Soundtracks 517 Items

* Composed by Akira Ifukabe * Artwork by Greg Ruth * 140 Gram Eco Vinyl * Manufactured in Czech Republic

Japan faces its ultimate doom as Godzilla's deadliest foe is back in Godzilla VS King Ghidorah. Visitors from the 23rd Century arrive with grave news; Godzilla will destroy Japan in the future. Time travelling back to when Godzilla was born, they prevent the birth, but something goes wrong, as when they come back to the present day, the monstrous three-headed King Ghidorah is on the rampage instead. A secret conspiracy is soon unmasked, and only one outcome will save the country: Godzilla must return! Godzilla VS King Ghidorah saw the return of legendary composer Akira Ifukube to the series, his first since 1975's Terror OF MECHAGodzilla. He showed no sign of slowing down, providing a thrilling and muscular score dominated by the presence of the two headliners. Godzilla's theme and fanfare are presented beautifully by Ifukube, along with the terrifying material for Ghidorah. The composer also wonderfully integrates earlier music from Rodan and King Kong VS Godzilla that - alongwith his terrific new music - results in a musical monster throw-down for the ages. No one knew Godzilla better than Akira Ifukube, and Godzilla VS King Ghidorah proves it.

Pressed ON Limited White & Purple Colored Vinyl With Numbered OBI Strip

Select Records is proud to present the 30th anniversary edition of this 1993 comedy classic by The Jerky Boys, on deluxe colored vinyl with a limited OBI strip. Hailing from Queens, New York, childhood friends Johnny Brennan and Kamal Ahmed collaborated on a series of prank telephone calls that eventually circulated in classic grassroots fashion (before being “viral” was a thing), travelling from teenager to teenager via cassette dub after cassette dub. The duo’s work eventually earned legendary status among those lucky enough to get their hands on it. When the compilation of calls was finally officially released via Select Records, who were mostly known for their hip-hop acts ranging from Kid n Play to AMG, it reached #1 on Billboard's Heatseekers list by amazingly bumping Radiohead's Pablo Honey, which coincidentally took its title from a Jerky Boys sketch, out of the top spot. What followed was a few more platinum albums, a hilarious movie, and a legion of lifetime fans that can repeat these prank calls verbatim, even 30 years later. The Jerky Boys created a true movement, and inspired an entire generation of improvisational prank-style comedians. Re-live the hilarity now with the deluxe vinyl pressing!

* Composed by Toti Gunason * Artwork by Rory Kurtz * 140 Gram * Manufactured in Czech Republic

The multidisciplinary project led by Fermin Muguruza has created different artefacts; comics, films, music, exhibitions... continues to bring together creators around the Black is Beltza universe. Now it is Ainhoa, the protagonist of the second release, who presents us with this maxi of 4 tracks. Side A opens with El Gran Silencio, from Monterey (Mexico) with their cumbia-vallenato-norteño punk and the collaboration of Fermin himself and closes with Joseba Irazoki's apotheosis version of the mythical "Sarri, Sarri, Kriston martxa dabil". The rappers La Basu (Basque Country) + Wöyza (Galicia) + TESA (Valencia) in 3 voices and 3 languages claiming their power with the song "Rap is Beltza" open the B-side, and "Bizitza triste eta ederra", a song that appeared on the album "Ustelkeria" (1996) by Negu Gorriak with the voice and guitar of Iñigo Muguruza, now and after his death and with a strong hip hop rhythm, it becomes a meeting between the two brothers, Fermin and Iñigo, closing this great jewel released on vinyl at 33 RPM, and with spectacular art, the work of Mr. Zé from Valladolid.

Money (aka "Intrigo in 9 mosse") is a 1991 thriller directed by Steven Hilliard Stern and written by Larry Pederson and Gordon Roback, based on the novel of the same name by Paul-Loup Sulitzter. The film was produced by André Djaoui and René Malo, with music by Ennio Morricone and starring Eric Stoltz, Maryam D'Abo, Bruno Cremer, Mario Adorf, Anna Kanakis, F. Murray Abraham, Christopher Plummer, Bernard Fresson, Angelo Infanti and Tomas Milian. Frank Cimbali is a 21-year-old man who, trying to reclaim his legacy, discovers the dirty business of his father's former business partner. While traveling around the world in search of those who have robbed him of millions of dollars, Frank meets the love of his life. Finally, the young man finds Will Scarlet, who had been his father's partner and who is now seriously ill. Will admits his role in the crime and decides to help Frank track down the rest of the men on his revenge list. Two different versions of Money were produced, one for television and one for the cinema. Most of the soundtrack is repertoire, but this CD, with a duration of approx. 37 minutes, contains only the original music composed, orchestrated and conducted by Ennio Morricone, derived from the stereo masters of the original sessions. Oscar Valdambrini is the exceptional flugelhorn soloist on the rhythmic main theme, which is alternated with moments of comedy, suspense and action. This reissue will be welcomed by anyone who missed out on the long-out-of-print GDM CD release and is essential for every collection dedicated to the musical genius of Ennio Morricone.

Taken from the 1993 movie directed by Pupi Avati. Riziero Ortolani (25 March 1926 – 23 January 2014) was an Italian composer, conductor, and orchestrator, predominantly of film scores. He scored over 200 films and television programs between 1955 and 2014, with a career spanning over fifty years. Internationally, he is best known for his genre scores, notably his music for mondo, giallo, horror, and Spaghetti Western films. His most famous composition is "More," which he wrote for the infamous film Mondo Cane. It won the 1964 Grammy Award for Best Instrumental Theme and was nominated for the Academy Award for Best Original Song at the 36th Academy Awards.[3] The song was later covered by Frank Sinatra, Kai Winding, Andy Williams, Roy Orbison, and others. Ortolani received many other accolades, including four David di Donatello Awards, three Nastro d'Argento Awards, and a Golden Globe Award for Best Original Song. In 2013, he received a Lifetime Achievement from the World Soundtrack Academy. In the early 1950s, Ortolani was founder and member of a well-known Italian jazz band. One of his early film scores was for Paolo Cavara and Gualtiero Jacopetti's 1962 pseudo-documentary Mondo Cane, whose main title-song More earned him a Grammy and was also nominated for an Oscar as Best Song. The success of the soundtrack of Mondo Cane led Ortolani to score films in England and the United States such as The Yellow Rolls-Royce (1964), The Spy with a Cold Nose (1966), The Biggest Bundle of Them All (1968) and Buona Sera, Mrs. Campbell (1968). He also scored the 1972 film The Valachi Papers, directed by Terence Young and starring Charles Bronson. Ortolani scored all or parts of over 200 films, including German westerns like Old Shatterhand (1964) and a long series of Italian giallos, Spaghetti Westerns, Eurospy films, Exploitation films and mondo films. These include Il Sorpasso (1962), Castle of Blood (1964), Africa Addio (1966), Day of Anger (1967), Anzio (1968), The McKenzie Break (1970), The Hunting Party (1971), A Reason to Live, a Reason to Die (1972), Seven Blood-Stained Orchids (1972), The Fifth Musketeer (1979), From Hell to Victory (1979), the controversial Ruggero Deodato films Cannibal Holocaust (1980) and The House on the Edge of the Park (1980), and the first series of La piovra (1984). In later years he scored many films for Italian director Pupi Avati. His music was used on soundtracks for Grand Theft Auto: London 1969 (1999), Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), Drive (2011) and Django Unchained (2012).

Taken from the 1993 movie directed by Pupi Avati. Riziero Ortolani (25 March 1926 – 23 January 2014) was an Italian composer, conductor, and orchestrator, predominantly of film scores. He scored over 200 films and television programs between 1955 and 2014, with a career spanning over fifty years. Internationally, he is best known for his genre scores, notably his music for mondo, giallo, horror, and Spaghetti Western films. His most famous composition is "More," which he wrote for the infamous film Mondo Cane. It won the 1964 Grammy Award for Best Instrumental Theme and was nominated for the Academy Award for Best Original Song at the 36th Academy Awards.[3] The song was later covered by Frank Sinatra, Kai Winding, Andy Williams, Roy Orbison, and others. Ortolani received many other accolades, including four David di Donatello Awards, three Nastro d'Argento Awards, and a Golden Globe Award for Best Original Song. In 2013, he received a Lifetime Achievement from the World Soundtrack Academy. In the early 1950s, Ortolani was founder and member of a well-known Italian jazz band. One of his early film scores was for Paolo Cavara and Gualtiero Jacopetti's 1962 pseudo-documentary Mondo Cane, whose main title-song More earned him a Grammy and was also nominated for an Oscar as Best Song. The success of the soundtrack of Mondo Cane led Ortolani to score films in England and the United States such as The Yellow Rolls-Royce (1964), The Spy with a Cold Nose (1966), The Biggest Bundle of Them All (1968) and Buona Sera, Mrs. Campbell (1968). He also scored the 1972 film The Valachi Papers, directed by Terence Young and starring Charles Bronson. Ortolani scored all or parts of over 200 films, including German westerns like Old Shatterhand (1964) and a long series of Italian giallos, Spaghetti Westerns, Eurospy films, Exploitation films and mondo films. These include Il Sorpasso (1962), Castle of Blood (1964), Africa Addio (1966), Day of Anger (1967), Anzio (1968), The McKenzie Break (1970), The Hunting Party (1971), A Reason to Live, a Reason to Die (1972), Seven Blood-Stained Orchids (1972), The Fifth Musketeer (1979), From Hell to Victory (1979), the controversial Ruggero Deodato films Cannibal Holocaust (1980) and The House on the Edge of the Park (1980), and the first series of La piovra (1984). In later years he scored many films for Italian director Pupi Avati. His music was used on soundtracks for Grand Theft Auto: London 1969 (1999), Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), Drive (2011) and Django Unchained (2012).

This is a record of rare beauty that collects the soundtrack of a 1975 film called "Drugged Rome: the Police Can't Intervene" (in English "Hallucination Strip") directed by Lucio Marcaccini. The soundtrack was written by Alber Verrecchia, a French composer (but I presume originally from Italy) who came to Italy in the 1960s and formed the group I Pyranas, with whom he recorded two albums released by Arc. In the 1970s Verrecchia devoted himself mainly to making soundtracks, including the one presented here. Unlike other soundtrack composers, Verrecchia preferred electric sounds to orchestral arrangements. This disc contains interesting tracks in rock and blues styles, with some psychedelic influences. Musicians featured on the record include Cyan, Baba Yaga, Toni Esposito, and singer Sammy Barbot (whom we may remember best as the host of two 1980s TV shows, Piccolo Slam and Popcorn). The Cyans are an old acquaintance of ours, who are credited with a 33 rpm in 1972 and a handful of singles; Le Baba Yaga were a female trio who made a single in 1972; and finally Toni Esposito who needs no introduction. Singer Edda Dell'Orso, with her soprano voice, also appears on two tracks. In short, a unique record in the panorama of soundtracks

This is a record of rare beauty that collects the soundtrack of a 1975 film called "Drugged Rome: the Police Can't Intervene" (in English "Hallucination Strip") directed by Lucio Marcaccini. The soundtrack was written by Alber Verrecchia, a French composer (but I presume originally from Italy) who came to Italy in the 1960s and formed the group I Pyranas, with whom he recorded two albums released by Arc. In the 1970s Verrecchia devoted himself mainly to making soundtracks, including the one presented here. Unlike other soundtrack composers, Verrecchia preferred electric sounds to orchestral arrangements. This disc contains interesting tracks in rock and blues styles, with some psychedelic influences. Musicians featured on the record include Cyan, Baba Yaga, Toni Esposito, and singer Sammy Barbot (whom we may remember best as the host of two 1980s TV shows, Piccolo Slam and Popcorn). The Cyans are an old acquaintance of ours, who are credited with a 33 rpm in 1972 and a handful of singles; Le Baba Yaga were a female trio who made a single in 1972; and finally Toni Esposito who needs no introduction. Singer Edda Dell'Orso, with her soprano voice, also appears on two tracks. In short, a unique record in the panorama of soundtracks

* Pressed on hot pink colored double vinyl * Soundtrack to the movie Weird: The Al Yankovic Story * Featuring tracks by “Weird” Al Yankovic, the film’s score from Leo Birenberg and Zach Robinson, and music by various other artists..

The Al Yankovic Story stars Daniel Radcliffe as “Weird” Al Yankovic in the unexaggerated true story about the greatest musician of our time. From a conventional upbringing where playing the accordion was a sin, Al rebelled and made his dream of changing the words to world-renowned songs come true. An instant success and sex symbol, Al lives an excessive lifestyle and pursues an infamous romance that nearly destroys him. The movie is available to stream on the Roku Channel or online via Roku, Fire TV or Samsung devices.Weird_ The Al Yankovic Story (Original Soundtrack) features 46 tracks - a mix of “Weird Al’s” greatest hits (some newly recorded

180 GRAM AUDIOPHILE VINYL
INCLUDES INSERT
PVC PROTECTIVE SLEEVE
ACADEMY AWARD, BAFTA & GOLDEN GLOBE
AWARD WINNING 2001 FILM STARRING JUDI

DENCH & KATE WINSLET

SCORE BY JAMES HORNER (TITANIC, AVATAR)
FEAT. JOSHUA BELL

AVAILABLE ON VINYL FOR THE FIRST TIME
LIMITED EDITION OF 500 INDIVIDUALLY NUMBERED

COPIES ON CRYSTAL CLEAR VINYL