Soundtracks 215 Items

"Rob wanted the world of The Northman to feel harsh and uncomfortable, and for everything to feel like it was caked in mud and dry blood, so it was crucial for the score to mirror that." Composers Robin Carolan (Tri-Angle Records) and Sebastian Gainsborough (Vessel) were given a task of epic proportions when director Rob Eggers (The VVitch, The Lighthouse) asked them to create the score for his ambitious and highly anticipated new film The Northman, releasing on April 22nd. They needed to make a score that both honored the immense research that had gone into the authenticity of this Viking era period piece and complimented the cinematic maximalism of the film for a modern audience. The artists stretched themselves to the depths of their creativity and the resulting album is a gorgeous sonic tableaux that places the listener right in the center of the film. While arranging the score the composers consulted musician and ethnographer Poul Hoxbro for inspiration and insight into the history of Viking music. Having backgrounds in left field electronic music, Robin and Sebastian felt liberated by the constraint of using a small selection of musical tools for this piece. "Electronic music has almost limitless potential when it comes to making sounds and that's obviously an incredible thing, but you can also go down the wormhole and get lost in it sometimes. There's no risk of that happening when you only have a few primary instruments to draw upon." Robin remarked. They utilized traditional instruments such as the tagelharpa, langspil, kravik lyre, and säckpip to build the cinematic world of The Northman but they also took creative freedoms in adding instruments likes drums, which some academics believe wouldn't have played a big part in Viking musical culture, simply due to the lack of archaeological evidence of actual drums. "One of the pieces we wrote was intended to emulate the sound of a bullroarer; an ancient instrument used in sacred rituals or in battle to intimidate enemies. It makes a really disorienting roaring vibrato sound and low frequencies capable of traveling insane distances." Robin says when asked about one of the more unique aspects of the score. Everyone involved put so much effort into both their research and their creativity and this richness is evident in every track. The album as a whole is a cinematic masterpiece of sound and ambiance, both gorgeous and disturbing, like the film it so beautifully accompanies.

What would you do if you harnessed the ability to change the past? Would the outcome be better or worse than your present? Very Ok Vinyl opens the portal to find out with Steins;Gate Original Soundtrack. This 2009 Visual Novel game developed by Mages spins the story of Okabe Rintaro after he receives a text message from the future and the ripple of change that creates. This soundtrack covers all the emotions of Okabe’s epic adventure of past, present, and future, to change it back. We dare you to travel through the fast-paced synth, heart-felt piano, harpsichord, and suspenseful orchestral strings. This is a powerfully emotive compilation, busting with the intensity of every decision. You will not be the same when you return.

This was supposed to be released back in 2019. Held off due to the start of Covid pandemic. 2019 release date on labels.

Waxwork Records in partnership with Back Lot Music is honored to release NOPE Original Motion Picture Soundtrack by Michael Abels. Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.

The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer and Oscar® nominee Steven Yeun as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

NOPE marks Abels’ third feature film score with director Jordan Peele, having previously scored Peele’s GET OUT and US. The album also features songs from the film, including a new version of Corey Hart’s classic “Sunglasses at Night (Jean Jacket Mix)”, Dionne Warwick’s “Walk on By”, The Lost Generation’s “This is the Lost Generation”, Exuma’s “Exuma, the Obeah Man”, and a never-before-released gem by a young Jodie Foster, “La Vie C’est Chouette” from the 1977 film MOI, FLEUR BLEUE. “NOPE is my most ambitious score to date,” says Abels. “There are elements from the genres of sci-fi, action, horror, and westerns, but always through the tonal palette of Jordan Peele’s unique vision. The lines between source music and score are blurred, as a good part of the score seems to be playing at the theme park, which is a key location in the story. The score is at times terrifying, yet also invokes the sense of awe and wonder that the characters feel as they realize what they are seeing. The film eventually becomes a grand adventure, and so the music expands into the larger-than-life scale we expect of a summer blockbuster.” He goes on to say, “it was a joy to compose a score that encompassed such a broad range of genres and emotions, and I’m thrilled to have audiences experience all of them through this album.”

“Michael is one the most exciting composers working today - he has this amazing ability to create new sounds which was important for this film,” Jordan Peele says. “He's able to play in the familiar and in the unfamiliar at the same time, so that helps give every film its own character, and he has an incredible mastery of so many different music genres.” Abels is known for his genre-defying scores for the Jordan Peele films GET OUT and US, for which Abels won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, and multiple critics’ awards. The hip-hop influenced score for US was short-listed for an Academy Award® and was named “Score of the Decade” by The Wrap. Abels is also co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.

Waxwork Records is thrilled to present the official NOPE deluxe double LP soundtrack album. The package comes complete with 180-gram colored vinyl, quality packaging, original artwork by Ethan Mesa, heavyweight gatefold jacket with matte coating, a multi-page 12”x12” booklet, liner notes, & more!

Limited to 500 copies.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

Quartet Records and Paramount Pictures present the premiere vinyl edition of Ryuichi Sakamoto’s classic score for 1992 adaptation of Emily Bronte’s Wuthering Heights, starring Ralph Fiennes and Juliette Binoche, and directed by Peter Kosminsky. Ryuichi Sakamoto (1952–2023) was one of the most personal and important voices of the world music scene for several decades: from rock to pop, new age, opera, concert music, electronic and film music, no genre was foreign to him, and he managed to stamp his own style on each of them. His acclaimed score for Wuthering Heights is written in the symphonic tradition of his scores for Bernardo Bertolucci’s THE Last Emperor (for which he won the Oscar for Best Original Score) and Little Buddha. One of Sakomoto’s most special and beloved scores, Wuthering Heights is haunting, beautiful, romantic and tragic. Specially mastered for vinyl by Chris Malone from original stereo master tapes and following the order of the original album produced by Sakamoto, the album is presented on 2xlp 180 GM clear transparent vinyl, in an elegant gatefold with images of the film.

The debut film for The Coen Brothers and Carter Burwell, who would go on to work together on numerous films including The Big Lebowski, No Country for Old Men and Fargo. Blood Simple has only been previously released as one side of a shared 12″ LP with an abbreviated score to Raising Arizona on the second side. The score will be expanded to a full album with unreleased tracks and alternate versions and pressed exclusive for RSD on transparent red smoke marble vinyl.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

HHV Exclusive edition on red wax, limited to 75 copies worldwide.

The discography of the phantom Gruppo Sound exceeds over thirty titles published in an undefined time frame between the Eighties and the Nineties. However, there is very little information about this curious pseudonym. it is possible to find a library music album by Gruppo Sound inside the Canopo, Deneb, Flower, Monosound Records and Teams catalogues, all managed by Flipper Music publishing group, but both the creators and the musicians have never been the same. Gruppo Sound is only a collective name, maybe to identify a certain number of 'new' productions characterized by an electronic background And, not by chance, the author of “New York City” is a single artist, the multi-instrumentalist Gabriele Ducros. Son of the prolific composer Remigio Ducros, he first followed his footsteps in the field of music libraries and soundtracks and then become the author of many tracks for television commercials of a certain relevance, winning some international awards. “Some of these tracks may have been associated with a pornographic film. Others were, however, made as brief comments for a theatrical show, perhaps never made”, remembers Gabriele Ducros. What unites the thirteen pieces is the same musical language, which derives from a widespread funk and jazz matrix. Both genres are thus declined through a different approach and taste, in line with the fusion trends of the time, when the early synthesizers were used by few artists. A handful of electric guitar notes for a 'urban' mood, the acoustic ones from a dreamy morning awakening. Electronic keyboards to arouse a sense of nostalgia in the listener, while flute and saxophone always punctuate different atmospheres. A computer melody, a theme for children and a sophisticated ode to the fusion sound of the Big Apple, perhaps true source of ispiration of the work. “New York City” is not a concept album, but one of the best cross-sections of Gabriele Ducros' great creativity.

From the film freaks at Varèse Sarabande comes Reel Cult, a sensational new reissue series for B-movie soundtrack aficionados. One of the two titles kicking the series off for Record Store Day is the cult-classic, soul-jazz soundtrack for Ossie Davis' seminal cinematic social commentary, 1972's Black Girl. This LP features (AAA) lacquers cut by Jeff Powell from the original analog tapes and pressed on 180-gram clear/black swirl vinyl in a tip-on jacket. Groovy!

If you want this edition, don't wait, as we will not get many copies.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on CD, housed in a jewel case, with a 16 page booklet.

Quantity: 5000
Release type: RSD Exclusive Release

The Guardians Of The Galaxy Holiday Special is the soundtrack to the television special released on Disney+ in November 2022. The album features an original score composed by John Murphy, plus two songs performed by Old 97’s and Kevin Bacon. Available for the first time on vinyl, this color splatter LP is being released exclusively for RSD Black Friday 2023.

Assignment K (with lots of pencil scribbles everywhere). The Strange Affair (with lots of pen scribbles everywhere).

As usual with Basil tapes / things there is little else to go on, no tracklist, no list of musicians, no singer names, no dates or anything. I have actually tried to establish the name of the singer on the song from Side One (we have called it “Love Is To Walk Away “ as it is unnamed) but having played it to a handful of knowledgeable collectors and enthusiasts who I would count as experts in this field, no one has a clue who it might be. If you think you know please get in touch. We know who it isn’t.

We can tell you that Assignment K dates from 1968, was a film about a toy maker who has a double life as an international spy. It was directed by Val Guest, who’d just finished trying to rescue the cinematic hotchpotch that was Casino Royale - he had been brought in by the Bond producers after Peter Sellers had walked off the movie. We imagine Assignment K may have been a slightly less stressful few months of shooting. As for the Kirchin score that we have here, we can tell you very little indeed, apart from the fact that the bass player was Ron Prentice (an ex blacksmith turned musician and craftsman) who worked on several Bond scores, but we know little else. And we only know this because it says so in the academic tome “Jazz On The Screen” by David Meeker.

The Strange Affair is also from 1968, and was not only controversial but also a reasonably unsuccessful movie. Directed by David Greene who also directed, amongst other films, I Start Counting and the quite brilliant Sebastian. In this rather grubby flick a policeman called Peter Strange (played by Michael York) falls for an underage girl (played by Susan George), finds himself compromised by a pair of pornographers and gets lured into an errand for a smack gang. We can tell you little else because I have no more information about it all.

But we do know that this music has all the classic Kirchin mid-period sonic hallmarks that have always set him apart.

After almost a year of being out of print Return To Analog Is happy to announce the reissue of Dead By Daylight volume 1. The standard reissue is available on black vinyl and features a silver foil jacket.

Limited to 1000 copies, foil numbered units pressed on red and black galaxy viny.

Inspired by the popular paranormal podcast The Midnight Society, A new record by The Rentals for Record Store Day 2022 Mondo & Death Waltz Recording Company are thrilled to be releasing a new record by The Rentals for Record Store Day 2022.

Inspired by the popular paranormal podcast The Midnight Society Matt Sharp (Weezer) & Nick Zinner (Yeah Yeah Yeahs) have created an expansive atmospheric soundtrack to some of life’s most bizarre and otherworldly unexplained paranormal activities.

This is an unsettling yet beautiful record, ambient passages give way to menacing jittering Synths amid Nick Zinner’s familiar guitar tones soaked in reverb, conjuring up long dark highways, deserted buildings and dense woods that never end. The artwork by Henry Abrams compliments the audio perfectly.

A soundtrack vinyl record release of a popular Mecha Anime series “SSSS.DYNAZENON” (2lp Vinyl). Contains 27 tracks, all music composed by a Japanese composer, arranger and music producer Shiro Sagisu. The cover art is a special edition, newly drawn by a Japanese animator and director Akira Amemiya.

Limited edtion of 200 copies on golden vinyl.

Previously unreleased on vinyl, Terza Ipotesi fuses jazz, rock and sleezy exotic sounds. From the golden age of Italian exploitation cinema and following the soundscape with funky fusions througout.

Coop between Sacred Bones and Waxwork.
Legendary hip hop pioneer DJ Muggs and frequent David Lynch collaborator Dean Hurley join forces for the original score to the 2023 Sundance-premiering feature film Divinity. Equal parts sonically punishing and ethereal, the soundtrack delivers a unique punch that further intensifies the mind-bending, acid-trip experience of the film.

Divinity is a sci-fi dystopian odyssey produced by Steven Soderbergh and helmed by visionary director Eddie Alcazar. Set in the distant future, scientist Sterling Pierce dedicated his life to the quest for immortality, slowly making progress developing a serum named Divinity. Jaxxon Pierce, his son, now controls and profits from his father’s once benevolent dream. Society on their barren planet has been entirely perverted by the supremacy and pervasiveness of the drug. Two mysterious brothers arrive with a plan to abduct the mogul, and with the help of a woman named Nikita, they set on a trajectory hurtling toward true immortality.

Amidst the film’s extraordinary tapestry of stark aesthetics and themes, the score is a ten ton barbell of sonic weight. Crafted with 8-bit samplers, Wavestation synths, extended choir and string techniques, the soundtrack manages to swing wildly between the arenas of both music and sound design. Like all rich soundtracks, listening to the score on its own re-conjures the imagery of the film in the screen of the listener’s mind, an aural experience that manages to encapsulate and pulse a matched intensity of the film.

Tracks like ‘The Brothers’ and ‘Reflective Dreams’ cascade Vangelis-esque tones, painting with broad strokes of cinematic grandeur and ethereal wonder. ‘Main Titles’ and ‘Infinity Techno’ conversely swing hard into relentless, punishing sonics; with brutal, pulsing energy representative of the twisted, relentless pursuit of immortality. A standout of the album is undoubtedly “Divinity 2 Infinity: The Odyssey,” featuring cult hip-hop hero and lyrical-savant Kool Keith. Written for the film’s end credits, the track is a satisfying throwback to the 90’s original soundtrack cut bespoke-tailored to the film’s narrative themes.

DJ Muggs and Dean Hurley’s synergy yields a soundtrack that takes Divinity beyond the screen and into a multi-dimensional experience, inviting its listener along uncharted aural terrain for an unforgettable odyssey in sound.

This compilation brings together some of the best soundtracks with an obvious or hidden Belgian connection, from the early sixties till the late seventies. From obscure local composers to world renowned musicians playing on Hollywood scores.

Limited edition for Record Store Day 2022.

Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

Limited to 200 copies worldwide on transparent blue Vinyl.

Timeless atmospheres, hypnotic sororities, minimal arrangements. And a composer gifted with a never ending passion for music, experimenter in his genetic code, innovator by vocation, at ease with various instruments in order to forge avant-garde themes. Piero Umiliani was already forward in building completely new sounds in the late Seventies. “Tra Scienza E Fantascienza” finds his alter ego Moggi experimenting with alternative grooves, electronic music, jazz tunes and soundtrack motifs. One of the most interesting music libraries in the Italian composer's discography, reissued with a new remastering by Musica Per Immagini, is in full harmony with its title.
Science fiction has opened up our eyes to a variety of scenarios, possible or impossible, sometimes with a happy ending, sometimes apocalyptic, at times familiarly near, more often disarmingly far away, and always capable of inspiring our imagination. For the histrionic artist, it took, perhaps, less of a cosmic leap to create this masterpiece. Centred on the cover, a strange creature with only one eye, its hands on a beaker containing a mysterious red liquid. To its right, a symbolic circle is imprinted on a sandy surface, and three bizarre constructions, similar to the volumetric flasks found in a laboratory, of differing heights and shapes. There is a strange blue planet in the distance.

(Notes and images of a dystopian future according to Piero Umiliani)

Originally released in 1989, Dragon Slayer: The Legend of Heroes marks the beginning of Nihon Falcom’s Long-running turn-based RPG series “The Legend of Heroes”.

The soundtrack to Dragon Slayer VI Legend of Heroes as a whole is more relaxed and light-hearted in contrast to its other role-playing game contemporaries that Nihon Falcom released on the PC-88. From the relaxing themes of “Town” that instill a sense of peace and safety and the music of “Ship” accompanying you as you sail across the sea.

Falcom Sound Team jdk has taken great care to give the soundtrack to Dragon Slayer: The Legend of Heroes a unique identity in comparison to all of Nihon Falcom’s other numerous PC-88 offerings.

Mastered from entirely new recordings captured specifically for this release we are excited to be sharing this underappreciated piece of Nihon Falcom’s music history soundtrack with you for its first release on vinyl record!

Acclaimed label Light in the Attic proudly partners with River Road, Zurich Avenue, and Roadside Attractions to release Dreamin’ Wild Original Motion Picture Soundtrack. The film follows the real-life story of brothers Donnie & Joe Emerson, whose teenage dreams of rock stardom suddenly came true 30 years later. The soundtrack blends vintage recordings by Donnie & Joe (including the cult favorite “Baby”) with exclusive new performances by Donnie Emerson, Nancy Sophia Emerson, and actor Noah Jupe, plus original score selections by composer Leopold Ross (Black Mirror, A Million Little Pieces).

Fortnite is more than just a game. It’s a bonafide, genuine, global phenomenon – a platform for players and creators alike to express themselves, a cross-media megaton of diverse characters, concepts, & artwork, and a mind-bendingly massive digital space to hang out with your friends after work, between classes, or whenever you’ve got time to play. Fortnite represents the cutting-edge of what’s possible where creativity meets technology.
Here at iam8bit, we love to live in that particular intersection. So it’s with great pride that we teamed up with the innovative & clever polymaths at Epic Games to present this album for your listening pleasure: Say hello to the Fortnite: Best of the Lobby vinyl!

It’s 1xLP positively packed with the Fortnite community’s favorite Lobby tracks and tunes. It includes hits like Default Vibe, Solid Groove, Afterburner, and even festive jams like Frosty Serenade. They’re all there on gorgeous, peely yellow vinyl.

Of course, it wouldn’t be Fortnite without spectacular art, aesthetics and presentation. That’s why we tapped the infinitely funky Jim Mahfood for the album art and design, featuring tons of iconic Fortnite friends and characters hanging out and enjoying the jams.

Fortnite is more than just a game. It’s a million moving parts, an intersection of online community, technology, and of course, artistry. We are humbled to play a small part in that symphony with this album – a true labor of love.

The magic 80s nostalgia is here! Sonor Music Editions in collaboration with Beppe Savoni and Giuseppe Giammetta, respectively known in the digital space as Disco Bambino and Sovraimpressione announce a special release by the Italian queen of silver screen, actress Eleonora Giorgi. The limited edition 7-inch includes a rework of the 1981 soulful disco track "Quale Appuntamento...", written by Bipap, Cristiano Malgioglio & Pino Presti, originally released on the iconic Ricordi label; on the B-side, restored and for the first time ever on vinyl, "Magic", taken from the 1980 original soundtrack of the film "Mia Moglie È Una Strega", with music arranged and directed by Detto Mariano.

Fatima Yamaha's soundtrack for the Dutch documentary 'Onzichtbaar' directed by Gabrielle Provaas is temporarily available on limited LP and was only for sale during the live show at ADE 2023. Only a handful of LP's are available for sale and won't be repressed. The documentary sheds light on the invisible heroes who tirelessly keep the Netherlands clean day and night. From schools and offices to hospitals and streets, they work tirelessly and humbly. Their hard work keeps society running smoothly. 'Onzichtbaar' challenges viewers to reflect on their own involvement and unveils the price we pay for the facade of cleanliness we hold dear.

Taken from the soundtrack to an obscure 1975 Italian film, Elio Bartolini’s L’Altro Dio, these two killer disco-funk instrumentals might have remained in oblivion were it not that Four Flies rescued and included them in the comps Esterno Notte and Esterno Giorno, both of which sold out quickly and have become almost impossible to find. It seemed more than proper now to release them for the first time ever on 7”.

Purple Vinyl Edition

Package includes a gatefold jacket with grisly custom cover artwork by Shagrat, extensive liner notes by Rob Strangman (West Mansion: The Splatterhouse Homepage) plus original Japanese arcade flyer art, sprites and other rare and historical horrors from the cult classic game Original arcade soundtrack album features the earliest published video game work by legendary composers Katsuro Tajima and Yoshinori Kawamoto (Super Smash Bros Ultimate, Star Fox Assault) For fans of retro gaming, 1980’s slasher films, synthwave, chiptunes and John Carpenter. Welcome to the Splatterhouse (スプラッターハウス, Supurattāhausu)!! Spacelab9 in conjunction with Bandai Namco invite you to relive the 1988 classic hack and slash horror! Re-trace the gore-drenched footsteps of protagonist Rick in his Terror Mask as he hacks his way through the dungeon and the West Mansion grounds, killing hordes of pus and guts-oozing creatures!

Originally released on white vinyl for Record Store Day 2021, this much sought after soundtrack is now available on a limited run of Transparent Red Vinyl. 2020 saw the release of the critically acclaimed “Audrey”, a documentary film taking an intimate look at Audrey Hepburn’s life with access to never-before-seen footage from her family’s personal collection and produced by the multi award-winning team behind “McQueen” and “Churchill”. The soundtrack was composed by Alex Somers, an American composer and producer who has written and collaborated on soundtracks including “We Bought A Zoo”, “How To Train Your Dragon Trilogy”, “Aloha”, “The Circle”, “Captain Fantastic”, “Shia LaBeouf's Honey Boy” and Taylor Swift's Netflix original documentary “Miss Americana”. His work was first noticed in 2009 with Riceboy Sleeps, his ambient album collaboration with partner Jónsi (Sigur Rós). Following “Riceboy Sleeps”, Alex co-produced Jónsi’s 2010 debut solo album “Go”. He then opened his own recording studio in Reykjavík where he co-produced and mixed Sigur Rós’ 2013 album “Valtari”, and continued to collaborate with artists Jónsi, Julianna Barwick, Jóhann Jóhannsson, Gyða Valtýsdóttir, Damien Rice, Amiina, Sin Fang, Briana Marela. “Audrey Hepburn was such a special person” Says Alex Somers. “It was my goal to tap into what made her such a one-of-a-kind soul and create a melodic and sonic accompaniment for her. Collaborating with Helena was a beautiful and rewarding experience. The music poured out and together we experimented and pushed deeper to tell Audrey’s story; there is music here that is dark and there is music here that is light and uplifting, but the common thread is that it is honest and true to the spark that was Audrey.”

9 x 7" box set.

The Godzilla franchise is a Japanese media franchise created and owned by Toho, centered on the fictional kaiju character Godzilla.

It is the longest-running film franchise, having been in ongoing production from 1954!



From the first ever Godzilla record "Godzilla-san / Our Anguirus" to the big hit "Shin Godzilla" in 2016, it is a permanent preservation board that traces Godzilla's music history in the form of a single record. In addition to "All Monsters Attack", the theme song that colored Godzilla's hero era at the Toho Champion Festival is recorded in the form of a reprint of the original version of Crown Toho Records. For the theme song "Kaese! Taiyo wo" of "Godzilla vs. Hedorah (1971)", which is gaining cult popularity, the soundtrack version used in the movie was made into a record for the first time. "Godzilla vs. Mothra (1992)" and "Shin Godzilla (2016)", which boast the largest number of mobilization in the Heisei Godzilla series, are the first 7inch records of the inserted songs.

The reprinted 7inch single record contains valuable past art. (* The recording form of art is different from the original board)The four new records will be recorded with completely new art.

Red Vinyl. Side 3 has a deeper scratch, the other sides are between VG+ and NM

“Nell’Anno del Signore” is a 1969 film directed by Luigi Magni; set in Rome in 1825, it is based on a real event, the execution of two individuals belonging to the Carbonari revolutionary secret society; the main characters are interpreted by Nino Manfredi, Enrico Maria Salerno and Claudia Cardinale.

The drama and gloom atmosphere of the movie reflect in a soundtrack composed and arranged by Maestro Armando Trovajoli for an orchestra conducted by Gianfranco Plenizio; a few but essential notes outline the principal melodies of the main themes of the work, for a result that is still enticing today. In addition, we have the fundamental contribution of Alessandro Alessandroni’s Cantori Moderni and Edda Dell’Orso, together with the extraordinary participation of Fabrizio De André in the song “Nell’Anno del Signore (Suite)”, here released on vinyl for the first time.

This soundtrack special reissue, with audio remastered by Claudio Fuiano, is accompanied by a completely renewed graphic design compared to the original 1969 version, and also contains a special A4-sized 12-page booklet with a reproduction of the manuscript of the original score of “Tema di Giuditta”.

Waxwork Records is proud to present MALUM Original Motion Picture Soundtrack by Samuel Laflamme. MALUM is a bold and expanded reimagining of the 2014 horror cult classic, LAST SHIFT. On a search to uncover the mysterious circumstances surrounding her father’s death, a newly appointed police officer, Jessica Loren (Jessica Sula) is assigned to the last shift in a decommissioned police station where a notoriously vicious cult saw their demise years prior. The lone officer at the station, she soon finds herself barraged by terrifying paranormal events, and in the process, is taken on a journey during which she learns the shocking truth behind her family’s entanglement with a demented cult leader. MALUM takes the premise of the 2014 festival hit and flips it on its head, thrusting viewers into an unrelenting, adrenaline-fueled, bloody cult nightmare.

About the Composer

Samuel Laflamme is a composer who has strengthened projects across the film, television and video game worlds. Samuel Laflamme began his composing career scoring numerous television shows, documentaries, and ad spots across a multitude of genres. He has collaborated with many of the top video game companies in the industry, including Ubisoft, Activision, and Red Barrels where he worked on the critically acclaimed survival horror-game Outlast. Samuel’s other credits include French Canadian dramatic comedy series Le Chalet, along with the 2016 Canadian-American co-production, fantasy film Wait Till Helen Comes, based on Mary Downing Hahn’s best-selling novel from the 1980’s.

About the Director

Protégé of filmmaker/novelist Clive Barker, Anthony DiBlasi partnered in Barker’s production company Seraphim Films for nearly ten years, serving as a key executive & producer on films such as MIDNIGHT MEAT TRAIN starring Bradley Cooper and BOOK OF BLOOD. DiBlasi adapted and directed DREAD from the Barker short story, starring Laura Donnelly (HBO’s The Nevers) which won "Best Independent Feature" at the Spike Scream Awards. DiBlasi has adapted several Barker novels for the screen including THE DAMNATION GAME (Warner Bros) and THE THIEF OF ALWAYS (Fox).

DiBlasi directed, co-wrote and edited “Last Shift” a critically acclaimed supernatural horror film released by Magnolia Pictures in 2015. Last Shift was named among the top 5 horror films of 2015 and won both a Golden Skull award and an iHorror award. DiBlasi has directed 8 features including the critically acclaimed thriller MISSIONARY and MOST LIKELY TO DIE for Netflix. DiBlasi recently wrapped production on MALUM, an expanded reimagining of “Last Shift,” and is currently in development on the thriller THE STEP COUNTER with his writing partner and wife Natalie Victoria and Malcolm Spellman’s The 51 (The Winter Soldier).

The debut vinyl release of MALUM features the complete soundtrack by composer Samuel Laflamme pressed to 180 gram colored vinyl.

MALUM Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Samuel Laflamme
180 Gram Colored Vinyl
Original artwork by Jérémy Pailler
Deluxe gatefold packaging

Gold vinyl! Gatefold cover with a bit of wear. Damaged corner / seam damage on top spine.

The soundtrack album to the manga phenomenon, available for the first time as a limited blue double LP. The animated film is based on the manga comic of the same name and tells the touching story of a young Japanese saxophonist and his path into the international jazz scene. The comic has sold over 11 million copies, the film was a box office success in Asia and will this year also make his way onto European screens and into home cinema. The music for “Blue Giant” is by the Grammy-winning Japanese pianist and composer Hiromi and, with its versatile jazz and funk sounds, an integral part of the “Blue Giant” success.

"Quartet Records and StudioCanal present the premiere vinyl release of John Debney’s symphonic opus for the adventure classic Cutthroat Island. Directed by Renny Harlin and starring Geena Davis, Matthew Modine and Frank Langella, the movie is a big-budget, swashbuckling throwback about Morgan Adams, a female pirate, and her crew racing to find a hidden island containing a fabulous treasure before her uncle, Dawg Brown. Along the way there are sword fights, chases, storms at sea and all sorts of high adventure, all produced on an epic scale. Keeping up with the massive visuals was composer John Debney (hocus Pocus, White Fang 2, Little Giants, THE Passion OF Christ) who led the London Symphony Orchestra and the London Voices for the recording. Considered one of the 90s best adventure scores, and one of Debney’s most highly regarded works, the original soundtrack program is now available for the first time in a deluxe 2xlp set, produced by Neil S. Bulk, mixed by Mike Matessino and mastered by Chris Malone. Pressed on 180 gram audiophile black vinyl and packaged in a gatefold jacket featuring Drew Struzan’s original painting."