Soundtracks 351 Items

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

Winner of the Grand Jury Prize at the 2016 Venice International Film Festival, Nocturnal Animals, Tom Ford’s haunting romantic thriller has been hailed as “a tour de force” (The Independent). Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves. Nocturnal Animals marks the second film from writer/director Ford, and his second collaboration with composer Korzeniowski. Their first collaboration, A Single Man, earned Korzeniowski his first Golden Globe nomination for Best Score. The score was a breakout for the composer, earning him the prestigious Discovery Award at the 2010 Ghent Film Festival’s World Soundtrack Awards. Korzeniowski has described his latest score to Nocturnal Animals as “embracing two extremes, but switching their traditional genre characterization. The crime plot is scored as an intimate, personal story, while the psychological drama is treated as a thriller. The cold and detached intertwines with poignant and excruciating, the simple and intimate becomes grand and bold." The composer’s passionate and evocative compositions have been met with critical and industry acclaim. His score to Ford’s latest film has The Hollywood Reporter stating “the tempestuous strings of Abel Korzeniowski’s lush score provide an additional ballsy flourish, explicitly nodding to Hitchcock and Sirk.”

Waxwork Records is proud to present CHILLING ADVENTURES OF SABRINA Original Television Score And Soundtrack Season 1 (Parts 1 & 2)! Prepare to sign away your soul to the Dark Lord, because this deluxe triple LP will tempt even the most devout. Chilling Adventures Of Sabrina is a supernatural horror television series developed by Robert Aguirre-Sacasa based on the Archie comic book series of the same name. The series is centered on the character Sabrina Spellman, portrayed by Kiernan Shipka, who must reconcile her dual nature as a half witch, half mortal while fighting evil forces that threaten her, her family, and the daylight world humans inhabit.

The score by self-taught musician and composer Adam Taylor (The Handmaid’s Tale) is an orchestral powerhouse that moves from quirky to dark, tense, and terrifying. Through his score, Taylor effectively balances the quirky energy of Sabrina’s youth with evil, malevolent cues.

The soundtrack is loaded with classic hits from artists such as Creedence Clearwater Revival, The Cramps, Devo, Stray Cats, and many more. Also included on the soundtrack are the standout songs from the series “Always is Always Forever”, “Masquerade”, and “Blest Be The Tie That Binds” performed by the cast from Chilling Adventures Of Sabrina.

Packaging features full artwork by comic artist Robert Hack. Hack not only creates the instantly recognizable and classic artwork for the hit Sabrina comics for Archie Studios, but he also fully illustrated the opening title sequence for the Chilling Adventures Of Sabrina Netflix TV series. The score and soundtrack have been pressed to 180 gram colored vinyl featuring two variants: “Satanic Splatter” and solid red, orange, and yellow vinyl.

Chilling Adventures Of Sabrina Original Television Series Score And Soundtrack (Parts 1 & 2) Features:

The Series Score By Adam Taylor
The Series Soundtrack

Album Art by Robert Hack

The first release on sister label of SN Variations, Constructive is the music for the third and final season of Tin Star,Tin Star Liverpool starring Tim Roth, Genevieve O'Reilly and Abigail Lawrie. Released on digital and in a limited edition of 300 neon yellow vinyl.Performed by Orchestrate (Mica Levi,Bobby Krilc) and with field recordings by Chris Watson.

Aesop Rock produced a gritty-sounding score for the intense thriller Bushwick.

Converging at a cultural terminus that bridges Belgian electronic music, French comic book culture and the cream of the cinéma fantastique film genre, this rescued and previously unreleased multi-discipline art film soundtrack entwines unlikely links between the likes of Daniel Schell's Cos, French vampire film director Jean Rollin, Tintin, dark ambient pioneer Igor Wakhévitch, Heavy Metal magazine, Moebius, Alejandro Jodorowsky, choreographer Maurice Béjart, musique concrète legends François Bayle and Luc Ferrari, and some of the most notorious examples of pre-certificate Video Nasties and Mondo cinema. Needless to say the empty branch on the Finders Keepers family tree reserved for synthesist, sound designer and ethnological instrument enthusiast Alain Pierre is ready to bare some very strange fruit.

The recent rediscovery of this 1974 short film documenting revered cosmic comic artist Philippe Druillet and the creation of one of his finest works has given fans and enthusiasts of counter culture comic design, sci-fi pop art, and French Futurism a rare glimpse and insight into a master at work during his creative halcyon. Directed by Swiss-born Michel Jakar, the film Ô Sidarta, (named after a seminal design created for French/Belgian bandes dessinée monthly Pilote) not only explored the mind-set and applied techniques of the artist, it also witnessed the master painter in his natural habitat, at home amongst gothic decor, while seizing the opportunity to animate some of the artist’s best work via quick-fire edits and cross-fades accompanied by the all-important back drop of Alain Pierre's unique, multi-layered and potentially ground breaking space raga soundtrack.

US original.

Forrest Gump was the surprise hit of the 1994 summer movie season. The score was composed and conducted by Alan Silvestri and was nominated for Best Original Score in the 67th Academy Awards.

Available for the first time ever on vinyl is the 1974 soundtrack byAlessandro Alessandroni for the Giuliano Carmineo (as Anthony Ascott) directed Di Tresette ce n'è uno, tutti gli altri son nessuno, known in English as The Crazy Bunch. The sequel to Lo chiamavano Tresette... giocava sempre col morto (Man Called Invincible), the film is a goofy, slapstick comedy spaghetti-western, but the Maestro’s soundtrack is anything but goofy. Haunting, sparse, and riveting, the soundtrack is easily the best thing about this film and it’s presented here by Overdrive in a special color vinyl edition.

"Forever” is a special album that celebrates Alessandroni’s genius and represent his musical testament. Composed and arranged in Namibia during the last months of his life, the album is a stunning collection of orchestral tracks that reveal Alessandroni’s many virtues and abilities as a composer, arranger and multi-instrumentalist, fusing pop, jazz and classical music with his unique (Italian) touch.

Deus Ex is one of the most revered games in history, featured on many "best games of all time" lists. It broke new ground with player choice and depth of story for a first-person experience. And the soundtrack, which establishes a unique, futuristic gritty atmosphere, is highly regarded to this day.

Now, two of the original composers, Alexander Brandon and Michiel van den Bos, have returned to the soundtrack they first wrote 20 years ago. In revisiting some of the game's most iconic themes, they have decided to keep some tracks true to the original, touched up using modern production techniques; other tracks are fully reimagined and will give even dedicated fans something new to listen to. It's a celebration of two decades of Deus Ex and a "thank you" to the fans who have kept their love for the game alive over the years.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

Composed and Performed by:- Alison Chesley (Helen Money)- Steve Albini (Shellac, Big Black)- Tim Midyett (Mint Mile, Silkworm)- Guest vocals on "Irish" by Gaelynn Lea- Full-color gatefold jacket featuring drawing by Jay Ryan//When director Travis Stevens called about composing musicfor his new horror film, Steve Albini found himself with a new creative challenge. After meeting with Stevens and Queensbury Pictures, Steve signed on and recruited Tim Midyett, and Alison Chesley to complete the ensemble that would compose and record the soundtrack. Upon completion of the soundtrack, Albini refllected, "Tim and Alison are a joy to work with, very open-minded and eager, and master musicians. Just great. That whole part of it, writing and playing with them, was fucking fantastic and effortless, and I wish I could do it all the time."

2xLP Black Hole Vinyl ClothWrapped, TipOn Gatefold Jacket Music by Andrew Prahlow Album Art by Ian Jacobson Mastered for Vinyl by Townsend Mastering While the acoustic comforts of a home stereo are typically recommended when listening to vinyl, Outer Wilds requires a different setting. You’ll want to lug your audio rig into the wilderness and plant it amongst nature, where you can truly soak yourself in darkness drenched star-gazing. Composer Andrew Prahlow’s prolific score is the kind of hopeful, transcendent soundtrack that instantly readjusts your demeanor to a state of awe, reminding you just how vast the universe is. There’s no better way to explore your inner self — proverbially roasting marshmallows alongside banjo strumming — than with this beautiful, poignant masterpiece of an album. Even more secrets await within its grooves, but we’d be remiss in revealing those here and spoiling a delightful surprise.

One of Entertainment Weeklies 100 Best Soundtracks Of All Time!

A precursor to Lynch’s Twin Peaks and Mulholland Drive, Blue Velvet sets a template for ethereal noir soundtracks in a modern, quite disturbed age. “The shock of the new fades by definition, but it has hardly done so in the case of Blue Velvet.” Dennis Lim, Salon, 2016

"The haunting soundtrack accompanies the title credits, then weaves through the narrative, accentuating the noir mood of the film." - John Alexander, The British Film Resource

You know that feeling you get when you’re shook awake in mid-dream? You were teetering on the ledge of a building, or maybe trying to free a butterfly from a spider web while wearing cricket gloves? Perhaps you’re running late for a train and your short cut takes you through a bad part of town, you’re being followed but the ever changing reflection in the shop window is a younger you, a healthier person – with a better hairstyle. It’s an anxiety thing, an off-kilter almost world, best summed up on the soundtrack for Blue Velvet, David Lynch’s 1986 film that nods somnambulantly to the shadowy netherworld of film noir. Oedipal fantasies, finding a severed ear on your way home, voyeurism, crime and retribution, violence; they’re all there in abundance in the movie, a rotten sleazy commercialism set off against a set of strange situations that the edge of the seat is never far away from. And what soundtrack would suit such an experience? Of course a mix of orchestral pieces from composer and conductor Angelo Badalamenti inspired by Shoshtakovich’s 15th Symphony (which rumour has it Lynch played onset to create the ‘mood’) mixed up with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive’s jukebox. That awkward mix plays itself out in Isabella Rossellini as Dorothy’s rendition of the song ‘Blue Velvet’ that melds beautifully and indeed hauntingly into ‘Blue Star’, a broken piece of vintage pop. Similarly, the track ‘Going Down To Lincoln’ with its narrative audio shtick takes all of the previously-mused elements to create a perfectly disjointed travelogue. The soundtrack album starts with Bernard Hermann-styled Hitchcock-esque strings and violin slashes, which dally before deconstructing the themes and motifs into a disturbing procession that climaxes with Julee Cruise’s funereal ‘Mysteries Of Love’, a fittingly titled epilogue to an epic that concludes with the hero’s true love’s reality of a simplistic birdsong dream from earlier in the film. It’s a cyclical trip that feeds directly back to the beginning and, yes, there’s that severed ear again, now ant infested laying on the ground, proving that dreams become real, or is it reality that becomes a dream?

Fire Walk With Me is an altogether more brooding affair than the Twin Peaks series soundtrack. Badalamenti won a grammy for the title track of this LP and it's not hard to see why- it's dangerous, and bursting with smokey jazz thanks to Jimmy Scott. We went back to the master tapes in the Warner Archives and had this recut to fit across two LPs as the score clocks in at 51 minutes. It sounds incredible and punchy, but super nuanced too.

From the brooding opening bars of the main Fire Walk With Me Theme, Angelo Badalamenti's gorgeous, eerie score introduces us to a cinematic experience which significantly begins with the smashing of a television screen. Just as the Main Title from Blue Velvet echoed the Hitchcockian hues of Bernard Herrmann, so here we have just the slightest touch of Taxi Driver, as Jim Hynes' plaintive, keening trumpet soars above a landscape of melancholy keyboards, drawing us into a world which is at once alien and familiar.

This release is housed in a 425-gsm gatefold sleeve inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip and sleeve notes by film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti The artwork got fully approved by the director as the audio got approved by the composer
The 180-gram „Cherry Pie“ vinyl 2LP got remastered by Tal Miller at Warner Archives, while laquers were cut by David Cheppa at Plush Vinyl.

still sealed. Cover has slight ring wear.

Armando Trovajoli composed and directed a brilliant lounge-style soundtrack based on the main theme. It is introduced in the opening credits and sung by Mal dei Primivites on track1, and is then reprised with captivating instrumental arrangements. For the four protagonists, Maestro Trovajoli composed a jazz motif with a spylike atmosphere. Armando Trovajoli performs the scat singing with an airy piece using organ and tempo and performs the main theme on the piano. For this LP we were able to use the mono tapes from the recording session.
Directed in 1967 by Luigi Zampa. Starring Ursula Andress, Claudine Auger, Virna Lisi, Marisa Mell, Mario Adorf, Franco Fabrizi, Margherita Guzzinati, Brett Halsey, Marco Guglielmi, Nello Pazzafini, Luciano Salce, Giovanni Ivan Scratuglia, Lando Buzzanca, Vittorio Caprioli, Fred Williams, Frank Wolff, Lia Zoppelli, Jean-Pierre Cassel.

Pressed on 180 Gram Black Vinyl with artwork by Alex Pardee

Mondo, in association with Squanch Games, is proud to present the premiere release of Asy Saavedra’s soundtrack to the 2019 sensation Trover Saves The Universe.

Created by Justin Roiland (Rick And Morty, Solar Opposites) the world of Trover is littered with mind-bending, and literal eye-popping visuals. But underneath, lies one of the most inventive soundtracks for the medium, period.

Asy Saavedra (chaos chaos) has created a sonic playground that so sublime and saturated it practically melts into your ears. equal parts pop, synth and dance, its an album featuring beats that scream to be sampled in the years to come. Play this album loud.

Limited to 500 copies.

Paddy Kingsland was the first Radiophonic composer to see a solo release of his compositions, although he is not credited on the sleeve. "Fourth Dimension", first released in 1973, showcased Kingsland's theme tunes for television and radio while at the BBC Radiophonic Workshop. The recordings feature a rock-style backing band and synthesisers including the VCS 3 and "Delaware" Synthi 100, and the track "Reg" from the album was also released as the B side to the 1973 single release of the iconic Doctor Who theme tune. Kingsland remained at the workshop for 21 years, leaving in 1981, during which time he composed music for much loved TV shows The Changes, Doctor Who and The Hitchhikers Guide to the Galaxy among others.

2xLP reissue housed in an all-new wide spine jacket
Album art by cardboard computer
Music by Ben Babbitt and The Bedquilt Ramblers
DESCRIPTION

I’m going that way…

Kentucky Route Zero is nothing short of an American epic, a magical realist road-tripping saga spanning nearly a decade of development powered by stunning visual landscapes, surrealist, dreamlike dialogue, and, of course, unforgettable music.

We at iam8bit are proud to partner with developer Cardboard Computer and publisher Annapurna Interactive to bring you that soundtrack, the way it’s best experienced: On wax. This reissue of the Kentucky Route Zero 2xLP comes in a new wide-spine jacket, featuring the original art from Cardboard Computer themselves.

The iconic, soulfully twangy but still somehow otherworldly and ethereal soundscapes from Ben Babbitt and The Bedquilt Ramblers come to life on high-quality, black vinyl, letting you relive the road trip again and again, just through the power of your turntable. And as a bonus, we’ve included a digital download of the soundtrack, at no additional cost.

You can’t tell the story of indie games in the 2010s without Kentucky Route Zero. Don’t miss out.

Death Waltz Recording Company brings us what is likely to be a future classic in the form of Ben Lovett’s sophisticated electronic score to science fiction thriller "Synchronicity". Starring mumblecore specialist AJ Bowen (YOU’RE NEXT) and cult hero Michael Ironside (SCANNERS), "Synchronicity" is about an inventor that creates a time machine and uses it to go back in time to stop the potential theft of the technology. Lovett’s music recalls all the obvious candidates for these types of scores, John Carpenter, Vangelis, Tangerine Dream, but while he stands on the shoulders of giants he still manages to create something that exists on its own terms.

"Synchronicity" is all about immersion; the score wraps you up in it and massages your senses before taking you on a beautiful but dangerous journey. It feels like a dream, with Lovett’s evocative soundscapes modulating and pulsating to augment the pervasive synth melodies. Much of it is ominous, foreboding – it flows between serenity and paranoia, but it always coheres into the kind of experience that is almost impossible to replicate. The future, the past, the present: they’re all here, and "Synchronicity" feels both futuristic and timeless. It is what it is, a beautiful contradiction.

Still sealed.

Multicoloured splattered vinyl seems unplayed. 75 copies promo pressing edition.

Purple Vinyl Edition

Deluxe Limited Edition.
Includes poster.

Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual / erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in Bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film.

Vinyl with light scuffs and hairlines.