Soundtracks 431 Items

On vinyl, here's the previously unissued score to a mid-'60s Italian spy movie parody. The brilliant, but somewhat overlooked soundtrack master Lallo Gori created an impressive scat-jazz and beat masterpiece featuring the stunning vocal group I Cantori Moderni Di Alessandroni and Gino Marinacci on flute. The sound is taken from the original tapes. Limited to 500 copies on 180-gram vinyl.

This long awaited soundtrack is finally out on vinyl and comes on double heavyweight 180g vinyl in a gatefold sleeve with artworked inner bags, and an MP3 download card.

Memoirs Of A Geisha (2005) is the award winning drama film adaptation of the novel of the same name. The original score and songs were composed and conducted by John Williams. The album won the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music and the Grammy Award for Best Score Soundtrack for Visual Media. It was also nominated for the Academy Award for Best Original Score.

Yo-Yo Ma Plays Ennio Morricone is a 2004 album of recordings from Morricone's various film scores by brilliant cellist Yo-Yo Ma and Ennio Morricone. The album was recorded with the Roma Sinfonietta Orchestra and Gilda Buttà on piano. Morricone functioned as orchestrator, conductor and producer. The album stayed 105 weeks on the Billboard Top Classical Albums.

The release comes with a download code. Betbeder, asked Sebastien Tellier to compose the music of his new film, "Marie et les naufragés" (Translated: "Marie and The Castaways"). For this score, Tellier chose a retro-futuristic electronic path in the tradition of Giorgio Moroder's music in keeping with the with free and off-the-beaten path tone of this film starring Eric Cantona. With the help of friend and fellow musician John Kirby, Sebastien has diffused film‘s languid themes with tributes to Marvin Gaye or to Ennio Morricone.

During the '60s and '70s, three distinguished gentlemen who had built their careers playing French-made exotic jazz (Roger Roger, Nino Nardini and orchestra leader Eddie Warner) met each evening in the Ganaro recording studio. They mainly experimented -or simply played- with keyboards that looked like prototypes of spaceships. Flying high on whimsical and joyful inspiration, the improbable trio used their strange instruments to sketch out the beginnings of something that, at that time, resembled the future of music. This collection presents some of the highlights that resulted from their light-hearted, electronic pop sessions.

1983's 'Amore Tossico' is a legendary cult film, directed by Claudio Caligari. Arranger and pianist Detto Mariano wrote the entire score on his Fairlight series IIx, a now revered synthesizer that had just entered the market that year. The sound is therefore scary and up to date, a true companion to the vivid and rough imagery of the movie. Featuring sound from the original tapes, the LP is pressed on deluxe 140-gram vinyl and packaged in a gatefold sleeve. You also get a bonus CD of the entire album plus a reproduction of the original film poster.

Waxwork Records is proud to announce the new double LP release of MY BLOODY VALENTINE (1981). Praised by director Quentin Tarantino as his favorite slasher movie of all time, MY BLOODY VALENTINE (1981) tells the story of a small mining town and it’s residents that fall victim to a vengeful, homicidal maniac on Valentine’s Day. The film has garnered a cult following and has also sparked a major-studio remake in 2009. By working directly with composer Paul Zaza (Prom Night, Curtains, Porky’s), Waxwork was allowed to work directly from the original master tapes to source the complete, haunting score. This release marks the very first time the score to the 1981 slasher-horror classic has been released in any format.

Death Waltz Recording Company brings us what is likely to be a future classic in the form of Ben Lovett’s sophisticated electronic score to science fiction thriller "Synchronicity". Starring mumblecore specialist AJ Bowen (YOU’RE NEXT) and cult hero Michael Ironside (SCANNERS), "Synchronicity" is about an inventor that creates a time machine and uses it to go back in time to stop the potential theft of the technology. Lovett’s music recalls all the obvious candidates for these types of scores, John Carpenter, Vangelis, Tangerine Dream, but while he stands on the shoulders of giants he still manages to create something that exists on its own terms.

"Synchronicity" is all about immersion; the score wraps you up in it and massages your senses before taking you on a beautiful but dangerous journey. It feels like a dream, with Lovett’s evocative soundscapes modulating and pulsating to augment the pervasive synth melodies. Much of it is ominous, foreboding – it flows between serenity and paranoia, but it always coheres into the kind of experience that is almost impossible to replicate. The future, the past, the present: they’re all here, and "Synchronicity" feels both futuristic and timeless. It is what it is, a beautiful contradiction.

The Score to the short film "Ellis" starring Robert De Niro, written by Eric Roth and directed by (Street) Artist JR.

Gatefold sleeve, features Wayne Shorter, Gary Clark, Jr., Herbie Hancock, Pharoahe Monch, Esperanza Spaulding etc.

Double LP in White Vinyl
Housed in a full color deluxe gatefold sleeve with double-sided printed insert
Includes a spray-paint art stencil and download card

Under licence from Lakeshore Records, Invada Records are thrilled to announce that the Mac Quayle soundtrack to Mr Robot Season 1. Screened on the USA Network, Mr. Robot is regarded as one of the best and most innovative shows of 2015, and recently stormed the Golden Globe Awards winning “Best Television Series”, along with a win for Christian Slater as “Best Supporting Actor”, and a nomination for Rami Malek as “Best Actor”.

Quayle’s score draws to mind works by great composers such as Cliff Martinez, Cabaret Voltaire and Vangelis, but is ultimately its own dark unnerving beast, at times strange dreamy and atmospheric, whilst being almost unbearably claustrophobic at others.
Much like the show itself, the soundtrack is destined to be a classic.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

Russian occultists Old Komm collaborate with the south Californian dons of austere electronics German Army, bringing to life the made up soundtrack to a film that never was. 'Disquiet' tells the story of a child born to a desolate, post-apocalyptic world, war torn and fractured by greed. As far as the music is concerned, organ tones and broken exoteric bumps coexist with dark ambient themes and cavernous beats.

According to Morricone’s 60th professional anniversary as a composer, „Morricone 60“ collects his definite greatest and most famous pieces of work to date.

“The Last Wave” (also known as “Black Rain” in the US) was the final chapter in a trilogy of films scripted and directed by the leading auteur of the Australian New Wave, Peter Weir. “The Last Wave” was a landmark in existential horror. Sitting alongside other Australian eco-terror films (e.g. “Long Weekend”) the film featured a haunting electronic soundtrack that is as mysterious and beguiling as the spiritual themes of the film itself. With no LP issued after the films premiere in 1977, and together with the mystery surrounding the true identity of its enigmatic composer ‘Charles Wain’, the score is a largely unheard recording of pioneering experimental film electronics, easily compared to the music that contemporaries Klaus Schulze and Tangerine Dream were composing for Australian films during the same period or the electronic soundtracks of John Carpenter. Tense atonal electronics, synthesizer drones and manipulated Didgeridoo all perfectly capture the film’s ominous atmosphere, punctuating the slow hypnotic pace of this brooding supernatural thriller. All original 12 tracks have been sourced from the original stereo master tapes and pressed on 180g vinyl. The deluxe packaging includes archival film stills and original press material.

Invada Records are thrilled to announce the vinyl release of Roque Baños chilling score to the US smash hit Don’t Breathe, in conjunction with Lakeshore Records. Baños, who has previously worked with the film’s director Fede Alvarez on the remake of Evil Dead, has crafted a truly unforgettable score combining harrowing atmospheric textures with sudden plunges into faster paced, pounding passages: a contrast executed with a unique and modern perspective.

Baños’ score is reminiscent of works by composers such as Brian Reitzell (Hannibal, 30 Days Of Night) & Gustavo Santaolalla (The Last Of Us), whilst still maintaining his own unique style heard in previous works such as in The Machinist and Evil Dead. Don’t Breathe received the highest box office results in 2016 on its opening weekend, and was rated the biggest film in the US upon its release.

Fabio Fabor is a mysterious composer and musician who wrote mostly operas, symphonies and chamber music,but also experimental and electronic library music, the latter being the case of this release: short tracks aiming to accompany radio and TV shows, orchestral Pop à la Bacharach, space age pop, hints of bossa and beat from the previous decade. Originally published by the legendary Serie Usignolo, a sub-label of Fonit, this hard-to-find title is finally available again thanks to Schema Records.

Fabio Fabor is a mysterious composer and musician who wrote mostly operas, symphonies and chamber music,but also experimental and electronic library music, the latter being the case of this release: short tracks aiming to accompany radio and TV shows, orchestral Pop à la Bacharach, space age pop, hints of bossa and beat from the previous decade. Originally published by the legendary Serie Usignolo, a sub-label of Fonit, this hard-to-find title is finally available again thanks to Schema Records.

Available for the first time ever on vinyl is the 1974 soundtrack byAlessandro Alessandroni for the Giuliano Carmineo (as Anthony Ascott) directed Di Tresette ce n'è uno, tutti gli altri son nessuno, known in English as The Crazy Bunch. The sequel to Lo chiamavano Tresette... giocava sempre col morto (Man Called Invincible), the film is a goofy, slapstick comedy spaghetti-western, but the Maestro’s soundtrack is anything but goofy. Haunting, sparse, and riveting, the soundtrack is easily the best thing about this film and it’s presented here by Overdrive in a special color vinyl edition.

There was so much happening visually in the Wachowski Brothers' instant sci-fi classic The Matrix that it was easy to overlook Don Davis' score. It is true that Davis' music is the most conventional element of the film, often following familiar action film patterns, but that's not to say that it's predictable. There are long quiet stretches that are quite eerie, even without the film to support the music, and he employs dissonance and quick, powerful staccatos quite effectively. And when he turns to grand, sweeping themes, such as on the closing "Anything Is Possible," it's hard not get caught up in the momentum of the piece. It still works better with the film, but The Matrix is the rare score that is nearly as effective as a stand-alone work as it is in the film. - allmusic.com

The 'Pipeline' O.S.T. is the result of a collaboration between L'Ironie Du Son, Guillaume Peitrequin and Fabio Poujouly. It's an experimental soundtrack featuring material fitting in between ethnic and organic sounds, and electronic atmospheres giving birth to a splendid world of textures, ambiences and noises that are predominant in the movie. Limited to 400 copies in silkscreen printed cover with insert.

Winner of the Grand Jury Prize at the 2016 Venice International Film Festival, Nocturnal Animals, Tom Ford’s haunting romantic thriller has been hailed as “a tour de force” (The Independent). Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves. Nocturnal Animals marks the second film from writer/director Ford, and his second collaboration with composer Korzeniowski. Their first collaboration, A Single Man, earned Korzeniowski his first Golden Globe nomination for Best Score. The score was a breakout for the composer, earning him the prestigious Discovery Award at the 2010 Ghent Film Festival’s World Soundtrack Awards. Korzeniowski has described his latest score to Nocturnal Animals as “embracing two extremes, but switching their traditional genre characterization. The crime plot is scored as an intimate, personal story, while the psychological drama is treated as a thriller. The cold and detached intertwines with poignant and excruciating, the simple and intimate becomes grand and bold." The composer’s passionate and evocative compositions have been met with critical and industry acclaim. His score to Ford’s latest film has The Hollywood Reporter stating “the tempestuous strings of Abel Korzeniowski’s lush score provide an additional ballsy flourish, explicitly nodding to Hitchcock and Sirk.”