Techno | Minimal | Tech-House Used Vinyl 271 Items

White vinyl Limited edition. With insert

Yellow vinyl. Limited edition, Still sealed with hype sticker. Shrink wrap is partially torn, but vinyl is still sealed. Tiny damage on back cover.

Yellow vinyl. Limited edition, Original inner sleeve. Still in shrink but opened with hype sticker.

Yellow vinyl. Limited edition, Stuffed corner. Original inner sleeve.

White labels. Cover with light ring wear.

Still in shrink but opened. tiny wear

White vinyl seems unplayed. Label cover.

Vinyl with a some light scuffs. Cover with slightly bumped corner

Writing on labrl

Still in shrink, but opened, with hype sticker

Dutch reissue from 2017. close to NM

Label cover. Vinyl is Close to VG+.

promo copy with insert and Writing on label sticker. White vinyl is close to NM

Roger Van Lunteren is an artist of enviable experience. For more than two decades the dutchman has been developing and perfecting his sound. After his first steps on Heimelektro Ulm in 1999, Van Lunteren has shown his talents on labels like 030303, Diffuse Reality and Something Happening, Somewhere. It is this knowledge, and his musical craftsmanship, that Van Lunteren draws upon for his debut on FireScope: Future Wounds. The EP is a veritable universe of delights. At either ends of the galaxy you’ll find two takes of the same piece. The textured “Stop (Sync In)” opens. Satellite bleeps bob on a flotsam and jetsam of pads as strings soar above hedged claps. “Stop (Original) flows in a beatless ambience, heady yet light and ephemeral. Coquettish and playful, “Spätzünder” is an altogether different entity. Dancing between braindance and house, this jam has all the spontaneity of a live track with flourishes of the silken-funk of Chicago. Clouds gather for “IRF4.” Haunted modulations and reel scratches lurk before a slow rhythm lumbers forth. Stalking through a moonless sky, the track is chillingly atmospheric with an undeniable lo-fi groove. Drums stagger and swell in the sweetness of “Coinc.” Bright and dreamy, the track cherry-picks from a spread of influences and sounds and is emblematic of the EP. Future Wounds is a constellation of Roger Van Lunteren’s music. From cheerful and innocent to shadowy and subtle, this quintet is a cross-section of this artist’s abilities. Rich and infinitely varied, five tracks to explore and return to.

Kalahari Oyster Cult welcomes another from down under, Furious Frank with his very own Trip 2 Fantasy via Oyster28. Three OG acid-licked club-ready rollers from the Australian 303-connoisseur plus a bonus destruction mix from trusted Frankfurt associate Ludwig A.F.

Part inspired by the prose of his favourite author James Baldwin, South Brooklyn's Korre 's experience of being a black man in America forms an integral part of his work, even if it's largely instrumental. "I always make sure my music has elements of pain, beauty, and darkness," says Korre in his bio. That vibe is certainly felt across his stunning debut EP for Utrecht's 030303 Records. 'End of Time' is a deep, dystopian piece of club music, as much suited for the floor as it is for the introverted mind. With virtually no intro, the listener gets sucked into the intenseness of the track right away. 'Crimson' is equally dark, filled with spooky vocal snippets and washed out acid sounds. 'Don't Wanna Wait' is a heartfelt ambient spacer, not unlike the eeriest work of Burial. 'Silver Exo' then is probably the best track on the record even if it's hard to pick a favourite. Korr? slowly brings the dancefloor back with this beautifully crafted builder, again filled with abstract vocal snippets. Closing this beast of a debut record is 'St Blues', consisting of a male monologue, captivating droney melodies and acid bubbles in the background. It's the conclusion of the first chapter by this artist we will no doubt hear more of in the future.

Cover corners slightly dented.

Taking the baton from MW for the second volume of Casting Shadows we invite The Hague mainstay, Intergalactic Gary, to let us peep into his crate of secret gems. A true music archaeologist and one of the leading lights of the Netherlands’ West Coast scene for over 30 years, his knowledge spans across genres and decades. Opening proceedings on the A side, we go back to one of Andrea Benedetti’s acid classics – this time revisited at 33rpm, morphing it into a slow-burning dancefloor grinder. On the B-side, Italo disco duo GAG get a re-airing of their lost classic Flyin’ Bolero. Quad, the UK duo formed by Mark Carroll and Pete Diggens, closes the EP with a deep breakbeat excursion originally released on Kinetix.

Previously unreleased original 90s archive tracks from Morphid (Mephisto). Classic deep techno excursions and moody downtempo electronics from Lucid Recordings in Amsterdam.

Includes poster and sticker.

Ships in a generic sleeve with hype sticker.

Ships in stickered generic sleeve.