Soundtracks 164 Items

Red Splatter On Green Vinyl! limited to 2500 copies! The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

My Hero Academia: Heroes Rising is a film set in the My Hero Academia universe. After the events of Season 4 of the Anime, Izuku and Katsuki go from fighting against each other to fighting side by side as they face the biggest threat that dares to dominate the domain: Nine! Beautifully animated and written, My Hero Academia: Heroes Rising received enormous critical praise, as well as massive admiration from fans. Composed and performed by Yuki Hayashi, the music of My Hero Academia: Heroes Rising is a complete standout. The live wire pieces pulse with life and power, and have never sounded better than this vinyl pressing.

Pressed on 180g red vinyl /// Artwork by Eric Adrian Lee /// TRAUMA is the 1993 film by Dario Argento and one of two films he directed in the USA (The other being Two Evil Eyes) it stars Asia Argento and is a typically flamboyant Giallo from Argento featuring his trademark dizzying camerawork and gruesome over the top deaths. The score by Maestro Pino Donaggio (Carrie, Don’t Look Now & Body Double) who delivered a beautiful, nuanced & lush orchestral score which is absolutely outstanding.

Poké & Chill is a 16 track Pokémon remix album, with faithful lofi hip hop renditions of music from Nintendo's beloved Pokemon video game series. From the original Pokemon Red & Blue games, composed by Jun'ichi Masuda, to later installments like Pokemon Sun & Moon, Poké & Chill features a diverse collection of nostalgic and expressive game music.

Mikel is best known as the producer from Zelda & Chill, an album that may go down in history as the most popular game music record of all time. In less than a year from it's release, it's received over 20 million plays and sold thousands of copies. That's power of chill vibes and great game music!

Poké & Chill features compositions by Jun’ichi Masuda, Gō Ichinose, Minako Adachi, and Shota Kageyama. It features music from Pokémon Red & Blue, Gold & Silver, Sun & Moon, X & Y, Black & White, and Ruby & Sapphire.

This album brings some of Hammer’s greatest music to vinyl for the first time. It’s an evocative and diverse collection of themes that are just as memorable as the remarkable films they accompanied. The release showcases a selection of classic themes from the film company's varied soundtrack catalogue from composers that range from the great James Bernard to David Whitaker and spans Hammer's golden years between 1958 and 1974.

We're pleased to announce the release of a previously totally unreleased Italian soundtrack on 45. Claudio Tallino "SPELL – DOLCE MATTATOIO" from 1977, originally composed for the censored erotic thriller movie directed by the visionary genius Alberto Cavallone. A shocking, freaking and occult storyline set in the province of Rome, scene of shady affairs and private dramas that protagonists try to hide behind a respectable front. Stunning and booming Italian OST production with 2 killer sleazy Funk shots selected from the original recording sessions.

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

An EP single (Rca TBBO 1114) was originally released with the songs "Blue Jeans" and "A final step," performed by the group Cyan, which open sides A and B. For this LP we used the original tapes in full stereo that were preserved in the RCA archives. Nico Fidenco composed a pleasant soundtrack with a pastoral flair which is dominated by the main theme, a romantic ballad we hear in a faster and slower vocal version. It is then reprised with different instruments: cheerful and rhythmic flute, harmonica and orchestra, harmonica and strings with a touch of country, harpsichord, and classic guitar.

The soundtrack to critically acclaimed Flemish director Fien Troch's fourth film Home. Side A features pop music from Chromatics and Symmetry with Johnny Jewel's ambient score on the flip.

Only released in 1999 as it was thought it wasn’t a sellable soundtrack. Now for the first time Dynamite Cuts are making a 2x7” 45 collection of some of these gems. The Black Windmill is very much on the same vibe as Stone killers. When I first heard “No Co-Operation” I almost fell off my chair!! In particular, the drums and dark strings (by the National Philharmonic Orchestra) lift this into another zone. In addition, the deep bass groove (this time featuring Daryl Runswick on bass) and killer horns, featuring more of the finest players from Budd’s stable, take this piece into the stratosphere!

The Villainess received a fourminute standing ovation at the Cannes Film Festival. As a young girl, Sook-hee was trained to become a deadly assassin. A second chance is handed to her by South Korea’s Intelligence Agency Chief, Kwon, who recruits her and gives her a new identity as Chae Yeon-soo, a 27-year-old theatre actress.

With the promise of complete freedom after serving her country for 10 years, Sook-hee begins a new
chapter, but living a normal existence is no easy task for an ex-killer. When two men suddenly appear in
her life, she begins to uncover the secrets of her past.

The Villainess received a four-minute standing ovation at the Cannes Film Festival, cementing the worldwide growth and interest in South Korean action cinema. The explosive soundtrack from Ja Wan Koo perfectly complements the exquisitely choreographed fight sequences and the darkness of The Villainess’ ultra-violent world.

1LP Std Orange/Yellow Galaxy Color This is the 636 from Season One of the hit DC Comics and Syfy television series, Krypton, which puts a new spin on the Superman story. Set two generations before the destruction of the legendary Man of Steel's home planet, Krypton follows Superman's grandfather, whose House of El was ostracized and shamed as he fights to redeem his family's honor and save his beloved world from chaos. Based on DC characters, Krypton is executive produced by David S. Goyer (Man of Steel, Batman v Superman: Dawn of Justice and The Dark Knight trilogy). The 636 was composed by Pinar Toprak (composer for the crazy hot video game Fortnite, the film Justice League, and the upcoming Captain Marvel movie for Marvel and Disney).
The album will be released on colored vinyl. The highly anticipated second season will premiere in Spring of 2019. -

Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The Maestro Piero Piccioni is in a rare groove mode here, lost between acid jazz breaks and deep funk rhythms in what is the first ever vinyl reprint of a minor classic. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate reminds us of the compositions of the late 60's of the master; memorable sessions that would lead to the publication of the classic posthumous 'Camille 2000'. The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines.

Regular Official Authorised Vinyl Version, Original Soundtrack.

The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii’s legendary science fiction anime film GHOST IN THE SHELL (1995). - LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork Tracklisting LP : A1 ?I - Making Of Cyborg A2 Ghosthack A3 Puppetmaster A4 Virtual Crime A5 ?II - Ghost City B1 Access B2 Nightstalker B3 Floating Museum B4 Ghostdive B5 ?III - Reincarnation We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon). The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai’s compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook.

Available on 2X 180 Gram Black vinyl /// This first pressing features a limited Flexi disc featuring an unreleased remix

Mondo Music, in conjunction with Paramount Pictures, is proud to present the premiere vinyl pressing of Lorne Balfe’s score to the critically-acclaimed 2018 film MISSION: IMPOSSIBLE - FALLOUT, the sixth chapter of Tom Cruise's long-running, hugely successful spy franchise.

In a series defined by change, FALLOUT represents a first - the first in the long running series to carry its director (Christopher McQuarrie) over from the previous film. In a deliberate effort to keep this chapter fresh, McQuarrie decided to bring on a whole new group of talent behind the scenes - including composer Lorne Balfe. Crafting a modern, militaristic, melancholic soundscape with classic Schiffrin themes that have defined the franchise for nearly 50 years, Balfe’s score is a standout in the series, giving the film the weight and balance it needs to glide effortlessly from setpiece to setpiece.

Moonlight is the breathtaking soundtrack to the film of the same name Rolling Stone has called "A masterpiece" and won the Oscar 2017 for best movie. The album features the critically-acclaimed score by composer Nicholas Britell, as well as choice songs including "Every Nigger Is A Star" by Boris Gardner, "Cell Therapy" by Goodie Mob and "Hello Stranger" by Barbra Lewis. Britell is an award-winning composer, pianist, and producer. In 2015, Britell scored Adam McKay's Oscar-nominated film The Big Short, and his music also featured prominently in Steve McQueen's Oscar-winning film 12 Years A Slave, for which he composed and arranged the on-camera music including the violin performances, spiritual songs, work songs, and dances. As a producer, Britell produced Damien Chazelle's short film Whiplash, and subsequently co-produced the Oscar-nominated feature film. Britell's emotional and evocative score to Moonlight has resonated with audiences from early festival screenings, earning accolades from critics in their reviews of the film which underline how the music is wrapped into the very fabric of the film itself.

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.

Featuring the songs present on Peter Quill's mixtape in the film and the separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

Now for the first time on vinyl, Four Flies Records is proud to present an unmissable Eurocrime soundtrack by Guido & Maurizio De Angelis, composed in 1976 and considered to be one of the genre’s finest offerings directed by Enzo G. Castellari. Perhaps the most forceful OST from the Italian duo, Il Grande Racket consists of fuzz distortion and electronic effects from the beginning to the end. This sonic gem is also enriched with psychedelic flutes, obsessive rhythms, and percussion which results with a totally prog-rock and psych-funk score that perfectly describes the main elements of the film: action, tension and violence. Remastered from the original master tapes preserved for decades in the C.A.M. archives, and augmented with exclusive liner notes by Davide Pulici (Nocturno Cinema) and stunning original artwork created by Luke Insect, this edition will be a true pleasure of the senses for any and all soundtrack lovers.

Urpa i musell feels very fortunate to announce its third release (UiM 003) after a long period of fertile collaboration with the film production company Andergraun Films: the 4-LP Box Set Les músiques per a Albert Serra by the inscrutable band Molforts.
The box set puts together the main musical works that the band created between 2006 and 2018 for the Catalan film director Albert Serra. It includes the soundtracks for three films —Honor de cavalleria / Honour of the Knights (2006), Història de la meva mort / Story of My Death (2013) and La mort de Louis XIV / Last Days of Louis XIV (2016)—, two art pieces —Cubalibre (2012, Documenta, Kassel) and Singularity (2015, Biennale di Venezia)— and the recent play Liberté (2018, Volksbühne, Berlin).
Albert Serra is considered one of the most singular, radical and also controversial filmmakers working today. Tirelessly seeking never-before-seen images, his films and other works are characterised by an improbable balance between wild freedom and exquisite sophistication.
The band Molforts are the creators of all the music in his works and integral members of the creative milieu around Andergraun Films. Their work links intimately with the pieces it is made for. The relationship between music and image is deeply eloquent, not obvious, resulting in unique, suggestive soundscapes.
For the first time we can enjoy the music of Molforts in it's own right. The recontextualization of the recordings, without the images that they deeply evoke, offers

"Hot recordings from the golden era of the Italian sexy comedy film scene"! Early Sounds Recordings, in collaboration with the historical Italian label "Eleven" and A. Dallera, puts together a compilation of some of the rarest and sought after disco and funk records inspired by the Italian sexy comedy era.

L’ultimo squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg’s Jaws. In our movie, we have an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music was composed by the De Angelis bros., Guido & Maurizio, obsessive and thrilling in the moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST “Uno sceriffo extraterrestre poco extra molto terrestre” that provides great variety to the listening experience.Aside from being released here for the first time in any format, the score of L’ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros’ label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer’s live concerts. The LP is released on black, 180-gram vinyl, with an illustrated internal sleeve, mastering by Enrico De Gemini, liner notes and graphic layout by Daniele De Gemini.

The daring movie is a sweeping emotional drama powerfully exploring the unbreakable bond between fathers and sons. It tells the story of a motorcycle stunt rider (Gosling), who considers committing a crime in order to provide for his newborn child, an act that puts him on a collision course with a cop-turnedpolitician (Cooper). Mike Patton, American singer-songwriter and multi-instrumentalist best known as the lead singer of the alternative metal/experimental rock bands Faith No More and Mr. Bungle delivers a sweeping and brooding score. Like a red thread, his music guides the audience through this multi-generational story often linking characters and locations.

We’re stoked to announce the pre-order of ‘I Cannibali’ (aka ‘The Cannibals’ / ‘The Year Of The Cannibals’), score to the dystopic 1970’s masterpiece by Liliana Cavani, entirely composed and orchestrated by no less than Maestro Ennio Morricone and conducted by Bruno Nicolai. The opus features poignant vocal apprerances of Don Powell and Audrey Nohra Stainton as well as the glorious choir I Cantori Moderni di Alessandroni, also including alternate takes and previously unreleased tracks, perfectly mastered for vinyl by Carlo Altobelli at Toxic Basement Studio.
‘I Cannibali’ will be released for the first time on wax by Spikerot Records, pressed on double 180g vinyl and housed in an elegant gatefold jacket with captivating artwork from Basthard Design.

For the first time on vinyl!

Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie ALIEN 2 SULLA TERRA (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic ALIEN by Ridley Scott, released just a few months prior.
One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the ‘80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from UNO SCERIFFO EXTRATERRESTRE, POCO EXTRA MOLTO TERRESTRE that are used in the first part of the movie to build tension in a particular scene. This LP (black – 180gr) was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum’s archives, printed inner sleeve with liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia. Just 400 copies available! (a mere 100 for the ltd colored version)

A download code is included. Shovel Knight: Specter of Torment The Definitive Soundtrack brings all 25 exciting tracks from the game's second expansion pack to both CD and vinyl for the first time. Esteemed Japanese illustrator Hitoshi Ariga (Mega Man, Pokémon) lends his talents once again to design a brand new cover for the soundtrack as seen above, with coloring done byAyano Koshiro (Streets of Rage). Both the CD and LP gatefold packages will contain the complete tracklist crafted by the talented Jake Kaufman, while the vinyl release will also include a download code containing the complete digital soundtrack.

Kosai Sekine's first feature documentary film "Taiyo no Tou" (Tower of The Sun) soundtrack 2LP composed by Japanese electronic musician JEMAPUR will be Released on April 24th 2019.
JEMAPUR, an electronic music artist who has been energetically making his music, has composed his first feature movie soundtrack and will release remaster version on Vinyl.
JEMPUR was discovered from music producer Nujabase and released an album from Hydeout Production. He is also in a side project called Young Juvenile Youth with Ms. Yu.
Kosai Sekine has been making motion pictures focusing on the fusion of sound and image. He gave JEMAPUR a challenge to rebuild his music production method to encompass the theme "destruction and reconstruction" for "The Tower of The Sun" soundtrack.

For this OST, Carlo Savina composed lounge background music, at times dominated by a mysterious Asian vibe and by sophisticated jazzy vibes. "Gold Snake", the main score, is interpreted by the fabulous voice of Iva Zanicchi, written for a symphony orchestra, and accompanied by the New Orlandi choir (the piece was recorded on 45 RIFI RFN NP 16141). The leitmotif is reprised in a shake version and a slow danceable version. The well-known actress Yoko Tani, the film’s protagonist, performs the romantic piece "Crazy", which is also recorded in an instrumental version. The spy aspect of the plot is emphasized by suspense and action music. For this LP the mono master tapes of the recording session were used.

The disturbing soundtrack of the same film directed by Alberto De Martino in 1985 and composed by Francesco De Masi, author and Roman arranger already famous for classical b-movie soundtracks such as Lo Squartatore Di New York (The New York Ripper) and Fuga Dal Bronx (Escape From The Bronx). For a long time associated with 'genre cinema', the man had an innate passion for primitive electronics. A long suite divided into 14 movements that best describe the climate of tension and the upcoming deadlines of the featured film, a Gothic thriller in the orbit of meta-horror. The music - sometimes a bit of a timbral but often deliberately descriptive and overwhelming - pin of synths and analogue machines, capable of defining the desperate plot of the film. A classic fully restored on LP on limited Colored Vinyl.

Denis Villenueve’s masterful Blade Runner 2049 races into theaters this weekend and the film’s accompanying soundtrack, composed by legendary film score maestro Hans Zimmer, is now streaming in full.

The score was composed in tandem by Zimmer and his longtime collaborator Benjamin Wallfisch. The duo was brought in somewhat later in the production process, after the score’s initial composer, Icelandic composer Jóhann Jóhannsson, ceased involvement due to creative differences.

Villeneuve explained his decision to replace Jóhannsson with Zimmer in an interview with Al Arabiya. “The thing I will say is that making movies is a laboratory,” he explained. “The movie needed something different, and I needed to go back to something closer to [the original film’s composer] Vangelis. Jóhann and I decided that I will need to go in another direction — that’s what I will say.”

The decision seemingly paid off, as Clint Worthington notes in his review of the film: “[Zimmer and Wallfisch] lean heavily on Vangelis’ original 1982 score for inspiration, but 2049 is refreshingly light on incidental music, mostly allowing the booming, immersive sound design to take center stage.”

As Editor-in-Chief Michael Roffman writes in his glowing A- review, the score is “a total evolution of what Vangelis set in motion way, way back in 1982. It’s louder, it’s gloomier, it’s heavier, and it’s much more expansive, all qualities one might tag with Villeneuve’s breathtaking sequel.”

In additional to Zimmer and Wallfisch’s original compositions, the soundtrack features songs by Frank Sinatra, Elvis Presley, and Lauren Daigle.

Composed by Carl Thiel
Pressed on 2x 180 Gram Black Vinyl with artwork by César Moreno
Mondo, in collaboration with Powerhouse Animation and Viz Media are proud to present the soundtrack to the Netflix Original Series: Seis Manos.

Composed by Carl Thiel (Machete, From Dusk Til Dawn) the music for the Seis Manos is a unique blend of soundscapes from the exploitation films of the 60’s and 70’s, modern action adventure films, all anchored by classical mexican instrumentation. It’s a one of a kind soundtrack for a one of a kind animated series.

CD includes 44 tracks on two compact discs and an English booklet with composer comments Wayô Records and SNK Corporation are pleased to announce their first collaboration project! For the coming of the new Samurai Shodown game from the legendary fighting game series, we are proud to present the international release of its soundtrack in both CD and Vinyl formats!

With its beautiful Japanese instruments, the music of Samurai Shodown (2019) combines the power of modern times with the spirit from the roots of the series, performed by the best traditional Japanese players, including the legendary HIDE×HIDE duo! This soundtrack features the theme song Revive the Soul and each of the character themes, for a total of two hours of epic music!

180 gram Transparent Army Green + Transparent Red A-SIDE B-SIDE + Opaque Gold, Opaque Brown & Transparent Brown SPLATTER = “Mrs Palmers Blood” variant
First time the score has been released on any format
Audio pulled from original master tapes
Liner notes by Tim Ritter
Gatefold packaging by Stoughton / The score to the 1987 horror film by Tim Ritter, Killing Spree. A man suspects his wife of adultery and goes on a killing spree, eliminating all he believes are sleeping with her, but his victims don’t stay dead. Pressed on 180 gram “Mrs Palmers Blood” variant = Transparent Army Green + Transparent Red ASIDE BSIDE + Opaque Gold, Opaque Brown & Transparent Brown SPLATTER.

Reissue on 180gr. Vinyl

Limited 180g pink and black marble vinyl with Insert print, liner notes, postcard and download card

Original live re-score composed and performed by Morricone Youth to F.W. Murnau's 1927 silent film Sunrise: A Song Of Two Humans. Pressed on sunrise orange vinyl in an edition of 500 copies. Includes a download.