Soundtracks 154 Items

We saw the power of BET when their New Edition Movie drove the Bell, Biv, Devoe album to #1.
eOne and BET will join forces on a massive Death Row marketing campaign consisting of commercials
on the show, crawlers during the show, eblasts to the million plus Death Row fan list, Death Row pop up
stores etc..
This 15 song album is a good mix of front line hits like “Murder Was The Case” and hard-to-find rarities
like Sam Sneed’s “Drug Related”.

« It's stressfull! It's shocking! It's everything a disturbed mind can imagine! »

A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.

No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directed by Bernard Launois, Devil Story is a cult film that is favored by connoisseurs as one of the craziest pieces of out-there cinema ever committed to screen. Even better, the soundtrack composed by Michel Roy and Paul Piot matches the performance with obscure electronic digressions and bone-chilling melodies.

Limited edition of 500 coloured LP.

Mastering by Julien Louvet
Artwork by Jennie Zakrzewski

Digitmovies is releasing the LP and CD of the OST from the film “Blackie the Pirate” (original title: “Il Corsaro Nero”). Blackie the Pirate is a fictional character created by the Italian writer Emilio Salgari. The character has appeared in various films throughout the years. The composer Gino Peguri (author of soundtracks for movies like “Bloody Pit of Horror," "Seven Magnificent Pistols", "A Woman on Fire", "Psychopath," "Code Name, Red Roses") wrote an orchestral score for "Blackie the Pirate" which was released in 1971 on a rare LP from RCA (SP 8035) and a rare single Cormorano (ZC 50180). For this CD re-release we were able to find the stereo master tapes from the original album and the complete master tapes from the original recording sessions which include both stereo and mono mixes. In addition to the 12 stereo tracks on the album, we have added nine alternate tracks in stereo and five alternate tracks in mono. This OST is dominated by the fun pop-sounding song in the opening credits called "Orza qui poggia lì," performed by Paolo Ferrara and accompanied by the chorus of Nora Orlandi. For the LP version we brought back the 1971 LP with the addition of the English version of "Orza qui poggia lì” as well as the film version of the track "In the Caribbean" and two alternative versions on side B. Available on CD or LP+CD limited editions of 300 copies.

Blue vinyl! Record Store Day 2014 - Limited to 1000 numbered copies.

Limited edition for Black Friday RSD 2014!

Features a mix of Lyle Workman songs written for the film and killer tracks from Sergio Mendes & Brasil 66, Rick James, The Bar-Keys and more. Numbered edition of 2000 on double vinyl, 3 sides of music, one side a stunning screen print!

Limited edition for Black Friday RSD 2014!

180 gram LP limited edition. This is the movie event of the year, winner of the Public Prize at the Berlinale in February 2012! Finally on 180 gram HQ vinyl the original soundtrack to the docufiction Diaz - Don't Clean Up This Blood by Daniele Vicari about the Videla-esque police brutalities that took place in 2001 during the G8 in Genoa.

Recorded and mixed by Mauro Teho Teardo a versatile composer, researcher and performer with the help of the Balanescu Quartet and a number of eclectic guests.

Featuring "Evolution Revolution Love" by Tricky. ++ Music by Teho Teardo featuring The Balanescu Quartet.

Music written, recorded, mixed and produced by Teho Teardo at Basement Recordings, Rome and Studio 108, London march/december 2011.

(Teho Teardo - guitars, bass, rhodes, piano, electronics, synth, theremin; Balanescu Quartet: Alexander Balanescu - violin, James Shenton - violin, Katie Wilkinson - viola, Nick Holland - cello; Martina Bertoni - cello, Alexis Fletcher, Giacomo Orsi, Henry Marseille - violin, Remy Dault, JC Goodwin, Susan Rosenthal - viola, Lee Leibowitz, Doug Pierce, Matthew Quinlan - bass)

Red Translucent Vinyl Edition.
Includes original inner sleeves.

Still in shrink but opened with hype sticker. With insert. Vinyl is close to NM. With 7". Limited edition.

Still sealed. Pink vinyl.

Red vinyl. Still sealed with OBI but shrink wrap is opened. Vinyl is still sealed with the OBI.

Still in shrink but opened with hype sticker. Few paper scuffs and tiny wear.

Yellow vinyl. Limited edition.

The day has finally come! We have waited with eageranticipation to release Matthew Cooper's spellbindingsoundtrack to Some Days Are Better Than Others sincebefore his creative breakthrough album, Similes(released under his more widely known Eluviummoniker) was even made. The film stars James Mercer(Broken Bells, The Shins) and Carrie Brownstein(Portlandia, Sleater-Kinney) as strangers whose livesoccasionally intersect as they navigate their way throughthe struggles of personal attachment and disconnection.

Vinyl LP pressing. Fifteen of the 19 tracks contained in Endless Poetry: Original Motion Picture Soundtrack were composed and performed by Alejandro's son Adan Jodorowsky (AKA Adanowsky), who also stars in the film, portraying his own father as a young man. Multi-instrumentalist composer/arranger Jon Handelsman contributed four songs to the soundtrack. "Sueño sin fin" was composed and arranged by both Handelsman and Alejandro Jodorowsky (the filmmaker's own contribution to Endless Poetry: Original Motion Picture Soundtrack). Described by Variety as "a work of disciplined and touching emotional resonance," Endless Poetry details Alejandro Jodorowsky's life in his 20s. Against the wishes of his authoritarian father, the protagonist leaves home to pursue his dream of becoming a poet, and is introduced to the bohemian and artistic inner circle of Santiago, Chile in the 1940s and 50s. He meets Enrique Lihn (Leandro Taub) and Stella Diaz (Pamela Flores), two unknown poets who would become driving forces of twentieth century Hispanic literature. Told through a unique surreal and psychedelic visual language, with a soundtrack to match, Endless Poetry is an ode to the quest for beauty and inner truth as a universal force capable of changing one's life forever.

Pink vinyl is close to NM. limited edition. Original inner sleeve.

close to NM

Limited edition of 500 in nice gatefold sleeve!
Records are close to NM.

Limited Edition. Red / Dark Green Split Vinyl.
Still shrink wrapped but opened.
Includes original insert.
Cover corners slightly dented.

Black and clear split vinyl.

White and red vinyl.

Colored vinyl.

Pink vinyl.

Black and yellow vinyl.

Yellow vinyl.

Limited Edition.
Transparent Purple Vinyl.
Cover corners slightly dented.

Split coloured vinyl seems unplayed. With OBI. Tiny wear. With insert.

Still in shrink but opened, with OBI. Pink vinyl limited edition. Original inner sleeve. Vinyl seems unplayed.

As one of the most triumphant and beguiling directorial debut features to emerge from the fruitful Polish New Wave, Andrzej Żuławski’s 1971 film Third Part Of The Night not only earned the thirtyyear- old filmmaker a place next to other radical Polish directors such as Polanski, Skolimowski and Has, but also galvanised a creative bond with long running collaborator and composer Andrzej Korzyński, providing fans of foreign abstract/suspense cinema with a potent creative fusion to match those of Polanski/Komeda, Fellini/Rota, Argento/Goblin…

Featuring one of the heaviest psych rock movie theme tunes of all time, Andrzej Korzyński’s short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, François de Roubaix and Alain Goraguer, creating a soundtrack that unknowingly begs comparison to Masahiko Satô’s Belladonna of Sadness and Billy Green’s Stone. As one of the first progressive pop writers to come out of the vibrant (but carefully scrutinised) Polish beat scene with his bands Ricecar 64 and later Arp Life (and composing for national heroes such as Czesław Niemen, Niebiesko-Czarni and Test) Korzyński’s growing passion for conceptual rock and jazz music soon led to instrumental composition and soundtrack scores. His cinematic debuts scoring two consecutive transitional new wave films for Andrzej Wajda (in collaboration with the radical Polski pop groups Trubadurzy and Grupa Abc) also provided Korzyński with another significant cinematic muse in that of the stunning actress Małgorzata Braunek, with whom they would both eventually achieve their finest performances under the direction of the ravenous first timer Żuławski. Third Part Of The Night (1971) perhaps epitomises that triangular on-screen unison in its vibrant youth and feeds it through a hallucinogenic mangle finding astonishing beauty (within a repulsive synopsis) against a bleak and shattered backdrop and accompanied by progressive, psychedelic orchestral rock music – elements which would intensify for all three creatives with the next film Diabeł, which was banned by the Polish government the following year until 1988. Third Part Of The Night also marks the public unison of Żuławski and Braunek whose later private romantic relationship is said to form the basis for another defining Żuławski/Korzyński endeavour with the 1981 film Possession exactly a decade later, encapsulating a period that bequeaths a previously unopened vault of some of the the composers finest and most inspired sonic adventures.

Waxwork Records in partnership with Back Lot Music is honored to release NOPE Original Motion Picture Soundtrack by Michael Abels. Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.

The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer and Oscar® nominee Steven Yeun as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

NOPE marks Abels’ third feature film score with director Jordan Peele, having previously scored Peele’s GET OUT and US. The album also features songs from the film, including a new version of Corey Hart’s classic “Sunglasses at Night (Jean Jacket Mix)”, Dionne Warwick’s “Walk on By”, The Lost Generation’s “This is the Lost Generation”, Exuma’s “Exuma, the Obeah Man”, and a never-before-released gem by a young Jodie Foster, “La Vie C’est Chouette” from the 1977 film MOI, FLEUR BLEUE. “NOPE is my most ambitious score to date,” says Abels. “There are elements from the genres of sci-fi, action, horror, and westerns, but always through the tonal palette of Jordan Peele’s unique vision. The lines between source music and score are blurred, as a good part of the score seems to be playing at the theme park, which is a key location in the story. The score is at times terrifying, yet also invokes the sense of awe and wonder that the characters feel as they realize what they are seeing. The film eventually becomes a grand adventure, and so the music expands into the larger-than-life scale we expect of a summer blockbuster.” He goes on to say, “it was a joy to compose a score that encompassed such a broad range of genres and emotions, and I’m thrilled to have audiences experience all of them through this album.”

“Michael is one the most exciting composers working today - he has this amazing ability to create new sounds which was important for this film,” Jordan Peele says. “He's able to play in the familiar and in the unfamiliar at the same time, so that helps give every film its own character, and he has an incredible mastery of so many different music genres.” Abels is known for his genre-defying scores for the Jordan Peele films GET OUT and US, for which Abels won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, and multiple critics’ awards. The hip-hop influenced score for US was short-listed for an Academy Award® and was named “Score of the Decade” by The Wrap. Abels is also co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.

Waxwork Records is thrilled to present the official NOPE deluxe double LP soundtrack album. The package comes complete with 180-gram colored vinyl, quality packaging, original artwork by Ethan Mesa, heavyweight gatefold jacket with matte coating, a multi-page 12”x12” booklet, liner notes, & more!

Laced Records, in partnership with Bethesda Softworks and id Software, today announced that the Doom (Original Game Soundtrack) by composer Mick Gordon will make its long-awaited debut on physical audio formats (Vinyl/CD) in Summer 2018. The X2lp was cut at the world famous Abbey Road Studios. The Doom (Original Game Soundtrack) will be available in two formats at retail; a Deluxe Double CD in a triple gatefold sleeve including all 31 tracks from the game and a deluxe Double Vinyl with 20 favorite tracks selected by the developers pressed on 180g red vinyl and cased in a deluxe sleeve with full printed inner sleeves. A Game Awards 2016 Winner for Best Music / Sound Design and Bafta Games Nominee for Best Music and Audio Achievement, the Doom (Original Game Soundtrack) brings the trademark pulse-pounding and demon-stomping audio experience to fans for the first time on physical disc. Composed by long-time Bethesda collaborator Mick Gordon, his dark and intense vision channels industrial metal to mirror Doom’s trademark brutal power fantasy gameplay across 31 synth and metal-filled tracks, spanning over two hours of run time. A true passion project, the recording process saw Gordon representing Doom’s portrayal of Hell through the role of energy in sound production, imparting the physical properties of analogue equipment onto digital sources. To mimic the power of Hell and its coruptive Argent energy, Mick created the “Doom Instrument”. Consisting of pure sine wave inputs directed into four separate sound processing chains and a variety of post-processing techniques, it allowed Gordon to dynamically ‘corrupt’ generated sounds. Further callbacks to the franchise’s legacy and imagery are found as the soundtrack’s signature screeching guitar lines are layered with the chainsaw audio from the original 1993 title.

Second Edition of the deluxe vinyl version of Ballads of Hyrule by ROZEN.

Ballads of Hyrule is a collection of orchestral arrangements from The Legend of Zelda series, envisioned as a relaxing environment for your ears, while it takes you on a night walk across the lands of Hyrule. A perfect album to listen to before going to bed.

Waxwork Records is proud to present MALUM Original Motion Picture Soundtrack by Samuel Laflamme. MALUM is a bold and expanded reimagining of the 2014 horror cult classic, LAST SHIFT. On a search to uncover the mysterious circumstances surrounding her father’s death, a newly appointed police officer, Jessica Loren (Jessica Sula) is assigned to the last shift in a decommissioned police station where a notoriously vicious cult saw their demise years prior. The lone officer at the station, she soon finds herself barraged by terrifying paranormal events, and in the process, is taken on a journey during which she learns the shocking truth behind her family’s entanglement with a demented cult leader. MALUM takes the premise of the 2014 festival hit and flips it on its head, thrusting viewers into an unrelenting, adrenaline-fueled, bloody cult nightmare.

About the Composer

Samuel Laflamme is a composer who has strengthened projects across the film, television and video game worlds. Samuel Laflamme began his composing career scoring numerous television shows, documentaries, and ad spots across a multitude of genres. He has collaborated with many of the top video game companies in the industry, including Ubisoft, Activision, and Red Barrels where he worked on the critically acclaimed survival horror-game Outlast. Samuel’s other credits include French Canadian dramatic comedy series Le Chalet, along with the 2016 Canadian-American co-production, fantasy film Wait Till Helen Comes, based on Mary Downing Hahn’s best-selling novel from the 1980’s.

About the Director

Protégé of filmmaker/novelist Clive Barker, Anthony DiBlasi partnered in Barker’s production company Seraphim Films for nearly ten years, serving as a key executive & producer on films such as MIDNIGHT MEAT TRAIN starring Bradley Cooper and BOOK OF BLOOD. DiBlasi adapted and directed DREAD from the Barker short story, starring Laura Donnelly (HBO’s The Nevers) which won "Best Independent Feature" at the Spike Scream Awards. DiBlasi has adapted several Barker novels for the screen including THE DAMNATION GAME (Warner Bros) and THE THIEF OF ALWAYS (Fox).

DiBlasi directed, co-wrote and edited “Last Shift” a critically acclaimed supernatural horror film released by Magnolia Pictures in 2015. Last Shift was named among the top 5 horror films of 2015 and won both a Golden Skull award and an iHorror award. DiBlasi has directed 8 features including the critically acclaimed thriller MISSIONARY and MOST LIKELY TO DIE for Netflix. DiBlasi recently wrapped production on MALUM, an expanded reimagining of “Last Shift,” and is currently in development on the thriller THE STEP COUNTER with his writing partner and wife Natalie Victoria and Malcolm Spellman’s The 51 (The Winter Soldier).

The debut vinyl release of MALUM features the complete soundtrack by composer Samuel Laflamme pressed to 180 gram colored vinyl.

MALUM Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Samuel Laflamme
180 Gram Colored Vinyl
Original artwork by Jérémy Pailler
Deluxe gatefold packaging

"Have a nice day!" Waxwork Records is beyond thrilled to release Chopping Mall Original Motion Picture Soundtrack by Chuck Cirino!

We originally released the 1986 hyperactive electronic soundtrack to Chopping Mall for the very first time in any format back in 2014. It was only our fifth release ever and it sold out within 24 hours. After nine years, we are so very excited to offer a brand new pressing of one of our most requested titles. Re-mastered from the original master tapes and featuring 180 gram Neon Pink & Coke Bottle Clear split colored vinyl with Blood Red Splatter, old style tip-on jackets with film laminate gloss coating, exclusive composer liner notes, and art print, and artwork by We Buy Your Kids!

Chopping Mall is a 1986 American horror film co-written and directed by Jim Wynorski, produced by Julie Corman, and starring Kelli Maroney, Mary Woronov, and Barbara Crampton. It focuses on three high-tech security robots turning maniacal and killing partying teenage employees inside a shopping mall after dark.

Chuck Cirino is an American composer with over 75 feature length projects to his credit including including film, TV, and web. Known for an energetic and experimental approach and his usage of electronics and synthesizers, Cirino's soundtrack to Chopping Mall remains a cult classic.

Chopping Mall Original Motion Picture Soundtrack Features:

The Complete 1986 Soundtrack by Chuck Cirino 180 Gram Neon Pink & Coke Bottle Green Split Color Vinyl w/ Blood Red Splatter Old Style Tip-On Jackets with Film Laminate Gloss Coating Artwork by We Buy Your Kids Composer Liner Notes 12"x12" Art Print