Soundtracks 338 Items

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Wrwtfww Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii’s 1993 superb political thriller science-fiction mecha anime Patlabor 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara. A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. Patlabor 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future. Patlabor 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on Wrwtfww Records. Points of interests - For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future. - First ever vinyl release of Kenji Kawai’s Patlabor 2: The Movie (Original Soundtrack), in full audiophile experience

Carrion has emerged from the depths.

By popular request, we are releasing Cris Velasco's complete soundtrack to Carrion on vinyl. The game is a nightmarish subversion of the science fiction/horror genre, and the soundtrack is full of creeping dread and otherworldly terror. Naturally, we designed the vinyl album to be both beautiful and dark.

•Edition of 1,000 units •2 x LP Red and Black Smoke Color •Cover Artwork by Dan Quintana •Gatefold Illustration by Isa Alcántara

Starring James Fox as a British gangster on the run who finds refuge in the home of reclusive ex-rock star Mick Jagger, Donald Cammell and Nicolas Roeg's Performance is one of the great cult movies of the 1970s. The film's soundtrack, produced by Jack Nitzsche for Warner Bros., is equally noteworthy. Needless to say, the Rolling Stones connection is strong; the Jagger-sung single "Memo From Turner" was co-written with Keith Richards, and vocalist Merry Clayton (famous as the duet partner on "Gimme Shelter") appears on three tracks. Several up-and-coming WB artists also make key contributions, including Randy Newman (the raucous "Gone Dead Train"), slide guitar virtuoso Ry Cooder and Little Feat leader Lowell George. Like the film itself, the Performance original motion picture soundtrack offers a fascinating glimpse at one of the most exciting eras in rock.

« It's stressfull! It's shocking! It's everything a disturbed mind can imagine! »

A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.

No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directed by Bernard Launois, Devil Story is a cult film that is favored by connoisseurs as one of the craziest pieces of out-there cinema ever committed to screen. Even better, the soundtrack composed by Michel Roy and Paul Piot matches the performance with obscure electronic digressions and bone-chilling melodies.

Limited edition of 500 coloured LP.

Mastering by Julien Louvet
Artwork by Jennie Zakrzewski

Another great shot at Four Flies 7'' Family: two gorgeous soul ballads composed for the title sequences of two Italian-Spanish thrillers, both magnificently sung by Shawn Robinson’s divine voice. Special Ultra-limited Collector's Edition: 133 copies with reddish-purple label and sleeve + 133 blue label & sleeve + 133 violet label and sleeve.

'Waxwork Records is thrilled to announce the release of GET OUT Original Motion Picture Soundtrack Music By Michael Abels. Written and directed by Jordan Peele, GET OUT is a critically acclaimed 2017 American horror film starring Daniel Kaluuya and Allison Williams. The film received numerous accolades and won the Academy Award for Best Original Screenplay. It was also nominated for Best Picture, Best Director, and Best Actor for Kaluuya.

GET OUT is the directorial debut of accomplished actor and long time horror-fanatic, Jordan Peele. The film’s music was scored by composer Michael Abels, and it also features his debut as a film composer.

Included in the new deluxe double LP release of GET OUT are exclusive liner notes in the form of an in depth essay by Peele that illustrates the director’s first meeting with Michael Abels, their approach to the film’s music, and how it all came together to conjure a new sound. “I had some ideas. I envisioned distinctly black voices harmonically creating an unnatural sound. The absence of hope. The void of the voiceless. A disembodied Negro spiritual. The Sunken Place.”

GET OUT Original Motion Picture Soundtrack features the complete soundtrack by composer Michael Abels, deluxe packaging, new artwork by Leslie Herman, a printed insert with exclusive liner notes by Jordan Peele, 180 gram “The Sunken Place” Black with White Splatter colored vinyl, and old style tip-on gatefold jackets with satin coating.

Previously released only as a promotional library music album, this 1975 cult score by eclectic musician, producer and composer Albert Verrecchia is finally available as a vinyl LP. While perfectly in line with the poliziottesco genre, the unique hybrid sound created by Verrecchia combines elements of funk, prog rock, and disco.

Netflix’s acclaimed series Suburra: Blood on Rome (available in over 190 countries) focuses on the deep connections between politics and organised crime in the Italian capital. The soundtrack to the third and final season was written, produced and performed by Roman rapper and songwriter Piotta, whose “7 Vizi Capitale” was already the theme song for seasons 1 and 2. His music beautifully complements the gripping plot and the characters’ journey, capturing the atmosphere of a side of Rome unknown to many. The vinyl LP contains 10 previously unreleased tracks, including 2 instrumentals and a remix.

With 9 albums under his belt, Tommaso Zanello, also known as Piotta, is one of the pioneers of Italian hip hop. Active on the Roman rap scene since the mid-90s, he earned national fame with his award-winning single “Supercafone” (1998), which was later used by Sky Japan as a theme song for the Italian football championship. He can boast collaborations with hip hop legend Afrika Bambaataa and English musician Captain Sensible and has toured the United States with the Vans Warped Tour.

The game music for Nintendo's immortal masterpiece "Mother" has been re-recorded and re-released as "Mother Music Revisited", produced by Keiichi Suzuki, for a new look! The album is to celebrate the 50th anniversary of Keiichi Suzuki's career as a musician. The entire orchestra is newly recorded and arranged, and Keiichi Suzuki sings on all songs.

Transversales is very glad to announce the release of Mémoire Magnétique Vol. 2 spanning 1966-1993, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some eighty two concerts music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also musical pieces for dance, stage or television. If many of his pieces are landmarks in the history of electroacoustic music (De Natura Sonorum, La Roue Ferris…), his application music compositions are strongly embedded in the subconscious landscape of the French public (Stade 2, Roissy Paris Airport…). The second volume of this compilation allows us to discover some of unreleased rarities from Bernard Parmegiani’s personal archives and unpublished recordings which were composed for the screen or the performing arts.

Remastered for vinyl, ltd edition of 300 copies on 180g transparent pink vinyl. Previously released digital only via Lakeshore Records in 2020. Recorded and performed by Kid Moxie at her studio in Downtown L.A. Produced by Kid Moxie and Serafim Tsotsonis Mixed by Serafim Tsotsonis Mastered by Ekelon

Ship to Shore PhonoCo. is proud to present the original soundtrack to the cult favorite Dial Code: Santa Claus (aka Deadly Games), for the first time on vinyl in over 30 years!

Mixing Christmas themes with hair-raising screams, Dial Code: Santa Claus concerns young Thomas - a kid with an IQ number as long as his mullet - whose infatuation with games of war and obsession of Father Christmas come together in a night of terror when his house is invaded by a maniac who believes he is Père Noël himself…

Composer Jean-Félix Lalanne mixes a range of styles to form a solid soundtrack, utilizing industrial & electro with traditional festive motifs and thriller stings, perfectly complementing the bold visual style of the movie.

Digitmovies is releasing the LP and CD of the OST from the film “Blackie the Pirate” (original title: “Il Corsaro Nero”). Blackie the Pirate is a fictional character created by the Italian writer Emilio Salgari. The character has appeared in various films throughout the years. The composer Gino Peguri (author of soundtracks for movies like “Bloody Pit of Horror," "Seven Magnificent Pistols", "A Woman on Fire", "Psychopath," "Code Name, Red Roses") wrote an orchestral score for "Blackie the Pirate" which was released in 1971 on a rare LP from RCA (SP 8035) and a rare single Cormorano (ZC 50180). For this CD re-release we were able to find the stereo master tapes from the original album and the complete master tapes from the original recording sessions which include both stereo and mono mixes. In addition to the 12 stereo tracks on the album, we have added nine alternate tracks in stereo and five alternate tracks in mono. This OST is dominated by the fun pop-sounding song in the opening credits called "Orza qui poggia lì," performed by Paolo Ferrara and accompanied by the chorus of Nora Orlandi. For the LP version we brought back the 1971 LP with the addition of the English version of "Orza qui poggia lì” as well as the film version of the track "In the Caribbean" and two alternative versions on side B. Available on CD or LP+CD limited editions of 300 copies.

We are extremely excited to announce that Licorice Pizza: The Original Motion Picture Soundtrack will be released on Friday 10rd December 2021 on both CD + Vinyl. Licorice Pizza is the story of Alana Kane (Alana Haim) & Gary Valentine (Cooper Hoffman) who grow up & fall in love in San Fernando Valley (1973). Written & directed by filmmaker Paul Thomas Anderson. Sean Penn, Bradley Cooper, Tom Waits & Benny Safdi also star. Limited movie release in the U.S. Nov 26 and goes wide in US on Dec 25. Radiohead's Jonny Greenwood composed the film's score & Paul Thomas Anderson curated the soundtrack also features songs by David Bowie, Paul McCartney and many more to be revealed. The title pays homage to the California record store, Licorice Pizza.

Second volume of music from the hit Fox TV show. The Emmy-winning, top-rated show was named one of the 60 Greatest TV Cartoons of All Time by TV Guide. In addition to the show's cast, the album features high-profile guests, including Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). Bob's Burgers audience is wide-ranging: strong performance with 15-25 year olds, median viewing age of 37, 35 share among males 35-54 and a 16 share of females in the same group. Campaign will include promotion from the cast and show production team. Past seasons are in heavy syndication and available on major streaming platforms. The Bob's Burgers Music Album Vol. 2 includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family - Bob (H. Jon Benjamin), Linda (John Roberts), Tina (Dan Mintz), Gene (Eugene Mirman) and Louise (Kristen Schaal) - as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone," or do whatever you're gonna do to "Sexy Little Tiger" but don't miss the Bob's Burgers Music Album Vol. 2. Fans, your order is up.

Original London Cast Recording - Mel Brooks' Young Frankenstein Presenting the original London cast recording of Mel Brooks' Young Frankenstein on Vinyl LP! Legendary filmmaker and comedian Mel Brooks brings his classic monster musical comedy Young Frankenstein to life on stage in a musical collaboration with Tony-award winning Broadway director and choreographer Susan Stroman. Recorded live in London's West End. Grandson of the infamous Victor Frankenstein, Dr. Frederick Frankenstein (pronounced 'Fronk-en-steen') (Hadley Fraser) inherits a castle in Transylvania leading him to fulfill his grandfather's legacy by bringing a corpse (Nic Greenshields) back to life. With help and hindrance from hunchback henchman Igor (Ross Noble), buxom assistant Inga (Summer Strallen) and needy fiance Elizabeth (Dianne Pilkington), his experiment yields madcap success and monstrous consequences. After opening on Broadway in November of 2007 the show ran until 2009. A revised version of the show opened in London's West End in October of 2017 to mostly positive reviews. ABC was set to air Young Frankenstein Live last October and delayed it due to Covid-19 restrictions. The show has been rescheduled to air October 2021 on ABC. Mastered and mixed at Abbey Road Studios. This is the first LP release of music from either of the Young Frankenstein live shows.

For Böser Herbst, Thomas Fehlmann returns to the sediment of ages, drawing from a similar lexicon of sounds to that used on 2018’s ‘1929 – Das Jahr Babylon’. Like that album, Böser Herbst was produced as the soundtrack to a documentary made by Volker Heise, ‘Herbst 1929, Schatten Über Babylon’, which offers historical insight to the third season of the television series Babylon Berlin. It adds yet another string to the bow of this most forward-thinking and creative artist, whose history takes in NDW (Palais Schaumburg), techno (3mb) and psychedelic ambience (The Orb), plus a clutch of gorgeous solo albums that explore wide terrain, from the dancefloor through supine home listening to compelling soundtrack work. Fehlmann’s approach here was to ‘capture’ samples of contemporaneous music, “picking up the dirt and dust of original 1920s archive sound and music excerpts and shaping the essence into this selection of tunes,” he recalls. After delivering the material to the editing room, Fehlmann “threw all the pieces up in the air, deliberately lost the overview in consequence, researched the atmospheric thread and assembled it for this album.” That explains the singular nature of the material here, and its ability to sit together so neatly and discretely, as its own entity. For Böser Herbst is a music box of possibilities, shadowed by its historical provenance, but never crudely beholden to it, rather “keeping the references only as a distant nod, a scent.” It’s certainly an evocative listen, a cornucopia of textural pleasure and sensual, tactile assemblage. The spiralling, psychedelic cycle of “Karnickel” winds its way between the ears like thread to the needle; “Mit Ausblick” immerses the listener in deep, gaseous tones, only to be lifted into the air by the glassy drones of “Umarmt”. “Wunschwechsler” crackles with the unpredictability of weather systems while a guitar-like loop unspools across the horizon. Throughout, you can catch tiny tastes of the source material, but they’re pressed into greater service, Fehlmann using these sources for their evocative capacity and then saturating them with grain and rumble, abstracting outwards. It’s a music of temporal disjuncture and clairvoyant resonance, “speaking with the past – alert, distant and quixotic.”

The original Soundtrack to Greek-German director Nikias Chrssos’ new feature, ‘A Pure Place’, scored by John Gürtler (Eigenlicht, Counter019), with his studio partner Jan Miserre, and featuring a track by chameleonic British artist Shackleton. Full Info: The script for A Pure Place had a dizzying effect on John Gürtler & Jan Miserre; their minds reeling with the possibilities. From Persian sheep bells, Chinese sheng, prepared trombone, quarter-tone piano, a beaten-up cembalo, hand percussion, and a room full of synthesizers, embryonic compositions and experiments came to life early on in the project. An electro-acoustic extravaganza, the soundtrack for A Pure Place takes a deep bow towards the many magnificent composers and scores from the late 60s and 70s where orchestral arrangements met with tape loops, psychedelia, and instruments from across the globe. Listening to that era of film music, anything seems possible. The minimalist tones of ‘Ritual Bells’ set the dial to weird in the opening sequence of the movie, whilst ‘The Island’ makes use of ambient vocals recorded through an oil drum, gently introducing one of the score’s main themes with a distant quarter-tone cembalo. Acclaimed British artist Shackleton’s eerie original version of ‘Fust’s Song’ (also included) was a tonal keystone for the entire soundtrack. Gürtler and Miserre translated his psychedelic electronic blueprint, layering acoustic instruments and bottom-heavy percussion in their ‘Paradox Paradise’ production style.

We return to Capcom’s classic ’90s output with this double LP for the Street Fighter Alpha 2 arcade soundtrack.

The composition team includes Syun Nishigaki, Setsuo Yamamoto, and Tatsuro Suzuki.

All music has been specially mastered for vinyl by Joe Caithness, and tracks will be pressed onto audiophile-quality, black 180g discs.

We’ve once again enlisted the brilliant comic book illustrator Andie Tong to create original sleeve artwork, as he did for the Street Fighter III: The Collection vinyl box set.

LPs come in printed inner sleeves, all housed in a wide-spined outer sleeve.

Music for animation cyber-noir film "Battlefield" (based on same-titled book by Stephen King). Animated films soundtrack is one of the most substantial aspects of Bystryakov's career. He masterfully balances between being a composer and a sound designer. A cartoon thriller for Stephen King's original story was created at the Kyivnaukfilm studio in 1986. The work itself reached the Soviet reader in 1981 for the first time and was King's first publication in the Ussr, as well as "Battleground" was the first and only film adaptation. "Battlefield" is a work that belongs entirely to its time. This soundtrack is a semi-conscious journey through the night TV network: from Italian horror movies and detectives to the movie Blade Runner on the last working channel well past midnight. Actually, in such a sequence, the fabric of the work is revealed. The atmosphere in the style of Goblin (Untitled I), thus echoing the work of Enno Morricone (Title theme, Theme of the boss). In addition to melodic fragments, he boldly creates minimalist pieces that undoubtedly sound like an early acid house (Untitled II), because the sounds of Roland Tb-303 and Tr-606 are instantly recognisable. Bystryakov's approach did not involve the use of many tools or effects. He worked with one Roland Juno-106 synthesiser, using the full palette of its sound. His new tool is a counterpoint. This is how the final theme (End Theme) is constructed, where a piercing solo on a saxophone changes the atmosphere to nostalgia.

Hand-Numbered Vinyl Edition Of 500 Copies Is 180gramlp In Window-Cut Artboard Jacket That Frames Eight Different Images From Magid's The Barragan Archives Project, Printed On Four 12"X12" Art Card Inserts Including An Artworked Inner Sleeve. The Original Score For The Acclaimed Feature-Length Artworld Documentary By Multi-Disciplinary Artist Jill Magid: An Exploration Of The Contested Legacy Of The Mexican Architect Luis Barragan And An Art Intervention In Its Own Right. Griffin Wrote, Performed And Recorded The Proposal Soundtrack With An Understated But Wide-Ranging Electro-Acoustic Sensibility That Organically Compliments The Film's Enigmatic Narrative And The Discreet Beauty Of Barragan's Architectural Spaces. Various Acoustic Instruments Combine With Electronics, Sampling And Ambient Treatments For An Ever-Shifting Suite Of Musical Vignettes Across The Album's Thirteen Tracks. Guest Musicians Include Matana Roberts, Reut Regev, Jim White (Xylouris White, The Dirty Three), Jason Ajemian (Helado Negro), And Sophie Trudeau And Timothy Herzog (Godspeed You! Black Emperor) Alongside Griffin's Own Contributions On Multiple Instruments, Field Recordings And Production. Griffin Weaves An Iridescent Musical Tapestry, Threading Various Genres With Sublime Thematic And Atmospheric Coherence, Echoing Magid's Contemplative, Cerebral Journey. The Music Also Works Enchantingly On Its Own As A Subtly Haunted, Evocative And Meditative Album.

This is the "soundtrack" to the Poison Idea documentary Legacy Of Dysfunction. The music is not in the same order as the movie. Some of the music that's in the movie is not on this album. Some of this music is not in the movie. Featuring previously unreleased recordings. Includes digital download card.

Known best for his work scoring the majority of Albert Pyun's films, tony Riparetti has always blended elements of new wave synth and guitars, and soaring drums into his compositions for a signature sound integral to Pyun's style. Deathbomb Arc is very excited to present the score to 'Crazy Six' (1997) to the world for the first time ever - on both vinyl and digital formats. The sound sets the tone for this extremely 90s slice of action, bathed in dream-like, melodramatic eroticism.

To celebrate the 25th anniversary of the release of She’s The One, we are releasing a remixed, remastered and re-imagined version of this album. The original album included several songs that were left off the original Wildflowersalbum (recently included as the "All The Rest" disc in the "Wildflowers & All The Rest" re-issue), so this re-release is an appropriate ending to the campaign celebrating the Wildflowers-era.

Ryan Ulyate (Tom’s long time engineer and producer) has remixed the audio, and the song selection is designed to work as aTom PettyAnd The Heartbreakers album, rather than a soundtrack album. Four unreleased tracks have been added; the rocker “105 Degrees” (written by Petty), a cover of JJ Cale’s “Thirteen Days”, “One of Life’s Little Mysteries” (another Petty original), and an instrumental (“French Disconnection”) in the same vein as the instrumentals on the original album. An extended version of “Supernatural Radio” is also included.

The new title is a reference to one of the stand-out tracks on the album, for which there will be a video. The new album will have brand new artwork, and this version will replace the existing physical versions of "She’s The One."