Soundtracks 530 Items

Ayahuasca: Music for Film, by Luis David Aguilar (1978-1983) compiles works by Luis David Aguilar, one of the most prolific composers of film scores in Peru. It shows the great versatility and avant-garde style that has distinguished his work.Luis David Aguilar (Arequipa, 1950) occupies a fundamental place in the history of film music in Peru, not only because of the prolific nature of his work (which also includes music for television and advertising), but because of the singular, experimental style found in many of his scores. Aguilar's music blends modern academic composition with the use of native instruments, synthesizers, sound collages and a diversity of resources, which identify him as a key figure to understand a period of Peruvian music marked by the imprint of the avant-garde and the use of native sounds, which developed during the late 70's and the early 80's.Aguilar belongs to the so called "Generation of the 70's", along with Peruvian composers such as Walter Casas, Seiji Asato and Aurelio Tello, who were then immersed in the languages of contemporary classical music. But he also shares the spirit of renewal of a generation of musicians who came from the world of jazz and electronic experimentation such as Manongo Mujica and Arturo Ruiz del Pozo.Ayahuasca is an album that collects pieces from 1978 to 1983 and offers an overview of the different musical paths that Aguilar followed during his career as a soundtrack composer. The album opens with music from the film El viento del ayahuasca [The Wind of Ayahuasca] (1983), by director Nora de Izcue, performed by the National Symphony Orchestra and Choir of Cuba under the baton of Luis David Aguilar, with Chucho Valdés on piano. Recorded at the ICAIC studios (Cuba), it is an ambitious orchestral and vocal composition, in which you can hear the beginning of the famous melody of "Mujer Hilandera" [Female Weaver], popularized by the Amazonian cumbia group Juaneco y su Combo, which serves as an introduction to the sound world of the ju...

Pieter Verlinden (1934-2002) was an exceptional composer responsible for hundreds of scores and soundtracks for television, ballet, theatre and film. Only some of his soundtracks were released at the time, like De 5 van de 4-daagse (The Five Are Marching In, 1974), Een mens van goede wil (A Man of Good Will, 1974) and De dood van een non (Death of a Nun, 1976). Most of his work was only preserved on the original master tapes in his personal archive, so the majority of Verlinden's music has never been heard and is unknown. With the album series The PV Tapes, 678 Records pays tribute to the maestro of Belgian film music. On the first album in this series we present the complete original soundtrack for the 1977 movie Jambon d'Ardenne directed by Benoit Lamy.

Slightly cracked corners, close to NM. Silver with Red splattered vinyl seems unplayed. 180gr Limited edition. With insert

Limited Edition.
Transparent Purple Vinyl.
Cover corners slightly dented.

Translucent Blue Vinyl.
Sealed copy. Cover corners slightly dented.

Double BLACK Vinyl, Gatefold sleeve, DL card. René Laloux's celebrated 1973 sci-fi animation 'La Planète Sauvage (Fantastic Planet)', is overhauled with a re-imagined soundtrack by electronic modernists Stealing Sheep and legendary sound innovators The Radiophonic Workshop. This exclusive release is part of Fire Records' re-imagined score series. "No institution has had a greater impact on the development of electronic music than the BBC Radiophonic Workshop." The Vinyl FactoryIt's a real pre-Avatar conundrum that Stealing Sheep, with the help of Bob Earland, Dick Mills and Roger Limb from the Radiophonic Workshop, unravel. Creating an ethereal excursion that's narrated by Roger Limb; like a futuristic Martin Denny, or Dr Who gone ambient techno, with a hint of Forbidden Planet 50 years on. It's an analogue swirl set in an off-world paradise; a field recording from the future. This is a creative, generation-spanning, union brought together to score this unique cult film.A must for fans of psyche electronica and Stealing Sheep's formidable 'Big Wows' album."Stealing Sheep devour a broad range of styles, incorporating everything from the dark dance-pop of Grace Jones to the experimentations of Radiophonic Workshop pioneer Delia Derbyshire and John Carpenter soundtracks." The Guardian'La Planète Sauvage' is a thing of ambient beauty punctuated with electronic earworms that switches from intensely ominous to otherworldly dream like moments.

he music for the film Inu-Oh, including the song in the film, was composed by Otomo Yoshihide, the composer of Hanabutsukana na Koi wo Shitatta and other films. The original soundtrack is sung passionately by Avu-chan (Queen Bee), who plays Inuoh, and Mirai Moriyama, who plays the biwa master Tomofuji, in a colourful original soundtrack.

Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.