Soundtracks 178 Items

Double LP on 180 Gram vinyl!

Limited to 300 copies.

Originally issued in 2011, Ashcan Copy is the third instalment in Rashomon's Film Music series of LPs. Cineploit Records is proud to present this re-release, and to introduce the record to a wider audience than the 150 lucky souls who snagged a copy of the ultra-limited initial release on Hlava Records.
Active since 2009, Rashomon is the solo project of Matt Thompson, also of Cineploit mainstays Zoltan. This is his second release on the label under the Rashomon name, following 2014's LP/DVD extravaganza The Cameraman's Revenge: Film Music Vol. 4 – the final release in the Film Music series to date.
The previous edition to this, 2009's The Finishing Line: Film Music Vol. 2, had focused on re-creating the psychological mind-state of the wilder end of 1970s British public information films. By way of change Ashcan Copy is presented as an album of soundtrack cues from films that were, for one reason or another, never released. The films, hailing from Italy, Japan and the USA (among others) supposedly date from the 1950s to the 1970s, and were (according to the extensive sleeve notes) exactingly sourced from film archives across Europe.
In reality, all the music is self-composed. The eight tracks include elements of noise, folk, psychedelia, prog and noir-jazz within their elaborate constructions, created with a panoply of instrumentation including Mellotron, zither, home-made percussion, Fender Rhodes, harmonium, MiniMoog and more. Delicate and sensuous, heavy and oppressive – the record negotiates these musical contradictions while retaining a single-minded pursuit of strangeness and surprise.
Having finally found its spiritual home on soundtrack specialist label Cineploit, Ashcan Copy can at last be heard by all.

Limited to 200 copies.

Originally issued in 2011, Ashcan Copy is the third instalment in Rashomon's Film Music series of LPs. Cineploit Records is proud to present this re-release, and to introduce the record to a wider audience than the 150 lucky souls who snagged a copy of the ultra-limited initial release on Hlava Records.
Active since 2009, Rashomon is the solo project of Matt Thompson, also of Cineploit mainstays Zoltan. This is his second release on the label under the Rashomon name, following 2014's LP/DVD extravaganza The Cameraman's Revenge: Film Music Vol. 4 – the final release in the Film Music series to date.
The previous edition to this, 2009's The Finishing Line: Film Music Vol. 2, had focused on re-creating the psychological mind-state of the wilder end of 1970s British public information films. By way of change Ashcan Copy is presented as an album of soundtrack cues from films that were, for one reason or another, never released. The films, hailing from Italy, Japan and the USA (among others) supposedly date from the 1950s to the 1970s, and were (according to the extensive sleeve notes) exactingly sourced from film archives across Europe.
In reality, all the music is self-composed. The eight tracks include elements of noise, folk, psychedelia, prog and noir-jazz within their elaborate constructions, created with a panoply of instrumentation including Mellotron, zither, home-made percussion, Fender Rhodes, harmonium, MiniMoog and more. Delicate and sensuous, heavy and oppressive – the record negotiates these musical contradictions while retaining a single-minded pursuit of strangeness and surprise.
Having finally found its spiritual home on soundtrack specialist label Cineploit, Ashcan Copy can at last be heard by all.

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

The day has finally come! We have waited with eageranticipation to release Matthew Cooper's spellbindingsoundtrack to Some Days Are Better Than Others sincebefore his creative breakthrough album, Similes(released under his more widely known Eluviummoniker) was even made. The film stars James Mercer(Broken Bells, The Shins) and Carrie Brownstein(Portlandia, Sleater-Kinney) as strangers whose livesoccasionally intersect as they navigate their way throughthe struggles of personal attachment and disconnection.

Both versions available in a strict run of 150 copies. A record that definitely lives up to its title – an obscure Italian sound library session that blends instrumental touches that evoke an America at the start of the 70s with some of the hipper, deeper currents you’d expect from the team of Stefano Torossi and Giovanni Tomasso. There’s plenty of expected sound library funk in the mix here in a way that makes for one of the most unique sound library sessions we’ve ever heard.

Both versions available in a strict run of 150 copies. A record that definitely lives up to its title – an obscure Italian sound library session that blends instrumental touches that evoke an America at the start of the 70s with some of the hipper, deeper currents you’d expect from the team of Stefano Torossi and Giovanni Tomasso. There’s plenty of expected sound library funk in the mix here in a way that makes for one of the most unique sound library sessions we’ve ever heard.

From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, Video Nasty film composer, occasional Jaume Sisa (Música Dispersa) collaborator and future electronic music therapy pioneer comes the synthridden vocoder-loaded 1984 sci-funk soundtrack to Barcelona’s daytime TV response to the universal E.T. phenomena. Get ready to meet your new alienígena amic and the unidentified flying object of thousands of Catalonian kids affections through the 1980s as Finders Keepers present J. M. Pagan’s lost lunar modular synth score to Kiu I Els Seus Amics (Kiu And Friends aka Kiu Is Your Friend).
From the same intergalactic phenomenon that brought such delights as Turkey’s exploito cash-in “Badi” or South Africa’s lo-rent hommage “Nukie” to our unregulated small screens, and the same craze which filled international airwaves with the likes of Extra T’S electro smash single “E.T. Boogie” or the million selling Columbian “Cumbia De E.T. El Extraterrestre” smash hit... not to mention a wide range of unofficial themetune cover versions from Holland, Austria, France and Germany (lest we forget an inspired late period Lee Scratch Perry Album) the creators of the movie which inspire the music on the album you are about to hear made no bones about their intergalactic muse. In 1982 the diaspora from Steven Spielberg’s small fictional mid-American neighbourhood that played host to everyones favourite torch fingered, three toed, Skittle scoffing space goblin touched virtually every family home in every major city resulting in one of the biggest cinematic merchandise phenomenas of the 21st century, resulting in an unexpected high-demand / short-supply play-off in which bootleggers, copyists and counterfeiters rose to the challenge like never before. At the precise moment that international audiences saw that cute little baldy poke his retractable neck around the corner and started stealing beer from the fridge, demanding long distance phone calls while circuit bending kids toys and frankly not looking after the plants... the human race was hooked! and we wanted more! more! more! When Spielberg regrettably told interviewers that he had no intention of making a sequel to E.T. The Extra Terrestrial, it instantly became open-season for the imitators... but way before somebody squeezedout, Mac & Me, ALF and The Purple People Eater a team of kid’s TV executives in Catalunya were ready to fill the widening gap in the market without haste. Created in 1983 by Luna Films and Televisió de Catalunya (TV3) and screened exclusively in Catalunya, Kiu I Els Seus Amics was one of the first E.T. “tributes” to make it out of the gate, and with a crew of five individual directors and writers to ensure that the five episode, one-off series hit the wave of phone-home-fever, “Kiu” has since remained a short but sweet micro-memory in the hearts of an entire generation of Catalonian cosmonauts.

Limited to 500 copies.

Paddy Kingsland was the first Radiophonic composer to see a solo release of his compositions, although he is not credited on the sleeve. "Fourth Dimension", first released in 1973, showcased Kingsland's theme tunes for television and radio while at the BBC Radiophonic Workshop. The recordings feature a rock-style backing band and synthesisers including the VCS 3 and "Delaware" Synthi 100, and the track "Reg" from the album was also released as the B side to the 1973 single release of the iconic Doctor Who theme tune. Kingsland remained at the workshop for 21 years, leaving in 1981, during which time he composed music for much loved TV shows The Changes, Doctor Who and The Hitchhikers Guide to the Galaxy among others.

Features 6 original pieces of music by PJ Harvey written for the series
Pressed on 2 x 180g black vinyl
Housed in a heavyweight gatefold sleeve with beautiful artwork throughout. Digital download card included

The Soundtrack to Shane Meadows’ “The Virtues” which screened on Channel 4 last May/June

Features 6 original pieces of music by PJ Harvey written for the series
Includes tracks used throughout the series including music by Aphex Twin, MONO, Lisa Hannigan and more

“I am so happy to have provided the original music for this extraordinary and powerful new drama by a director I have admired and followed all my life. Shane has a unique directness and sensitivity to his work which I am drawn to and aspire to in my own work, so our collaboration was open and trusting. I sent Shane ideas as demos for him to try out as he edited and let him choose what he used and where to the greatest effect. In the end we both loved how the demos worked so left them as they were, adding to the raw beauty of the piece.” – PJ Harvey

The Virtues is an emotionally charged drama starring Stephen Graham (This Is England) that teeters on the edge of total self destruction, battling alcohol addiction and memories from a dark childhood.

"Mediterraneo" is a film directed by Gabriele Salvatores, set during the Second World War on the Greek island of Castelrosso, a few kilometers from the Turkish coasts. In this place, only apparently uninhabited, some Italian soldiers arrive on a mission; they will soon find themselves to be completely isolated, forced to wait for any communication signs from the outside world and to integrate with the local population.

When it came out in theaters in 1991, “Mediterraneo” immediately gained wide acclaim and recognition (David di Donatello and Nastro d'Argento for best film, Academy Award for best foreign film), a success also significantly determined by the soundtrack written by Giancarlo Bigazzi and Marco Falagiani, record producers and composers of a large series of Italian music famous songs and themes: the essence of this movie score is fully enclosed in the five notes of the main theme, both simple and evocative, immersed in a context of ethnic feel and Arabic/Oriental flavours. Except for some occasional modern sounds, the music of “Mediterraneo” is almost entirely produced by ‘popular’ and unconventional acoustic instruments: santouri, bouzouki, gavala, bagpipe, zurna, toubeleki, davul, rabeca and lyre.

The deep work of music research, composition and arrangement by the Bigazzi/Falagiani duo earned them the 1991 Globo d’oro Award. A soundtrack that is still memorable today, reissued exclusively by AMS Records on clear blue vinyl!

New music from the HBO Series. Euphoria — which paved the way for Labrinth’s opportunity to score the show. His soundtrack, due out in album form this Friday, hums with soft electricity, perfectly complementing the journey of the main character, Rue, a teenager caught in limbo between the euphoria of a drug high and the harsh consequences of addiction. “When you look back to your teenage days,” he says, “it feels semi-magical but semi-crazy and semi-psychotic. I wanted to make sure the music felt like those things.”

Stelvio Cipriani wrote a rhythmic score with a nostalgic feeling which is then reprised in bossa, suspense, and action music versions. Maestro Cipriani also composed a folk theme to describe the Mafia and Camorra characters who are fighting each other in the film. The LP closes by reprising the folk theme and the main theme. Stelvio Cipriani’s bravura as a piano soloist is also found in this OST. This LP was made possible thanks to the mono masters preserved in the historical archives of the RCA.
Directed in 1979 by Stelvio Massi. Starring Maurizio Merli, Mario Merola, Carmen Scarpitta, Francisco Rabal, Nando Marineo, Massimo Dapporto, Matilde C. Tisano, Massimo Mirani, Remo Varisco, Lidia Costanzo, Gianni Casifa, Anna Canzi, Nino Carillo.

Armando Trovajoli composed and directed a brilliant lounge-style soundtrack based on the main theme. It is introduced in the opening credits and sung by Mal dei Primivites on track1, and is then reprised with captivating instrumental arrangements. For the four protagonists, Maestro Trovajoli composed a jazz motif with a spylike atmosphere. Armando Trovajoli performs the scat singing with an airy piece using organ and tempo and performs the main theme on the piano. For this LP we were able to use the mono tapes from the recording session.
Directed in 1967 by Luigi Zampa. Starring Ursula Andress, Claudine Auger, Virna Lisi, Marisa Mell, Mario Adorf, Franco Fabrizi, Margherita Guzzinati, Brett Halsey, Marco Guglielmi, Nello Pazzafini, Luciano Salce, Giovanni Ivan Scratuglia, Lando Buzzanca, Vittorio Caprioli, Fred Williams, Frank Wolff, Lia Zoppelli, Jean-Pierre Cassel.

Waxwork Records is proud to present CHILLING ADVENTURES OF SABRINA Original Television Score And Soundtrack Season 1 (Parts 1 & 2)! Prepare to sign away your soul to the Dark Lord, because this deluxe triple LP will tempt even the most devout. Chilling Adventures Of Sabrina is a supernatural horror television series developed by Robert Aguirre-Sacasa based on the Archie comic book series of the same name. The series is centered on the character Sabrina Spellman, portrayed by Kiernan Shipka, who must reconcile her dual nature as a half witch, half mortal while fighting evil forces that threaten her, her family, and the daylight world humans inhabit.

The score by self-taught musician and composer Adam Taylor (The Handmaid’s Tale) is an orchestral powerhouse that moves from quirky to dark, tense, and terrifying. Through his score, Taylor effectively balances the quirky energy of Sabrina’s youth with evil, malevolent cues.

The soundtrack is loaded with classic hits from artists such as Creedence Clearwater Revival, The Cramps, Devo, Stray Cats, and many more. Also included on the soundtrack are the standout songs from the series “Always is Always Forever”, “Masquerade”, and “Blest Be The Tie That Binds” performed by the cast from Chilling Adventures Of Sabrina.

Packaging features full artwork by comic artist Robert Hack. Hack not only creates the instantly recognizable and classic artwork for the hit Sabrina comics for Archie Studios, but he also fully illustrated the opening title sequence for the Chilling Adventures Of Sabrina Netflix TV series. The score and soundtrack have been pressed to 180 gram colored vinyl featuring two variants: “Satanic Splatter” and solid red, orange, and yellow vinyl.

Chilling Adventures Of Sabrina Original Television Series Score And Soundtrack (Parts 1 & 2) Features:

The Series Score By Adam Taylor
The Series Soundtrack

Album Art by Robert Hack

n alternative soundtrack for Roy Andersson’s movie A Pigeon Sat on a Branch Reflecting on Existence

Emilie Zoé was invited in 2018 by the alternative film festival « 2300 plan 9 à Les Étranges Nuits du Cinéma » in La Chaux-de-Fonds, CH to create a live soundtrack for a movie of her choice. She asked Christian Garcia-Gaucher, who had recently produced her second album The Very Start, to join the project. They chose together Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence for its hypnotic rhythm and its overall contemplative atmosphere and worn out colors. Within a few days, they wrote a collection of delicate themes and slightly melancholic interludes that they could play along the original feature. The show sold out and it felt crucial to everyone that such an exciting project would not end there. They gathered few months later in Swiss producer Louis Jucker’s tiny attic studio to lay these sounds on rusty second hand tapes. These 11 demo tapes merged spontaneously into a rich collaborative album, that assembles lo-fi pop hits and intriguing field recordings into a surprisingly coherent whole.

Original Score composed by Academy Award winner Ryuichi Sakamoto

Original Motion Picture Soundtrack of the 2019 French Drama Film

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) the Italian combo Mokadelic returns with a brand new score, Sulla Mia Pelle, for one the most controversial movies around. Based on the despicable history of Stefano Cucchi, literally killed in prison by a bunch of policemen, the album renews the cinematic style of Mokadelic through a series of almost dramatic instrumental sketches. Equally informed by the post-rock of luminaries such as Godspeed You Black Emperor and Explosions In The Sky - not to mention the subtle rhythms of contemporary IDM (Boards Of Canada first came to mind) - the band delivers their signature with several epic moments. That is the real companion to a tragic feature film.

Japanese industrial/synth-duo Group A partner with choreographer/performer Dana Gingras, Montréal artist Sonya Stefan & Finnish lighting designer Mikko Hynninen for athe multimedia project. Performance, installation of televisions, sound, light and image converging to create an exhilarating event placing a living, breathing and transmuting body at the heart of the experience.

"Forever” is a special album that celebrates Alessandroni’s genius and represent his musical testament. Composed and arranged in Namibia during the last months of his life, the album is a stunning collection of orchestral tracks that reveal Alessandroni’s many virtues and abilities as a composer, arranger and multi-instrumentalist, fusing pop, jazz and classical music with his unique (Italian) touch.

In partnership with Milan Records, Waxwork Records is proud to announce the deluxe soundtrack vinyl release to COLOR OUT OF SPACE Original Motion Picture Soundtrack by Grammy Award-winning saxophonist and multi-instrumentalist, song writer and composer Colin Stetson!

Directed by Richard Stanley (Hardware, Dust Devil), Color Out of Space is based on the short story by H.P. Lovecraft. After a meteorite lands in the front yard of their farmstead, Nathan Gardner (Nicolas Cage) and his family find themselves battling a mutant extraterrestrial organism as it infects their minds and bodies, transforming their quiet rural life into a technicolor nightmare.

About Colin Stetson:

A highly-coveted collaborator to Bon Iver, Arcade Fire, Tom Waits, LCD Soundsystem, The National and more, Stetson brings with him an expansive body of work that includes both genre-defying, avant-jazz records as well as critically-acclaimed original scores for major film, television and game titles (Ari Aster’s Hereditary, Red Dead Redemption 2). Of the soundtrack, Stetson says:

"The question posed initially when conceiving of this score was what exactly is the sonic representation of a cosmic alien color that does not exist in this terrestrial reality? I began trying to answer that by layering the sounds of coral reefs, processing that cacophony and finding the order revealed through harmonic generation of these hyperdensities, and then continued to chase that same concept of 'transfiguring the natural' down every path and application I could see. Turns out it's somewhere between magenta and hot pink :)"

Waxwork Records is thrilled to present the complete soundtrack by Stetson pressed to 180 gram "Cosmic Magenta" swirled vinyl, housed within a heavyweight printed inner sleeve inserted into an old-style tip-on jacket with film laminate gloss coating, and new art by Matt Taylor.

Following Samurai Shodown 2019, Wayô Records and SNK Corporation once again join forces to deliver an international edition of Metal Slug 3’s original soundtrack, in honor of the game’s 20 anniversary! Originally exclusive to Japan, this album is now available in this double vinyl edition.

With its distinctive “rock orchestra” sound, the music for SNK’s series turned out to be as essential as the games themselves thanks to its uniqueness and incredible energy. Composed by the legendary SNK Sound Team, this soundtrack has a lot in common with the other titles in the series, but stands as the densest and most inspired. Filled with biting humor and explosive action, Metal Slug 3 is often regarded by fans as the best game in the series!

Franco Micalizzi wrote one of his best OSTs for the Poliziesco genre with this one (the main theme is one of Micalizzi’s favorites and he often performs it live in concert with his orchestra BIG Bubbling Band). The OST opens with the strong main score written for woodwinds and percussion, which is then reprised with different arrangements throughout the film. It is also alternated with moments of suspense. The violent urban jungle atmosphere is broken by "Sambamba", a sunny pop piece with a Latin sound written for choir and orchestra. For this LP, the master tapes of the recording session were used.

Maestro Egisto Macchi (Gruppo di Improvvisazione Nuova Consonanza - The Group) recorded this mystical ethnographic trip to the South of Italy imbued with its rites, superstitions, magical symbols and popular mythologies in 1977 for the TV Documentary 'Sud e Magia'. Astoundingly evoking the intensity, magic and psychedelia of its subject with the use of inventive and unconventional techniques (aerophones, crystal glasses, prepared piano), Macchi harmonizes kindred spirits from transcendental, religious and metaphysical sound forms. Produced in the Feeling Records Studios, Turin, which had the highest level of equipment and technicians, this pinnacle of experimenal library music is released for the first time with audio restored from the original masters tapes.

Luciano Michelini created symphonic background music that alternates romanticism with drama and mystery. Our LP opens with the theme of the opening credits, a dark motif produced by strings, percussion and piano which is reprised later in the film. A second recurring motif is a love theme that is introduced in a slow, romantic version with a modern arrangement that alternates with a fast, extravagant march. Initially only the mono mixed tapes were found, but further research into the RCA archives brought to light the stereophonic tape of a previously unreleased LP montage.

Dolemite is his name and rappin’ & tappin’ is his game! Eddie Murphy’s 15-year-old pet project about Rudy Ray Moore is absolutely one of the best feel good films in recent memory. Featuring music by Scott Bomar. The soundtrack is a loving homage to 1970’s funk and Blaxploitation scores that sounds contemporary and fresh rather than just leaning on the past. It’s fun, reverential and funky as all hell. Bomar has an incredible feel for funk and soul and it absolutely shines here. This vinyl edition features the full score plus tracks sung by Eddie Murphy, Craig Robinson & Da’Vine Joy Randolph.

To complete the the Orgasmo/Paranoia soundtrack set, Four Flies adds two songs to the cake (both not included in the LP version released today). An alternate take of Lydia MacDonald's “Fate Had Planned So”, more rhythmical and dynamic than the one used for the titles sequence, and the soul hit “Just Tell Me”, sung by Wess, and performed by his Airdales. A Fantastic funk-soul stomper, perfect to dance.

First time on vinyl for this utterly top level score composed by Luciano Michelini for the slasher/crime flick directed by Sergio Margino, "The Suspicious Death of a Minor" (Morte sospetta di una minorenne), and recorded in 1975 at Ortophonic Studio in Rome. The main theme echoes certain passages from Goblin’s “Deep Red” - recognizable by the use of the same church organ played a few months earlier by Claudio Simonetti’s hands for Dario Argento’s masterpiece, whilst the entire soundtrack sounds somehow “Goblinesque”, thanks to the prog-rock & funk action themes used for chases, murders, and suspense scenes. Remastered from the original reels preserved in the C.A.M. archives, this vinyl edition features new LP editing, and is housed in a hard tip-on sleeve with a stunning artwork designed by Luke Insect.

Ship to Shore PhonoCo. is proud to present the o cial OST to Adult Swim Games’ KINGSWAY by Landon
Podbielski. A loving tribute to Windows 95, KINGSWAY is an RPG quest like no other with a soundtrack
crafted to sound just like the MIDI melodies of the past.
300 units pressed. Available on blue vinyl.

Stelvio Cipriani and his unmistakable style accompany the adventures of the fearless policeman in this soundtrack, with alternating action themes and romantic motifs. In the opening credits, a rhythmic motif with electric guitars and percussion is peacefully introduced by a synthesizer and bells, which is then reprised at the end of the film. He also includes danceable disco themes, Bossa lounge music, music for Brigitte’s striptease in the nightclub and music for the chases. The sad and romantic side of the story is given intense passages with strings that reveal once again the great melodic side of the composer. For this LP, we were able to use the stereo master tapes of the recording session.

Ship to Shore PhonoCo. is very proud to present Vince Pope’s score to Issa López’s acclaimed dark fairy tale Tigers Are Not Afraid, on limited edition vinyl!

The film plays out as a dark fairytale, set against the harsh reality of a Mexican city in which a group of orphaned children living rough in the streets butt heads with the local murderous cartel, all the while their most recent addition - Estrella - is literally haunted by a dark presence…

The music helps weave the tapestry of the story together, dark ambient moments are punctuated with touching melodies that will pull at your heartstrings with a soundscape that is simultaneously creepy and melancholic in all the good ways.

The soundtrack is pressed onto an orange-with-black-splatter variant LP, and also comes with a voucher offering a 30 day free trial of Shudder!

A Mad Menagerie of Grindhouse Go-Go Grooves!

Girl In Gold Boots is Ted V. Mikels' (The Corpse Grinders) homage to the time tested 'small town girl moves to the big city to become a go-go dancer' story. And if a movie is ostensibly about go-go dancing, then we're gonna need some music to go-go to. And that's what this album you're now holding is all about. From the odd psych rocker 'Do You Want To Laugh Or Cry,' to a frenetic barrage of country soul. It's got some solid harmonica groovers, an odd xmas song and of course the banger of a title track!

Pressed on colored vinyl, and includes a DVD of the entire film with lots of extras!

Franco Micalizzi composed and conducted one of his most iconic OSTs for the crime drama genre with this soundtrack. Within the soundtrack emerges a recurring main theme, using a Moog synthesizer, that is then developed by an energetic woodwind section. It is then reprised in slow and fast versions. There is plenty of instrumental dance music and a romantic ballad with vocals. The leitmotif is alternated with suspenseful phrases written for strings.

Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual / erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in Bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film.

Collector’s edition strictly limited to 300 copies, with one insert.

Devon Goldberg's original score to director Kire Paputts' 2019 dark comedy feature-length film The Last Porno Show, performed by Morricone Youth, along with Cochemea Gastelum (Sharon Jones & The Dap Kings), Sean Mccaul (Philip Glass Ensemble), Karen Waltuch (Wilco, Jim O'rourke, JG Thirlwell) and Scott Hollingsworth (World/inferno Friendship Society). Limited edition of 500 copies with download card.

The Complete Film Score by West Dylan Thordson
180 Gram Double LP Fluorescent Purple Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Glass weaves together the unforgettable narratives of Unbreakable and Split in one explosive comic-book thriller. Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within him, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men. The film also stars Sarah Paulson as psychiatrist Dr. Ellie Staple.

Composer West Dylan Thordson reunited with Shyamalan for the Glass score. “I wanted to find sounds that felt brittle and sharp,” Thordson said. “Violin and metal percussion became clear voices for me to build from. Mainly, I wanted the combination of melody and dissonance in Glass to play to Elijah’s thrilling and playful energy. The longer gnarled sounds combined with the pristine orchestral elements seemed to work well to represent the melding of light and dark. To me, the score for Glass is largely about discovery and acceptance.”

West Dylan Thordson is an American film music composer. He is best known for his original scores to Joy, The Jinx: The Life and Deaths of Robert Durst, Foxcatcher, and M. Night Shyamalan's Split and Glass.

The Complete Film Score by West Dylan Thordson
180 Gram Double LP Yellow Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Split, a terrifying, breakneck thriller, centers on Kevin Wendell Crumb (James McAvoy), a man with dissociative identity disorder whose more sinister personalities (collectively known as The Horde) kidnap three teenage girls. The plan is to feed the “impure” girls to another of Crumb’s personalities, a superhuman creature known as The Beast. The final girl, Casey Cooke (Anya Taylor-Joy) is spared because The Beast sees scars covering Casey’s body, markers of child-hood abuse. Because Casey, unlike the other girls, has suffered, her heart is pure. “Rejoice,” The Beast tells her. “The broken are the more evolved.”

The Split score, by West Dylan Thordson, became the first collaboration between Shyamalan and the composer. Sonic, sinister and foreboding, the music was unlike any recorded for a film before. “I started by recording several loose takes of some simple harmonic bowing ideas with a cellist and violinist,” Thordson said. “The intention was to heavily modulate the captured sounds. While playing around with an idea in the past, I’d accidentally captured something like this and wanted to explore it more. The resulting sound was extremely chaotic, unpredictable, and scary. It felt haunted and seemed to capture the otherworldly, tortured, animalistic quality I was looking for. I wanted it to feel like “Jaws,” foreshadowing the existence of this malevolent being.”

The Complete Film Score by James Newton Howard
180 Gram Double LP "Aqua" Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Unbreakable, about a security guard named David Dunn (Bruce Willis) who becomes the sole survivor of a train wreck, posed the question of what would happen if superheroes were real. At the insistence of a mysterious, rare-comic-book collector named Elijah Price (Samuel L. Jack-son), who suffers from a medical condition that makes his bones shatter on the slightest impact, Dunn comes to believe that he has super strength and is impervious to injury or illness. Not only that, he has the ability to see or sense the evil deeds of others simply by touching them.

The Unbreakable score, by James Newton Howard, was the second collaboration between Shyamalan and Howard, following their work together on The Sixth Sense. The Unbreakable score experience was unlike any the composer had had before. “Night sat there and story-boarded the whole movie for me,” Howard said. “I’ve never had a director do that for me. He wanted something that was very different, very distinctive, that immediately evoked the movie when people heard it.”

Howard and Shyamalan chose to simplify the score, and minimized the number of instruments (strings, trumpets, and piano), with limited orchestrations. Some compositions were recorded in a converted church in London. “You could have recorded the same music in a studio in Los Angeles, and it would have been great, but there is something about the sound of that church studio,” Howard said. “It's definitely more misterioso.”

James Newton Howard is an American composer, conductor, and producer. He has scored more than 100 films and is the recipient of a Grammy Award, Emmy Award, and eight Academy Award nominations. His scores include The Fugitive, Batman Begins, The Dark Knight, and The Hunger Games film series.

Recently made available on Netflix and one of the flagship films in anime company Studio Ghibli’s stable, 1997’s Princess Mononoke also boasted a magnificent soundtrack and symphonic score by Joe Hisaishi. This soundtrack edition is performed by the Tokyo City Philharmonic Orchestra. Includes the Princess Mononoke Main Theme with vocals by Yoshikazu Mera. First-time on vinyl.

Image Album recorded ahead of soundtrack by Joe Hisaishi, based on the notes
which Director Miyazaki wrote about music when he was planning the movie.