Soundtracks 462 Items

SNK composer Masahiko Hataya reprises his role in KOF '95 while being joined by composers Akihiro Uchida and Pearl Sibakiti. As a Generation Series releases, the Kof95 soundtrack will feature newly remastered analog and digital tracks, as well as a booklet containing archival artwork and liner notes by former development team members.

Record Store Day 2020 Release.

BANDAI NAMCO Entertainment Co., Ltd. presents a worldwide project with the theme “Join the PAC – Come and join us” to commemorate the 40th anniversary of Pac-Man ’s birth.

The memorable 40th anniversary official theme song “JOIN THE PAC” was produced by ‘Ken Ishii’, the techno god of the Orient. The video clip of his masterpiece “Extra” (directed by Koji Morimoto also known as the drawing director of the movie “AKIRA”) was awarded “MTV Dance Video of the Year” in UK, which brought him as one of Japan’s most proud producers to the world.

A special music video for “JOIN THE PAC” is directed by Yuichi Kodama, who is renowned as a chief video director of flag handover ceremony at the 2016 Rio Olympics closing ceremony, and his “UNICLOCK” online ad campaign (2008) for UNIQLO, which won grand-prix of three biggest advertisement awards, the Cannes International Advertising Awards, the Clio Awards, and the One-Show.

Prior to the release of the upcoming album, 7inch EP is released by the collaboration of iam8bit and U/M/A/A Inc. exclusively for RSD2020!

As the debut title of SNK’s most iconic fighting game franchise, KOF ‘94, composed by Masahiko Hataya as part of the SNK NEO Sound Orchestra, laid the groundwork for the KOF series’ beloved music.

As a Generation Series releases, the Kof94 soundtrack will both feature newly remastered analog and digital tracks, as well as a booklet containing archival artwork and liner notes by former development team members.

In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies. Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 Halloween movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith Ob-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) the Italian combo Mokadelic returns with a brand new score, Sulla Mia Pelle, for one the most controversial movies around. Based on the despicable history of Stefano Cucchi, literally killed in prison by a bunch of policemen, the album renews the cinematic style of Mokadelic through a series of almost dramatic instrumental sketches. Equally informed by the post-rock of luminaries such as Godspeed You Black Emperor and Explosions In The Sky - not to mention the subtle rhythms of contemporary IDM (Boards Of Canada first came to mind) - the band delivers their signature with several epic moments. That is the real companion to a tragic feature film.

7 track mini album. 'Waterpark' is a film score written for Director Evan Prosofsky's same titled film, and explores the neutral element of sound in a massive indoor water park located in west Edmonton Mall, in the province of Alberta. A vacation home to countless stranded Canadians with no vacation in sight.

The instrumentation of oscillators, heavily reverberated strings, mellotron/chamberlain, and experimental electric guitar sets the mood for this bizarre plastic tropical paradise thats within a shopping mall.

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!

* 7” Vinyl with Screen Printed Wave B-Side * Featuring “Tell Me What You Want” from Wave Break * Music by Weezer * Album Art by Cory Schmitz

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure
electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!

"Forever” is a special album that celebrates Alessandroni’s genius and represent his musical testament. Composed and arranged in Namibia during the last months of his life, the album is a stunning collection of orchestral tracks that reveal Alessandroni’s many virtues and abilities as a composer, arranger and multi-instrumentalist, fusing pop, jazz and classical music with his unique (Italian) touch.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

Once more, Laced Records and Jagex clan up to bring fans a soundtrack from the RuneScape universe. God Wars Dungeon features 11 heroic tracks from the two high-level dungeons, composed by Adam Bond and Ian Taylor.

The vinyl edition contains two 180g, audiophile-quality vinyl discs in turquoise blue and purple — one for each dungeon. The deluxe gatefold sleeve artwork features Nex and the other God Wars Dungeon generals as they face off in battle.

For Böser Herbst, Thomas Fehlmann returns to the sediment of ages, drawing from a similar lexicon of sounds to that used on 2018’s ‘1929 – Das Jahr Babylon’. Like that album, Böser Herbst was produced as the soundtrack to a documentary made by Volker Heise, ‘Herbst 1929, Schatten Über Babylon’, which offers historical insight to the third season of the television series Babylon Berlin. It adds yet another string to the bow of this most forward-thinking and creative artist, whose history takes in NDW (Palais Schaumburg), techno (3mb) and psychedelic ambience (The Orb), plus a clutch of gorgeous solo albums that explore wide terrain, from the dancefloor through supine home listening to compelling soundtrack work. Fehlmann’s approach here was to ‘capture’ samples of contemporaneous music, “picking up the dirt and dust of original 1920s archive sound and music excerpts and shaping the essence into this selection of tunes,” he recalls. After delivering the material to the editing room, Fehlmann “threw all the pieces up in the air, deliberately lost the overview in consequence, researched the atmospheric thread and assembled it for this album.” That explains the singular nature of the material here, and its ability to sit together so neatly and discretely, as its own entity. For Böser Herbst is a music box of possibilities, shadowed by its historical provenance, but never crudely beholden to it, rather “keeping the references only as a distant nod, a scent.” It’s certainly an evocative listen, a cornucopia of textural pleasure and sensual, tactile assemblage. The spiralling, psychedelic cycle of “Karnickel” winds its way between the ears like thread to the needle; “Mit Ausblick” immerses the listener in deep, gaseous tones, only to be lifted into the air by the glassy drones of “Umarmt”. “Wunschwechsler” crackles with the unpredictability of weather systems while a guitar-like loop unspools across the horizon. Throughout, you can catch tiny tastes of the source material, but they’re pressed into greater service, Fehlmann using these sources for their evocative capacity and then saturating them with grain and rumble, abstracting outwards. It’s a music of temporal disjuncture and clairvoyant resonance, “speaking with the past – alert, distant and quixotic.”

To complete the the Orgasmo/Paranoia soundtrack set, Four Flies adds two songs to the cake (both not included in the LP version released today). An alternate take of Lydia MacDonald's “Fate Had Planned So”, more rhythmical and dynamic than the one used for the titles sequence, and the soul hit “Just Tell Me”, sung by Wess, and performed by his Airdales. A Fantastic funk-soul stomper, perfect to dance.

Remastered for vinyl, ltd edition of 300 copies on 180g transparent pink vinyl. Previously released digital only via Lakeshore Records in 2020. Recorded and performed by Kid Moxie at her studio in Downtown L.A. Produced by Kid Moxie and Serafim Tsotsonis Mixed by Serafim Tsotsonis Mastered by Ekelon

The Nest is a 2020 thriller film written, directed, and produced by Sean Durkin. It tells the story of a family plunged into uncertainty upon relocation from America to England, as the tense isolation of their new home affects them differently. Its soundtrack was arranged by Richard Reed Parry, a Canadian multi-instrumentalist, composer, producer, best known as a core member of the Grammy Award-winning indie rock band Arcade Fire, where he plays a wide variety of instruments. The Nest is available as a limited edition of 500 individually numbered copies on crystal clear vinyl. The package includes an insert with pictures from the movie.

Released in 2020 to celebrate the 100th anniversary of the theremin, The Gateway features the instrument as a lead voice in the extraordinary realm of high-energy post-Italo electronics.

For this newest collection of original works, Brown transports the theremin to the heart of the dance floor – reimagining its mysterious interface as an electro-magical conduit for the opening of forbidden portals and the summoning of subversive spirits.

The Gateway also features a contemporary expansion of the classic theremin sound. Brown plays the Moog Etherwave Pro theremin in two ways – employing both its familiar heterodyne voicing and possessing a range of analog synthesizers via control voltage technology.

This groundbreaking combination presents a fresh voice and thrilling new context for the world’s oldest electronic instrument.