Soundtracks 180 Items

As a shadowy villain plans to destroy all of hero society, Deku and the other students of U.A. Academy Class 1-A are told by the retired No. 1 Hero that they will be part of a project to raise the next generation of heroes on an isolated island. However, that calm is soon disturbed as villains, led by the mysterious figure “Nine”, suddenly appear on the remote sanctuary. One by one they, begin destroying the facilities around the island. Pushed into service, Deku and the best of the Class 1-A members will need to combine their strength to overcome Nine and his league of villains.

Record Store Day 2020 Release.
Limitation: 2000 copies.

Truly special picture disc featuring imagery unavailable elsewhere - side A features the cover art; side B features the floor of the Dark Crystal's chamber, a circle of 18 arcane symbols for each of the urSkeks that came to Thra during the first Great Conjunction. ''I wanted the music to be as magical as Thra itself - organic, imperfect, strange, mystical, otherworldly and wonderful. I wanted to create new sounds that felt like they came from the world itself'', composer Daniel Pemberton revealed. Side A - 1. The Dark Crystal: Age Of Resistance - Daniel Pemberton 2. Another World, Another Time - Daniel Pemberton 3. Story Of The Dark Crystal - Daniel Pemberton 4. Rian + Mira Dreamfast - Daniel Pemberton 5. Aughra Awakes - Daniel Pemberton 6. The Crystal Chamber - Daniel Pemberton 7. Essence Draining - Daniel Pemberton Side B - 1. What Lies At The Dream's End - Daniel Pemberton 2. Together We Fight - Daniel Pemberton 3. The Blue Flames Part 1 - Daniel Pemberton 4. Deet In The Woods - Samuel Sim 5. Speak For The Dead - Daniel Pemberton 6. Brea And The Library - Samuel Sim 7. Her Light Faded - Daniel Pemberton

n alternative soundtrack for Roy Andersson’s movie A Pigeon Sat on a Branch Reflecting on Existence

Emilie Zoé was invited in 2018 by the alternative film festival « 2300 plan 9 à Les Étranges Nuits du Cinéma » in La Chaux-de-Fonds, CH to create a live soundtrack for a movie of her choice. She asked Christian Garcia-Gaucher, who had recently produced her second album The Very Start, to join the project. They chose together Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence for its hypnotic rhythm and its overall contemplative atmosphere and worn out colors. Within a few days, they wrote a collection of delicate themes and slightly melancholic interludes that they could play along the original feature. The show sold out and it felt crucial to everyone that such an exciting project would not end there. They gathered few months later in Swiss producer Louis Jucker’s tiny attic studio to lay these sounds on rusty second hand tapes. These 11 demo tapes merged spontaneously into a rich collaborative album, that assembles lo-fi pop hits and intriguing field recordings into a surprisingly coherent whole.

The Complete Film Score by West Dylan Thordson
180 Gram Double LP Yellow Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Split, a terrifying, breakneck thriller, centers on Kevin Wendell Crumb (James McAvoy), a man with dissociative identity disorder whose more sinister personalities (collectively known as The Horde) kidnap three teenage girls. The plan is to feed the “impure” girls to another of Crumb’s personalities, a superhuman creature known as The Beast. The final girl, Casey Cooke (Anya Taylor-Joy) is spared because The Beast sees scars covering Casey’s body, markers of child-hood abuse. Because Casey, unlike the other girls, has suffered, her heart is pure. “Rejoice,” The Beast tells her. “The broken are the more evolved.”

The Split score, by West Dylan Thordson, became the first collaboration between Shyamalan and the composer. Sonic, sinister and foreboding, the music was unlike any recorded for a film before. “I started by recording several loose takes of some simple harmonic bowing ideas with a cellist and violinist,” Thordson said. “The intention was to heavily modulate the captured sounds. While playing around with an idea in the past, I’d accidentally captured something like this and wanted to explore it more. The resulting sound was extremely chaotic, unpredictable, and scary. It felt haunted and seemed to capture the otherworldly, tortured, animalistic quality I was looking for. I wanted it to feel like “Jaws,” foreshadowing the existence of this malevolent being.”

"Mediterraneo" is a film directed by Gabriele Salvatores, set during the Second World War on the Greek island of Castelrosso, a few kilometers from the Turkish coasts. In this place, only apparently uninhabited, some Italian soldiers arrive on a mission; they will soon find themselves to be completely isolated, forced to wait for any communication signs from the outside world and to integrate with the local population.

When it came out in theaters in 1991, “Mediterraneo” immediately gained wide acclaim and recognition (David di Donatello and Nastro d'Argento for best film, Academy Award for best foreign film), a success also significantly determined by the soundtrack written by Giancarlo Bigazzi and Marco Falagiani, record producers and composers of a large series of Italian music famous songs and themes: the essence of this movie score is fully enclosed in the five notes of the main theme, both simple and evocative, immersed in a context of ethnic feel and Arabic/Oriental flavours. Except for some occasional modern sounds, the music of “Mediterraneo” is almost entirely produced by ‘popular’ and unconventional acoustic instruments: santouri, bouzouki, gavala, bagpipe, zurna, toubeleki, davul, rabeca and lyre.

The deep work of music research, composition and arrangement by the Bigazzi/Falagiani duo earned them the 1991 Globo d’oro Award. A soundtrack that is still memorable today, reissued exclusively by AMS Records on clear blue vinyl!

Luciano Michelini created symphonic background music that alternates romanticism with drama and mystery. Our LP opens with the theme of the opening credits, a dark motif produced by strings, percussion and piano which is reprised later in the film. A second recurring motif is a love theme that is introduced in a slow, romantic version with a modern arrangement that alternates with a fast, extravagant march. Initially only the mono mixed tapes were found, but further research into the RCA archives brought to light the stereophonic tape of a previously unreleased LP montage.

First-ever LP release of BRING ME THE HEAD OF ALFREDO GARCIA (1974), an iconic masterpiece and one of the composer’s most celebrated collaborations between Jerry Fielding and his usual partner, Sam Peckinpah
Remastered by Chris Malone
Audiophile 180GM Blood Red and Black Splatter Vinyl
Limited edition of 500 units

This limited edition of 500 units, pressed on audiophile 180 GM blood-red and black splatter, has been produced, restored and specially mastered for vinyl by Chris Malone.

Waxwork Records proudly presents the debut LP release of 2014's STARRY EYES. Composed by SUB-POP recording artist Jonathan Snipes (clipping, Room 237), STARRY EYES has been hailed not only as one of the best horror movies of 2014, but one of the best horror films of the last decade. The LP features an incredible 100% analog synth score composed and performed by Snipes that has grabbed the attention of fans of the film worldwide.STARRY EYES and it's score has received countless awards and accolades. TIME has called the film one of the ten best films of South by Southwest.

Ship to Shore PhonoCo. is proud to present Nick Soole’s masterful score to the fantasy-horror motion picture The Head Hunter!

Featuring minimal dialogue, The Head Hunter concerns a Viking warrior who protects the outskirts of his city from supernatural, mythical creatures. When his daughter is murdered by one of the very beasts he was meant to destroy, he finds himself alone and disillusioned, and becomes obsessed with getting revenge…

A film with few words will often have to rely on its visual and non-dialogue audio components to tell the story, and this is exactly what we get with Jordan Downey’s remarkable feature The Head Hunter. Boasting an impressive sound design to draw us into the cold, snowy world and fabulous sound effects to make us feel every squelch of mud, every crack of bone and every slice of the hero’s sword, the soundtrack sandwiches the elements together whilst providing the emotional pull of the narrative. Thankfully, composer Nick Soole has not only created a musical score that allows us to follow the Head Hunter’s mental state - from grief, pain and faithlessness to rage, horror and fear - but also stands on its own as a work of art when listened separately to the movie. Available on vinyl in a limited edition “Viking Flame” orange variant, don’t miss out on getting a copy!

Ship to Shore PhonoCo. is proud to present the o cial OST to Adult Swim Games’ KINGSWAY by Landon
Podbielski. A loving tribute to Windows 95, KINGSWAY is an RPG quest like no other with a soundtrack
crafted to sound just like the MIDI melodies of the past.
300 units pressed. Available on blue vinyl.

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

Original Soundtrack in a collectors edition.

Record Store Day 2020 Release.
Limitation: 200 copies.

The soundtrack for the documentary film, Record Safari, on standard vinyl. Record Safari is a feature documentary about vinyl record collectors. Vinyl Records are Alex Rodriguez's drug, and he's turned his addiction into a career. Running the Glass House Record Store and curating for Coachella Music Festival's on-site record store, Alex spends weeks on the road buying records and swapping stories with fellow collectors, musicians, enthusiasts and producers. Record Safari takes you on journey as Alex searches high and low for these sought after pieces of plastic and gives us an inside look into the world of record collecting. Side 1 (A Side) 1. Bikini Kill- This Is Not A test (1:59) 2. Deidre & The Dark- Which Way (3:02) 3. High Waisted- Hey Hey (3:07) 4. Atmosphere- Camera Thief (4:46) 5. Fiona Silver- Here Comes The Fall (3:38) 6. Deidre & The Dark- Tell Me (3:29) 7. Lenny Kaye- Record Collector Side 2 (B Side) 1. Fiona Silver- Housewife (4:09) 2. Atlantic Thrills- Day At The Beach (2:40) 3. Atmosphere- To All My Friends (3:17) 4. The Chamber Strings- Check Out Girls (3:38) 5. The Postmarks- You Drift Away (3:50) 6. Deidre & The Dark- Can't Believe You're Mine (1:52) 7. Outro: ''Thanks'' (:06)

"Forever” is a special album that celebrates Alessandroni’s genius and represent his musical testament. Composed and arranged in Namibia during the last months of his life, the album is a stunning collection of orchestral tracks that reveal Alessandroni’s many virtues and abilities as a composer, arranger and multi-instrumentalist, fusing pop, jazz and classical music with his unique (Italian) touch.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, Video Nasty film composer, occasional Jaume Sisa (Música Dispersa) collaborator and future electronic music therapy pioneer comes the synthridden vocoder-loaded 1984 sci-funk soundtrack to Barcelona’s daytime TV response to the universal E.T. phenomena. Get ready to meet your new alienígena amic and the unidentified flying object of thousands of Catalonian kids affections through the 1980s as Finders Keepers present J. M. Pagan’s lost lunar modular synth score to Kiu I Els Seus Amics (Kiu And Friends aka Kiu Is Your Friend).
From the same intergalactic phenomenon that brought such delights as Turkey’s exploito cash-in “Badi” or South Africa’s lo-rent hommage “Nukie” to our unregulated small screens, and the same craze which filled international airwaves with the likes of Extra T’S electro smash single “E.T. Boogie” or the million selling Columbian “Cumbia De E.T. El Extraterrestre” smash hit... not to mention a wide range of unofficial themetune cover versions from Holland, Austria, France and Germany (lest we forget an inspired late period Lee Scratch Perry Album) the creators of the movie which inspire the music on the album you are about to hear made no bones about their intergalactic muse. In 1982 the diaspora from Steven Spielberg’s small fictional mid-American neighbourhood that played host to everyones favourite torch fingered, three toed, Skittle scoffing space goblin touched virtually every family home in every major city resulting in one of the biggest cinematic merchandise phenomenas of the 21st century, resulting in an unexpected high-demand / short-supply play-off in which bootleggers, copyists and counterfeiters rose to the challenge like never before. At the precise moment that international audiences saw that cute little baldy poke his retractable neck around the corner and started stealing beer from the fridge, demanding long distance phone calls while circuit bending kids toys and frankly not looking after the plants... the human race was hooked! and we wanted more! more! more! When Spielberg regrettably told interviewers that he had no intention of making a sequel to E.T. The Extra Terrestrial, it instantly became open-season for the imitators... but way before somebody squeezedout, Mac & Me, ALF and The Purple People Eater a team of kid’s TV executives in Catalunya were ready to fill the widening gap in the market without haste. Created in 1983 by Luna Films and Televisió de Catalunya (TV3) and screened exclusively in Catalunya, Kiu I Els Seus Amics was one of the first E.T. “tributes” to make it out of the gate, and with a crew of five individual directors and writers to ensure that the five episode, one-off series hit the wave of phone-home-fever, “Kiu” has since remained a short but sweet micro-memory in the hearts of an entire generation of Catalonian cosmonauts.

The Amazing Spider-Man (2012) is based on the Marvel Comics character Spider-Man and the fourth Spider-Man film produced by Columbia Pictures and Marvel Entertainment. Directed by Marc Webb, the film follows Peter Barker (Andrew Garfield) who is bitten by a genetically altered spider and gains newfound, spider-like powers. He ventures out to save the city from the machinations of a mysterious reptilian foe. The score is composed by James Horner. The American composer was known for the integration of choral and electronic elements and his frequent use of motifs associated with Celtic music. He established himself as an eminent film composer with his work on Avatar (2009), Braveheart (1995) and Titanic (1995). The latter is also the best-selling orchestral film soundtrack ever. Horner received a total of 2 Academy Awards and was nominated for an additional eight Oscars. The Amazing Spider-Man is available as a limited edition on translucent blue & red marbled vinyl. This 2LP set includes 2 printed innersleeves, an insert and an exclusive Spider-Man poster.

Record Store Day 2020 Release.

Featuring a never-before-released song collaboration with David Bowie and Kristen Young! This RSD exclusive also includes other inspired works from artists like Courtney Love and Empress Of created for the 2020 Horror / Mystery film The Turning directed by Floria Sigismondi.

David Bowie and Kristeen Young ''American Landfill'' Courtney Love ''Mother'' - Acoustic Sasami and Lawrence Rothman ''Take It To The Grave'' Dani Miller (of Surfbort) ''Fentanyl Smoothie'' Empress Of ''Call Me'' - Acoustic The Aubreys ''Getting Better (Otherwise)'' (Finn Wolfhard's band) Warpaint ''Melting''

Both versions available in a strict run of 150 copies. A record that definitely lives up to its title – an obscure Italian sound library session that blends instrumental touches that evoke an America at the start of the 70s with some of the hipper, deeper currents you’d expect from the team of Stefano Torossi and Giovanni Tomasso. There’s plenty of expected sound library funk in the mix here in a way that makes for one of the most unique sound library sessions we’ve ever heard.

A Mad Menagerie of Grindhouse Go-Go Grooves!

Girl In Gold Boots is Ted V. Mikels' (The Corpse Grinders) homage to the time tested 'small town girl moves to the big city to become a go-go dancer' story. And if a movie is ostensibly about go-go dancing, then we're gonna need some music to go-go to. And that's what this album you're now holding is all about. From the odd psych rocker 'Do You Want To Laugh Or Cry,' to a frenetic barrage of country soul. It's got some solid harmonica groovers, an odd xmas song and of course the banger of a title track!

Pressed on colored vinyl, and includes a DVD of the entire film with lots of extras!

Beat Records is glad to present this 7" vinyl to celebrate, and not forget, Maestro Detto Mariano, who unfortunately passed away in this awful 2020. Il ragazzo di campagna is the first of a series of tributes that we will realize to honour the famous composer career, in this vinyl 7" edition featuring the brilliant main titles on the A side, and in a disco version on the B side, singed by the OST vocalist, Patrizia Tapparelli. Il ragazzo di campagna is the mandatory choice to start with this memory flux we'll dedicate to the artist, one of the most iconic movie from the glorious 80s, with a delightful score, also available in a complete edition on CD. Vinyl green and wthite, the cover features the original poster of the movie, on the front and on the vinyl, on the back it features the photographic album with Renato Pozzetto, on his tractor, in Milan downtown. The product comes with an extra print of the cover, numbered, on deluxe paper. Mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.

Pressed on 180 Gram Black Vinyl with artwork by Alex Pardee

Mondo, in association with Squanch Games, is proud to present the premiere release of Asy Saavedra’s soundtrack to the 2019 sensation Trover Saves The Universe.

Created by Justin Roiland (Rick And Morty, Solar Opposites) the world of Trover is littered with mind-bending, and literal eye-popping visuals. But underneath, lies one of the most inventive soundtracks for the medium, period.

Asy Saavedra (chaos chaos) has created a sonic playground that so sublime and saturated it practically melts into your ears. equal parts pop, synth and dance, its an album featuring beats that scream to be sampled in the years to come. Play this album loud.

Mondo Music, in partnership with Lakeshore Music, is proud to present the premiere vinyl pressing of Jeff Russo’s score to the 2019 film LUCY IN THE SKY.

LUCY is a sad but beautiful fable about failure, double standards, and achievement. But the music for the film is never bleak because the film itself is always hopeful and curious. Anchored by swelling synths and echoing choruses the score is tranquil and sublime. An underrated and underheard collection of film music we are super proud to share.

Devon Goldberg's original score to director Kire Paputts' 2019 dark comedy feature-length film The Last Porno Show, performed by Morricone Youth, along with Cochemea Gastelum (Sharon Jones & The Dap Kings), Sean Mccaul (Philip Glass Ensemble), Karen Waltuch (Wilco, Jim O'rourke, JG Thirlwell) and Scott Hollingsworth (World/inferno Friendship Society). Limited edition of 500 copies with download card.

“Windows on the World” is a dramatic love story about a Mexican son's search for his father – a missing, undocumented worker in The World Trade Center on 9/11. On the morning of September 11, 2001, Fernando (Ryan Guzman - “Step Up” franchise, “Boy Next Door") and his family in Mazatlan watch their TV in horror as the Twin Towers collapse. Fernando's father, Balthazar (Edward James Olmos) works in the Windows on the World restaurant. But he does not call to say he is safe. And there is no way to contact him. As the family grieves for his apparent loss, Fernando’s distraught mother swears she sees her husband on news footage – escaping from the building ALIVE! Heroic Fernando decides to take the epic journey from Mexico to New York City to find his father and save his family. Along the way, he falls in love with empathetic Lia (Chelsea Gilligan), and befriends an eclectic group of international characters that help him restore his faith in humanity, as Fernando discovers the hard truths about his father, the melting pot of America, and the immigrant experience. The film also has memorable performances from Richard Cabral (“The Mayans”) Glynn Turman (“Cooley High,” “The Wire”) Julie Carmen (“In the Mouth of Madness,” “Gloria”) and Luna Lauren Velez (“Dexter,” “Oz.”) It was directed by Michael Olmos (“Filly Brown") - adopted son of Edward James Olmos, cinematography by Reynaldo Villalobos ("Risky Business,” “Urban Cowboy,” TV’s “Breaking Bad”), with a soundtrack that includes a new song with vocals and guitar by David Hidalgo (Los Lobos) and blues hall of famer Charlie Musselwhite on harmonica. Plus original jazz music from members of the SFJAZZ Collective (past and present), Eric Harland, David Sanchez, Edward Simon, Obed Calvaire, Robin Eubanks, Matt Penman, along with Taylor Eigsti and Ethan Iverson (The Bad Plus)...as well as tracks from Les Claypool (Primus) and Fela Kuti.

Kamasi Washington composed and produced the original score for Becoming, the four time Emmy-nominated film that provided an intimate glimpse into the life of Michelle Obama. Produced by Netflix Originals, Becoming documented a moment of profound change for the former First Lady, not only for her personally but for the country she and her husband served over eight impactful years in the White House. Washington, who joined the project in its embryonic stages, provides the powerful musical backdrop. Young Turks Recordings will be releasing Vinyl and CD of this Emmy nominated score on 11th December 2020.

Recorded at Sunset Sound Studios, LA. Engineered by Tony Austin. Mixed by Randy Emata. Mastered by Kevin “Daddy Kev” Moo. Kamasi Washington – Soprano, Alto, Tenor Saxophnone Rickey Washigton – Flute, Alto Flute Ryan Porter – Trombone Dontae Winslow – Trumpet Sean Sonderegger – Contra Bass Clarinet, Bass Clarinet, Bb Clarinet Matt Haze – Guitar Cameron Graves – Piano, Rhodes Kenneth Crouch – Organ, Keyboards, Piano Miles Mosley – Electric Bass, Upright Bass Tony Austin – Drums and Percussion Jen Simone, Yvette Devereaux, Reiko Nakano, Tylana Renga - Violin Michael Whitson, Chad Jackson – Viola Artyom Manukyan – Jared Snyder – Cello

Both versions available in a strict run of 150 copies. A record that definitely lives up to its title – an obscure Italian sound library session that blends instrumental touches that evoke an America at the start of the 70s with some of the hipper, deeper currents you’d expect from the team of Stefano Torossi and Giovanni Tomasso. There’s plenty of expected sound library funk in the mix here in a way that makes for one of the most unique sound library sessions we’ve ever heard.

A potently multithreaded horror film: What seems like the contemplation of grief becomes a tale of unspeakable and enigmatic terror. Complementing this twisted tale is the haunting score by Polish composer Wojciech Golczewski (mohawk, Beyond THE Gates) and three otherworldly rock numbers by Slow Moses and Kleen Kut. Golczewski’s deft compositions embrace the story’s rich dynamic but never try to overstep it.

As we experience the trials of the Sacchetti couple, who’ve moved into an old farmhouse in an inhospitable New England town, Golczewski treats us to a host of equally delicate and indelicate passages. Dry, creaky strings, an ominous electronic hum, and the searing burn of the synths all leave an indelible mark with each suspended breath of foreboding and every histrionic blaze. Phoenix-based Slow Moses’ dreamy “Gas Station” and hallucinogenic “Teenage Sun” are bruised-and-battered songs that add a whimsical counterpoint to the beautifully terrifying tapestries that Golczewski weaves. New York-based Kleen Kut’s rare “Running Out of Time” is a dark, disembodied rocker with phantasmal melodies unfurling from ancient truths. It carries propulsive, raw energy that codifies the sentiments of the film into a guitar-driven, minor-key strut of otherworldly enchantment. Even after the last note fades, we are still here for another spin.

Released in 2020 to celebrate the 100th anniversary of the theremin, The Gateway features the instrument as a lead voice in the extraordinary realm of high-energy post-Italo electronics.

For this newest collection of original works, Brown transports the theremin to the heart of the dance floor – reimagining its mysterious interface as an electro-magical conduit for the opening of forbidden portals and the summoning of subversive spirits.

The Gateway also features a contemporary expansion of the classic theremin sound. Brown plays the Moog Etherwave Pro theremin in two ways – employing both its familiar heterodyne voicing and possessing a range of analog synthesizers via control voltage technology.

This groundbreaking combination presents a fresh voice and thrilling new context for the world’s oldest electronic instrument.

Beautifully haunting gothic score to The Lodgers by Stephen Shannon, Kevin Murphy and David Turpin.

David Turpin’s first feature as screenwriter – the gothic fantasy premiered at the Toronto Film Festival in 2017, and was subsequently acquired for worldwide release by Netflix.

Film synopsis: A family curse confines orphaned twins Rachel and Edward to their home, in punishment for their ancestors' sins. Bound to the rules of a haunting childhood lullaby, the twins must never let any outsiders inside the house, must be in their rooms by the chime of midnight, and must never be separated from one another. Breaking any of these rules will incur the wrath of a sinister presence that inhabits the house after midnight.

Parisian lynchpin Krikor Kouchian summons spooked-out radiophonic sounds in his superb, as-yet-unreleased soundtrack for the 2014 redux of Jean Epstein’s pioneering, silent 1920’s avant-garde cinema classic. A must check for fans of Elodie, Kevin Drumm, Mika Vainio, Eliane Radigue. The 1927 film ’Six Et Demi Onze’ tells the tragic romantic tale of two brothers who, unbeknownst to eachother, fall in love with the same woman. A timeless psychological narrative involving suicide and lies ensues across the film’s grand locations, but on his soundtrack Krikor prefers to home in on the internal thoughts of the film’s central protagonists, outlining a claustrophobic atmosphere in some of his subtlest and most affective soundtrack work, which follows from a panoply of scores for everything from an Arnold Schwarzenegger documentary, to films on Franco-Saudi geopolitics and fantasy sci-fi. It’s arguably Krikor’s finest endeavour in this arena.

4th pressing on 3xLP Black with Rainbow Sparkle Vinyl
Please Note: "The quality of sparkle vinyl is comparable to vinyl with metallic effects."
Rainbow Sparkle: Glitter in five colors
Beautiful trifold sleeve with original art by Daniele Giardini
Carefully remastered for vinyl by Christian Bethge
DESCRIPTION

Black Screen Records once again teams up with composer Chris Christodoulou and Hopoo Games to release the original soundtrack to Risk of Rain 2 on vinyl. The repress will be available on 3xLP vinyl and comes in a beautiful trifold sleeve with all-new original artwork illustrated by Italian artist Daniele Giardini. All 20 songs have been carefully remastered by Christian Bethge (Risk of Rain, Deadbolt, Divinity: Original Sin II, A Plague Tale) for the vinyl format.

The classic multiplayer rogue-like, Risk of Rain, returns with an extra dimension and more challenging action. No run will ever be the same with randomized stages, enemies, bosses, and items. Play solo, or team up with up to four friends to fight your way through hordes of monsters, unlock new loot, and find a way to escape the planet. In his third collaboration with Hopoo Games, Chris Christodoulou returns to the Risk of Rain franchise adding another dimension to the game’s music-verse. This two-hour-long genre-bending release spans from foreboding electronica to pounding progressive metal and features all music from the game and then some.