Soundtracks 289 Items

Morricone Youth was formed in 1999 with a mission statement to compose, re-interpret, perform and/or record "music written for the moving image" (film/tv soundtracks, library music, etc.) in all incarnations from playing shows dedicated to specific composers/film genres in rock clubs/performance spaces with projections to live scoring films in theaters. Over the years, they've released CDs, toured and had residencies at the Knitting Factory, Cbgb, Tonic and, most recently, Nitehawk Cinema in Williamsburg. Brooklyn Academy of Music commissioned the group to write an original score to Hitchcock's The Lodger performed Halloween 2013. Philadelphia Museum of Art commissioned a piece for its Marcel Duchamp exhibit in 2012. Band members have scored for documentaries, short films, etc. and include current/past members of bands Creedle, Crash Worship, Pain Teens, Pronto (Wilco side band), aMINIATURE and THE Rugburns. Morricone Youth's original six song (25-min.) score for George A. Romero's 1968 Zombie classic in an edition of 500 copies with download. Mastered at 45 rpm.

Double yellow, silver, and black splatter colored vinyl LP pressing. Upon release in March 2016, Dark Souls III was critically and commercially successful, with critics calling it a worthy and fitting conclusion to the series. The game's original score was primarily written by Dark Souls II and Bloodborne composer, Yuka Kitamura, and performed by the Tokyo Philharmonic Orchestra. Additional music was written by Dark Soulscomposer Motoi Sakuraba, with a single boss theme each by Tsukasa Saitoh and Nobuyoshi Suzuki

Dark Souls II, the highly anticipated sequel to 2009's Dark Souls was released with much fanfare in March 2014. As with it's predecessor, the intricate and moody score music struck a chord with fans of both composer Motoi Sakuraba and the game franchise, topping many a "best of 2014" list.

In 2009, Dark Souls was unleashed upon an unsuspecting gaming world and would quickly become one of the most critically acclaimed games in all of gaming history, for both it's punishingly-challenging gameplay and dark, brooding, and often outright terrifying soundtrack by industry legend Motoi Sakuraba.

24 tracks selected by the RuneScape team and community Two heavyweight red gold LPs Deluxe gatefold sleeve 43track digital download included (mp3) Fancy a spin of “Sea Shanty 2” for old times’ sake? RuneScape: Original Soundtrack Classics takes a nostalgic journey through some of the most beloved tracks from Old School RuneScape and the early days of RuneScape. The vinyl album is arranged to follow the first journey a player might have taken through Gielinor. The digital download includes 19 bonus tracks, bursting with player favourites.

Originally released in October 2015, the much-requested soundtrack to Sideways finally gets a repress on the original Burgundy Colored Vinyl. Multi award-winning film Sideways was the surprise box office hit of 2004 and its story of two disillusioned forty-somethings on a wine infused road trip around California still holds a unique mixture of comedy and pathos. Rolfe Kent’s jazz inflected soundtrack accompanied them on their journey, its subtle lightness of touch the perfect accompaniment to their mid-life crises. “Tickles the palate like a crisp Chablis in June” - Mojo “The seduction, making midlife seem funky, is slow, shy and as narcotic as it is nostalgic” –

Vinyl LP pressing. Fifteen of the 19 tracks contained in Endless Poetry: Original Motion Picture Soundtrack were composed and performed by Alejandro's son Adan Jodorowsky (AKA Adanowsky), who also stars in the film, portraying his own father as a young man. Multi-instrumentalist composer/arranger Jon Handelsman contributed four songs to the soundtrack. "Sueño sin fin" was composed and arranged by both Handelsman and Alejandro Jodorowsky (the filmmaker's own contribution to Endless Poetry: Original Motion Picture Soundtrack). Described by Variety as "a work of disciplined and touching emotional resonance," Endless Poetry details Alejandro Jodorowsky's life in his 20s. Against the wishes of his authoritarian father, the protagonist leaves home to pursue his dream of becoming a poet, and is introduced to the bohemian and artistic inner circle of Santiago, Chile in the 1940s and 50s. He meets Enrique Lihn (Leandro Taub) and Stella Diaz (Pamela Flores), two unknown poets who would become driving forces of twentieth century Hispanic literature. Told through a unique surreal and psychedelic visual language, with a soundtrack to match, Endless Poetry is an ode to the quest for beauty and inner truth as a universal force capable of changing one's life forever.

The day has finally come! We have waited with eageranticipation to release Matthew Cooper's spellbindingsoundtrack to Some Days Are Better Than Others sincebefore his creative breakthrough album, Similes(released under his more widely known Eluviummoniker) was even made. The film stars James Mercer(Broken Bells, The Shins) and Carrie Brownstein(Portlandia, Sleater-Kinney) as strangers whose livesoccasionally intersect as they navigate their way throughthe struggles of personal attachment and disconnection.

Double vinyl LP pressing. Soundtrack to the second season of the critically acclaimed and eight-time Emmy winning HBO series, starring Reese Witherspoon, Nicole Kidman, Shailene Woodley, Laura Dern and Meryl Streep. Big Little Lies: Music from Season 2 of the HBO Limited Series showcases an eclectic mix of soul, folk, blues, country and rock from Charles Bradley, the Spinners, Cassandra Wilson, Elle King, Willie Nelson and more. Several previously unreleased tracks are premiered, including "Piece of My Heart" by Christina Vierra and The Ryam Rehm Band (made famous by Janis Joplin's Big Brother and the Holding Company), "Why Can't We Live Together" by Jim James (originally by Timmy Thomas), and "That Was Yesterday" by Leon Bridges.

Theme songs from the movies “Nausicaa of the Valley of the Wind” which was released 35 years ago, “Castle in the Sky” and “My Neighbor Totoro” have been loved by many people up until now and even appeared in music textbooks. The original 7” singles will be reissued and included in the box set. Remastered for this time, you can enjoy the vinyl only sound. We hope you experience the greatness of vinyl record.

Quartet Records was proud to celebrate the tenth anniversary of J.A. Bayona’s horror cult-classic The Orphanage in 2017 with a newly recorded, complete edition of the score composed by Fernando Velázquez , The Orphanage was the first collaboration between director and composer, a partnership that has continued in such modern classics as The Impossible and A Monster Calls. Now this new recording is available in an exclusive, limited and numbered collectors’ vinyl release.

It may seem unusual that a barely ten-year-old score is being re-recorded, but giving The Orphanage a second chance to shine is an undertaking of which Quartet Records is especially proud. This tenth-anniversary edition includes every note Fernando Velázquez wrote for the film in its original conception to give fans a bold, new take on a modern classic. The original soundtrack album was negotiated and signed off before the recordings were made, and while Fernando wasn’t quite satisfied with the performance, the album had to be released nonetheless. It was a problematic recording, without much possibility of correcting mistakes (do not forget that The Orphanage was a low-budget film). When the possibility of expanding the original 47-minute-long program was being discussed in early 2017, a review of the original multi-track recordings revealed that time hasn’t been kind to Velázquez’s first major score, so a new plan was formulated. The composer took it upon himself to revisit the project by doing a brand-new recording with The Basque National Orchestra, the same ensemble he used for A Monster Calls, Pride and Prejudice and Zombies, Submergence and his “Concert Suites” album. By using one of his favorite orchestras and his usual recording engineer, Marc Blanes, whom he couldn’t use on his seminal score, Quartet Records and Fernando Velazquez present the same music he wrote a decade ago (including previously unrecorded alternates), using the know-how and skills he has gained in the past 10 years to bring fans a new recording of which we can all be proud.

This exclusive, 2-lp edition has been remastered for vinyl by Chris Malone, and includes newly commissioned artwork by PosterSpy & Karl Fitzgerald. The record comes in a deluxe gatefold package that includes statements from Fernando Velázquez and director J.A. Bayona. This is a collectable, must-have edition for all Velázquez, Bayona or horror movies fans!

My Hero Academia: Heroes Rising is a film set in the My Hero Academia universe. After the events of Season 4 of the Anime, Izuku and Katsuki go from fighting against each other to fighting side by side as they face the biggest threat that dares to dominate the domain: Nine! Beautifully animated and written, My Hero Academia: Heroes Rising received enormous critical praise, as well as massive admiration from fans. Composed and performed by Yuki Hayashi, the music of My Hero Academia: Heroes Rising is a complete standout. The live wire pieces pulse with life and power, and have never sounded better than this vinyl pressing.

During the maiden voyage into an expansive vat of unreleased music by Polish composer Andrzej Korzynski, Finders Keepers Records originally presented his previously unreleased electro / orchestral / experimental score for Andrzej Zulawski's surrealist '80s horror classic Possession in 2012. These 25 cues were written and recorded exclusively for the 1981 award-winning film starring Isabelle Adjani and Sam Neil, but due to the progressive, stark and modernist nature of the finished film less than half of them made it on to the actual director's cut—leaving many of the tracks on this package totally unheard outside of Korzynski's studio. The intended Possession score in its entirety marks an important axis in Korzynski's career where his various musical disciplines overlap. In one respect it marks his first forays into to synth driven electronics and disco drum machines, while other tracks epitomize the well-honed techniques used in previous Zulawski scores, such as Third Part Of The Night and The Devil, which rely on his inimitable orchestral arrangements and combination of clavinet, Rhodes, piano and electric guitar. Available once again on black 12" vinyl for the first time since its original release some 11 years ago, Finders Keepers' ongoing commitment to the important restoration of Korzynski's music aims to shed new light on the seldom manufactured productions of the composer whose vast cinematic catalogue warrants overdue global status alongside other golden era Eastern European composers such as Kryzstof Komeda, Jan Hammer, and Zdenek Liska—not to mention the best of the French and Italian soundtrackers, such as Roubaix, Vannier, and Nicolai. Duplicated and carefully remastered directly from Korzynski's original master tapes this album boasts the uninhibited studio experiments and retains the pre-cut ambience.

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

Random coloured recycled vinyl. New artwork!"Black Screen Records, Videocult, Akupara Games and composer James Primate are excited to take you an aural journey into the strange land of Rain World ... again.After being sold out for a few years, the soundtrack to Rain World will finally be repressed - this time on 100% recycled & random-coloured "Re-Vinyl". The music was composed and produced by Videocult level designer and composer James Primate with a little help of Lydia Esrig (other half of Chiptune duo Bright Primate) and Rain World creator Joar Jakobsson. The soundtrack is housed in a beautiful gatefold sleeve with original artwork by Allegra "Del" Northern. This pressing comes with a 12"" art print with additional art by Del.

A jazz & rock rumble! Nicholas Carras' powerhouse score for this angst-filled flick is a tapestry of sounds from fast, jazzy pieces, dark and suspenseful moments, breezy traveling music, and the optimistic ending. The soundtrack also features the earworm of a title cut that will have you pappa do do wah-ing along. Included here is a zine-style insert and a DVD of the outrageous original film, with a special Modern Harmonic edit made to sync with your LP! Another specimen from the glorious power triad of Modern Harmonic, Something Weird Video, and the Nicholas Carras estate. Date Bait joins Mr. Peters' Pets and High School Caesar as part of the Nicholas Carras Soundtrack Collection created from the vast collection of reels the estate preserved. All make their first LP soundtrack debut and all come from the Carras reels through Kevin Gray at Cohearent Audio and onto colored vinyl at Third Man Pressing.

As one of the most triumphant and beguiling directorial debut features to emerge from the fruitful Polish New Wave, Andrzej Żuławski’s 1971 film Third Part Of The Night not only earned the thirtyyear- old filmmaker a place next to other radical Polish directors such as Polanski, Skolimowski and Has, but also galvanised a creative bond with long running collaborator and composer Andrzej Korzyński, providing fans of foreign abstract/suspense cinema with a potent creative fusion to match those of Polanski/Komeda, Fellini/Rota, Argento/Goblin…

Featuring one of the heaviest psych rock movie theme tunes of all time, Andrzej Korzyński’s short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, François de Roubaix and Alain Goraguer, creating a soundtrack that unknowingly begs comparison to Masahiko Satô’s Belladonna of Sadness and Billy Green’s Stone. As one of the first progressive pop writers to come out of the vibrant (but carefully scrutinised) Polish beat scene with his bands Ricecar 64 and later Arp Life (and composing for national heroes such as Czesław Niemen, Niebiesko-Czarni and Test) Korzyński’s growing passion for conceptual rock and jazz music soon led to instrumental composition and soundtrack scores. His cinematic debuts scoring two consecutive transitional new wave films for Andrzej Wajda (in collaboration with the radical Polski pop groups Trubadurzy and Grupa Abc) also provided Korzyński with another significant cinematic muse in that of the stunning actress Małgorzata Braunek, with whom they would both eventually achieve their finest performances under the direction of the ravenous first timer Żuławski. Third Part Of The Night (1971) perhaps epitomises that triangular on-screen unison in its vibrant youth and feeds it through a hallucinogenic mangle finding astonishing beauty (within a repulsive synopsis) against a bleak and shattered backdrop and accompanied by progressive, psychedelic orchestral rock music – elements which would intensify for all three creatives with the next film Diabeł, which was banned by the Polish government the following year until 1988. Third Part Of The Night also marks the public unison of Żuławski and Braunek whose later private romantic relationship is said to form the basis for another defining Żuławski/Korzyński endeavour with the 1981 film Possession exactly a decade later, encapsulating a period that bequeaths a previously unopened vault of some of the the composers finest and most inspired sonic adventures.

Based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation® platforms, The Last of Us is written and executive produced by co-creators Craig Mazin (Emmy® Award-winning creator of HBO’s “Chernobyl”) and Neil Druckmann (creator and writer of the award-winning “The Last of Us” franchise and Naughty Dog Co-President).

The Last of Us takes place twenty years after modern civilization has been destroyed by a viral outbreak. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the U.S. and depend on each other for survival.

The vinyl release to the acclaimed series contains soundtrack highlights from the show. Featured are score tracks by composer Gustavo Santaolalla, with additional music by David Fleming as well as songs by Depeche Mode, Pearl Jam, Jessica Mazin & Nick Offerman.

The package contains 2x vinyl, standard weight at 140g, 1x green and 1x clear, a double-sided poster of the show’s key art, spot gloss and soft touch on the gatefold and an insert featuring liner notes by Neil Druckmann, Craig Mazin, Gustavo Santaolalla & David Fleming and images from the show.

Kosai Sekine's first feature documentary film "Taiyo no Tou" (Tower of The Sun) soundtrack 2LP composed by Japanese electronic musician JEMAPUR will be Released on April 24th 2019.
JEMAPUR, an electronic music artist who has been energetically making his music, has composed his first feature movie soundtrack and will release remaster version on Vinyl.
JEMPUR was discovered from music producer Nujabase and released an album from Hydeout Production. He is also in a side project called Young Juvenile Youth with Ms. Yu.
Kosai Sekine has been making motion pictures focusing on the fusion of sound and image. He gave JEMAPUR a challenge to rebuild his music production method to encompass the theme "destruction and reconstruction" for "The Tower of The Sun" soundtrack.

Laced Records, in partnership with Bethesda Softworks and id Software, today announced that the Doom (Original Game Soundtrack) by composer Mick Gordon will make its long-awaited debut on physical audio formats (Vinyl/CD) in Summer 2018. The X2lp was cut at the world famous Abbey Road Studios. The Doom (Original Game Soundtrack) will be available in two formats at retail; a Deluxe Double CD in a triple gatefold sleeve including all 31 tracks from the game and a deluxe Double Vinyl with 20 favorite tracks selected by the developers pressed on 180g red vinyl and cased in a deluxe sleeve with full printed inner sleeves. A Game Awards 2016 Winner for Best Music / Sound Design and Bafta Games Nominee for Best Music and Audio Achievement, the Doom (Original Game Soundtrack) brings the trademark pulse-pounding and demon-stomping audio experience to fans for the first time on physical disc. Composed by long-time Bethesda collaborator Mick Gordon, his dark and intense vision channels industrial metal to mirror Doom’s trademark brutal power fantasy gameplay across 31 synth and metal-filled tracks, spanning over two hours of run time. A true passion project, the recording process saw Gordon representing Doom’s portrayal of Hell through the role of energy in sound production, imparting the physical properties of analogue equipment onto digital sources. To mimic the power of Hell and its coruptive Argent energy, Mick created the “Doom Instrument”. Consisting of pure sine wave inputs directed into four separate sound processing chains and a variety of post-processing techniques, it allowed Gordon to dynamically ‘corrupt’ generated sounds. Further callbacks to the franchise’s legacy and imagery are found as the soundtrack’s signature screeching guitar lines are layered with the chainsaw audio from the original 1993 title.

Waxwork Records in partnership with Back Lot Music is honored to release NOPE Original Motion Picture Soundtrack by Michael Abels. Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.

The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer and Oscar® nominee Steven Yeun as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

NOPE marks Abels’ third feature film score with director Jordan Peele, having previously scored Peele’s GET OUT and US. The album also features songs from the film, including a new version of Corey Hart’s classic “Sunglasses at Night (Jean Jacket Mix)”, Dionne Warwick’s “Walk on By”, The Lost Generation’s “This is the Lost Generation”, Exuma’s “Exuma, the Obeah Man”, and a never-before-released gem by a young Jodie Foster, “La Vie C’est Chouette” from the 1977 film MOI, FLEUR BLEUE. “NOPE is my most ambitious score to date,” says Abels. “There are elements from the genres of sci-fi, action, horror, and westerns, but always through the tonal palette of Jordan Peele’s unique vision. The lines between source music and score are blurred, as a good part of the score seems to be playing at the theme park, which is a key location in the story. The score is at times terrifying, yet also invokes the sense of awe and wonder that the characters feel as they realize what they are seeing. The film eventually becomes a grand adventure, and so the music expands into the larger-than-life scale we expect of a summer blockbuster.” He goes on to say, “it was a joy to compose a score that encompassed such a broad range of genres and emotions, and I’m thrilled to have audiences experience all of them through this album.”

“Michael is one the most exciting composers working today - he has this amazing ability to create new sounds which was important for this film,” Jordan Peele says. “He's able to play in the familiar and in the unfamiliar at the same time, so that helps give every film its own character, and he has an incredible mastery of so many different music genres.” Abels is known for his genre-defying scores for the Jordan Peele films GET OUT and US, for which Abels won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, and multiple critics’ awards. The hip-hop influenced score for US was short-listed for an Academy Award® and was named “Score of the Decade” by The Wrap. Abels is also co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.

Waxwork Records is thrilled to present the official NOPE deluxe double LP soundtrack album. The package comes complete with 180-gram colored vinyl, quality packaging, original artwork by Ethan Mesa, heavyweight gatefold jacket with matte coating, a multi-page 12”x12” booklet, liner notes, & more!

Waxwork Records is beyond thrilled to announce Friday THE 13th Part V: A NEW Beginning Original Motion Picture Soundtrack by Harry Manfredini. For the fifth soundtrack installment of the beloved slasher-horror franchise, the Friday The 13th crew reeled back in composer Harry Manfredini to score “A NEW Beginning” in 1985. Waxwork collaborated closely with composer Manfredini to release the complete and re-mastered original soundtrack which spans two 180 gram “Imposter Jason” splatter vinyl records. Diehard horror fans, campers, and promiscuous summer camp counselors alike will appreciate this classic soundtrack featuring massive orchestral cues, giant stabs, and the classic “Ki, Ki, Ki… Ma, Ma, Ma” chant throughout!

The new double LP soundtrack album features lavish artwork by Matt Ryan Tobin, deluxe packaging, old-style tip on gatefold jackets, 180 gram colored vinyl, and more!

The Complete 1985 Soundtrack Re-Mastered for Vinyl Double LP “Imposter Jason & Crystal Lake” Tri-Color Split w/ Splatter Colored Vinyl Deluxe Packaging Art by Matt Ryan Tobin

Second Edition of the deluxe vinyl version of Ballads of Hyrule by ROZEN.

Ballads of Hyrule is a collection of orchestral arrangements from The Legend of Zelda series, envisioned as a relaxing environment for your ears, while it takes you on a night walk across the lands of Hyrule. A perfect album to listen to before going to bed.

Waxwork Records is proud to present the Us Original Motion Picture Soundtrack featuring a score by composer Michael Abels. Us, released in March 2019, is an original nightmare written, directed and produced by Academy Award®-winning visionary Jordan Peele (Get Out). Set in present-day Santa Cruz on the iconic Northern California coastline, the film, starring Oscar® winner Lupita Nyong’o and Black Panther’s Winston Duke, pits an ordinary American family against a terrifying and uncanny opponent: doppelgängers of themselves.

Abels featured a 30 person choir, a third of them children, in the “Anthem,” and implemented Eastern European instruments, violins, percussion, and a virtual instrument called a Propanium drum. “It makes this trashy metal sound, but you can also play melodies on it,” Abels said. “The Propanium drum has a sound that’s both otherworldly but not electronic or like science fiction. It’s a sound you can’t quite put your finger on, which is why it works well in this film.”

Also included on the soundtrack is the 1995 hip-hop hit “I Got 5 On It” by Luniz and the stand-out track “I Like That” by Janelle Monáe. Abels also helped with a new arrangement of the Luniz hit, which is featured on the soundtrack as the ‘Tethered Mix from Us’.

Waxwork is thrilled to present the soundtrack and score as a deluxe double LP featuring 180 gram "The Untethering" Red, Brass, and White split colored vinyl. The album artwork was created by illustrator Edward Kinsella. The interactive packaging includes die-cut inner gatefold jackets that require customers to use scissors to cut through family-member portraits to reveal their tethered doppelgängers lurking in the shadows on the printed inner sleeves housed within. More deluxe items include a die-cut mirror board back cover, a heavyweight 11”x11” art print, and an exclusive essay by UCLA Professor, scholar, and activist Shana L. Redmond Ph.D., author of Anthem: Social Movements and the Sound of Solidarity in the African Diaspora

* The Complete Score By The Newton Brothers * 180 Gram 'Psychic Essence Steam' Colored Vinyl * New Artwork by Max Löffler * Comes with 12'x12' Booklet * Includes Behind The Scenes Scoring Photography

Waxwork Records is proud to present Doctor Sleep Original Motion Picture Score Music by The Newton Brothers. Doctor Sleep is a 2019 supernatural horror film written and directed by Mike Flanagan (The Haunting of Hill House, Midnight Mass). It is based on the 2013 Stephen King novel of the same name, and it serves as a sequel to Stanley Kubrick’s 1980 Horror film, THE Shining. Starring Ewan McGregor, Rebecca Ferguson as Rose The Hat, and Kyliegh Curran, the story follows a now adult Danny Torrance (McGregor) who possesses psychic abilities and is struggling with addiction. Still traumatized from his family’s horrific 1980 ordeal at the Overlook Hotel, Danny Torrance is guided by the ghost of Dick Hollorann to capture the ghosts of The Overlook in lockboxes. Meanwhile, a traveling cult of psychics called The True Knot led by Rose The Hat (Ferguson) extend their lifespans by consuming “steam”, a psychic essence released by torturing and killing those who have “the shining”.

The score by The Newton Brothers pays homage to the music heard in 1980’s THE Shining composed by Wendy Carlos (A Clockwork Orange, Tron) with tracks such as “Dies Irae / Violet” and “The Overlook”. Effectively capturing the feeling from parts of THE Shining, the score to Doctor Sleep also creates a new, unique world for the characters and story. To create the score of Doctor Sleep, The Newton Brothers used experimental recording methods and instrumentation to sculpt an original and terrifying new sonic landscape.

In addition to a large scale orchestra and choir, the composing duo used instruments such as a 90 ft. high Aeolian Wind Harp, The Hurdy Gurdy Grandé, chimes, various modular synthesizers, and a range of percussion. By usage of inventive and unorthodox instruments, The Newton Brothers effectively created a distinctive sound for Danny’s trauma, for the brutal and murderous traveling gypsies known as The True Knot, for Danny’s psychic connection to characters within the story, and for the Overlook Hotel itself.

Waxwork Records is thrilled to release the original score to Doctor Sleep by The Newton Brothers as a deluxe double LP featuring 180 gram “Psychic Essence Steam” colored vinyl (foggy clear with white smoke), high quality packaging with new artwork by Max Löffler, liner notes by the composers, a 12”x12” booklet with behind the scenes scoring photography, and old style gatefold jackets with matte satin coating.

'Waxwork Records is thrilled to announce the release of GET OUT Original Motion Picture Soundtrack Music By Michael Abels. Written and directed by Jordan Peele, GET OUT is a critically acclaimed 2017 American horror film starring Daniel Kaluuya and Allison Williams. The film received numerous accolades and won the Academy Award for Best Original Screenplay. It was also nominated for Best Picture, Best Director, and Best Actor for Kaluuya.

GET OUT is the directorial debut of accomplished actor and long time horror-fanatic, Jordan Peele. The film’s music was scored by composer Michael Abels, and it also features his debut as a film composer.

Included in the new deluxe double LP release of GET OUT are exclusive liner notes in the form of an in depth essay by Peele that illustrates the director’s first meeting with Michael Abels, their approach to the film’s music, and how it all came together to conjure a new sound. “I had some ideas. I envisioned distinctly black voices harmonically creating an unnatural sound. The absence of hope. The void of the voiceless. A disembodied Negro spiritual. The Sunken Place.”

GET OUT Original Motion Picture Soundtrack features the complete soundtrack by composer Michael Abels, deluxe packaging, new artwork by Leslie Herman, a printed insert with exclusive liner notes by Jordan Peele, 180 gram “The Sunken Place” Black with White Splatter colored vinyl, and old style tip-on gatefold jackets with satin coating.

Only five songs here were featured prominently in Quentin Tarantino's rousing crime film ("Little Green Bag," "Hooked on a Feeling," "I Gotcha," "Stuck in the Middle with You," and "Coconut"), but the record includes Steven Wright's introductions from the film, as well as Tarantino's infamous interpretation of the meaning of Madonna's "Like a Virgin" and Harvey Keitel's monologue on how to rob a jewelry store. Padding out the rest of the disc are three new songs that were heard in passing in the film.

First-ever LP release of BRING ME THE HEAD OF ALFREDO GARCIA (1974), an iconic masterpiece and one of the composer’s most celebrated collaborations between Jerry Fielding and his usual partner, Sam Peckinpah
Remastered by Chris Malone
Audiophile 180GM Blood Red and Black Splatter Vinyl
Limited edition of 500 units

This limited edition of 500 units, pressed on audiophile 180 GM blood-red and black splatter, has been produced, restored and specially mastered for vinyl by Chris Malone.