Soundtracks 588 Items

* Pressed on lilac colored vinyl
* Housed in Gatefold Sleeve

After a decade of creating pioneering puppet series made for children, Gerry & Sylvia Anderson took their first steps into live-action, with the 1969 feature film Doppelgänger (re-titled outside Britain as Journey To The Far Side Of The Sun). This science-fiction film approached its outer space subject matter with a gritty realism, and would set the tone for what was to be their first live-action television series: UFO. This new series took as a starting point the pioneering work of Dr Christiaan N. Barnard, the surgeon who performed the world’s first heart transplant operation. In UFO a dying race of aliens travel across vast distances of space to harvest organs from human beings to help ensure their own survival. To combat this threat the United Nations created SHADO, a top-secret organisation utilising the latest technology available to defend the Earth. To complement the series, the Andersons frequent musical collaborator Barry Gray created a multifaceted score that gave the programme its own musical identity. Elegantly crafted and a firm favourite with Barry Gray fans, the sound of UFO, particularly its ethereal “World Music” closing credits is, quite simply, a joy. Includes a bonus track, Trampoline performed by The Spencer Davis Group from the episode Ordeal.

Zelda & Chill contains lo-fi- hip hop arrangements of music from the original LoZ, Link To The Past, Majora’s Mask, Wind Waker, Ocarina of Time, Skyward Sword, and Breath of the Wild.

180 Gram Colored Vinyl /// Disc 1: Green and Purple Sorcery Swirl /// Disc 2: Jack Lantern and Fire Swirl /// 12" Printed Insert /// Deluxe Packaging /// Waxwork Records in partnership with Back Lot Music is proud to present The House With A Clock In Its Walls Original Motion Picture Music by Nathan Barr. Directed by Eli Roth (Cabin Fever, Hostel) and scored by Nathan Barr (True Blood, Cabin Fever), The House With A Clock In Its Walls is a 2018 dark fantasy film based on the 1973 novel of the same name by John Bellairs. The film follows a young boy (Owen Vacarro) who, after his parents are killed in a car accident, is sent to live with his uncle Jonathan (Jack Black) in a mysterious, old creaky house. He soon learns that his uncle is a warlock, their neighbor (Cate Blanchett) is a witch, and that the house was previously inhabited by a sinister wizard (Kyle MacLachlan).

BMI Award Winning composer Nathan Barr returns to work with Eli Roth for the dark, yet whimsical score to The House With A Clock In Its Walls. Previous collaborations between the composer and director include Cabin Fever, Hostel, and Hostel: Part II. The thematic, haunting score features a 34 piece string ensemble, an 11 piece brass ensemble, and features a newly restored Wurlitzer pipe organ which was previously housed at the 20th Century Fox scoring stage from the 1920’s until the mid-1990’s.

Waxwork Records is thrilled to present the deluxe double LP album loaded with 180 gram colored vinyl, artwork by French fine artist Jérémy Pailler, a 12”x12” printed insert, and old style tip-on gatefold jackets with gloss coating.

Pressed on 180g black vinyl
Housed in a deluxe heavyweight gatefold sleeve, with stunning artwork by Sander Brouwer printed on reverse board

* Includes download card / Invada Records & Lakeshore Records will co-release MONOS-Original Motion Picture Soundtrack, featuring original music by Ivor Novello Award winner and Academy Award-nominated Mica Levy (Jackie, Under the Skin).



The London-based composer, music producer and artist creates an indescribably hallucinatory, often menacing backdrop to the survivalist thriller set on a remote mountain in Latin America.

Red Splatter On Green Vinyl! limited to 2500 copies! The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

For this OST, Carlo Savina composed lounge background music, at times dominated by a mysterious Asian vibe and by sophisticated jazzy vibes. "Gold Snake", the main score, is interpreted by the fabulous voice of Iva Zanicchi, written for a symphony orchestra, and accompanied by the New Orlandi choir (the piece was recorded on 45 RIFI RFN NP 16141). The leitmotif is reprised in a shake version and a slow danceable version. The well-known actress Yoko Tani, the film’s protagonist, performs the romantic piece "Crazy", which is also recorded in an instrumental version. The spy aspect of the plot is emphasized by suspense and action music. For this LP the mono master tapes of the recording session were used.

L’ultimo squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg’s Jaws. In our movie, we have an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music was composed by the De Angelis bros., Guido & Maurizio, obsessive and thrilling in the moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST “Uno sceriffo extraterrestre poco extra molto terrestre” that provides great variety to the listening experience.Aside from being released here for the first time in any format, the score of L’ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros’ label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer’s live concerts. The LP is released on black, 180-gram vinyl, with an illustrated internal sleeve, mastering by Enrico De Gemini, liner notes and graphic layout by Daniele De Gemini.