Soundtracks 371 Items

Thomas Fehlmann remains as one of the most endearing and respected artists on Kompakt. He has inspired generations of fans and musicians over the course of his 30+ year career. From his early days as part of the legendary band Palais Schaumburg, and the pioneering Detroit/Berlin act 3mb (With Juan Atkins and Moritz Von Oswald), to his longstanding membership with The Orb, combined with his contributions as a solo artist to esteemed imprints R&S, Plug Research and of course Kompakt, where we have proudly released two full length solo albums: Visions Of Blah (Kompakt CD 20/Kompakt 67) and Honigpumpe (Kompakt CD 59 / Kompakt 157), his musical works have been prolific, not to mention four singles and a full serving of tracks found on our Pop Ambient and Total collections. Now, after 3 years, Fehlmann returns with 'Gute Luft'.

Black Friday Record Store Day 2022 Reissue. Color: Yellow & Blue. Limitation: unknown.

Only five songs here were featured prominently in Quentin Tarantino's rousing crime film ("Little Green Bag," "Hooked on a Feeling," "I Gotcha," "Stuck in the Middle with You," and "Coconut"), but the record includes Steven Wright's introductions from the film, as well as Tarantino's infamous interpretation of the meaning of Madonna's "Like a Virgin" and Harvey Keitel's monologue on how to rob a jewelry store. Padding out the rest of the disc are three new songs that were heard in passing in the film.

“Sono Stato Un Agente Cia” (1978), also known as “Covert Action”, is a twilight film directed by Romolo Guerrieri and set in Greece, starring David Janssen, in the role of a former Central Intelligence Agency agent who became a writer of incendiary books on prostitution and drug trafficking, flanked by Maurizio Merli, a colleague in possession of some compromising tapes, sentimentally linked to the romance novel character played by the seductive Corinne Cléry. The two are involved in a murky game: the stars and stripes secret services intend to eliminate those who could spread the dangerous content of the military plan designed to stem the advance of communism, to be implemented through the assassination of government officials. It's not among the most famous crime stories. It's not even a real action movie. “Sono Stato Un Agente Cia” benefits, however, from the admirable compositional talent of Stelvio Cipriani. His soundtrack, released for the first time in full vinyl version, reveals an unpredictable versatility. His 'classic' style expressed in the course of the scores for previous 'poliziotteschi' is enriched here with disco suggestions and Hellenic exoticisms. The writing on the staff of the Roman composer is effective and empathetic in commenting on every fold of the dark and violent story. A simple and catchy theme, even danceable. The atmospheric situations with guitars and synthesizers. Some funk echoes, tension peaks, melancholy notes. The constants of success.

First ever release of the scariest, most inappropriate and possibly most influential kids TV music of ALL Time. There is only 17 minutes of music throughout the series, so we have fitted it all onto a one sided LP. Artwork is by Julian House – legendary hauntologist (Belbury Poly etc) and the man behind some of the greatest spooky band artwork of all time- Stereolab, Broadcast, Primal Scream etc etc. Sleevenotes by Stewart Lee and inner sleeve notes by Alan Gubby of Buried Treasure Records. It all looks and sounds superb. Of course it does because it’s a Trunk Records release.

1980, a crossroad full of living icons in a single movie interpreted and directed by Alberto Sordi, Io e Caterina. So, Alberto Sordi, Edwige Fenech, the year of release, 1980, what do we miss to get an absolute masterpiece? The soundtrack composer, Maestro Piero Piccioni. We can say it openly, one of its greatest score for cinema, intense, full of energy, orchestral, funky, melodic, touching, enthralling, passionate. An album that will be the score of your private summer, on your turn-table, in your sitting-rooms or as a late 70s background for your cocktails, together with Edwige dancing with an eye-arresting dress and great Alberto drinking a cup of champagne watching the diva of two decades dancing exclusively for him, everything under the gaze of Caterina, a robot-maiden more human than it could be thought. The album features the original album track list, never released before alternate takes and everything in Stereo, carefully remastered by Claudio Fuiano for a robust 180 grams black vinyl featuring a printed inner sleeve full of original artworks, liner notes by Fabio Babini and an homage to Piero Piccioni written by his son Jason that tells us a nice story happened in the studio during the recording session, 40 years ago... You shall not be missing it...

We're delighted to welcome Émile Sornin's solo project, Forever Pavot, to the BMM family, with this heavily retro soundtrack for the French-Canadian motion picture Babysitter directed by Monia Chokri. As a fan of Jean-Claude Vannier and François de Roubaix, Émile illustrates this light and poetic movie with 18 melodic loops and short ambient pieces, faithful to the 60's and 70's French soundtrack style.

Inspired by the music of one of the most iconic pop culture licenses of all time, main composition was assigned to Tee Lopes, the talent behind the music of Sonic Mania and Streets of Rage 4: Mr X’s Nightmare. His musical vision echoes the spirit of the turtles and this specific game specificities: tributes to classic Tmnt tunes with a good dose of fun and switching fluidly between 80s/90s electro, funk, rock, and jazzy tunes with chiptune vibes.

On top of that, prestigious guests were added to the line-up. Kid Katana Records are proud to host legends such as Raekwon The Chef and Ghostface Killah from the legendary rap band Wu-Tang Clan, and Mike Patton, frontman of Faith No More and Mr Bungle. They all performed exclusive tracks recorded specifically for the game and the OST.

Why you'll love it...
Returning to create the sound of Euphoria Season 2 Official Score From The HBO Original Series, Labrinth creates a haunting portrait to accompany the angst we've come to love from the HBO Original. With chilling layered vocals, several tracks featuring Zendaya, Dominic Fike and Angus Cloud, and driving electronic beats, the world of Euphoria comes to life.

The VMP exclusive edition of Labrinth's Euphoria Season 2 Official Score From The HBO Original Series is pressed on Hazy Dawn vinyl at Memphis Record Pressing (MRP). The 1LP will arrive in a single, tip-on, foil-stamped jacket with Collector's Edition Zendaya art.

Ltd. gold w/ black marble vinyl.Black Screen Records has once again teamed up with Focus Entertainment to release the soundtrack to A Plague Tale: Requiem - the sequel to the award-winning adventure game A Plague Tale: Innocence - by IFMCA award-winning and BAFTA nominated composer Olivier Derivière on 180g double vinyl and CD.After signing the soundtrack for A Plague Tale: Innocence, Olivier Derivière is back to enrich the intense emotional journey of A Plague Tale: Requiem with his poignant compositions.Olivier Derivière is a passionate video games composer and an international star in the field, who won multiple awards and a nomination for the 2017 BAFTA. His degree of implication is rare among video games composers, putting the gameplay at the center of his considerations and even influencing the development through his input. The compositions also feature the cellist Eric-Maria Couturier, and the Estonian Philharmonic Chamber Choir.Eric-Maria Couturier is a distinguished member of the Ensemble intercontemporain, a contemporary music ensemble founded by Pierre Boulez, whom Eric-Maria Couturier collaborated with among other eminent modern music icons.The two-time Grammy Award-winning Estonian Philharmonic Chamber Choir is one of the best-known Estonian ensembles in the world. With a repertoire that extends from Gregorian chant to contemporary music, it lends its spellbinding vocals to the soundtrack of the game.

My Story, The Buraku Story is a new feature-length documentary film that explores the discrimination against a group of people - commonly called "the burakumin" - who were classed into lowly groups and segregated from the rest of Japanese society. This discrimination is not by race or ethnicity, but rather by place of residence and bloodline, and has existed for centuries - albeit very rarely acknowledged or discussed in Japan. When director Yusaku Mitsuwaka imagined the exemplary score for such a culturally sensitive and significant subject, he idealized Mono to help tell this story through their legendarily cinematic music. Following their recent experiments with electronic textures infused into their trademark dynamic rock compositions, My Story, The Buraku Story finds Mono at their most understated and elegiac. The songs that make up My Story, The Buraku Story are largely built around piano, strings, synths, and choral vocal loops. As one might expect from Mono, the arrangements are masterworks of understated execution with oversized emotional resonance. By far Mono's most delicate album, it is a fitting document of the band's first-ever full-length film soundtrack.

Pieter Verlinden (1934-2002) was an exceptional composer responsible for hundreds of scores and soundtracks for television, ballet, theatre and film. Only some of his soundtracks were released at the time, like De 5 van de 4-daagse (The Five Are Marching In, 1974), Een mens van goede wil (A Man of Good Will, 1974) and De dood van een non (Death of a Nun, 1976). Most of his work was only preserved on the original master tapes in his personal archive, so the majority of Verlinden's music has never been heard and is unknown. With the album series The PV Tapes, 678 Records pays tribute to the maestro of Belgian film music. On the second album in this series we present two complete original soundtracks. On side 1 you will find the original library music recorded for the Dutch 1976 documentary Mensenwerk, directed by Richard Hock. On side 2 you will find the complete home recordings Verlinden made on his brand new Oberheim OBX synthesizer for the 1980 television drama Een spoor van Carla, directed by Paul Cammermans

Olivier Derivière's incredible soundtrack will be available on limited edition white w/ black splatter vinyl and will come in a beautiful gatefold sleeve with original artwork by Asobo Studio's artists Damien Papet & Olivier Ponsonnet and additional layout by Dane Baudoin. The vinyl includes a beautiful 12" Amicia art print, is housed in heavy-weight full-coloured printed inner sleeves and comes with a free download code for the digital album.

Quirky as fuck!' is the term to describe the latest killer 45 from Paul Elliott & Shawn Lee. Since they crossed paths over a decade ago, Paul (Eleven76/Hot Border Special/The Mighty Mocambos) & Shawn (Ping Pong Orchestra/Young Gun Silver Fox) have collaborated on many impressive projects including the critically acclaimed documentary The Library Music Film. The pair share a love of weird, exotic, otherworldly sounds that can usually only be found in classic library music. However, with their latest release on Farfalla Records, they take the listener on a deep dive into the strange, percussive and unusual world they inhabit! 'Bass Sick Bitch' begins with a glitchy toy rhythm and leads into a voice memo of a wooden 'Jank tone' instrument that Shawn had played and recorded for Paul to hear. Paul's low slung drums and percussion take off and the pair exchange phrases on some of their unusual instruments. This one has a head nod groove and a breakbeat that poppers, lockers and bboys can get down to... 'Honey Roast Nuts' is introduced with a rhythm Paul literally played on an old tin of Honey Roast Nuts, hence the name....Shawn creates the vibe with Polynesian Ukulele, guitar and retro futuristic synthesized sounds, all the while a 70s inspired bass guitar keeps the mood up. The middle of the tune is stopped in its tracks when a voicemail recording from Paul's phone pops up and Shawn's fried brain takes us out with a modulated guitar! Take a trip with Paul Elliott & Shawn Lee, It's all good in the motherfucking hood yo

The album includes 12 new recordings made especially for the film and soundtrack plus an existing recording by Dave Van Ronk. Also featured is a never-before-released version of Bob Dylan performing his song “Farewell,” which was recorded during the sessions for his album The Times They Are A-Changin' and is available exclusively on this soundtrack.

West Side Story (2021) Original Soundtrack.

Limited to 1 copy per customer.

The phone is dead. And it’s ringing.

In collaboration with Back Lot Music, Waxwork Records is proud to present THE Black Phone Original Motion Picture Soundtrack by Mark Korven.

Director Scott Derrickson returns to his terror roots partnering again with the foremost brand in the genre, Blumhouse, with a new horror thriller.

Based on an eponymous short story by Joe Hill, The Black Phone follows Finney Shaw, a shy but clever 13-year-old boy, who is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.

Starring four-time Oscar® nominee Ethan Hawke in the most terrifying role of his career and introducing Mason Thames in his first ever film role, The Black Phone is produced, directed, and co-written by Scott Derrickson, the writer-director of Sinister, The Exorcism of Emily Rose and Marvel’s Doctor Strange.

The score for the film was created by composer Mark Korven, the mastermind behind The VVitch, The Lighthouse, and Into the Tall Grass. Korven is a Toronto-based award winning composer and multi-instrumentalist. He is known for his innovation and experimental approach to film scoring. In 2016, Korven conceived the notorious horror musical instrument, The Apprehension Engine.

NieR: Become as Gods takes Rozen+reven back to NieR: Automata.

•12" 2xLP Set, 180g audiophile •Machine Splatter (Black + White + Gold) •Gatefold Jacket, including a 16-page booklet with live recording session photos Much like the fast-adapting machines in the game, the two artists have leveled up their production since the days of their first foray with NieR: Glory to Mankind. Their sound here is sometimes darker, more mature, and overall more polished, thanks in large part to the wealth of collaborators they've brought in.

Within these eleven new covers, you'll hear the duo's hybrid orchestral-pop sound that blends heavy-hitting strings and brass, stark choir, textures of winds and synths, electric guitar, and a plethora of vocals from Reven. The live orchestra sections were recorded by Sofia Session Orchestra and Choir in Sofia, Bulgaria, including a traditional Bulgarian Choir on several tracks.

The result is an intense trip back through the world of the game, but whether this constitutes Ending B or perhaps Ending C, D, or E is up to interpretation.

Transversales Disques is very glad to announce the release of Solitude Transit unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for contemporary dance, choregraphed by Anne-Marie Reynaud. Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) major figure of musique concrète and electroacoustic music broke away to pave his own path of individualistic expressions of minimalist music, musical theater, field recordings, orchestral music and soundtracks...

Cryptozoo is an animated feature-film drama, written and directed by Dash Shaw, featuring the voices of Lake Bell, Zoe Kazan, Michael Cera and Louisa Krause. The film won the Next Innovator Award at Sundance, and premiered internationally at the 2021 Berlinale. It will be released on August 20 in theaters and on demand.

This is John Carroll Kirby’s first time bringing his talents as a composer and producer to film scoring. His score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music, and makes for a perfect match with artist and filmmaker Dash Shaw’s vibrant animated feature.