Soundtracks 258 Items

Nobody less than Adriano Celentano producer Detto Mariano plus his drummer Gianni Dall'Aglio recorded this previously unreleased Italian psychedelic, erotic, horror movie soundtrack in 1976! All in all 46 mega dope tracks on 2 LP's. Ranging between deep, dreamy and funky psych tunes. 1,5 million hits on the movie on Youtube! Classic in Italy. Be sure this 500 copies limited edition will be sold out soon. HQ collector edition.

Side A+B are the original songs as used in the movie. Side C+D are the uncut long versions of the best tracks as produced in the studio in 1976.

Deluxe Limited Edition.
Includes poster.

Deluxe Limited Edition.
Green Vinyl.
Small sticker on cover.

Limited Edition.
Green & White Vinyl.

180 Gram Colored Vinyl.

Green vinyl.

Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The Maestro Piero Piccioni is in a rare groove mode here, lost between acid jazz breaks and deep funk rhythms in what is the first ever vinyl reprint of a minor classic. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate reminds us of the compositions of the late 60's of the master; memorable sessions that would lead to the publication of the classic posthumous 'Camille 2000'. The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines.

Regular Official Authorised Vinyl Version, Original Soundtrack.

The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii’s legendary science fiction anime film GHOST IN THE SHELL (1995). - LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork Tracklisting LP : A1 ?I - Making Of Cyborg A2 Ghosthack A3 Puppetmaster A4 Virtual Crime A5 ?II - Ghost City B1 Access B2 Nightstalker B3 Floating Museum B4 Ghostdive B5 ?III - Reincarnation We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon). The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai’s compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook.

Clear vinyl seems unlayed. Hole in back cover. With stickers.

Available on 2X 180 Gram Black vinyl /// This first pressing features a limited Flexi disc featuring an unreleased remix

Mondo Music, in conjunction with Paramount Pictures, is proud to present the premiere vinyl pressing of Lorne Balfe’s score to the critically-acclaimed 2018 film MISSION: IMPOSSIBLE - FALLOUT, the sixth chapter of Tom Cruise's long-running, hugely successful spy franchise.

In a series defined by change, FALLOUT represents a first - the first in the long running series to carry its director (Christopher McQuarrie) over from the previous film. In a deliberate effort to keep this chapter fresh, McQuarrie decided to bring on a whole new group of talent behind the scenes - including composer Lorne Balfe. Crafting a modern, militaristic, melancholic soundscape with classic Schiffrin themes that have defined the franchise for nearly 50 years, Balfe’s score is a standout in the series, giving the film the weight and balance it needs to glide effortlessly from setpiece to setpiece.

Moonlight is the breathtaking soundtrack to the film of the same name Rolling Stone has called "A masterpiece" and won the Oscar 2017 for best movie. The album features the critically-acclaimed score by composer Nicholas Britell, as well as choice songs including "Every Nigger Is A Star" by Boris Gardner, "Cell Therapy" by Goodie Mob and "Hello Stranger" by Barbra Lewis. Britell is an award-winning composer, pianist, and producer. In 2015, Britell scored Adam McKay's Oscar-nominated film The Big Short, and his music also featured prominently in Steve McQueen's Oscar-winning film 12 Years A Slave, for which he composed and arranged the on-camera music including the violin performances, spiritual songs, work songs, and dances. As a producer, Britell produced Damien Chazelle's short film Whiplash, and subsequently co-produced the Oscar-nominated feature film. Britell's emotional and evocative score to Moonlight has resonated with audiences from early festival screenings, earning accolades from critics in their reviews of the film which underline how the music is wrapped into the very fabric of the film itself.

Vinyl seems unplayed. With OBI.

With OBI. Vinyl is close to NM. Tiny wear.

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.

Featuring the songs present on Peter Quill's mixtape in the film and the separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

Red/Yellow LPs.

Now for the first time on vinyl, Four Flies Records is proud to present an unmissable Eurocrime soundtrack by Guido & Maurizio De Angelis, composed in 1976 and considered to be one of the genre’s finest offerings directed by Enzo G. Castellari. Perhaps the most forceful OST from the Italian duo, Il Grande Racket consists of fuzz distortion and electronic effects from the beginning to the end. This sonic gem is also enriched with psychedelic flutes, obsessive rhythms, and percussion which results with a totally prog-rock and psych-funk score that perfectly describes the main elements of the film: action, tension and violence. Remastered from the original master tapes preserved for decades in the C.A.M. archives, and augmented with exclusive liner notes by Davide Pulici (Nocturno Cinema) and stunning original artwork created by Luke Insect, this edition will be a true pleasure of the senses for any and all soundtrack lovers.

Urpa i musell feels very fortunate to announce its third release (UiM 003) after a long period of fertile collaboration with the film production company Andergraun Films: the 4-LP Box Set Les músiques per a Albert Serra by the inscrutable band Molforts.
The box set puts together the main musical works that the band created between 2006 and 2018 for the Catalan film director Albert Serra. It includes the soundtracks for three films —Honor de cavalleria / Honour of the Knights (2006), Història de la meva mort / Story of My Death (2013) and La mort de Louis XIV / Last Days of Louis XIV (2016)—, two art pieces —Cubalibre (2012, Documenta, Kassel) and Singularity (2015, Biennale di Venezia)— and the recent play Liberté (2018, Volksbühne, Berlin).
Albert Serra is considered one of the most singular, radical and also controversial filmmakers working today. Tirelessly seeking never-before-seen images, his films and other works are characterised by an improbable balance between wild freedom and exquisite sophistication.
The band Molforts are the creators of all the music in his works and integral members of the creative milieu around Andergraun Films. Their work links intimately with the pieces it is made for. The relationship between music and image is deeply eloquent, not obvious, resulting in unique, suggestive soundscapes.
For the first time we can enjoy the music of Molforts in it's own right. The recontextualization of the recordings, without the images that they deeply evoke, offers

"Hot recordings from the golden era of the Italian sexy comedy film scene"! Early Sounds Recordings, in collaboration with the historical Italian label "Eleven" and A. Dallera, puts together a compilation of some of the rarest and sought after disco and funk records inspired by the Italian sexy comedy era.

L’ultimo squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg’s Jaws. In our movie, we have an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music was composed by the De Angelis bros., Guido & Maurizio, obsessive and thrilling in the moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST “Uno sceriffo extraterrestre poco extra molto terrestre” that provides great variety to the listening experience.Aside from being released here for the first time in any format, the score of L’ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros’ label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer’s live concerts. The LP is released on black, 180-gram vinyl, with an illustrated internal sleeve, mastering by Enrico De Gemini, liner notes and graphic layout by Daniele De Gemini.

Russian occultists Old Komm collaborate with the south Californian dons of austere electronics German Army, bringing to life the made up soundtrack to a film that never was. 'Disquiet' tells the story of a child born to a desolate, post-apocalyptic world, war torn and fractured by greed. As far as the music is concerned, organ tones and broken exoteric bumps coexist with dark ambient themes and cavernous beats.

We’re stoked to announce the pre-order of ‘I Cannibali’ (aka ‘The Cannibals’ / ‘The Year Of The Cannibals’), score to the dystopic 1970’s masterpiece by Liliana Cavani, entirely composed and orchestrated by no less than Maestro Ennio Morricone and conducted by Bruno Nicolai. The opus features poignant vocal apprerances of Don Powell and Audrey Nohra Stainton as well as the glorious choir I Cantori Moderni di Alessandroni, also including alternate takes and previously unreleased tracks, perfectly mastered for vinyl by Carlo Altobelli at Toxic Basement Studio.
‘I Cannibali’ will be released for the first time on wax by Spikerot Records, pressed on double 180g vinyl and housed in an elegant gatefold jacket with captivating artwork from Basthard Design.

For the first time on vinyl!

Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie ALIEN 2 SULLA TERRA (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic ALIEN by Ridley Scott, released just a few months prior.
One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the ‘80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from UNO SCERIFFO EXTRATERRESTRE, POCO EXTRA MOLTO TERRESTRE that are used in the first part of the movie to build tension in a particular scene. This LP (black – 180gr) was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum’s archives, printed inner sleeve with liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia. Just 400 copies available! (a mere 100 for the ltd colored version)

Available for the first time ever on vinyl is the 1974 soundtrack byAlessandro Alessandroni for the Giuliano Carmineo (as Anthony Ascott) directed Di Tresette ce n'è uno, tutti gli altri son nessuno, known in English as The Crazy Bunch. The sequel to Lo chiamavano Tresette... giocava sempre col morto (Man Called Invincible), the film is a goofy, slapstick comedy spaghetti-western, but the Maestro’s soundtrack is anything but goofy. Haunting, sparse, and riveting, the soundtrack is easily the best thing about this film and it’s presented here by Overdrive in a special color vinyl edition.

A download code is included. Shovel Knight: Specter of Torment The Definitive Soundtrack brings all 25 exciting tracks from the game's second expansion pack to both CD and vinyl for the first time. Esteemed Japanese illustrator Hitoshi Ariga (Mega Man, Pokémon) lends his talents once again to design a brand new cover for the soundtrack as seen above, with coloring done byAyano Koshiro (Streets of Rage). Both the CD and LP gatefold packages will contain the complete tracklist crafted by the talented Jake Kaufman, while the vinyl release will also include a download code containing the complete digital soundtrack.

The release comes with a download code. Betbeder, asked Sebastien Tellier to compose the music of his new film, "Marie et les naufragés" (Translated: "Marie and The Castaways"). For this score, Tellier chose a retro-futuristic electronic path in the tradition of Giorgio Moroder's music in keeping with the with free and off-the-beaten path tone of this film starring Eric Cantona. With the help of friend and fellow musician John Kirby, Sebastien has diffused film‘s languid themes with tributes to Marvin Gaye or to Ennio Morricone.

Kosai Sekine's first feature documentary film "Taiyo no Tou" (Tower of The Sun) soundtrack 2LP composed by Japanese electronic musician JEMAPUR will be Released on April 24th 2019.
JEMAPUR, an electronic music artist who has been energetically making his music, has composed his first feature movie soundtrack and will release remaster version on Vinyl.
JEMPUR was discovered from music producer Nujabase and released an album from Hydeout Production. He is also in a side project called Young Juvenile Youth with Ms. Yu.
Kosai Sekine has been making motion pictures focusing on the fusion of sound and image. He gave JEMAPUR a challenge to rebuild his music production method to encompass the theme "destruction and reconstruction" for "The Tower of The Sun" soundtrack.

For this OST, Carlo Savina composed lounge background music, at times dominated by a mysterious Asian vibe and by sophisticated jazzy vibes. "Gold Snake", the main score, is interpreted by the fabulous voice of Iva Zanicchi, written for a symphony orchestra, and accompanied by the New Orlandi choir (the piece was recorded on 45 RIFI RFN NP 16141). The leitmotif is reprised in a shake version and a slow danceable version. The well-known actress Yoko Tani, the film’s protagonist, performs the romantic piece "Crazy", which is also recorded in an instrumental version. The spy aspect of the plot is emphasized by suspense and action music. For this LP the mono master tapes of the recording session were used.

The disturbing soundtrack of the same film directed by Alberto De Martino in 1985 and composed by Francesco De Masi, author and Roman arranger already famous for classical b-movie soundtracks such as Lo Squartatore Di New York (The New York Ripper) and Fuga Dal Bronx (Escape From The Bronx). For a long time associated with 'genre cinema', the man had an innate passion for primitive electronics. A long suite divided into 14 movements that best describe the climate of tension and the upcoming deadlines of the featured film, a Gothic thriller in the orbit of meta-horror. The music - sometimes a bit of a timbral but often deliberately descriptive and overwhelming - pin of synths and analogue machines, capable of defining the desperate plot of the film. A classic fully restored on LP on limited Colored Vinyl.

Denis Villenueve’s masterful Blade Runner 2049 races into theaters this weekend and the film’s accompanying soundtrack, composed by legendary film score maestro Hans Zimmer, is now streaming in full.

The score was composed in tandem by Zimmer and his longtime collaborator Benjamin Wallfisch. The duo was brought in somewhat later in the production process, after the score’s initial composer, Icelandic composer Jóhann Jóhannsson, ceased involvement due to creative differences.

Villeneuve explained his decision to replace Jóhannsson with Zimmer in an interview with Al Arabiya. “The thing I will say is that making movies is a laboratory,” he explained. “The movie needed something different, and I needed to go back to something closer to [the original film’s composer] Vangelis. Jóhann and I decided that I will need to go in another direction — that’s what I will say.”

The decision seemingly paid off, as Clint Worthington notes in his review of the film: “[Zimmer and Wallfisch] lean heavily on Vangelis’ original 1982 score for inspiration, but 2049 is refreshingly light on incidental music, mostly allowing the booming, immersive sound design to take center stage.”

As Editor-in-Chief Michael Roffman writes in his glowing A- review, the score is “a total evolution of what Vangelis set in motion way, way back in 1982. It’s louder, it’s gloomier, it’s heavier, and it’s much more expansive, all qualities one might tag with Villeneuve’s breathtaking sequel.”

In additional to Zimmer and Wallfisch’s original compositions, the soundtrack features songs by Frank Sinatra, Elvis Presley, and Lauren Daigle.

Composed by Carl Thiel
Pressed on 2x 180 Gram Black Vinyl with artwork by César Moreno
Mondo, in collaboration with Powerhouse Animation and Viz Media are proud to present the soundtrack to the Netflix Original Series: Seis Manos.

Composed by Carl Thiel (Machete, From Dusk Til Dawn) the music for the Seis Manos is a unique blend of soundscapes from the exploitation films of the 60’s and 70’s, modern action adventure films, all anchored by classical mexican instrumentation. It’s a one of a kind soundtrack for a one of a kind animated series.

CD includes 44 tracks on two compact discs and an English booklet with composer comments Wayô Records and SNK Corporation are pleased to announce their first collaboration project! For the coming of the new Samurai Shodown game from the legendary fighting game series, we are proud to present the international release of its soundtrack in both CD and Vinyl formats!

With its beautiful Japanese instruments, the music of Samurai Shodown (2019) combines the power of modern times with the spirit from the roots of the series, performed by the best traditional Japanese players, including the legendary HIDE×HIDE duo! This soundtrack features the theme song Revive the Soul and each of the character themes, for a total of two hours of epic music!