Soundtracks 170 Items

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

Winner of the Grand Jury Prize at the 2016 Venice International Film Festival, Nocturnal Animals, Tom Ford’s haunting romantic thriller has been hailed as “a tour de force” (The Independent). Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves. Nocturnal Animals marks the second film from writer/director Ford, and his second collaboration with composer Korzeniowski. Their first collaboration, A Single Man, earned Korzeniowski his first Golden Globe nomination for Best Score. The score was a breakout for the composer, earning him the prestigious Discovery Award at the 2010 Ghent Film Festival’s World Soundtrack Awards. Korzeniowski has described his latest score to Nocturnal Animals as “embracing two extremes, but switching their traditional genre characterization. The crime plot is scored as an intimate, personal story, while the psychological drama is treated as a thriller. The cold and detached intertwines with poignant and excruciating, the simple and intimate becomes grand and bold." The composer’s passionate and evocative compositions have been met with critical and industry acclaim. His score to Ford’s latest film has The Hollywood Reporter stating “the tempestuous strings of Abel Korzeniowski’s lush score provide an additional ballsy flourish, explicitly nodding to Hitchcock and Sirk.”

Aesop Rock produced a gritty-sounding score for the intense thriller Bushwick.

Forrest Gump was the surprise hit of the 1994 summer movie season. The score was composed and conducted by Alan Silvestri and was nominated for Best Original Score in the 67th Academy Awards.

Available for the first time ever on vinyl is the 1974 soundtrack byAlessandro Alessandroni for the Giuliano Carmineo (as Anthony Ascott) directed Di Tresette ce n'è uno, tutti gli altri son nessuno, known in English as The Crazy Bunch. The sequel to Lo chiamavano Tresette... giocava sempre col morto (Man Called Invincible), the film is a goofy, slapstick comedy spaghetti-western, but the Maestro’s soundtrack is anything but goofy. Haunting, sparse, and riveting, the soundtrack is easily the best thing about this film and it’s presented here by Overdrive in a special color vinyl edition.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

Fire Walk With Me is an altogether more brooding affair than the Twin Peaks series soundtrack. Badalamenti won a grammy for the title track of this LP and it's not hard to see why- it's dangerous, and bursting with smokey jazz thanks to Jimmy Scott. We went back to the master tapes in the Warner Archives and had this recut to fit across two LPs as the score clocks in at 51 minutes. It sounds incredible and punchy, but super nuanced too.

From the brooding opening bars of the main Fire Walk With Me Theme, Angelo Badalamenti's gorgeous, eerie score introduces us to a cinematic experience which significantly begins with the smashing of a television screen. Just as the Main Title from Blue Velvet echoed the Hitchcockian hues of Bernard Herrmann, so here we have just the slightest touch of Taxi Driver, as Jim Hynes' plaintive, keening trumpet soars above a landscape of melancholy keyboards, drawing us into a world which is at once alien and familiar.

This release is housed in a 425-gsm gatefold sleeve inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip and sleeve notes by film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti The artwork got fully approved by the director as the audio got approved by the composer
The 180-gram „Cherry Pie“ vinyl 2LP got remastered by Tal Miller at Warner Archives, while laquers were cut by David Cheppa at Plush Vinyl.

still sealed. Cover has slight ring wear.

Death Waltz Recording Company brings us what is likely to be a future classic in the form of Ben Lovett’s sophisticated electronic score to science fiction thriller "Synchronicity". Starring mumblecore specialist AJ Bowen (YOU’RE NEXT) and cult hero Michael Ironside (SCANNERS), "Synchronicity" is about an inventor that creates a time machine and uses it to go back in time to stop the potential theft of the technology. Lovett’s music recalls all the obvious candidates for these types of scores, John Carpenter, Vangelis, Tangerine Dream, but while he stands on the shoulders of giants he still manages to create something that exists on its own terms.

"Synchronicity" is all about immersion; the score wraps you up in it and massages your senses before taking you on a beautiful but dangerous journey. It feels like a dream, with Lovett’s evocative soundscapes modulating and pulsating to augment the pervasive synth melodies. Much of it is ominous, foreboding – it flows between serenity and paranoia, but it always coheres into the kind of experience that is almost impossible to replicate. The future, the past, the present: they’re all here, and "Synchronicity" feels both futuristic and timeless. It is what it is, a beautiful contradiction.

Multicoloured splattered vinyl seems unplayed. 75 copies promo pressing edition.

Purple Vinyl Edition

Deluxe Limited Edition.
Includes poster.

Bob’s Burgers premiered on the Fox network January 2011, and quickly became one of the most watched series on television. After enjoying the highest-rated new season premiere of the 2010-11 season, Bob’s Burgers quickly settled into an average viewership of over 4 million per episode. The show has won an Emmy award and been nominated five times, including a current nomination for Outstanding Animated Program. It has inspired many popular spinoff items, including a recent, best-selling cookbook. With the seventh season currently in progress and airing through May 2017, Bob’s Burgers’ cultural influence only grows.

Now comes The Bob’s Burgers Music Album, featuring 107 songs from the first 107 episodes (all six existing seasons), plus five special cover versions of songs from the show. Originally broadcast within the episodes – and often in abbreviated form – these songs appear here in their freestanding glory for the first time. The Bob’s Burgers Music Album – in both its affordable standard editions and its impressive deluxe edition – is sure to be a must-have for any fan of the show (and, really, any sentient life-form).

Limited to 1500 copies.

LA Dama Rossa Uccide Sette VOLTE—The Red Queen Kills Seven Times—blurs the line between thriller and horror. The cult success it enjoys can be attributed to its aesthetics that encapsulate the essence of the Italian thriller. Bruno Nicolai’s score for The Red Queen Kills Seven Times flawlessly brings together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot thanks to a clever use of harpsichords. The album is part of CAM Sugar’s Paura, a series of standalone soundtrack releases that follow the same-titled compilation which explores rare and unreleased horror gems from the label archive. This new limited 50th anniversary edition of this cult, sought-after soundtrack—a masterpiece of Italian Giallo cinema—is fully remastered from original tapes, includes two bonus tracks and is destined to become a staple for the collectors of the genre and for the fans of the golden age of Italian and horror cinema, making it an essential release of Record Store Day 2022.

As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. Best known for his original soundtracks to Minecraft, the single best-selling video game of all time, he's developed a discography of instrumental music over the last decade that traverses electronic pop patterns, neo-classical dreamscapes, and sparse ambient motifs. The latter element has broken from the "8-bit" pigeonholing of game music and earned him accolades that reference artists like Erik Satie (The Guardian) and Brian Eno (vice). In 2015, after quietly self-releasing Minecraft Volume Alpha and Minecraft Volume Beta, Rosenfeld partnered with Ghostly International to reissue Minecraft Volume Alpha on vinyl and CD. The release garnered attention from proper music critics and the gaming community alike, becoming one of the most sought after records in the Ghostly catalog. Now, following several restocks of Alpha to fervent fan response, it is time for the soundtrack's second installment to shine. For the legion of listeners and players to, at long last, have Minecraft Volume Beta in tangible formats. Originally self-released in 2013, Minecraft Volume Beta was C418's longest batch of music to date at nearly 140 minutes. The collection features tracks that were "silently" added to Minecraft during its music updates and a few that never officially entered the game. The run time is now adapted to fit the double LP format, while digital downloads include the full set Rosenfeld's unmistakable abilities are on display; he creates a sweeping variety of musical ideas that mirror the limitless universe of Minecraft. Ghostly International is thrilled to give this unique collaboration its due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.

Super deluxe lo fi 7″ grape-colored vinyl housed in DIY low-budget sleeve, + includes “I love my VCR Sticker

“The Last Wave” (also known as “Black Rain” in the US) was the final chapter in a trilogy of films scripted and directed by the leading auteur of the Australian New Wave, Peter Weir. “The Last Wave” was a landmark in existential horror. Sitting alongside other Australian eco-terror films (e.g. “Long Weekend”) the film featured a haunting electronic soundtrack that is as mysterious and beguiling as the spiritual themes of the film itself. With no LP issued after the films premiere in 1977, and together with the mystery surrounding the true identity of its enigmatic composer ‘Charles Wain’, the score is a largely unheard recording of pioneering experimental film electronics, easily compared to the music that contemporaries Klaus Schulze and Tangerine Dream were composing for Australian films during the same period or the electronic soundtracks of John Carpenter. Tense atonal electronics, synthesizer drones and manipulated Didgeridoo all perfectly capture the film’s ominous atmosphere, punctuating the slow hypnotic pace of this brooding supernatural thriller. All original 12 tracks have been sourced from the original stereo master tapes and pressed on 180g vinyl. The deluxe packaging includes archival film stills and original press material.

Steven Soderbergh’s take on Stanislaw Lem’s influential sci-fi tome Solaris was incredibly polarizing at the time. Some didn’t want to see it simply because it starred heart-throb George Clooney in what is essentially a mostly solo role, some didn’t appreciate it in light of legendary Russian director Andrei Tarkovsky’s overtly spiritual take on the same book. Soderbergh says of Martinez's pivotal role and his score, "I relied on it not only to unify the film emotionally, but to import actual narra-tive information." Martinez himself describes it as "one of the few soundtracks of mine that I can still stand to listen to.

I also think it was a score that made the greatest contribution to the film for which it was written." Described by BBC Music as "A brooding slow, meditative work" and a musical journey that "leaves the listener floating free" by Soundtrack.net, "Solaris' is an evocative and highly seductive score that still fully resonates with the listener more than a decade after it was first released.

Those that did manage to take it in would have noticed on thing in particular though – composer Cliff Martinez‘s haunting and deeply influential soundtrack. Percussive, but anchored with a slow, deeply affecting synthesized bass line throughout, the soundtrack served as a nudge in the right direction for drone-lovers and ambient types, and still sounds fresh even now. It’s hardly surprising then that Portishead’s Geoff Barrow has had the good sense to make sure it finally gets pressed to wax through his Invada imprint.

Orange Vinyl Edition.

Vinyls look uplayed. Posters and insert included. Cover has one slightly bent corner.

1983's 'Amore Tossico' is a legendary cult film, directed by Claudio Caligari. Arranger and pianist Detto Mariano wrote the entire score on his Fairlight series IIx, a now revered synthesizer that had just entered the market that year. The sound is therefore scary and up to date, a true companion to the vivid and rough imagery of the movie. Featuring sound from the original tapes, the LP is pressed on deluxe 140-gram vinyl and packaged in a gatefold sleeve. You also get a bonus CD of the entire album plus a reproduction of the original film poster.

Nobody less than Adriano Celentano producer Detto Mariano plus his drummer Gianni Dall'Aglio recorded this previously unreleased Italian psychedelic, erotic, horror movie soundtrack in 1976! All in all 46 mega dope tracks on 2 LP's. Ranging between deep, dreamy and funky psych tunes. 1,5 million hits on the movie on Youtube! Classic in Italy. Be sure this 500 copies limited edition will be sold out soon. HQ collector edition.

Side A+B are the original songs as used in the movie. Side C+D are the uncut long versions of the best tracks as produced in the studio in 1976.

Green vinyl.

Deluxe Limited Edition.
Green Vinyl.
Small sticker on cover.

7 track mini album. 'Waterpark' is a film score written for Director Evan Prosofsky's same titled film, and explores the neutral element of sound in a massive indoor water park located in west Edmonton Mall, in the province of Alberta. A vacation home to countless stranded Canadians with no vacation in sight.

The instrumentation of oscillators, heavily reverberated strings, mellotron/chamberlain, and experimental electric guitar sets the mood for this bizarre plastic tropical paradise thats within a shopping mall.

There was so much happening visually in the Wachowski Brothers' instant sci-fi classic The Matrix that it was easy to overlook Don Davis' score. It is true that Davis' music is the most conventional element of the film, often following familiar action film patterns, but that's not to say that it's predictable. There are long quiet stretches that are quite eerie, even without the film to support the music, and he employs dissonance and quick, powerful staccatos quite effectively. And when he turns to grand, sweeping themes, such as on the closing "Anything Is Possible," it's hard not get caught up in the momentum of the piece. It still works better with the film, but The Matrix is the rare score that is nearly as effective as a stand-alone work as it is in the film. - allmusic.com

Copy is close to VG+!

According to Morricone’s 60th professional anniversary as a composer, „Morricone 60“ collects his definite greatest and most famous pieces of work to date.

Fabio Fabor is a mysterious composer and musician who wrote mostly operas, symphonies and chamber music,but also experimental and electronic library music, the latter being the case of this release: short tracks aiming to accompany radio and TV shows, orchestral Pop à la Bacharach, space age pop, hints of bossa and beat from the previous decade. Originally published by the legendary Serie Usignolo, a sub-label of Fonit, this hard-to-find title is finally available again thanks to Schema Records.

Fabio Fabor is a mysterious composer and musician who wrote mostly operas, symphonies and chamber music,but also experimental and electronic library music, the latter being the case of this release: short tracks aiming to accompany radio and TV shows, orchestral Pop à la Bacharach, space age pop, hints of bossa and beat from the previous decade. Originally published by the legendary Serie Usignolo, a sub-label of Fonit, this hard-to-find title is finally available again thanks to Schema Records.

The disturbing soundtrack of the same film directed by Alberto De Martino in 1985 and composed by Francesco De Masi, author and Roman arranger already famous for classical b-movie soundtracks such as Lo Squartatore Di New York (The New York Ripper) and Fuga Dal Bronx (Escape From The Bronx). For a long time associated with 'genre cinema', the man had an innate passion for primitive electronics. A long suite divided into 14 movements that best describe the climate of tension and the upcoming deadlines of the featured film, a Gothic thriller in the orbit of meta-horror. The music - sometimes a bit of a timbral but often deliberately descriptive and overwhelming - pin of synths and analogue machines, capable of defining the desperate plot of the film. A classic fully restored on LP on limited Colored Vinyl.

Orange vinyl.

Red Vinyl. Side 3 has a deeper scratch, the other sides are between VG+ and NM

Russian occultists Old Komm collaborate with the south Californian dons of austere electronics German Army, bringing to life the made up soundtrack to a film that never was. 'Disquiet' tells the story of a child born to a desolate, post-apocalyptic world, war torn and fractured by greed. As far as the music is concerned, organ tones and broken exoteric bumps coexist with dark ambient themes and cavernous beats.

Now for the first time on vinyl, Four Flies Records is proud to present an unmissable Eurocrime soundtrack by Guido & Maurizio De Angelis, composed in 1976 and considered to be one of the genre’s finest offerings directed by Enzo G. Castellari. Perhaps the most forceful OST from the Italian duo, Il Grande Racket consists of fuzz distortion and electronic effects from the beginning to the end. This sonic gem is also enriched with psychedelic flutes, obsessive rhythms, and percussion which results with a totally prog-rock and psych-funk score that perfectly describes the main elements of the film: action, tension and violence. Remastered from the original master tapes preserved for decades in the C.A.M. archives, and augmented with exclusive liner notes by Davide Pulici (Nocturno Cinema) and stunning original artwork created by Luke Insect, this edition will be a true pleasure of the senses for any and all soundtrack lovers.

Denis Villenueve’s masterful Blade Runner 2049 races into theaters this weekend and the film’s accompanying soundtrack, composed by legendary film score maestro Hans Zimmer, is now streaming in full.

The score was composed in tandem by Zimmer and his longtime collaborator Benjamin Wallfisch. The duo was brought in somewhat later in the production process, after the score’s initial composer, Icelandic composer Jóhann Jóhannsson, ceased involvement due to creative differences.

Villeneuve explained his decision to replace Jóhannsson with Zimmer in an interview with Al Arabiya. “The thing I will say is that making movies is a laboratory,” he explained. “The movie needed something different, and I needed to go back to something closer to [the original film’s composer] Vangelis. Jóhann and I decided that I will need to go in another direction — that’s what I will say.”

The decision seemingly paid off, as Clint Worthington notes in his review of the film: “[Zimmer and Wallfisch] lean heavily on Vangelis’ original 1982 score for inspiration, but 2049 is refreshingly light on incidental music, mostly allowing the booming, immersive sound design to take center stage.”

As Editor-in-Chief Michael Roffman writes in his glowing A- review, the score is “a total evolution of what Vangelis set in motion way, way back in 1982. It’s louder, it’s gloomier, it’s heavier, and it’s much more expansive, all qualities one might tag with Villeneuve’s breathtaking sequel.”

In additional to Zimmer and Wallfisch’s original compositions, the soundtrack features songs by Frank Sinatra, Elvis Presley, and Lauren Daigle.

The movie hit of 2014, Interstellar, chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. While the film is directed by acclaimed Christopher Nolan (Inception, Batman Begins, The Dark Knight…), the epic soundtrack score was composed by Nolan's longtime collaborator, Oscar, Grammy, and Golden Globe Award-winning composer Hans Zimmer.

180g vinyl.

At The Movies is very proud to present this epic soundtrack on vinyl for the first time!
James Horner (Titanic, Braveheart, The Magnificent Seven) knew when he took on the scoring of Avatar that it would be the challenge of a lifetime. The music is both classic in its orchestral power, but also connects us to the soul of the Na'vi through the use of indigenous rhythms and vocals. Includes the Leona Lewis track "I See You" (Theme from Avatar).

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians.

The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016.

"Anthology: Movie Themes 1974-1998" collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time.

Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires.

Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog.

Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.

Sacred Bones Records celebrates its 15th year anniversary by repressing this incredible debut by the one and only master of horror on vortex blue vinyl. John Carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes can instantly flood his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kungfu fighters, or a mirror holding the gateway to hell. The music on Lost Themes is there for Carpenter's acolytes to visualize their own nightmares. As is Carpenter's style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion. Horror fans will be reminded of Carpenter's past works, as well as ancestors like Mike Oldfield's Tubular Bells and Goblin's Suspiria. "They're little moments of score from movies made in our imaginations," Carpenter says. "Now I hope it inspires people to create films that could be scored with this music."

Limited Edition.
Green & White Vinyl.

Memoirs Of A Geisha (2005) is the award winning drama film adaptation of the novel of the same name. The original score and songs were composed and conducted by John Williams. The album won the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music and the Grammy Award for Best Score Soundtrack for Visual Media. It was also nominated for the Academy Award for Best Original Score.

The soundtrack to critically acclaimed Flemish director Fien Troch's fourth film Home. Side A features pop music from Chromatics and Symmetry with Johnny Jewel's ambient score on the flip.

Waxwork Records proudly presents the debut LP release of 2014's STARRY EYES. Composed by SUB-POP recording artist Jonathan Snipes (clipping, Room 237), STARRY EYES has been hailed not only as one of the best horror movies of 2014, but one of the best horror films of the last decade. The LP features an incredible 100% analog synth score composed and performed by Snipes that has grabbed the attention of fans of the film worldwide.STARRY EYES and it's score has received countless awards and accolades. TIME has called the film one of the ten best films of South by Southwest.