Soundtracks 557 Items

* 1x 12-inch vinyl featuring the 15 tracks in the Dimension Shellshock DLC * 2 colored vinyl labels with the two new playable characters: Usagi Yojimbo and Karai * Exclusive sticker board with all playable characters and iconic items from the game Kid Katana Records teamed up once again with Dotemu, Tribute Games and Nickelodeon to release Tmnt: Shredder’s Revenge Dimension Shellshock OST, a brand new musical experience composed by Tee Lopes! Inspired by the music of one of the most iconic pop culture licenses of all time, this OST was fully composed by Tee Lopes, the talent behind the music of Sonic Mania and Streets of Rage 4: Mr X’s Nightmare and of course Shredder's Revenge vanilla game OST. His musical vision echoes the spirit of the turtles and this specific game specificities: tributes to classic Tmnt tunes with a good dose of fun and switching fluidly between 80s/90s electro, funk, rock, and jazzy tunes with chiptune vibes.

Quartet Records was proud to celebrate the tenth anniversary of J.A. Bayona’s horror cult-classic The Orphanage in 2017 with a newly recorded, complete edition of the score composed by Fernando Velázquez , The Orphanage was the first collaboration between director and composer, a partnership that has continued in such modern classics as The Impossible and A Monster Calls. Now this new recording is available in an exclusive, limited and numbered collectors’ vinyl release.

It may seem unusual that a barely ten-year-old score is being re-recorded, but giving The Orphanage a second chance to shine is an undertaking of which Quartet Records is especially proud. This tenth-anniversary edition includes every note Fernando Velázquez wrote for the film in its original conception to give fans a bold, new take on a modern classic. The original soundtrack album was negotiated and signed off before the recordings were made, and while Fernando wasn’t quite satisfied with the performance, the album had to be released nonetheless. It was a problematic recording, without much possibility of correcting mistakes (do not forget that The Orphanage was a low-budget film). When the possibility of expanding the original 47-minute-long program was being discussed in early 2017, a review of the original multi-track recordings revealed that time hasn’t been kind to Velázquez’s first major score, so a new plan was formulated. The composer took it upon himself to revisit the project by doing a brand-new recording with The Basque National Orchestra, the same ensemble he used for A Monster Calls, Pride and Prejudice and Zombies, Submergence and his “Concert Suites” album. By using one of his favorite orchestras and his usual recording engineer, Marc Blanes, whom he couldn’t use on his seminal score, Quartet Records and Fernando Velazquez present the same music he wrote a decade ago (including previously unrecorded alternates), using the know-how and skills he has gained in the past 10 years to bring fans a new recording of which we can all be proud.

This exclusive, 2-lp edition has been remastered for vinyl by Chris Malone, and includes newly commissioned artwork by PosterSpy & Karl Fitzgerald. The record comes in a deluxe gatefold package that includes statements from Fernando Velázquez and director J.A. Bayona. This is a collectable, must-have edition for all Velázquez, Bayona or horror movies fans!

Quartet Records and Universal Pictures Film Music Classics Collection proudly present the world premiere vinyl release of both the used and unused scores for Alfred Hitchcock’s Frenzy, celebrating the 50th anniversary of the film.

Frenzy marked the director’s triumphant return to London in 1972. With an excellent script by Anthony Shaffer, the film was immediately considered one of Hitchcok’s best and has since become a classic.

After the parting of ways with Bernard Herrmann, Hitchcock changed composers in each of his last four films, choosing from those who were popular at the time. For Frenzy, his first choice was Henry Mancini (breakfast AT Tiffany’s, THE Pink Panther, Hatari!, Charade), who wrote a sumptuous, gothic-hued score featuring an unusual orchestral palette. The main theme uses the dolorous tones and sepulchral pedals of a mighty organ, and the tension-filled score that follows is grim and at times almost brutal. Hitchcock, feeling it was too “dark and cruel,” turned it down and hired celebrated British composer Ron Goodwin (murder, SHE Said, Battle OF Britain, Where Eagles Dare, Squadron 633) to compose a lighter, yet still suspenseful, score. For the main title, a panoramic shot over the Thames, Goodwin wrote a majestic melody ornamented with trumpets and timpani, in the best English tradition of pomp and circumstance.

Frenzy was the only completely rejected score in Henry Mancini’s long career, and also one of the most famous and requested Goodwin scores over the ensuing decades. Neither of them, however, have previously been officially released in any form until today.

This 2-lp collection has been painstakingly produced, restored and mastered by Mike Matessino from stereo and mono elements vaulted at Universal Pictures, with the collaboration of both the Ron Goodwin and Henry Mancini estates.

This special edition features an exclusive, in-depth essay by writer and composer Deniz Cordell packaged in a deluxe tip-on gatefold and pressed in audiophile 180 GM black vinyl.