Soundtracks 445 Items

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

Winner of the Grand Jury Prize at the 2016 Venice International Film Festival, Nocturnal Animals, Tom Ford’s haunting romantic thriller has been hailed as “a tour de force” (The Independent). Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves. Nocturnal Animals marks the second film from writer/director Ford, and his second collaboration with composer Korzeniowski. Their first collaboration, A Single Man, earned Korzeniowski his first Golden Globe nomination for Best Score. The score was a breakout for the composer, earning him the prestigious Discovery Award at the 2010 Ghent Film Festival’s World Soundtrack Awards. Korzeniowski has described his latest score to Nocturnal Animals as “embracing two extremes, but switching their traditional genre characterization. The crime plot is scored as an intimate, personal story, while the psychological drama is treated as a thriller. The cold and detached intertwines with poignant and excruciating, the simple and intimate becomes grand and bold." The composer’s passionate and evocative compositions have been met with critical and industry acclaim. His score to Ford’s latest film has The Hollywood Reporter stating “the tempestuous strings of Abel Korzeniowski’s lush score provide an additional ballsy flourish, explicitly nodding to Hitchcock and Sirk.”

Aesop Rock produced a gritty-sounding score for the intense thriller Bushwick.

Black and yellow vinyl.

Forrest Gump was the surprise hit of the 1994 summer movie season. The score was composed and conducted by Alan Silvestri and was nominated for Best Original Score in the 67th Academy Awards.

Previously released only as a promotional library music album, this 1975 cult score by eclectic musician, producer and composer Albert Verrecchia is finally available as a vinyl LP. While perfectly in line with the poliziottesco genre, the unique hybrid sound created by Verrecchia combines elements of funk, prog rock, and disco.

Available for the first time ever on vinyl is the 1974 soundtrack byAlessandro Alessandroni for the Giuliano Carmineo (as Anthony Ascott) directed Di Tresette ce n'è uno, tutti gli altri son nessuno, known in English as The Crazy Bunch. The sequel to Lo chiamavano Tresette... giocava sempre col morto (Man Called Invincible), the film is a goofy, slapstick comedy spaghetti-western, but the Maestro’s soundtrack is anything but goofy. Haunting, sparse, and riveting, the soundtrack is easily the best thing about this film and it’s presented here by Overdrive in a special color vinyl edition.

Lesbo" is a 1969 erotic film directed by Edoardo Mulargia, his only experiment in this genre within a filmography mostly focused on Western films and sentimental/romantic comedies. Calling "Lesbo" an underground film is practically an understatement, as no official home video releases of this movie seem to exist; its soundtrack instead has luckily survived to the present day and, given the caliber of its two composers, it could only be a terrific work.

The friendship between Francesco De Masi and Alessandro Alessandroni is even more dated than the artistic partnership that was later born between the most famous spaghetti western whistle and Morricone, and "Lesbo" is 'only' one of the various collaborations between these two composers. Introduced as usual by a sensual theme sung by a seducing female voice, this warm and Mediterranean-flavoured soundtrack has numerous variations with a romantic/symphonic, lounge, even jazz taste, with some typically 'Morriconian' moments of tension too.

An extremely varied work, therefore, of which in 1969 - the year the film was released in theaters - only eight tracks were published on the single side of an LP containing, in addition to the soundtrack of "Lesbo", also that of "L'amore questo sconosciuto" on side B. Recently reissued with the addition of numerous bonus tracks, it is here in its full version - 24 tracks! - on vinyl for the first time ever.

180gr. black vinyl with gatefold cover edition.

There's something so raw, lively, and evocative about the Mutazione soundtrack. During some spurts, it evokes the punk rock-fueled chaos and spilled beer aroma of hearing Joan Jett obliterate your ears at a small club during her early days. Then, just like that, you are enveloped by the luscious lullaby-like essence of Portishead on the next track. Then, another evolution on this musical journey: the rock n' roll of Radiohead, as if sipped from a Twin Peaks pint glass. The impressive magic of composer Alessandro Coronas is how he balances it all, encapsulating the emotion of profound rebellion, all the while, staying married to melancholy. This could very well be your new favorite record, even if you've never played the game - but bonus aural emotions if you have!

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

Limited transparent orange colored vinyl LP pressing. Original soundtrack to the videogame The Scott Pilgrim vs. The World: The Game recorded by Chiptone-Punk band, Anamanaguchi.

Black Screen Records and Toge Productions teamed up to release Andrew Jeremy’s soothing, relaxing and jazzy lo-fi soundtrack to their coffee brewing and heart-to-heart talking simulator “Coffee Talk” on limited edition cassette tape. The soundtrack will be available mint green and bronze tapes with stunning original artwork by Natto.

"Jazzy chords, hip-hop beats, vinyl crackles, a chilled mind and heart, and a prayer, that’s all you need to make music for ‘Coffee Talk’. It’s soothing, relaxing and most importantly, keeping the warmth of your heart." - Andrew Jeremy, game producer and music composer.

“Coffee Talk” is a game about listening to people’s problems and helping them by serving up a warm drink out of the ingredients you have in stock. It is a game that depicts lives as humanly as possible, while having a cast that is more than just humans. Immerse yourself in the stories of alternative-Seattle inhabitants, ranging from a dramatic love story between an elf and a succubus, an alien trying to understand humans’ lives, and many others modern readers will find strongly echo the world around them.

Black Screen Records and Toge Productions teamed up to release Andrew Jeremy’s soothing, relaxing and jazzy lo-fi soundtrack to their coffee brewing and heart-to-heart talking simulator “Coffee Talk” on limited edition cassette tape. The soundtrack will be available mint green and bronze tapes with stunning original artwork by Natto.

"Jazzy chords, hip-hop beats, vinyl crackles, a chilled mind and heart, and a prayer, that’s all you need to make music for ‘Coffee Talk’. It’s soothing, relaxing and most importantly, keeping the warmth of your heart." - Andrew Jeremy, game producer and music composer.

“Coffee Talk” is a game about listening to people’s problems and helping them by serving up a warm drink out of the ingredients you have in stock. It is a game that depicts lives as humanly as possible, while having a cast that is more than just humans. Immerse yourself in the stories of alternative-Seattle inhabitants, ranging from a dramatic love story between an elf and a succubus, an alien trying to understand humans’ lives, and many others modern readers will find strongly echo the world around them.

Colored vinyl.

One of Entertainment Weeklies 100 Best Soundtracks Of All Time!

A precursor to Lynch’s Twin Peaks and Mulholland Drive, Blue Velvet sets a template for ethereal noir soundtracks in a modern, quite disturbed age. “The shock of the new fades by definition, but it has hardly done so in the case of Blue Velvet.” Dennis Lim, Salon, 2016

"The haunting soundtrack accompanies the title credits, then weaves through the narrative, accentuating the noir mood of the film." - John Alexander, The British Film Resource

You know that feeling you get when you’re shook awake in mid-dream? You were teetering on the ledge of a building, or maybe trying to free a butterfly from a spider web while wearing cricket gloves? Perhaps you’re running late for a train and your short cut takes you through a bad part of town, you’re being followed but the ever changing reflection in the shop window is a younger you, a healthier person – with a better hairstyle. It’s an anxiety thing, an off-kilter almost world, best summed up on the soundtrack for Blue Velvet, David Lynch’s 1986 film that nods somnambulantly to the shadowy netherworld of film noir. Oedipal fantasies, finding a severed ear on your way home, voyeurism, crime and retribution, violence; they’re all there in abundance in the movie, a rotten sleazy commercialism set off against a set of strange situations that the edge of the seat is never far away from. And what soundtrack would suit such an experience? Of course a mix of orchestral pieces from composer and conductor Angelo Badalamenti inspired by Shoshtakovich’s 15th Symphony (which rumour has it Lynch played onset to create the ‘mood’) mixed up with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive’s jukebox. That awkward mix plays itself out in Isabella Rossellini as Dorothy’s rendition of the song ‘Blue Velvet’ that melds beautifully and indeed hauntingly into ‘Blue Star’, a broken piece of vintage pop. Similarly, the track ‘Going Down To Lincoln’ with its narrative audio shtick takes all of the previously-mused elements to create a perfectly disjointed travelogue. The soundtrack album starts with Bernard Hermann-styled Hitchcock-esque strings and violin slashes, which dally before deconstructing the themes and motifs into a disturbing procession that climaxes with Julee Cruise’s funereal ‘Mysteries Of Love’, a fittingly titled epilogue to an epic that concludes with the hero’s true love’s reality of a simplistic birdsong dream from earlier in the film. It’s a cyclical trip that feeds directly back to the beginning and, yes, there’s that severed ear again, now ant infested laying on the ground, proving that dreams become real, or is it reality that becomes a dream?

Fire Walk With Me is an altogether more brooding affair than the Twin Peaks series soundtrack. Badalamenti won a grammy for the title track of this LP and it's not hard to see why- it's dangerous, and bursting with smokey jazz thanks to Jimmy Scott. We went back to the master tapes in the Warner Archives and had this recut to fit across two LPs as the score clocks in at 51 minutes. It sounds incredible and punchy, but super nuanced too.

From the brooding opening bars of the main Fire Walk With Me Theme, Angelo Badalamenti's gorgeous, eerie score introduces us to a cinematic experience which significantly begins with the smashing of a television screen. Just as the Main Title from Blue Velvet echoed the Hitchcockian hues of Bernard Herrmann, so here we have just the slightest touch of Taxi Driver, as Jim Hynes' plaintive, keening trumpet soars above a landscape of melancholy keyboards, drawing us into a world which is at once alien and familiar.

This release is housed in a 425-gsm gatefold sleeve inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip and sleeve notes by film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti The artwork got fully approved by the director as the audio got approved by the composer
The 180-gram „Cherry Pie“ vinyl 2LP got remastered by Tal Miller at Warner Archives, while laquers were cut by David Cheppa at Plush Vinyl.

still sealed. Cover has slight ring wear.

Limited Edition.
White Vinyl.
Sealed copy, cover with a dented corner.