Soundtracks 575 Items

The character songs of the controversial anime "Akiba Maid War", broadcasted in the winter of 2022 and produced by Cygames and P.A.WORKS, will be released on vinyl! The time is 1999, Akihabara. The Tontokoton staff find themselves immersed in a world where firearms and blades clash, enveloped in a mix of "moe" (cute) and violence, and someone loses their life. The controversial work "Akiba Maid War" is a major production that makes you feel as if you are watching a yakuza film! The production staff has selected the soundtrack, along with the original song collection CD that was included with the visual software, for this release on LP. The content is perfectly tailored to the world of 1999, where both CDs and records coexisted.

The original soundtrack of the controversial anime "Akiba Maid War", broadcasted in the winter of 2022 and produced by Cygames and P.A.WORKS, will be released on vinyl! The time is 1999, Akihabara. The Tontokoton staff find themselves immersed in a world where firearms and blades clash, enveloped in a mix of "moe" (cute) and violence, and someone loses their life. The controversial work "Akiba Maid War" is a major production that makes you feel as if you are watching a yakuza film! The production staff has selected the soundtrack, along with the original song collection CD that was included with the visual software, for this release on LP. The content is perfectly tailored to the world of 1999, where both CDs and records coexisted.

15 tracks from the psychedelic metroidvania game Music by Oscar “Ratvader” Rydelius, featuring El Huervo (Hotline Miami), Björn Risberg, and more Standard Edition black LPs Sleeve artwork by El Huervo Deluxe gatefold sleeve Transcendent dreams demand tangible manifestation, and so we present Ratvader's mesmerising, mystical soundtrack for the psychedelic metroidvania Ultros on wax.

15 tracks have been specially mastered for vinyl and will be pressed onto heavyweight discs, to be housed in a deluxe gatefold sleeve. Sleeve art is by Niklas “El Huervo” Åkerblad, the visionary artist for Ultros, and renowned artistic and musical contributor to the iconic Hotline Miami series.

Oscar Rydelius — AKA Ratvader — created a mellifluous, melodic soundtrack that sounds both organically human and alien at the same time. Hypnotic musical build-ups are patiently drawn out. He took the lead from Åkerblad/El Huervo’s mesmerising art, while ensuring Ultros’ music “leaves room for the eyes.”

The score is peppered with field recordings of nature sounds from the Amazon rainforest and Peruvian instruments like whistling jars and bone flutes, giving some tracks a 1960s and ’70s New Age feeling. Classical instruments like the Cello and Flute, as well as haunting vocals, sail atop dense harmonic tapestries. For parts of the recording during the Covid pandemic, Rydelius and Åkerblad rented cabins on the Swedish island of Gotland (a notable Ingmar Bergman and Tarkovsky filming location) in order to soak up the natural vibes of that environment.

Central to the soul of the soundtrack is Cello player Björn Risberg, whose lyrical playing features prominently. Joining him were multi-flute instrumentalist Adrian Åsling Sellius, violinist Agnes Högberg and vocalist Anna-Maria Lundberg, in addition to El Huervo on multiple tracks.

The vinyl track selection focuses on the world and Sarcophagus of Ultros. Ratvader personally curated the tracklist so that listeners would spin the vinyl, lay flat on the floor, and enter the world of the game, aiming for “a pleasant and present experience.”

When Eastward was first announced back in 2018, it was heralded for its pixelated prowess and quirky sense of style. In the three years leading up to its release, the hype train continued to gather steam as more and more was unveiled. Upon launch, it became clear that Eastward was about so much more than just style. It had substance, too.A modern celebration of early '90s video games, Pixpil's Eastward delivers a poignant yet hopeful post-apocalyptic story set in a delightfully dark world. It's a story of tribulation and triumph for a small indie studio and offers a thought-provoking exploration of societal constructs whilst also providing some warm-hearted and good-humoured fun. Eastward's iconic art style is complemented perfectly by its incredible original soundtrack composed by Joel Corelitz. In celebration of Eastward's recently launched and highly anticipated Octopia DLC, Black Screen Records and Lost In Cult Records have teamed up to bring you an exclusive opportunity to secure a series of beautiful Eastward OST items.

Based on David Nicholls’ globally best-selling book, the TV serialisation of One Day has already proved hugely popular with audiences and critics alike. Multi award-winning screenwriter Nicole Taylor (Wild Rose, 3 Girls, The Nest) adapted the novel for Drama Republic and Netflix. The story follows Emma (Ambika Mod - This is Going To Hurt) and Dexter (Leo Woodall - The White Lotus) who speak for the first time on their graduation day in 1988. They go their separate ways but meet once a year on the anniversary as their relationship and lives evolve.

“We wanted to create a score that celebrates the love story between Dex and Em and also reflects the nostalgia for lost time and lost love that they feel, and viewers can relate to. The music had to follow their journey as their relationship evolves over the years, but still feel like it was rooted in one place. In other words, we needed to mirror the very different lives and emotions they experience over twenty years ranging from excitement, humour, anger and heartbreak.” Composers Anne Nikitin, Jessica Jones, Tim Morrish

The score also features tracks from Jessica and Tim under their artist moniker Vanbur, widely acclaimed in their own right, including ‘Last Look’ and ‘Falling Colour’.

Chris' Soundtrack Corner proudly presents the first fully licensed and official release of the sought after soundtrack of Keoma, now on vinyl for the first time! Keoma features a unique and pervasive score by Guido & Maurizio De Angelis. These prolific musical brothers are well known for their predominantly song-based approach to scoring Italian films. With their background in popular music, it's no surprise that their film scoring approach is primarily based on tuneful, pop-rock vocal and instrumental music. Enzo G. Castellari's 1976 Western Keoma (aka THE Violent Breed, Keoma THE Avenger, Django Rides Again, Django'S Great Return and the like) is largely considered the best film they did together. Coming very late in the Italian or "Spaghetti" Western phase, the genre couldn't have had a better closing statement than Keoma, which offers a renewed approach with a unique audiovisual resonance that was every bit as striking as some of the first Italian Westerns that made international audiences stand up and pay attention. Castellari instructed the De Angelis's to write a song-score with songs in the style of Leonard Cohen and Bob Dylan. The half dozen or so "chapters" of the "Keoma" song serve as a Greek Chorus lending words to the gunfighter's silent actions throughout the film, or at least letting loose the raging voices of cynicism roiling about in his head. The mix of songs and instrumental score is striking and effectual in giving the drama a unique vocal texture that accentuates what we're seeing, highlighting the pain, revulsion, and disillusionment heard within those gruff and pained voices as they embody the unspoken angst of Keoma as he faces down his final adversary in the dark, sullied town of his birth. The album also includes the De Angelis Brothers' score to Castellari's 1979 film IL Cacciatore DI Squali (The Hunter of Sharks; aka THE Shark Hunter, Guardians OF THE Deep, and even Django AND THE SharkS). This film is a far more trivial potboiler than Keoma, but it's an entertaining enough picture for the undemanding viewer. The De Angelis Brothers provided a tuneful score for this post-JAWS adventure drama about treasure hunters daring shark-infested waters to dive for sunken wealth. The score conveys a dreamy vibe that fits the warm landscapes and clear, sun-dappled waters, and the dangerous underwater ambiences involving competing treasure hunters and sharks alike. Chris' Soundtrack Corner presents the entire instrumental score from Keoma, as well as the essential elements of the score for IL Cacciatore DI Squali, both specially mastered for vinyl, on this premiere vinyl edition, pressed on 180g black vinyl with a gatefold tip-on cover. The album is presented in a limited edition of 500 units.

AMS Records, in collaboration with Death Waltz and Cinevox Record, are proud to present the first ever vinyl pressing of Nicola Piovani’s Flavia, THE Heretic soundtrack. Housed in a gatefold jacket with spot gloss, this LP is pressed on Mondo exclusive Blood of Christ vinyl with original artwork by Luke Insect and mastering by Claudio Fuiano. 50 years later, Gianfranco Mingozzi’s Flavia, THE Heretic (aka Flavia, LA Monaca Musulmana) remains one of the most lurid and shocking films of the 70s. Composed and conducted by Oscar-winner Nicola Piovani (with vocalism by Edda Dell’Orso), the haunting original score lends a surprising beauty to this nunsploitation classic. Our premiere vinyl re-issue features audio taken directly from the Cinevox archives, including four previously unreleased tracks

Baba Stiltz has written and produced the award winning soundtrack for the Swedish Movie „Shame On Dry Land (Syndabocken)“. Awarded the „Guldbagge“ price for best feature film soundtrack in 2024, the music is dense, at times oppressive, than again light-mediterranean, all perfectly accompanying the stories vibe. The score is now available on vinyl and digitally for the first time.
Baba Stiltz moving between Stockholm & LA. A myth, a young legend. Writing music since the tender age of 13, not bound by genres or expectations. Used to do Skweee before he defined his own sound of Tech House - skipped that (temporarily?). Now moving on to more folkloristic styles: country, rock, indie… you name it. Good Musik.