Soundtracks 377 Items

Akira Ifukube’s mighty score to the legendary monster movie that started it all, ‘Godzilla’! Ifukube’s visionary music is super dark reflecting the horror of Ishiro Honda’s film. This incredible score music alternates between brass and strings as we witness the death and destruction that comes in Godzilla’s wake.

Previously released only as a promotional library music album, this 1975 cult score by eclectic musician, producer and composer Albert Verrecchia is finally available as a vinyl LP. While perfectly in line with the poliziottesco genre, the unique hybrid sound created by Verrecchia combines elements of funk, prog rock, and disco.

Lesbo" is a 1969 erotic film directed by Edoardo Mulargia, his only experiment in this genre within a filmography mostly focused on Western films and sentimental/romantic comedies. Calling "Lesbo" an underground film is practically an understatement, as no official home video releases of this movie seem to exist; its soundtrack instead has luckily survived to the present day and, given the caliber of its two composers, it could only be a terrific work.

The friendship between Francesco De Masi and Alessandro Alessandroni is even more dated than the artistic partnership that was later born between the most famous spaghetti western whistle and Morricone, and "Lesbo" is 'only' one of the various collaborations between these two composers. Introduced as usual by a sensual theme sung by a seducing female voice, this warm and Mediterranean-flavoured soundtrack has numerous variations with a romantic/symphonic, lounge, even jazz taste, with some typically 'Morriconian' moments of tension too.

An extremely varied work, therefore, of which in 1969 - the year the film was released in theaters - only eight tracks were published on the single side of an LP containing, in addition to the soundtrack of "Lesbo", also that of "L'amore questo sconosciuto" on side B. Recently reissued with the addition of numerous bonus tracks, it is here in its full version - 24 tracks! - on vinyl for the first time ever.

180gr. black vinyl with gatefold cover edition.

There's something so raw, lively, and evocative about the Mutazione soundtrack. During some spurts, it evokes the punk rock-fueled chaos and spilled beer aroma of hearing Joan Jett obliterate your ears at a small club during her early days. Then, just like that, you are enveloped by the luscious lullaby-like essence of Portishead on the next track. Then, another evolution on this musical journey: the rock n' roll of Radiohead, as if sipped from a Twin Peaks pint glass. The impressive magic of composer Alessandro Coronas is how he balances it all, encapsulating the emotion of profound rebellion, all the while, staying married to melancholy. This could very well be your new favorite record, even if you've never played the game - but bonus aural emotions if you have!

Black Screen Records and Toge Productions teamed up to release Andrew Jeremy’s soothing, relaxing and jazzy lo-fi soundtrack to their coffee brewing and heart-to-heart talking simulator “Coffee Talk” on limited edition cassette tape. The soundtrack will be available mint green and bronze tapes with stunning original artwork by Natto.

"Jazzy chords, hip-hop beats, vinyl crackles, a chilled mind and heart, and a prayer, that’s all you need to make music for ‘Coffee Talk’. It’s soothing, relaxing and most importantly, keeping the warmth of your heart." - Andrew Jeremy, game producer and music composer.

“Coffee Talk” is a game about listening to people’s problems and helping them by serving up a warm drink out of the ingredients you have in stock. It is a game that depicts lives as humanly as possible, while having a cast that is more than just humans. Immerse yourself in the stories of alternative-Seattle inhabitants, ranging from a dramatic love story between an elf and a succubus, an alien trying to understand humans’ lives, and many others modern readers will find strongly echo the world around them.

Black Screen Records and Toge Productions teamed up to release Andrew Jeremy’s soothing, relaxing and jazzy lo-fi soundtrack to their coffee brewing and heart-to-heart talking simulator “Coffee Talk” on limited edition cassette tape. The soundtrack will be available mint green and bronze tapes with stunning original artwork by Natto.

"Jazzy chords, hip-hop beats, vinyl crackles, a chilled mind and heart, and a prayer, that’s all you need to make music for ‘Coffee Talk’. It’s soothing, relaxing and most importantly, keeping the warmth of your heart." - Andrew Jeremy, game producer and music composer.

“Coffee Talk” is a game about listening to people’s problems and helping them by serving up a warm drink out of the ingredients you have in stock. It is a game that depicts lives as humanly as possible, while having a cast that is more than just humans. Immerse yourself in the stories of alternative-Seattle inhabitants, ranging from a dramatic love story between an elf and a succubus, an alien trying to understand humans’ lives, and many others modern readers will find strongly echo the world around them.

During the maiden voyage into an expansive vat of unreleased music by Polish composer Andrzej Korzynski, Finders Keepers Records originally presented his previously unreleased electro / orchestral / experimental score for Andrzej Zulawski's surrealist '80s horror classic Possession in 2012. These 25 cues were written and recorded exclusively for the 1981 award-winning film starring Isabelle Adjani and Sam Neil, but due to the progressive, stark and modernist nature of the finished film less than half of them made it on to the actual director's cut—leaving many of the tracks on this package totally unheard outside of Korzynski's studio. The intended Possession score in its entirety marks an important axis in Korzynski's career where his various musical disciplines overlap. In one respect it marks his first forays into to synth driven electronics and disco drum machines, while other tracks epitomize the well-honed techniques used in previous Zulawski scores, such as Third Part Of The Night and The Devil, which rely on his inimitable orchestral arrangements and combination of clavinet, Rhodes, piano and electric guitar. Available once again on black 12" vinyl for the first time since its original release some 11 years ago, Finders Keepers' ongoing commitment to the important restoration of Korzynski's music aims to shed new light on the seldom manufactured productions of the composer whose vast cinematic catalogue warrants overdue global status alongside other golden era Eastern European composers such as Kryzstof Komeda, Jan Hammer, and Zdenek Liska—not to mention the best of the French and Italian soundtrackers, such as Roubaix, Vannier, and Nicolai. Duplicated and carefully remastered directly from Korzynski's original master tapes this album boasts the uninhibited studio experiments and retains the pre-cut ambience.

As one of the most triumphant and beguiling directorial debut features to emerge from the fruitful Polish New Wave, Andrzej Żuławski’s 1971 film Third Part Of The Night not only earned the thirtyyear- old filmmaker a place next to other radical Polish directors such as Polanski, Skolimowski and Has, but also galvanised a creative bond with long running collaborator and composer Andrzej Korzyński, providing fans of foreign abstract/suspense cinema with a potent creative fusion to match those of Polanski/Komeda, Fellini/Rota, Argento/Goblin…

Featuring one of the heaviest psych rock movie theme tunes of all time, Andrzej Korzyński’s short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, François de Roubaix and Alain Goraguer, creating a soundtrack that unknowingly begs comparison to Masahiko Satô’s Belladonna of Sadness and Billy Green’s Stone. As one of the first progressive pop writers to come out of the vibrant (but carefully scrutinised) Polish beat scene with his bands Ricecar 64 and later Arp Life (and composing for national heroes such as Czesław Niemen, Niebiesko-Czarni and Test) Korzyński’s growing passion for conceptual rock and jazz music soon led to instrumental composition and soundtrack scores. His cinematic debuts scoring two consecutive transitional new wave films for Andrzej Wajda (in collaboration with the radical Polski pop groups Trubadurzy and Grupa Abc) also provided Korzyński with another significant cinematic muse in that of the stunning actress Małgorzata Braunek, with whom they would both eventually achieve their finest performances under the direction of the ravenous first timer Żuławski. Third Part Of The Night (1971) perhaps epitomises that triangular on-screen unison in its vibrant youth and feeds it through a hallucinogenic mangle finding astonishing beauty (within a repulsive synopsis) against a bleak and shattered backdrop and accompanied by progressive, psychedelic orchestral rock music – elements which would intensify for all three creatives with the next film Diabeł, which was banned by the Polish government the following year until 1988. Third Part Of The Night also marks the public unison of Żuławski and Braunek whose later private romantic relationship is said to form the basis for another defining Żuławski/Korzyński endeavour with the 1981 film Possession exactly a decade later, encapsulating a period that bequeaths a previously unopened vault of some of the the composers finest and most inspired sonic adventures.

Finally on vinyl!

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

Transversales is very glad to announce the release of Mémoire Magnétique Vol. 2 spanning 1966-1993, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some eighty two concerts music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also musical pieces for dance, stage or television. If many of his pieces are landmarks in the history of electroacoustic music (De Natura Sonorum, La Roue Ferris…), his application music compositions are strongly embedded in the subconscious landscape of the French public (Stade 2, Roissy Paris Airport…). The second volume of this compilation allows us to discover some of unreleased rarities from Bernard Parmegiani’s personal archives and unpublished recordings which were composed for the screen or the performing arts.

Second volume of music from the hit Fox TV show. The Emmy-winning, top-rated show was named one of the 60 Greatest TV Cartoons of All Time by TV Guide. In addition to the show's cast, the album features high-profile guests, including Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). Bob's Burgers audience is wide-ranging: strong performance with 15-25 year olds, median viewing age of 37, 35 share among males 35-54 and a 16 share of females in the same group. Campaign will include promotion from the cast and show production team. Past seasons are in heavy syndication and available on major streaming platforms. The Bob's Burgers Music Album Vol. 2 includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family - Bob (H. Jon Benjamin), Linda (John Roberts), Tina (Dan Mintz), Gene (Eugene Mirman) and Louise (Kristen Schaal) - as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone," or do whatever you're gonna do to "Sexy Little Tiger" but don't miss the Bob's Burgers Music Album Vol. 2. Fans, your order is up.

Augustus Muller and Jae Matthews’ fifth release entitled ‘The Runner (Original Soundtrack)’ is not a traditional album. Rather, it is the soundtrack to a short film, also entitled ‘The Runner’. The film, written, produced, and directed by the duo, is a searching horror film, attached to a meta-style “documentary” about Boy Harsher’s recording process. The album includes several distinct components: cinematic arrangements, vocal features, and of course classic Boy Harsher dark pop. Both the album and short film will be released in January 2022.

The album opens with “Tower”. The only track on ‘The Runner (Original Soundtrack)’ that Boy Harsher has previously played live, but never recorded. The song is an incantation, with its pulsing synth and Jae’s begging vocals. A spell about desire and impending destruction. Jae asks 'But are you honest? Do you trust? You trust in me?' Questions answered by her desperate yells. It starts both the film and the soundtrack with a heavy presence.

Two songs on ‘The Runner (Original Soundtrack)’ feature vocalists other than Jae Matthews. He allows a distinct sound for both vocalists and really leans into the possibility of divergent genres. “Machina”, is a Hi-nrg homage, performed by Mariana Saldaña of Boan, and “Autonomy” a new wave tribute, performed by Cooper B. Handy of Lucy. Augustus Muller fully embraces the soundtrack ethos, by creating fictional ‘bands’ to generate additional content.

‘The Runner (Original Soundtrack)’ is exactly what’s in the name: a soundtrack. At first the shape of the release was nebulous - yet once realized the album is dynamic. It serves as the story of the running figure and her musical accompaniment. Those expecting a traditional release will be surprised, but not disappointed.

In the cinema, the composer must go to meet the filmmakers, enter their world, but without giving up his own. This is the difficulty or the paradox of music for the image. By collaborating with directors from a wide variety of backgrounds, I think I have indirectly discovered a lot about myself. It helped me to progress, to explore territories that were not naturally mine. Cinema is a laboratory where I have sought to construct original orchestral formulas combining Corsican polyphonies, musicians from jazz, variety, classical, or even rappers. Like the world today, a fragmented world where all cultures mingle. So said Bruno Coulais, one of the most innovative composers of contemporary cinema, during the tribute paid to him in 2011 at the Cinémathèque de Paris

In 1978, Bruno Coulais, a young composer of concert works, discovered in film music a new means of expression, a way of bringing the demands of his writing to the masses. François Reichenbach, then Josée Dayan, Jacques Davila, Souleymane Cissé or Laurent Heynemann, first on television and then in the cinema, lead him of his own accord in the discovery of this new world.

In 1995, he composed the music for Microcosmos. This centimeter-scale initiatory journey offers him the opportunity to reveal the full dimension of his writing. He injects into his score a strange lyricism, between wonder and fantasy, confirming the lesson learned from François Reichenbach: "to any documentary image, music brings a part of fiction".

The success of Microcosmos established the musician and made him the indispensable composer of other natural tales, notably alongside Jacques Perrin (Le Peuple migrateur, Oceans, Les Saisons, etc.). Other long-term relationships will be forged, in particular with Benoît Jacquot, with whom he has worked for more than a decade, not to mention Frédéric Schoendoerffer, James Huth or Jean-Paul Salomé.

In addition to great popular successes such as Les Choristes, Brice de Nice or Sur La Piste Du Marsipulami, it is hardly surprising that this insatiable curiosity has found in the animated cinema the most inspiring playgrounds, in particular through his collaboration with two exceptional designers, Henry Selick and Tomm Moore.

The first, American director of The Nightmare Before Christmas produced by Tim Burton, invites Bruno Coulais to sign in 2009 the magnificent score of Coraline (film nominated for the Oscars). 10 years later, he is about to find him for a new and beautiful Wendell & Wild adventure. For Irishman Tomm Moore, Bruno Coulais has already composed the music for two Oscar-nominated films, The Secret of Kells (2009) and Song Of the Sea (2014), and in 2020 he will sign the score for Wolfwalkers.

Whether it is about author's films or more mainstream films, Bruno Coulais maintains the same standards, always considering his art as a window open to the world. Much less wise than it seems, he reveals in it a gift of a modern alchemist and a very personal way of mixing the most diverse cultures in universal harmony at work.

Tracklist :

A WolfWalkers Theme Wolves Running with the Wolves (WolfWalkers Version) Mechanical Wolf or Girl I’m a WolfWalker Howls the Wolf (Moll’s Song - Wolf Run Free) Our Forest

B What Are You Doing Here? This Is Intolerable Please Mummy My Little Wolf Our Victory Follow Me Mébh’s Tune Robyn’s Tune

Limited to 1500 copies.

LA Dama Rossa Uccide Sette VOLTE—The Red Queen Kills Seven Times—blurs the line between thriller and horror. The cult success it enjoys can be attributed to its aesthetics that encapsulate the essence of the Italian thriller. Bruno Nicolai’s score for The Red Queen Kills Seven Times flawlessly brings together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot thanks to a clever use of harpsichords. The album is part of CAM Sugar’s Paura, a series of standalone soundtrack releases that follow the same-titled compilation which explores rare and unreleased horror gems from the label archive. This new limited 50th anniversary edition of this cult, sought-after soundtrack—a masterpiece of Italian Giallo cinema—is fully remastered from original tapes, includes two bonus tracks and is destined to become a staple for the collectors of the genre and for the fans of the golden age of Italian and horror cinema, making it an essential release of Record Store Day 2022.

We return to Capcom’s classic ’90s output with this double LP for the Street Fighter Alpha 2 arcade soundtrack.

The composition team includes Syun Nishigaki, Setsuo Yamamoto, and Tatsuro Suzuki.

All music has been specially mastered for vinyl by Joe Caithness, and tracks will be pressed onto audiophile-quality, black 180g discs.

We’ve once again enlisted the brilliant comic book illustrator Andie Tong to create original sleeve artwork, as he did for the Street Fighter III: The Collection vinyl box set.

LPs come in printed inner sleeves, all housed in a wide-spined outer sleeve.

* Composed by Christopher Lennertz and Dara Taylor * Artwork by Johnny Dombrowski * Pressed on 180 Gram Pink and Yellow Split Vinyl * Manufactured in the Czech Republic