reworks of tasty tracks from artists across the Afro-Caribbean spectrum on four edits licensed from the good folk at Mr. Bongo, Soundway Records and Analog Africa.

Introducing Airways, Alpha Tracks’ new record label, crafted to be an ultra-inclusive platform that celebrates the full spectrum of electronic music.

Airways is a space for experimentation, where fresh and unexplored visions can thrive. It’s an auditory stage for musical ideas in all forms—a place where genre boundaries dissolve, and connections emerge between diverse musical tastes.

Kicking off this new era, the label debuts with a stunning masterpiece from Scandinavian trance artist and avant-gardist Mikkel Rev.