Soundtracks 454 Items

Sonor Music Editions proudly unveils the previously unreleased soundtrack of the sexy-comedy film "chi Dice Donna Dice Donna" from 1976 directed by Tonino Cervi. The music is signed here by the legendary Italian giant of film music, Maestro Piero Piccioni, and it's just unbelievable. This rich EP reissue includes the sweet and romantic Downtempo Funk of "Svezia" theme, previously released on a very rare original 45 single, and 3 totally unreleased cuts from the session that swing between the refined and golden Piero Piccioni's music taste and the groovy, funky vibes of 'Commedia all'Italiana' soundtrack music at his best.

A commissar with his hands tied and a gentleman godfather. A gang of ruthless kidnappers and a couple of parents ready to pay any amount to hold their missing daughter again. The evocative backdrop of Lake Como and the rare beauty of Piero Piccioni's music. “Fatevi Vivi, La Polizia Non Interverra” (1974), also known as “Kidnap”, is a detective story directed by Giovanni Fago, with actors of the caliber of Henry Silva, Gabriele Ferzetti and Philippe Leroy. The film draws inspiration from the many cases of kidnappings recorded during the Seventies. The first vinyl edition of the soundtrack, edited by Musica Per Immagini, offers the listener a selection of his most significant tracks, carefully remastered, already released on cd. The soundtrack is a fabulous mix of lounge atmospheres, explosive action music and mysterious moments from which the sound of tubular bells emerge, as in the bittersweet pentaphonic opener Lovely Mood. Synthesis of a different mood from that adopted by his peers, exemplary in Ambushers, played by bass, guitar and piano, plus the string section in counterpoint. True hip hop break. Within the depths of the tracklist, it is easy to identify the third axis of the project, The Persuaders, thanks to the irresistible rhythm of the brass. The Sicilian Mafia motif is also distinctive, punctuated by the traditional sound of the Jew's harp. Another distinguishable aspect of Piero Piccioni's work is the wealth of themes. The composer goes beyond the model that provides for the creation of a main theme and a secondary theme with related variations, because he creates leitmotifs and musical figurations tailored to each of the salient situations and related protagonists.

Psycho 2000 - A dark but funky theme that begins with an occulting Italian echo-oscillator drone that is soon followed by pulsating bass and breakbeat drums, leads to tremolo guitars, an ostinato on electric mandolas, strings climbing eloquent ladders, otherworldly electronics, and a cinematic finale. An evocation of a parade of wooden nutcracker soldiers elaborately dressed in gold-trimmed black uniforms down a wide avenue decorated with mardi gras beads and animal skulls upon golden cobblestones toward a tornado spiralling out purple-hued glissandos and curlicues of elephant smoke. White Spiritual - Head nod action, the twinkling of a late 60’s Vox Continental II with sickly transistors, the noodling matrix of an intergalactic telephone exchange carried on a bed of bouncy bass with a firm backbeat. The Johnny Guitar Watson-esque bite and sting of a ‘67 Teisco guitar preludes slabs of unison dark brown moog and organ giving way to the dance of fingers over the black naturals and white sharps of the Continental II.

Psycho 2000 - A dark but funky theme that begins with an occulting Italian echo-oscillator drone that is soon followed by pulsating bass and breakbeat drums, leads to tremolo guitars, an ostinato on electric mandolas, strings climbing eloquent ladders, otherworldly electronics, and a cinematic finale. An evocation of a parade of wooden nutcracker soldiers elaborately dressed in gold-trimmed black uniforms down a wide avenue decorated with mardi gras beads and animal skulls upon golden cobblestones toward a tornado spiralling out purple-hued glissandos and curlicues of elephant smoke. White Spiritual - Head nod action, the twinkling of a late 60’s Vox Continental II with sickly transistors, the noodling matrix of an intergalactic telephone exchange carried on a bed of bouncy bass with a firm backbeat. The Johnny Guitar Watson-esque bite and sting of a ‘67 Teisco guitar preludes slabs of unison dark brown moog and organ giving way to the dance of fingers over the black naturals and white sharps of the Continental II.

* Music from the hit action-roguelite X base-management game * 42 tracks mastered for vinyl * Red and black splatter heavyweight LPs * Sleeve artwork by Carles DalmauNow here’s some wax worthy of worship… We’ve summoned forth a vinyl set forged in celebration of the demonically great music and art of Cult of the Lamb. 42 tracks specially mastered for vinyl will be pressed to heavyweight LPs with red and black splatter effect. These come housed in a deluxe gatefold sleeve adorned with artwork by illustrator Carles Dalmau. Cult of the Lamb’s composer and audio director River Boy (Narayana Johnson) faced the challenge of reflecting the two sides of the game: the safety of the cult’s home base, where marimbas, mallets and other sonically ‘little’ instruments are woven into laid-back lo-fi electronica tracks; and the dungeons, where heavily processed voices and gritty synth elements sit atop dense beats and distorted bass for a darker occult energy.

Taken from the 1993 movie directed by Pupi Avati. Riziero Ortolani (25 March 1926 – 23 January 2014) was an Italian composer, conductor, and orchestrator, predominantly of film scores. He scored over 200 films and television programs between 1955 and 2014, with a career spanning over fifty years. Internationally, he is best known for his genre scores, notably his music for mondo, giallo, horror, and Spaghetti Western films. His most famous composition is "More," which he wrote for the infamous film Mondo Cane. It won the 1964 Grammy Award for Best Instrumental Theme and was nominated for the Academy Award for Best Original Song at the 36th Academy Awards.[3] The song was later covered by Frank Sinatra, Kai Winding, Andy Williams, Roy Orbison, and others. Ortolani received many other accolades, including four David di Donatello Awards, three Nastro d'Argento Awards, and a Golden Globe Award for Best Original Song. In 2013, he received a Lifetime Achievement from the World Soundtrack Academy. In the early 1950s, Ortolani was founder and member of a well-known Italian jazz band. One of his early film scores was for Paolo Cavara and Gualtiero Jacopetti's 1962 pseudo-documentary Mondo Cane, whose main title-song More earned him a Grammy and was also nominated for an Oscar as Best Song. The success of the soundtrack of Mondo Cane led Ortolani to score films in England and the United States such as The Yellow Rolls-Royce (1964), The Spy with a Cold Nose (1966), The Biggest Bundle of Them All (1968) and Buona Sera, Mrs. Campbell (1968). He also scored the 1972 film The Valachi Papers, directed by Terence Young and starring Charles Bronson. Ortolani scored all or parts of over 200 films, including German westerns like Old Shatterhand (1964) and a long series of Italian giallos, Spaghetti Westerns, Eurospy films, Exploitation films and mondo films. These include Il Sorpasso (1962), Castle of Blood (1964), Africa Addio (1966), Day of Anger (1967), Anzio (1968), The McKenzie Break (1970), The Hunting Party (1971), A Reason to Live, a Reason to Die (1972), Seven Blood-Stained Orchids (1972), The Fifth Musketeer (1979), From Hell to Victory (1979), the controversial Ruggero Deodato films Cannibal Holocaust (1980) and The House on the Edge of the Park (1980), and the first series of La piovra (1984). In later years he scored many films for Italian director Pupi Avati. His music was used on soundtracks for Grand Theft Auto: London 1969 (1999), Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), Drive (2011) and Django Unchained (2012).

Taken from the 1993 movie directed by Pupi Avati. Riziero Ortolani (25 March 1926 – 23 January 2014) was an Italian composer, conductor, and orchestrator, predominantly of film scores. He scored over 200 films and television programs between 1955 and 2014, with a career spanning over fifty years. Internationally, he is best known for his genre scores, notably his music for mondo, giallo, horror, and Spaghetti Western films. His most famous composition is "More," which he wrote for the infamous film Mondo Cane. It won the 1964 Grammy Award for Best Instrumental Theme and was nominated for the Academy Award for Best Original Song at the 36th Academy Awards.[3] The song was later covered by Frank Sinatra, Kai Winding, Andy Williams, Roy Orbison, and others. Ortolani received many other accolades, including four David di Donatello Awards, three Nastro d'Argento Awards, and a Golden Globe Award for Best Original Song. In 2013, he received a Lifetime Achievement from the World Soundtrack Academy. In the early 1950s, Ortolani was founder and member of a well-known Italian jazz band. One of his early film scores was for Paolo Cavara and Gualtiero Jacopetti's 1962 pseudo-documentary Mondo Cane, whose main title-song More earned him a Grammy and was also nominated for an Oscar as Best Song. The success of the soundtrack of Mondo Cane led Ortolani to score films in England and the United States such as The Yellow Rolls-Royce (1964), The Spy with a Cold Nose (1966), The Biggest Bundle of Them All (1968) and Buona Sera, Mrs. Campbell (1968). He also scored the 1972 film The Valachi Papers, directed by Terence Young and starring Charles Bronson. Ortolani scored all or parts of over 200 films, including German westerns like Old Shatterhand (1964) and a long series of Italian giallos, Spaghetti Westerns, Eurospy films, Exploitation films and mondo films. These include Il Sorpasso (1962), Castle of Blood (1964), Africa Addio (1966), Day of Anger (1967), Anzio (1968), The McKenzie Break (1970), The Hunting Party (1971), A Reason to Live, a Reason to Die (1972), Seven Blood-Stained Orchids (1972), The Fifth Musketeer (1979), From Hell to Victory (1979), the controversial Ruggero Deodato films Cannibal Holocaust (1980) and The House on the Edge of the Park (1980), and the first series of La piovra (1984). In later years he scored many films for Italian director Pupi Avati. His music was used on soundtracks for Grand Theft Auto: London 1969 (1999), Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), Drive (2011) and Django Unchained (2012).

Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. “Rob Zombie Presents” will feature several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker.

“I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie

Rob Zombie and Waxwork are thrilled to announce their first soundtrack title as “Rob Zombie Presents White Zombie”. Starring Bela Lugosi, 1932’s White Zombie is considered the first zombie movie. It was also filmed on Universal Studio’s lot, using several props from other horror films of that time. Starring Madge Bellamy, Robert W. Frazer, and John Harron, the film follows the cast as they navigate zombies, love, obsession, and treachery. Initially slammed by critics upon its release, the movie has been reevaluated and praised by recent critics for its classic horror production. The film has gone on to influence mainstream media, even influencing the band name of White Zombie. Rob Zombie has said of the film, “It’s a great film that not a lot of people know about. It amazes me that a film that is so readily available can be so lost.”

After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a life-long fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, Island Of Lost Souls, and many selections from the Hammer film library.

ROB Zombie Presents White Zombie Original Motion Picture Soundtrack Features:

The Original Soundtrack Available For The First Time On Vinyl Liner Notes by Rob Zombie 180 Gram "Zombie & Jungle" Hand Poured Colored Vinyl Old Style Tip-On Gatefold Jackets with Matte Satin Coating New Art by Graham Humphreys 12"x12" Insert

Robby Poitevin (24-10-1926 / 3-10-2003) represents the Italian Film Music school, very close, for its lounge sounds, to that of his American colleagues, such as Lalo Schifrin, Henry Mancini, Quincy Jones and Hugo Montenegro. Other than being an extremely valid arranger and orchestra leader, Maestro Poitevin composed jazz, blues and swing themes, like those for “The hired killer”, which is part of the police and spy current. For this genre, the composer also created other remarkable soundtracks, like “Assassination”, “L’uomo del colpo perfetto”, “Quella carogna dell’ispettore Sterling”, “A.D.3 Operazione squalo bianco”. In 1966 RCA published an LP for the promo series SP (SP 8017), which had nine selections for a total running time of 19:06 minutes. In 2009 GDM Music printed out this OST, for the very first time on CD (gdm 4018), with three extra tracks, pairing it with “Quella carogna dell’ispettore Sterling”. We are reprinting the nine tracks of the original promo LP and, along with the three bonus tracks of the previous GDM’s CD, we are adding four more unpublished tracks, discovered in the original recording session’s mono masters, which bring the total running time of the LP up to 37:04 minutes. Robby Poitevin composed an elegant music, inspired by jazz, blues and American swing, creating calm and mysterious athmospheres as well as pure action ones. Among hired assassins, bullets and homicides there is also a love theme, arranged in different versions such as Bossa and sung by female voice.

“La Settima Donna” (1978), also known as “The Last House On The Beach”, is a disturbing thriller directed by Franco Prosperi and set in a secluded cottage overlooking the Tyrrhenian sea, starring Florinda Bolkan, in the role of Sister Cristina, governess of five female students on a short vacation, rehearsing their Shakesperean end-of-year play. The unfortunate inhabitants of the house became soon hostages of three vicious criminals looking for a hiding place after a bank robbery, but the psychological and sexual violence ends when the nun abandons her vows. And the victims decide to get justice. Roberto Pregadio's brilliant music is not surprisingly, functional and almost disconnected from the bloody images: there is no overwhelming sense of disturbance for the listener. The soundtrack of “La Settima Donna” was published only once, in cd format, attached to the rare dvd of the film, gaining new life on vinyl thanks to Musica Per Immagini. Some of the eleven tracks of the score are characterised by an easy listening mood and united by a psychedelic feel, in harmony with the progressive atmospheres found in albums such as “A Saucerful Of Secrets” (1968) and “Meddle” (1971) by Pink Floyd. However, the English band is not the only reference for the jazz pianist, who quotes a piece by Bryan Ferry, entrusting it to the voice of Ray Lovelock, one of the three kidnappers. After that, the Sicilian composer remodels an international hit by Donna Summer, background of the sequence in which the nun is forced to strip naked in front of her tormentors.

Originally released in October 2015, the much-requested soundtrack to Sideways finally gets a repress on the original Burgundy Colored Vinyl. Multi award-winning film Sideways was the surprise box office hit of 2004 and its story of two disillusioned forty-somethings on a wine infused road trip around California still holds a unique mixture of comedy and pathos. Rolfe Kent’s jazz inflected soundtrack accompanied them on their journey, its subtle lightness of touch the perfect accompaniment to their mid-life crises. “Tickles the palate like a crisp Chablis in June” - Mojo “The seduction, making midlife seem funky, is slow, shy and as narcotic as it is nostalgic” –

Quartet Records and Universal Pictures Film Music Classics Collection proudly present the world premiere vinyl release of both the used and unused scores for Alfred Hitchcock’s Frenzy, celebrating the 50th anniversary of the film.

Frenzy marked the director’s triumphant return to London in 1972. With an excellent script by Anthony Shaffer, the film was immediately considered one of Hitchcok’s best and has since become a classic.

After the parting of ways with Bernard Herrmann, Hitchcock changed composers in each of his last four films, choosing from those who were popular at the time. For Frenzy, his first choice was Henry Mancini (breakfast AT Tiffany’s, THE Pink Panther, Hatari!, Charade), who wrote a sumptuous, gothic-hued score featuring an unusual orchestral palette. The main theme uses the dolorous tones and sepulchral pedals of a mighty organ, and the tension-filled score that follows is grim and at times almost brutal. Hitchcock, feeling it was too “dark and cruel,” turned it down and hired celebrated British composer Ron Goodwin (murder, SHE Said, Battle OF Britain, Where Eagles Dare, Squadron 633) to compose a lighter, yet still suspenseful, score. For the main title, a panoramic shot over the Thames, Goodwin wrote a majestic melody ornamented with trumpets and timpani, in the best English tradition of pomp and circumstance.

Frenzy was the only completely rejected score in Henry Mancini’s long career, and also one of the most famous and requested Goodwin scores over the ensuing decades. Neither of them, however, have previously been officially released in any form until today.

This 2-lp collection has been painstakingly produced, restored and mastered by Mike Matessino from stereo and mono elements vaulted at Universal Pictures, with the collaboration of both the Ron Goodwin and Henry Mancini estates.

This special edition features an exclusive, in-depth essay by writer and composer Deniz Cordell packaged in a deluxe tip-on gatefold and pressed in audiophile 180 GM black vinyl.

Waxwork Records is thrilled to release THE Texas Chain SAW Massacre Original Game Soundtrack LP by Ross Tregenza and Remains Additional Game Music LP from THE Texas Chain SAW Massacre by Wes Keltner and Jim Bonney!

From Gun Interactive, creators of the global hit Friday THE 13th The Game, comes a terrifying follow up that has been developed by horror fans for horror fans. Take on the role of one of the notorious Slaughter family, or their victims, in The Texas Chain Saw Massacre®, a third-person asymmetrical horror experience based on the groundbreaking and iconic 1974 horror film. Experience the mad and macabre for yourself in The Texas Chain Saw Massacre®.

This very special double album bundle features the complete video game soundtrack music to The Texas Chain Saw Massacre pressed to "Chain Saw Motor Green & Rust" colored vinyl, housed in deluxe heavyweight gatefold packaging with matte satin coating, composer liner notes, and all new artwork. The composers of the game music all have a dedicated love for the original 1974 film. Recordings of sheet metal, spoons, tuning forks, furniture, and the instrument, the Apprehension Engine, were mangled, manipulated, and ran through several vintage reverbs, distortions, tape delays, and other effects to create a haunting, sonic cacophony that envelopes the listener and transports them directly to a killing floor in the sweltering Texas summer heat.

Ross Tregenza Bio: Ross Tregenza is a Bafta nominated Cornish composer, known for his work on video games including The Texas Chain Saw Massacre, Deathloop, Forza Horizon 5, Cyberpunk 2077, Wolfenstein: Youngblood, Wolfenstein: Cyberpilot, Team Sonic Racing, Timesplitters 2 & 3, Crysis 1-3, Hotshot Racing, Homefront: The Revolution, Star Citizen, Gears of War, Haze, Star Wars, Aliens Vs Predator and BBC Online.

Jim Bonney Bio: Jim Bonney is a Bafta award-winning composer/music director specializing in interactive music, credited in numerous video games including titles from the Mortal Kombat, Mafia, and BioShock series. Along with his game credits, Jim has also created music for everything from Burger King children's toys, to collaborations with Nasa; and has also scored numerous trailers, short films, documentaries, commercials, and television programs, including Buffy the Vampire Slayer, Chicago Hope, and The Weekenders. His concert works have been performed in over 25 countries, with ensembles as large as 1,400 musicians, located in venues ranging from New York City's Carnegie Hall to the Great Wall of China.

Wes Keltner Bio: Wes Keltner is the CEO and Studio Director at Gun Interactive. He has been a part of the video game industry since 2005 and consulted on video games including Doom, Splinter Cell, Star Wars, Madden, Skyrim, Ghost Recon and several others. With an inclination towards marketing and advertising his work has appeared in Fast Company, Forbes, The NY Times, Wall Street Journal, and Ad Age. During the pandemic he took it upon himself to learn a new musical instrument that could deliver the sound of Texas Chain Saw Massacre. He found this sound within the Apprehension Engine and he spent countless hours discovering and recording horrifying sounds that ultimately became the soundbed of the game.

The Texas Chain Saw Massacre The Game Original Soundtrack Features:

The Complete Soundtrack Game Music by Ross Tregenza Remains LP: Additional Soundtrack Game Music by Wes Keltner & Jim Bonney "Chain Saw Motor Green" Colored Vinyl (tcsm LP) "Rust" Colored Vinyl (Remains LP) Artwork by Jake Kontou Heavyweight Gatefold Jackets with Matte Coating Composer Liner Notes

Shadows of Hyrule tells the legend of the fallen hero, who is brought back to banish the shadows dwelling within the realm of lost souls. In this dark fantasy take on The Legend of Zelda series, ROZEN’s most somber yet, immerse yourself in a heavy emotional journey through a Hyrule in despair. Featuring richly textured orchestration and prominent, dark choir, reminiscent of earlier entries in ROZEN’s Hyrule series

* Pressed on red double vinyl * Housed in a gatefold package * Composed by Academy Award and Grammy-winning composer Ryuichi Sakamoto

In the distant future, humanity has been forced to leave Earth and migrate to another galaxy. A spacecraft is sent to a planet to terraform it and the crew is created one by one by a biological 3D printer. However, a fatal error occurs during the creation of one of the members. The crew then begins to encounter a series of unpredictable events.

A terrifying space horror story from the mind of Hirotaka Adachi (Otsuichi) with character designs by Final Fantasy’s Yoshitaka Amano, the Netflix anime series ‘exception’ features original score music by Academy Award and Grammy-winning composer Ryuichi Sakamoto. Ranging from stunning, otherworldly orchestral pieces to haunting electronic soundscapes, the vinyl edition of the soundtrack highlights twenty-seven tracks from Sakamoto’s expansive original score for the outerspace saga. This vinyl release comes pressed on two solar red colored LPs housed in a gatefold package featuring original art from the series.

ove After Love (Chinese: 第一炉香) is a 2020 Chinese erotic romance drama film directed by Ann Hui, and starring Ma Sichun, Faye Yu, Eddie Peng, Chang Chun-ning and Fan Wei. The film had its world premiere at the 77th Venice International Film Festival on September 8, 2020. It is scheduled to be theatrically released in China on October 22, 2021.

The film marked the third time Hui directed an Eileen Chang adaptation (following 1984’s Love In A Fallen City and 1997’s Eighteen Springs). It is an adaption of Chang’s novella Aloeswood Incense: The First Brazier, a sprawling love story set in 1940s Hong Kong.

The film’s soundtrack was composed by Ryuichi Sakamoto.

Video Game Lofi: Yoshi features chill lofi melodies by Save Point and Nokbient.

180 gram 1xLP Black 12" vinyl. Comes in a holographic jacket, discs in black polylined sleeves. Art by Save Point, Layout by Isa Alcántara. Also available on cd and cassette.

The neon sign floods the lounge with a magenta haze. Chatter and clink of glasses dissipates as the jazz band sets up. As the lights dim, the venue becomes more intimate.

This is Jazz Hop Standards, and you’re all set for a relaxing evening. Kick up your shoes, hang up your keyblade, and let Save Point and Patrick McBride guide you on a journey through the universes of Kirby, Donkey Kong, Crash Bandicoot, Undertale, Kingdom Hearts, and more while taking inspiration from timeless jazz standards.

180 gram 1xLP Black 12" vinyl. Comes in a holographic jacket, discs in black polyline sleeves. Art by Save Point and ArtByGalen, Layout by Isa Alcántara.

The original soundtrack of the masterpiece retro-style action game that has been the talk of the town among game fans will be released on a limited donut vinyl (7inch record)!! The retro-style action game "Donut Dodo" stole the hearts of game fans as soon as it appeared, with its look and music that seems to have come straight from the 80s! If the game has a doughnut theme, there is no choice but to make it, and a limited edition doughnut vinyl (7inch record) is now available for pre-order! The album contains a total of 9 songs, including new songs from the arcade version of "Donut Doodle Doo!".