Soundtracks 166 Items

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

PRESSED ON 180G BLACK VINYL. HOUSE INSIDE A SPOT VARNISHED 425GSM GATEFOLD JACKET WITH INSERT. Artwork By Matt Ryan Tobin

We are thrilled to be releasing the score to A Quiet Place in conjunction with our friends over at Milan Records. The film has been one of the breakout hits of 2018. This is only the second directorial feature for John Krasinski and is an absolutely incredibly tense monster movie, that is as original as it is scary.

The score by Marco Beltrami is an absolute tour de force, it's basically another character in the film, it can be forceful and bludgeoning one minute and quiet and reflective the next. His players twist their instruments to generate tones and textures not usually associated with them, the layers of sound and percussion on display are incredible, the opening track 'It Hears You' reminds me of a classic Planet Of The Apes cue it's disquieting and slightly wonky but has an incredible hook that immediately lets you know you are in horror territory whereas say 'A Quiet Family' is a beautiful piano track that reminds you of the life the family lived before a world of monsters took over. Pianos are detuned, Electronics are layered over traditional instruments to create something truly unsettling

First official release ever for this unbelievable
giallo score by Roberto Nicolosi, composed for
the experimental thriller by Mario Caiano in
1972. Previously issued on Fontana in 1973 with
the title "Atmosfera", this is certainly one of the
top wanted Italian jazz LP for any serious
collector, featuring a five-star collective of marvelous musicians such as Giovanni
Tommaso (bass), Franco Tonani (drums), Angelo Baroncini (guitar), Antonello Vannucchi
(organ), Franco D'Andrea (piano), Gianni Basso (Tenor Saxophone), Dino Piana
(trombone), Cicci Santucci (trumpet). The result is a pysch and dark jazz- funk sound that
perfectly fits the anxious descent looking human psyche's labyrinth.
One of the best, still underrated, Italian soundtracks ever and one of the most
unforgettable Italian jazz sessions of the 70s. Another lost Italian score retrieved by Four
Flies Records.

Recorded in 1976 by Invisible Girls’ Steve Hopkins and Martin Hannett for a truly
bizarre stop-motion animation called All Sorts OF Heroes, this hard edged funk
instrumental theme reveals another side to this versatile production team joining the
hidden dots between ESG, Gyro, A Certain Ratio and Afro Express.

Like much of the lost and unreleased projects that stalled on the peripheries of early
proto-Madchester, including the disco-pogo music of Spider King, Gerry And The
Holograms, The 48 Chairs, Naffi and The Mothmen, this record has been frozen in
time waiting for the wider marathon of independent pop to catch up!

Pressed here by Finders Keepers for the first time on vinyl.

This album brings some of Hammer’s greatest music to vinyl for the first time. It’s an evocative and diverse collection of themes that are just as memorable as the remarkable films they accompanied. The release showcases a selection of classic themes from the film company's varied soundtrack catalogue from composers that range from the great James Bernard to David Whitaker and spans Hammer's golden years between 1958 and 1974.

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

The soundtrack to critically acclaimed Flemish director Fien Troch's fourth film Home. Side A features pop music from Chromatics and Symmetry with Johnny Jewel's ambient score on the flip.

Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.

Limited Edition, black wax vinyl. Mondo, in conjunction with Studio Ponoc, is proud to present a limited edition pressing of the full length soundtrack to their debut feature length animated film: MARY AND THE WITCH'S FLOWER. Composed and produced by Takatsugu Muramatsu, featuring an original song by SEKAI NO OWARI.

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The Maestro Piero Piccioni is in a rare groove mode here, lost between acid jazz breaks and deep funk rhythms in what is the first ever vinyl reprint of a minor classic. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate reminds us of the compositions of the late 60's of the master; memorable sessions that would lead to the publication of the classic posthumous 'Camille 2000'. The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines.

« It's stressfull! It's shocking! It's everything a disturbed mind can imagine! »

A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.

No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directed by Bernard Launois, Devil Story is a cult film that is favored by connoisseurs as one of the craziest pieces of out-there cinema ever committed to screen. Even better, the soundtrack composed by Michel Roy and Paul Piot matches the performance with obscure electronic digressions and bone-chilling melodies.

Limited edition of 500 coloured LP.

Mastering by Julien Louvet
Artwork by Jennie Zakrzewski

Another great shot at Four Flies 7'' Family: two gorgeous soul ballads composed for the title sequences of two Italian-Spanish thrillers, both magnificently sung by Shawn Robinson’s divine voice. Special Ultra-limited Collector's Edition: 133 copies with reddish-purple label and sleeve + 133 blue label & sleeve + 133 violet label and sleeve.

Regular Official Authorised Vinyl Version, Original Soundtrack.

The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii’s legendary science fiction anime film GHOST IN THE SHELL (1995). - LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork Tracklisting LP : A1 ?I - Making Of Cyborg A2 Ghosthack A3 Puppetmaster A4 Virtual Crime A5 ?II - Ghost City B1 Access B2 Nightstalker B3 Floating Museum B4 Ghostdive B5 ?III - Reincarnation We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon). The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai’s compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook.

'Waxwork Records is thrilled to announce the release of GET OUT Original Motion Picture Soundtrack Music By Michael Abels. Written and directed by Jordan Peele, GET OUT is a critically acclaimed 2017 American horror film starring Daniel Kaluuya and Allison Williams. The film received numerous accolades and won the Academy Award for Best Original Screenplay. It was also nominated for Best Picture, Best Director, and Best Actor for Kaluuya.

GET OUT is the directorial debut of accomplished actor and long time horror-fanatic, Jordan Peele. The film’s music was scored by composer Michael Abels, and it also features his debut as a film composer.

Included in the new deluxe double LP release of GET OUT are exclusive liner notes in the form of an in depth essay by Peele that illustrates the director’s first meeting with Michael Abels, their approach to the film’s music, and how it all came together to conjure a new sound. “I had some ideas. I envisioned distinctly black voices harmonically creating an unnatural sound. The absence of hope. The void of the voiceless. A disembodied Negro spiritual. The Sunken Place.”

GET OUT Original Motion Picture Soundtrack features the complete soundtrack by composer Michael Abels, deluxe packaging, new artwork by Leslie Herman, a printed insert with exclusive liner notes by Jordan Peele, 180 gram “The Sunken Place” Black with White Splatter colored vinyl, and old style tip-on gatefold jackets with satin coating.

Moonlight is the breathtaking soundtrack to the film of the same name Rolling Stone has called "A masterpiece" and won the Oscar 2017 for best movie. The album features the critically-acclaimed score by composer Nicholas Britell, as well as choice songs including "Every Nigger Is A Star" by Boris Gardner, "Cell Therapy" by Goodie Mob and "Hello Stranger" by Barbra Lewis. Britell is an award-winning composer, pianist, and producer. In 2015, Britell scored Adam McKay's Oscar-nominated film The Big Short, and his music also featured prominently in Steve McQueen's Oscar-winning film 12 Years A Slave, for which he composed and arranged the on-camera music including the violin performances, spiritual songs, work songs, and dances. As a producer, Britell produced Damien Chazelle's short film Whiplash, and subsequently co-produced the Oscar-nominated feature film. Britell's emotional and evocative score to Moonlight has resonated with audiences from early festival screenings, earning accolades from critics in their reviews of the film which underline how the music is wrapped into the very fabric of the film itself.

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.

Featuring the songs present on Peter Quill's mixtape in the film and the separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

Now for the first time on vinyl, Four Flies Records is proud to present an unmissable Eurocrime soundtrack by Guido & Maurizio De Angelis, composed in 1976 and considered to be one of the genre’s finest offerings directed by Enzo G. Castellari. Perhaps the most forceful OST from the Italian duo, Il Grande Racket consists of fuzz distortion and electronic effects from the beginning to the end. This sonic gem is also enriched with psychedelic flutes, obsessive rhythms, and percussion which results with a totally prog-rock and psych-funk score that perfectly describes the main elements of the film: action, tension and violence. Remastered from the original master tapes preserved for decades in the C.A.M. archives, and augmented with exclusive liner notes by Davide Pulici (Nocturno Cinema) and stunning original artwork created by Luke Insect, this edition will be a true pleasure of the senses for any and all soundtrack lovers.

Digitmovies is releasing the LP and CD of the OST from the film “Blackie the Pirate” (original title: “Il Corsaro Nero”). Blackie the Pirate is a fictional character created by the Italian writer Emilio Salgari. The character has appeared in various films throughout the years. The composer Gino Peguri (author of soundtracks for movies like “Bloody Pit of Horror," "Seven Magnificent Pistols", "A Woman on Fire", "Psychopath," "Code Name, Red Roses") wrote an orchestral score for "Blackie the Pirate" which was released in 1971 on a rare LP from RCA (SP 8035) and a rare single Cormorano (ZC 50180). For this CD re-release we were able to find the stereo master tapes from the original album and the complete master tapes from the original recording sessions which include both stereo and mono mixes. In addition to the 12 stereo tracks on the album, we have added nine alternate tracks in stereo and five alternate tracks in mono. This OST is dominated by the fun pop-sounding song in the opening credits called "Orza qui poggia lì," performed by Paolo Ferrara and accompanied by the chorus of Nora Orlandi. For the LP version we brought back the 1971 LP with the addition of the English version of "Orza qui poggia lì” as well as the film version of the track "In the Caribbean" and two alternative versions on side B. Available on CD or LP+CD limited editions of 300 copies.

This is the "soundtrack" to the Poison Idea documentary Legacy Of Dysfunction. The music is not in the same order as the movie. Some of the music that's in the movie is not on this album. Some of this music is not in the movie. Featuring previously unreleased recordings. Includes digital download card.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Waxwork Records is beyond thrilled to announce Friday THE 13th Part V: A NEW Beginning Original Motion Picture Soundtrack by Harry Manfredini. For the fifth soundtrack installment of the beloved slasher-horror franchise, the Friday The 13th crew reeled back in composer Harry Manfredini to score “A NEW Beginning” in 1985. Waxwork collaborated closely with composer Manfredini to release the complete and re-mastered original soundtrack which spans two 180 gram “Imposter Jason” splatter vinyl records. Diehard horror fans, campers, and promiscuous summer camp counselors alike will appreciate this classic soundtrack featuring massive orchestral cues, giant stabs, and the classic “Ki, Ki, Ki… Ma, Ma, Ma” chant throughout!

The new double LP soundtrack album features lavish artwork by Matt Ryan Tobin, deluxe packaging, old-style tip on gatefold jackets, 180 gram colored vinyl, and more!

The Complete 1985 Soundtrack Re-Mastered for Vinyl Double LP “Imposter Jason & Crystal Lake” Tri-Color Split w/ Splatter Colored Vinyl Deluxe Packaging Art by Matt Ryan Tobin

Limited to 300 copies.

Originally issued in 2011, Ashcan Copy is the third instalment in Rashomon's Film Music series of LPs. Cineploit Records is proud to present this re-release, and to introduce the record to a wider audience than the 150 lucky souls who snagged a copy of the ultra-limited initial release on Hlava Records.
Active since 2009, Rashomon is the solo project of Matt Thompson, also of Cineploit mainstays Zoltan. This is his second release on the label under the Rashomon name, following 2014's LP/DVD extravaganza The Cameraman's Revenge: Film Music Vol. 4 – the final release in the Film Music series to date.
The previous edition to this, 2009's The Finishing Line: Film Music Vol. 2, had focused on re-creating the psychological mind-state of the wilder end of 1970s British public information films. By way of change Ashcan Copy is presented as an album of soundtrack cues from films that were, for one reason or another, never released. The films, hailing from Italy, Japan and the USA (among others) supposedly date from the 1950s to the 1970s, and were (according to the extensive sleeve notes) exactingly sourced from film archives across Europe.
In reality, all the music is self-composed. The eight tracks include elements of noise, folk, psychedelia, prog and noir-jazz within their elaborate constructions, created with a panoply of instrumentation including Mellotron, zither, home-made percussion, Fender Rhodes, harmonium, MiniMoog and more. Delicate and sensuous, heavy and oppressive – the record negotiates these musical contradictions while retaining a single-minded pursuit of strangeness and surprise.
Having finally found its spiritual home on soundtrack specialist label Cineploit, Ashcan Copy can at last be heard by all.

Waxwork Records in partnership with Back Lot Music is honored to release NOPE Original Motion Picture Soundtrack by Michael Abels. Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.

The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer and Oscar® nominee Steven Yeun as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

NOPE marks Abels’ third feature film score with director Jordan Peele, having previously scored Peele’s GET OUT and US. The album also features songs from the film, including a new version of Corey Hart’s classic “Sunglasses at Night (Jean Jacket Mix)”, Dionne Warwick’s “Walk on By”, The Lost Generation’s “This is the Lost Generation”, Exuma’s “Exuma, the Obeah Man”, and a never-before-released gem by a young Jodie Foster, “La Vie C’est Chouette” from the 1977 film MOI, FLEUR BLEUE. “NOPE is my most ambitious score to date,” says Abels. “There are elements from the genres of sci-fi, action, horror, and westerns, but always through the tonal palette of Jordan Peele’s unique vision. The lines between source music and score are blurred, as a good part of the score seems to be playing at the theme park, which is a key location in the story. The score is at times terrifying, yet also invokes the sense of awe and wonder that the characters feel as they realize what they are seeing. The film eventually becomes a grand adventure, and so the music expands into the larger-than-life scale we expect of a summer blockbuster.” He goes on to say, “it was a joy to compose a score that encompassed such a broad range of genres and emotions, and I’m thrilled to have audiences experience all of them through this album.”

“Michael is one the most exciting composers working today - he has this amazing ability to create new sounds which was important for this film,” Jordan Peele says. “He's able to play in the familiar and in the unfamiliar at the same time, so that helps give every film its own character, and he has an incredible mastery of so many different music genres.” Abels is known for his genre-defying scores for the Jordan Peele films GET OUT and US, for which Abels won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, and multiple critics’ awards. The hip-hop influenced score for US was short-listed for an Academy Award® and was named “Score of the Decade” by The Wrap. Abels is also co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.

Waxwork Records is thrilled to present the official NOPE deluxe double LP soundtrack album. The package comes complete with 180-gram colored vinyl, quality packaging, original artwork by Ethan Mesa, heavyweight gatefold jacket with matte coating, a multi-page 12”x12” booklet, liner notes, & more!

In conjunction with The Criterion Collection’s special-edition DVD and Blu-ray release of David Byrne’s 1986 film True Stories, Nonesuch and Todomundo Records release a comprehensive soundtrack, collected for the first time in one package and in film sequence: True Stories, A Film by David Byrne: The Complete Soundtrack. David Byrne was inspired by tabloid headlines to make his sole foray into feature-film directing, an ode to the extraordinariness of ordinary American life and a distillation of what was in his own idiosyncratic mind. Byrne plays a visitor to Virgil, Texas, who introduces us to the citizens of the town during preparations for its Celebration of Specialness. As shot by cinematographer Ed Lachman, Texas becomes a hyper-realistic late-capitalist landscape of endless vistas, shopping malls, and prefab metal buildings. In True Stories, Byrne uses his songs to stitch together pop iconography, voodoo rituals, and a singular variety show. Byrne calls the record “an immersive audio voyage into the little town of Virgil, Texas, in the mid-eighties.” He continues, “I always imagined that the music written for True Stories should be heard as it is in the film. It makes the most sense this way. Me singing the song that was written for John Goodman’s character, Louis Fine, always felt weird to me. It was written for that character, not for me.”

Limited edition for Record Store Day 2018!

How To Train Your Dragon 2 was composed by John Powell, who has created the archetype for modern animation scoring. This soundtrack has never had a standard vinyl release, much less this deluxe edition which will be presented across two LP’s in a gatefold jacket and pressed on red mult-color splatter vinyl, in keeping with the theme of the green multi-color splatter on the How To Train Your Dragon 1 LP release, which was also produced exclusively for RSD in 2021. As with the first soundtrack, the theme song of the second film is done by Jonsi from the Icelandic band, Sigur Ros, and is unavailable anywhere else.

Limited edition for Record Store Day 2018!

The disturbing soundtrack of the same film directed by Alberto De Martino in 1985 and composed by Francesco De Masi, author and Roman arranger already famous for classical b-movie soundtracks such as Lo Squartatore Di New York (The New York Ripper) and Fuga Dal Bronx (Escape From The Bronx). For a long time associated with 'genre cinema', the man had an innate passion for primitive electronics. A long suite divided into 14 movements that best describe the climate of tension and the upcoming deadlines of the featured film, a Gothic thriller in the orbit of meta-horror. The music - sometimes a bit of a timbral but often deliberately descriptive and overwhelming - pin of synths and analogue machines, capable of defining the desperate plot of the film. A classic fully restored on LP on limited Colored Vinyl.

Denis Villenueve’s masterful Blade Runner 2049 races into theaters this weekend and the film’s accompanying soundtrack, composed by legendary film score maestro Hans Zimmer, is now streaming in full.

The score was composed in tandem by Zimmer and his longtime collaborator Benjamin Wallfisch. The duo was brought in somewhat later in the production process, after the score’s initial composer, Icelandic composer Jóhann Jóhannsson, ceased involvement due to creative differences.

Villeneuve explained his decision to replace Jóhannsson with Zimmer in an interview with Al Arabiya. “The thing I will say is that making movies is a laboratory,” he explained. “The movie needed something different, and I needed to go back to something closer to [the original film’s composer] Vangelis. Jóhann and I decided that I will need to go in another direction — that’s what I will say.”

The decision seemingly paid off, as Clint Worthington notes in his review of the film: “[Zimmer and Wallfisch] lean heavily on Vangelis’ original 1982 score for inspiration, but 2049 is refreshingly light on incidental music, mostly allowing the booming, immersive sound design to take center stage.”

As Editor-in-Chief Michael Roffman writes in his glowing A- review, the score is “a total evolution of what Vangelis set in motion way, way back in 1982. It’s louder, it’s gloomier, it’s heavier, and it’s much more expansive, all qualities one might tag with Villeneuve’s breathtaking sequel.”

In additional to Zimmer and Wallfisch’s original compositions, the soundtrack features songs by Frank Sinatra, Elvis Presley, and Lauren Daigle.

The LP Italian library "Music Is My Life" is a new collection of songs never printed in LP of the 70s and early 80s used in the sound commentaries of newsreels, films, TV and documentaries. Many of you (now aged forty) will have surely felt them in the background, now we want to present them in their great musical fullness and to delight your ears.S. Brugnolini - A. Alessandroni - A. Trovajoli - E. Morricone - L. Zito - M. Guantini - Teimar - B. Pisano - G. Tommaso - T. Schipa

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

Original live re-score composed and performed by Morricone Youth to F.W. Murnau's 1927 silent film Sunrise: A Song Of Two Humans. Pressed on sunrise orange vinyl in an edition of 500 copies. Includes a download.

Double yellow, silver, and black splatter colored vinyl LP pressing. Upon release in March 2016, Dark Souls III was critically and commercially successful, with critics calling it a worthy and fitting conclusion to the series. The game's original score was primarily written by Dark Souls II and Bloodborne composer, Yuka Kitamura, and performed by the Tokyo Philharmonic Orchestra. Additional music was written by Dark Soulscomposer Motoi Sakuraba, with a single boss theme each by Tsukasa Saitoh and Nobuyoshi Suzuki

In 2009, Dark Souls was unleashed upon an unsuspecting gaming world and would quickly become one of the most critically acclaimed games in all of gaming history, for both it's punishingly-challenging gameplay and dark, brooding, and often outright terrifying soundtrack by industry legend Motoi Sakuraba.

Dark Souls II, the highly anticipated sequel to 2009's Dark Souls was released with much fanfare in March 2014. As with it's predecessor, the intricate and moody score music struck a chord with fans of both composer Motoi Sakuraba and the game franchise, topping many a "best of 2014" list.