Soundtracks 195 Items

Recorded in 1976 by Invisible Girls’ Steve Hopkins and Martin Hannett for a truly
bizarre stop-motion animation called All Sorts OF Heroes, this hard edged funk
instrumental theme reveals another side to this versatile production team joining the
hidden dots between ESG, Gyro, A Certain Ratio and Afro Express.

Like much of the lost and unreleased projects that stalled on the peripheries of early
proto-Madchester, including the disco-pogo music of Spider King, Gerry And The
Holograms, The 48 Chairs, Naffi and The Mothmen, this record has been frozen in
time waiting for the wider marathon of independent pop to catch up!

Pressed here by Finders Keepers for the first time on vinyl.

Super deluxe lo fi 7″ grape-colored vinyl housed in DIY low-budget sleeve, + includes “I love my VCR Sticker

''Marvel's Guardians of the Galaxy,'' the new animated, action-packed epic space adventure following a ragtag band of disparate misfits, debuts with a one-hour special featuring back-to-back episodes, Saturday, September 26 (9:30 p.m., ET/PT) on Disney XD. The Marvel Music and Hollywood Records soundtrack, Guardians of the Galaxy: Cosmic Mix Vol.1, will feature classic 1970s songs.

Tracklist:
1.Hooked on a Feeling,
2.Rocky Mountain Way,
3.Don't Stop Me Now,
4.Drift Away,
5.So You Are a Star,
6.The Boys Are Back in Town
7.Walk Away,
8.Funk No. 49,
9.Shake Your Groove Thing,
10.I Will Survive,
11.Funk Funk,
12.Joy To The World

7 track mini album. 'Waterpark' is a film score written for Director Evan Prosofsky's same titled film, and explores the neutral element of sound in a massive indoor water park located in west Edmonton Mall, in the province of Alberta. A vacation home to countless stranded Canadians with no vacation in sight.

The instrumentation of oscillators, heavily reverberated strings, mellotron/chamberlain, and experimental electric guitar sets the mood for this bizarre plastic tropical paradise thats within a shopping mall.

Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.

Limited edition for Black Friday RSD 2014!

John Carpenter's 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their
homes. The multi-talented filmmaker's atmospheric synthesiser score has long been a soundtrack favourite and this 7" single features its two most recognisable themes.

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

Pre-Cert, short for pre-certi?cation video, is a UK phrase that refers to a VHS tape released prior to the introduction of the 1984 Video Recordings Act. As the then new VHS market was completely unregulated, these editions were not required to be submitted to the BBFC, meaning the releases were completely uncensored - soon leading to the "video nasties" outrage. Today these tapes are sought after items on the collector's market. With his Cineploit debut, Magnus Sellergren set out to further and improve on the concept of Videogram's previous "S/T" 2014 album. Inspiration was drawn from the same sources as the previous full length effort, with the key words being bigger, better, and more produced. The result is an album created during a six-month period, between January and June 2015, starting with a total of thirty-some tracks that were written, then re-written - in some cases even completely rearranged - polished, and ?nally whittled down to a thirteen-track, 40+ minute full length LP/CD. Starting off with the now-familiar Videogram idents, Pre-Cert covers an assortment of classic genre-in?uenced sounds; from occult horror, 1980s Cannon action, thrillers and post-apocalyptics to "cannibal freakouts" (as he affectionately calls them), Italian-produced erotica, 1970s Spanish horror, the iconic Friday the 13th series and climaxing with a mammoth ?ve-part, 13-minute tribute to John Carpenter's sci-? horror classic "The Thing". The journey Videogram started in 2014 is now taking a huge step forward, offering the same amount of affection for the VHS format and genres as his previous efforts, but more focused, polished and well executed!

Original Soundtrack in a collectors edition.

Original Soundtrack in a collectors edition.

The follow up to the 2014 blockbuster film, Guardians of the Galaxy, features original cast including Chris Pratt, Zoe Saldana and the voice of Bradley Cooper. Featuring a compilation of memorable tracks from the 60s and 70s which are played within key moments of the film. Written and directed by James Gunn

Tracklist:
1.Mr. Blue Sky,
2.Fox On The Run,
3.Lake Shore Drive,
4.The Chain,
5.Bring It on Home to Me,
6.Southern Nights,
7.My Sweet Lord
1.Brandy (You're A Fine Girl),
2.Come A Little Bit Closer,
3.Wham Bam Shang-a-Lang,
4.Surrender,
5.Father And Son,
6.Flash Light,
7.Guardians Inferno

Another great shot at Four Flies 7'' Family: two gorgeous soul ballads composed for the title sequences of two Italian-Spanish thrillers, both magnificently sung by Shawn Robinson’s divine voice. Special Ultra-limited Collector's Edition: 133 copies with reddish-purple label and sleeve + 133 blue label & sleeve + 133 violet label and sleeve.

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

« It's stressfull! It's shocking! It's everything a disturbed mind can imagine! »

A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.

No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directed by Bernard Launois, Devil Story is a cult film that is favored by connoisseurs as one of the craziest pieces of out-there cinema ever committed to screen. Even better, the soundtrack composed by Michel Roy and Paul Piot matches the performance with obscure electronic digressions and bone-chilling melodies.

Limited edition of 500 coloured LP.

Mastering by Julien Louvet
Artwork by Jennie Zakrzewski

“Charmingly lo-fi AOR-inflected 8-bit small group funky rock and post-punky disco-not-disco with open breaks and experimental electronics – an undiscovered gem!” Ed Griffiths (Blaxploitation.com)
Moving musis is out with it’s third Soundtrack release, the 1982 Norwegian cult feature “Carl Gustav, the Gang and the Parking Bandits” A teenage flick set in the outskirts of Bergen. A Band of black dressed greedy corporate thugs are converting all the playgrounds in the area to parking lots. This doesn’t fit well with the local youth, Carl Gustav and his friends finds all the clues, traces down the thugs and get their revenge at the castle finale.
Well respected Norwegian director Ola Solum again hired Pete Knutsen (see also Operasjon Cobra MM02 ost) and his bandmates from Popol Ace for the job to make the score. And the result is a brilliant small group funky rock outfit with plenty of open breaks, quirky instrumentation and interludes. Songs from the film includes vocal tracks by famous Norwegian pop artist Jahn Teigen and the punk group Alle Tiders Duster.
Never before released and remastered from multitrack tapes by Timmion Finland, this score is long overdue but finally available for the first time!

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

Classic Edition & Special Edition - Available Now on We Release Whatever The Fuck We Want !

Wrwtfww Records is delighted to unleash the complete uncut soundtrack for Lucio Fulci & Bruno Mattei's cult zombie-ploitation gem Zombi 3 (aka Zombie Flesh Eaters 2 aka Sanguelia 2, 1988) available on 2 different collector's edition vinyls for the first time ever.

The Classic Edition comes in red is dead colored vinyl with a red Japanese Sanguelia 2 VHS obi and has a helicopter pictured on the back cover.

The Special Edition has the same songs as the Classic Edition Plus bonus skits/interludes with DJ Blue Heart talking (taken from the movie) on the b-side and comes in green inferno colored vinyl with a green Japanese Sanguelia 2 VHS obi and DJ Blue Heart pictured on the back cover.

Both versions are housed in heavy old style Stoughton casebound tip-on jackets - pick your poison - get infected!

This future deluxe edition OOP classic is packed with menacing synths, ghoulish melodies, and contaminated anthems remastered directly from the rare original reels of maestro Stefano Mainetti which were found at an abandoned top secret research facility.

This is the "soundtrack" to the Poison Idea documentary Legacy Of Dysfunction. The music is not in the same order as the movie. Some of the music that's in the movie is not on this album. Some of this music is not in the movie. Featuring previously unreleased recordings. Includes digital download card.

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians.

The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016.

"Anthology: Movie Themes 1974-1998" collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time.

Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires.

Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog.

Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.

Original live re-score composed and performed by Morricone Youth to F.W. Murnau's 1927 silent film Sunrise: A Song Of Two Humans. Pressed on sunrise orange vinyl in an edition of 500 copies. Includes a download.

Akira Ifukube’s mighty score to the legendary monster movie that started it all, ‘Godzilla’! Ifukube’s visionary music is super dark reflecting the horror of Ishiro Honda’s film. This incredible score music alternates between brass and strings as we witness the death and destruction that comes in Godzilla’s wake.

“Labyrinth” is a soundtrack album by David Bowie and Trevor Jones, released on cassette and vinyl in 1986 for the film “Labyrinth”. The first audio CD release was in 1989. It was the second of three soundtrack releases in which Bowie had a major role, following “Christiane F.” and preceding “The Buddha of Suburbia”. The soundtrack album features Trevor Jones' score, which is split into six tracks for the soundtrack: "Into the Labyrinth", "Sarah", "Hallucination", "The Goblin Battle", "Thirteen O'Clock", and "Home at Last".

“Labyrinth” is a 1986 British-American adventure musical dark fantasy film directed by Jim Henson, executive-produced by George Lucas, and based upon conceptual designs by Brian Froud. The film revolves around 15-year-old Sarah's (Jennifer Connelly) quest to reach the center of an enormous otherworldly maze to rescue her infant brother Toby, who Sarah wished away to Jareth, the Goblin King (David Bowie). With the exception of Connelly and Bowie, most of the film's significant characters are played by puppets produced by Jim Henson's Creature Shop.

“Sounding like the sophisticated Scandinavian elder brother of 3 Days Of The Condor or Roy Budd’s Diamonds, this previously-unreleased soundtrack is a fantastic slab of atmospheric funky jazz served Norwegian style!” Ed Griffiths (Blaxploitation.com)
Moving Music are proud to present next instalment in vintage Norwegian Soundtrack music. The youth movie “Operasjon Cobra” from
1978 is about a group of local terrorists trying to assassinate the US foreign minister on his visit Norway. The plans go wrong however as the plot is sabotaged by a group of youngsters living in Snarøya on the outskirts of Oslo.
The variety of Pete Knutsen’s music is funky jazz with the occasional dramatic mood and hint of disco, to coincide with the popular music of the times. Soundtrack feature and all-star cast of top Norwegian session players from the late seventies: Knut Riisnæs, Henry Lysiak, Thor Andreassen and Terje Methi. Played with strong array of musicianship and impressive use of instrumentation: moog, percussion, strings, breakbeats makes it a joyful listen throughout.
Soundtrack has never been released before and has undergone a new multitrack remaster by Timmion Records Finland.

Regular Official Authorised Vinyl Version, Original Soundtrack.

The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii’s legendary science fiction anime film GHOST IN THE SHELL (1995). - LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork Tracklisting LP : A1 ?I - Making Of Cyborg A2 Ghosthack A3 Puppetmaster A4 Virtual Crime A5 ?II - Ghost City B1 Access B2 Nightstalker B3 Floating Museum B4 Ghostdive B5 ?III - Reincarnation We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon). The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai’s compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook.

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

Vinyl LP pressing. Fifteen of the 19 tracks contained in Endless Poetry: Original Motion Picture Soundtrack were composed and performed by Alejandro's son Adan Jodorowsky (AKA Adanowsky), who also stars in the film, portraying his own father as a young man. Multi-instrumentalist composer/arranger Jon Handelsman contributed four songs to the soundtrack. "Sueño sin fin" was composed and arranged by both Handelsman and Alejandro Jodorowsky (the filmmaker's own contribution to Endless Poetry: Original Motion Picture Soundtrack). Described by Variety as "a work of disciplined and touching emotional resonance," Endless Poetry details Alejandro Jodorowsky's life in his 20s. Against the wishes of his authoritarian father, the protagonist leaves home to pursue his dream of becoming a poet, and is introduced to the bohemian and artistic inner circle of Santiago, Chile in the 1940s and 50s. He meets Enrique Lihn (Leandro Taub) and Stella Diaz (Pamela Flores), two unknown poets who would become driving forces of twentieth century Hispanic literature. Told through a unique surreal and psychedelic visual language, with a soundtrack to match, Endless Poetry is an ode to the quest for beauty and inner truth as a universal force capable of changing one's life forever.

Re-recordings of Artemiev's soundtracks to the classic 1970s Tarkovsky film. Recorded in Moscow 1989-90.

Previously unreleased full edition for this explosive jazz-funk score by Italian Maestro Riz Ortolani, created in 1973 for the crime-movie “Si può essere più bastardi dell'ispettore Cliff?” (also known as “Mafia Junction”). Only two tracks from this OST were published at the time in a now extremely rare C.A.M. 7-inch, but that was enough to create the legend... Four Flies is honored to had access to the original C.A.M. master tapes, so to present here, just your pleasure, the complete session for the first time! Just expect one of the funkiest piece of the whole Ortolani’s career: car chases, sex scenes, vicious kills are served here by amazing drum breaks, fat bass lines, captivating horn section and wonderful guitar effects. Totally outstanding session, and a real new classic for all crime-funk lovers!

Sacred Bones Records celebrates its 15th year anniversary by repressing this incredible debut by the one and only master of horror on vortex blue vinyl. John Carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes can instantly flood his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kungfu fighters, or a mirror holding the gateway to hell. The music on Lost Themes is there for Carpenter's acolytes to visualize their own nightmares. As is Carpenter's style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion. Horror fans will be reminded of Carpenter's past works, as well as ancestors like Mike Oldfield's Tubular Bells and Goblin's Suspiria. "They're little moments of score from movies made in our imaginations," Carpenter says. "Now I hope it inspires people to create films that could be scored with this music."

Denis Villenueve’s masterful Blade Runner 2049 races into theaters this weekend and the film’s accompanying soundtrack, composed by legendary film score maestro Hans Zimmer, is now streaming in full.

The score was composed in tandem by Zimmer and his longtime collaborator Benjamin Wallfisch. The duo was brought in somewhat later in the production process, after the score’s initial composer, Icelandic composer Jóhann Jóhannsson, ceased involvement due to creative differences.

Villeneuve explained his decision to replace Jóhannsson with Zimmer in an interview with Al Arabiya. “The thing I will say is that making movies is a laboratory,” he explained. “The movie needed something different, and I needed to go back to something closer to [the original film’s composer] Vangelis. Jóhann and I decided that I will need to go in another direction — that’s what I will say.”

The decision seemingly paid off, as Clint Worthington notes in his review of the film: “[Zimmer and Wallfisch] lean heavily on Vangelis’ original 1982 score for inspiration, but 2049 is refreshingly light on incidental music, mostly allowing the booming, immersive sound design to take center stage.”

As Editor-in-Chief Michael Roffman writes in his glowing A- review, the score is “a total evolution of what Vangelis set in motion way, way back in 1982. It’s louder, it’s gloomier, it’s heavier, and it’s much more expansive, all qualities one might tag with Villeneuve’s breathtaking sequel.”

In additional to Zimmer and Wallfisch’s original compositions, the soundtrack features songs by Frank Sinatra, Elvis Presley, and Lauren Daigle.

The original double gatefold PLUS 16-page booklet containing the full script, lyrics, original paintings, and credits.

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

We saw the power of BET when their New Edition Movie drove the Bell, Biv, Devoe album to #1.
eOne and BET will join forces on a massive Death Row marketing campaign consisting of commercials
on the show, crawlers during the show, eblasts to the million plus Death Row fan list, Death Row pop up
stores etc..
This 15 song album is a good mix of front line hits like “Murder Was The Case” and hard-to-find rarities
like Sam Sneed’s “Drug Related”.

Laced Records, in partnership with Bethesda Softworks and id Software, today announced that the Doom (Original Game Soundtrack) by composer Mick Gordon will make its long-awaited debut on physical audio formats (Vinyl/CD) in Summer 2018. The X2lp was cut at the world famous Abbey Road Studios. The Doom (Original Game Soundtrack) will be available in two formats at retail; a Deluxe Double CD in a triple gatefold sleeve including all 31 tracks from the game and a deluxe Double Vinyl with 20 favorite tracks selected by the developers pressed on 180g red vinyl and cased in a deluxe sleeve with full printed inner sleeves. A Game Awards 2016 Winner for Best Music / Sound Design and Bafta Games Nominee for Best Music and Audio Achievement, the Doom (Original Game Soundtrack) brings the trademark pulse-pounding and demon-stomping audio experience to fans for the first time on physical disc. Composed by long-time Bethesda collaborator Mick Gordon, his dark and intense vision channels industrial metal to mirror Doom’s trademark brutal power fantasy gameplay across 31 synth and metal-filled tracks, spanning over two hours of run time. A true passion project, the recording process saw Gordon representing Doom’s portrayal of Hell through the role of energy in sound production, imparting the physical properties of analogue equipment onto digital sources. To mimic the power of Hell and its coruptive Argent energy, Mick created the “Doom Instrument”. Consisting of pure sine wave inputs directed into four separate sound processing chains and a variety of post-processing techniques, it allowed Gordon to dynamically ‘corrupt’ generated sounds. Further callbacks to the franchise’s legacy and imagery are found as the soundtrack’s signature screeching guitar lines are layered with the chainsaw audio from the original 1993 title.

Aesop Rock produced a gritty-sounding score for the intense thriller Bushwick.