Soundtracks 561 Items

In the 1970s era of rock’s theatrical excesses, Sorcery delivered next level performances in which a battle ensued on stage between illusionists portraying Merlin versus Satan. While Alice Cooper and Kiss brought costumes, gore and flashpots to the mainstream, these Los Angeles hard rockers integrated live magic, theatrical drama and fourth wall breaking performance for new heights in musical storytelling. While Sorcery consists of professional musicians, two magicians also perform on stage when they play live. The band’s nearly immediate local popularity from their debut in 1975 also made them in demand for film and TV. Enter: Stunt Rock. The 1978 low budget, high concept B-movie integrated hard rock, magic, dangerous stunts and an early form of mockumentary filmmaking into an epic feature film about an Australian stunt man reunited with his American cousin (and Sorcery member) in L.A., and all Hell breaks loose. Sorcery composed the soundtrack—which also served as the band’s debut album—and were shown performing songs throughout the film. The Stunt Rock soundtrack highlights the sweet spot between the playful, campy occult imagery of the 70s before Satanic Panic and the religious right’s kayfabe outrage pushed bands to tone things down in favor of glam pomp. What you get here is pure, knobby occult heavy metal that sounds something like Sin After Sin-era Judas Priest with Robert Plant on vocals, crossed with the melodrama of Alice Cooper and The Who’s rock operas. The songs are taut, quickly shifting from part to part, motif to overture. The tunes are infinitely catchy and laden with attention grabbing titles like “Talking To The Devil,” “Mark of The Beast,” “Stuntrocker” and “Burned Alive.” On the surface, the film Stunt Rock seems campy and crazy enough to be embraced even if the music weren’t all that exciting, but Sorcery proves that their work deserves to be seriously appreciated in the canon of classic rock.

Waxwork Records is excited to present Godzilla VS Kong Original Motion Picture Soundtrack by Tom Holkenborg aka Junkie XL (Army of the Dead, MAD MAX Fury Road)! Godzilla vs Kong marks the fourth in Legendary Pictures’ titan universe. Godzilla & King Kong are back and they’ve led us to the center of our hollow Earth. In this movie, directed by Adam Wingard, tech mogul “Apex” and a band of conspiracy theorists, tech moguls, and scientists try to harness the power of the center of the earth to defeat a suddenly violent Godzilla and return King Kong to his original home.

Junkie XL delivers a score that convinces you that this coalition of outcasts from across the world has to be correct. Huge orchestral arrangements perfectly match the intensity level of the multi-level coverup that hides the truth about the hollow earth theory. The composer complements awesome battles with sweet flashes of humanity from the two monsters, leaving hearts both racing and breaking for the creatures.

Waxwork Records is thrilled to present the official double LP score with 180 gram “Godzilla” & “King Kong” colored vinyl, deluxe packaging, heavyweight gatefold jackets with matte coating, 12x12 art print, and more!

Born of the overarching World of Darkness and the tabletop phenomenon Vampire: The Masquerade, Bloodhunt is Sharkmob’s thrilling spin on the multiplayer action genre that sees players take part in a ruthless war between vampire factions.

Bloodhunt boasts a sonically rich score sired by acclaimed Polish-Bulgarian composer Atanas Valkov, and featuring the Sofia Session Orchestra & Choir. The city of Prague provided much of the aesthetic inspiration for Bloodhunt’s soundscape: classical and romantic, yet with many a shadowy corner in which a vampire might secrete themselves. Valkov enjoyed creating contrast between modern electronic musical elements and old world ones, as well as layering guitars and using irregular rhythmic structures. The overall soundtrack is both cinematic and brutal.

The deluxe double LP set features a deluxe gatefold sleeve (individually inkjet numbered) and printed inners dripping with stylish artwork by Sharkmob. 16 tracks have been mastered specially for vinyl, and pressed onto heavyweight, red and transparent LPs with a cloudy effect. Also included are composer liner notes.

A Banquet is a visually arresting, slow-burning psychological horror that uses subtle supernatural elements to create tension within a family in the midst of a breakdown, exploiting the complicated bond between three generations of mothers and daughters. Variety likens it to Lars Von Tries’ Melancholia and Jeff Nichol’s Take Shelter. ‘A Banquet’ sees composer CJ Mirra reunite with Scottish director Ruth Paxton for this her feature length debut following their festival favorite BBC short Be Still My Beating Heart, in Ruth’s words:

“CJs score for A Banquet is an expression of luxurious tragedy. The work is evocative, menacing and beautifully haunting all at once. A lingering body of powerful compositions: the work is not only exquisitely atmospheric, but definitive of the film itself. I treasure my director-composer partnership with CJ and his fundamental contribution to our film’s unique identity”

For the score, which includes some production by Dan Carey and vocals by One Little Independent’s Tusks, Mirra utilised a rare a synthesiser called a Swarmatron and a 70s synth called Synthi, played through guitar amps for percussive and rhythmic elements. Mirra also experimented with woodwind in an unconventional way, both elements create the suffocating and anxious atmosphere that the film delivers.

Mirra says of the film, “A Banquet’ is not a straight up horror film. There's elements of the genre, but we wanted the music to really keep a sense of constant anxiety, of never feeling settled, even if the main focus is on beauty or tenderness. The film is visually laced with so much texture and we wanted to reflect that in the instrumentation.”

Baton Rouge sludge band Thou have released over a dozen LPs worth of music, collaborated with divergent artists like Emma Ruth Rundle and The Body and released covers that run the full gamut of genres. Continuing their practice of bucking typical metal tradition, their latest record, a split release with composer Gewgawly I, is a soundtrack created for the highly anticipated new video game Norco. Gewgawly I has created a master work of ambiance, not only reminiscent of some of the best game soundtracks from the 80s and 90s but also a stunning work of contemporary experimental music pushing the genre forward in exciting ways. Thou have rounded out the game's grit with a wash of downtuned doom and drone. The band has previously been described as "For fans of: alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease," and these themes come to life vividly in Thou's collaboration with the richly illustrated world of Norco. "Thou represents an aspect of Louisiana that's close to my heart. The members know the suburbs of New Orleans and Baton Rouge well. They capture a kind of strange irreverence in their

Baton Rouge sludge band Thou have released over a dozen LPs worth of music, collaborated with divergent artists like Emma Ruth Rundle and The Body and released covers that run the full gamut of genres. Continuing their practice of bucking typical metal tradition, their latest record, a split release with composer Gewgawly I, is a soundtrack created for the highly anticipated new video game Norco. Gewgawly I has created a master work of ambiance, not only reminiscent of some of the best game soundtracks from the 80s and 90s but also a stunning work of contemporary experimental music pushing the genre forward in exciting ways. Thou have rounded out the game's grit with a wash of downtuned doom and drone. The band has previously been described as "For fans of: alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease," and these themes come to life vividly in Thou's collaboration with the richly illustrated world of Norco. "Thou represents an aspect of Louisiana that's close to my heart. The members know the suburbs of New Orleans and Baton Rouge well. They capture a kind of strange irreverence in their

With a gun full of lead and a fistful of witchcraft, Laced Records has formed a posse with Ice Code Games and Good Shepherd Entertainment to bring you music from turn-based supernatural westerns Hard West and Hard West 2 to good ol’ wax.

All music has been remastered for vinyl and will be pressed onto heavyweight LPs. Disc 1 is transparent light blue and features the full 14-track OST from 2015’s Hard West. Disc 2 is transparent orange and boasts 9 tracks selected from the Hard West 2 soundtrack. LPs come in printed inners, which are housed in a spined sleeve. Sleeve artwork for Hard West is by Grzegorz Przybyś, while Division48 Studio created the sleeve art for Hard West 2.

With Hard West, Marcin Przybyłowicz (Witcher 3: Wild Hunt, Cyberpunk 2077) set the mood for the series, employing twanging guitar, pounding drum beats, lonely trumpets and various atmospheric elements. On several of his more anxious cues, snatches of piano, guitar and violin emerge from the echoey fog to keep players on edge, while maintaining the heightened mix of fantasy-horror and Wild West aesthetics.

For Hard West 2, Jason Graves (Dead Space 1&2, Tomb Raider [2013], Dark Pictures Anthology) gets grittier and grungier, while honoring the sound world of the original. Through his spartan use of bass guitar, percussion, and spooky synths, Graves summons a more primal, earthy sound, while still layering in the acoustic and electric guitars we associate with the dark side of the West.

Clear w/ green marbled VinylTo celebrate their seventh anniversary, Black Screen Records have repressed their first vinyl release in a very long time. The soundtrack to Oddworld: New 'n' Tasty is finally back in stock - this time on 180g clear w/ green marbled vinyl.Composed, mixed and mastered by Michael Bross, the soundtrack comes in a full-coloured gatefold sleeve with RuptureFarms artwork by Raymond Swanland. This repress does not include the poster and Steam Key. ABOUT THE GAME:It was a long way from Abe's debut in the 1997s Playstation One classic Oddworld: Abe's Oddysee to the beautiful ground-up remake Oddworld: New 'N' Tasty in 2014 but Abe is still looking great. Not only the graphics but also the complete video game soundtrack got an overall makeover - in 2015 Oddworld looks and sounds better than ever before.