Soundtracks 118 Items

Moonlight is the breathtaking soundtrack to the film of the same name Rolling Stone has called "A masterpiece" and won the Oscar 2017 for best movie. The album features the critically-acclaimed score by composer Nicholas Britell, as well as choice songs including "Every Nigger Is A Star" by Boris Gardner, "Cell Therapy" by Goodie Mob and "Hello Stranger" by Barbra Lewis. Britell is an award-winning composer, pianist, and producer. In 2015, Britell scored Adam McKay's Oscar-nominated film The Big Short, and his music also featured prominently in Steve McQueen's Oscar-winning film 12 Years A Slave, for which he composed and arranged the on-camera music including the violin performances, spiritual songs, work songs, and dances. As a producer, Britell produced Damien Chazelle's short film Whiplash, and subsequently co-produced the Oscar-nominated feature film. Britell's emotional and evocative score to Moonlight has resonated with audiences from early festival screenings, earning accolades from critics in their reviews of the film which underline how the music is wrapped into the very fabric of the film itself.

Fire Walk With Me is an altogether more brooding affair than the Twin Peaks series soundtrack. Badalamenti won a grammy for the title track of this LP and it's not hard to see why- it's dangerous, and bursting with smokey jazz thanks to Jimmy Scott. We went back to the master tapes in the Warner Archives and had this recut to fit across two LPs as the score clocks in at 51 minutes. It sounds incredible and punchy, but super nuanced too.

From the brooding opening bars of the main Fire Walk With Me Theme, Angelo Badalamenti's gorgeous, eerie score introduces us to a cinematic experience which significantly begins with the smashing of a television screen. Just as the Main Title from Blue Velvet echoed the Hitchcockian hues of Bernard Herrmann, so here we have just the slightest touch of Taxi Driver, as Jim Hynes' plaintive, keening trumpet soars above a landscape of melancholy keyboards, drawing us into a world which is at once alien and familiar.

This release is housed in a 425-gsm gatefold sleeve inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip and sleeve notes by film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti The artwork got fully approved by the director as the audio got approved by the composer
The 180-gram „Cherry Pie“ vinyl 2LP got remastered by Tal Miller at Warner Archives, while laquers were cut by David Cheppa at Plush Vinyl.

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

Pre-Cert, short for pre-certi?cation video, is a UK phrase that refers to a VHS tape released prior to the introduction of the 1984 Video Recordings Act. As the then new VHS market was completely unregulated, these editions were not required to be submitted to the BBFC, meaning the releases were completely uncensored - soon leading to the "video nasties" outrage. Today these tapes are sought after items on the collector's market. With his Cineploit debut, Magnus Sellergren set out to further and improve on the concept of Videogram's previous "S/T" 2014 album. Inspiration was drawn from the same sources as the previous full length effort, with the key words being bigger, better, and more produced. The result is an album created during a six-month period, between January and June 2015, starting with a total of thirty-some tracks that were written, then re-written - in some cases even completely rearranged - polished, and ?nally whittled down to a thirteen-track, 40+ minute full length LP/CD. Starting off with the now-familiar Videogram idents, Pre-Cert covers an assortment of classic genre-in?uenced sounds; from occult horror, 1980s Cannon action, thrillers and post-apocalyptics to "cannibal freakouts" (as he affectionately calls them), Italian-produced erotica, 1970s Spanish horror, the iconic Friday the 13th series and climaxing with a mammoth ?ve-part, 13-minute tribute to John Carpenter's sci-? horror classic "The Thing". The journey Videogram started in 2014 is now taking a huge step forward, offering the same amount of affection for the VHS format and genres as his previous efforts, but more focused, polished and well executed!

Original Soundtrack in a collectors edition.

Original Soundtrack in a collectors edition.

Waxwork Records proudly presents the debut LP release of 2014's STARRY EYES. Composed by SUB-POP recording artist Jonathan Snipes (clipping, Room 237), STARRY EYES has been hailed not only as one of the best horror movies of 2014, but one of the best horror films of the last decade. The LP features an incredible 100% analog synth score composed and performed by Snipes that has grabbed the attention of fans of the film worldwide.STARRY EYES and it's score has received countless awards and accolades. TIME has called the film one of the ten best films of South by Southwest.

The movie hit of 2014, Interstellar, chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. While the film is directed by acclaimed Christopher Nolan (Inception, Batman Begins, The Dark Knight…), the epic soundtrack score was composed by Nolan's longtime collaborator, Oscar, Grammy, and Golden Globe Award-winning composer Hans Zimmer.

180g vinyl.

180 gram LP limited edition. This is the movie event of the year, winner of the Public Prize at the Berlinale in February 2012! Finally on 180 gram HQ vinyl the original soundtrack to the docufiction Diaz - Don't Clean Up This Blood by Daniele Vicari about the Videla-esque police brutalities that took place in 2001 during the G8 in Genoa.

Recorded and mixed by Mauro Teho Teardo a versatile composer, researcher and performer with the help of the Balanescu Quartet and a number of eclectic guests.

Featuring "Evolution Revolution Love" by Tricky. ++ Music by Teho Teardo featuring The Balanescu Quartet.

Music written, recorded, mixed and produced by Teho Teardo at Basement Recordings, Rome and Studio 108, London march/december 2011.

(Teho Teardo - guitars, bass, rhodes, piano, electronics, synth, theremin; Balanescu Quartet: Alexander Balanescu - violin, James Shenton - violin, Katie Wilkinson - viola, Nick Holland - cello; Martina Bertoni - cello, Alexis Fletcher, Giacomo Orsi, Henry Marseille - violin, Remy Dault, JC Goodwin, Susan Rosenthal - viola, Lee Leibowitz, Doug Pierce, Matthew Quinlan - bass)