Soundtracks 271 Items

Mondo Music, in partnership with Lakeshore Music, is proud to present the premiere vinyl pressing of Jeff Russo’s score to the 2019 film LUCY IN THE SKY.

LUCY is a sad but beautiful fable about failure, double standards, and achievement. But the music for the film is never bleak because the film itself is always hopeful and curious. Anchored by swelling synths and echoing choruses the score is tranquil and sublime. An underrated and underheard collection of film music we are super proud to share.

Recently made available on Netflix and one of the flagship films in anime company Studio Ghibli’s stable, 1997’s Princess Mononoke also boasted a magnificent soundtrack and symphonic score by Joe Hisaishi. This soundtrack edition is performed by the Tokyo City Philharmonic Orchestra. Includes the Princess Mononoke Main Theme with vocals by Yoshikazu Mera. First-time on vinyl.

Image Album recorded ahead of soundtrack by Joe Hisaishi, based on the notes
which Director Miyazaki wrote about music when he was planning the movie.

Symphonic suite album which Joe Hisaishi newly recorded “Princess Mononoke”
as suite with Czech Philharmonic the year after the movie release.

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians.

The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016.

"Anthology: Movie Themes 1974-1998" collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time.

Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires.

Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog.

Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.

Cover is super close to NM. Records look flawless. Booklet and original inner sleeves included.

The soundtrack to critically acclaimed Flemish director Fien Troch's fourth film Home. Side A features pop music from Chromatics and Symmetry with Johnny Jewel's ambient score on the flip.

Cover and vinyl are close to NM. Hand numbered limited edition.

Kamasi Washington composed and produced the original score for Becoming, the four time Emmy-nominated film that provided an intimate glimpse into the life of Michelle Obama. Produced by Netflix Originals, Becoming documented a moment of profound change for the former First Lady, not only for her personally but for the country she and her husband served over eight impactful years in the White House. Washington, who joined the project in its embryonic stages, provides the powerful musical backdrop. Young Turks Recordings will be releasing Vinyl and CD of this Emmy nominated score on 11th December 2020.

Recorded at Sunset Sound Studios, LA. Engineered by Tony Austin. Mixed by Randy Emata. Mastered by Kevin “Daddy Kev” Moo. Kamasi Washington – Soprano, Alto, Tenor Saxophnone Rickey Washigton – Flute, Alto Flute Ryan Porter – Trombone Dontae Winslow – Trumpet Sean Sonderegger – Contra Bass Clarinet, Bass Clarinet, Bb Clarinet Matt Haze – Guitar Cameron Graves – Piano, Rhodes Kenneth Crouch – Organ, Keyboards, Piano Miles Mosley – Electric Bass, Upright Bass Tony Austin – Drums and Percussion Jen Simone, Yvette Devereaux, Reiko Nakano, Tylana Renga - Violin Michael Whitson, Chad Jackson – Viola Artyom Manukyan – Jared Snyder – Cello

Orange and red vinyl.

Cover with light shelf wear on the back cover. Orange and red vinyl.

Record Store Day 2020 Release.

BANDAI NAMCO Entertainment Co., Ltd. presents a worldwide project with the theme “Join the PAC – Come and join us” to commemorate the 40th anniversary of Pac-Man ’s birth.

The memorable 40th anniversary official theme song “JOIN THE PAC” was produced by ‘Ken Ishii’, the techno god of the Orient. The video clip of his masterpiece “Extra” (directed by Koji Morimoto also known as the drawing director of the movie “AKIRA”) was awarded “MTV Dance Video of the Year” in UK, which brought him as one of Japan’s most proud producers to the world.

A special music video for “JOIN THE PAC” is directed by Yuichi Kodama, who is renowned as a chief video director of flag handover ceremony at the 2016 Rio Olympics closing ceremony, and his “UNICLOCK” online ad campaign (2008) for UNIQLO, which won grand-prix of three biggest advertisement awards, the Cannes International Advertising Awards, the Clio Awards, and the One-Show.

Prior to the release of the upcoming album, 7inch EP is released by the collaboration of iam8bit and U/M/A/A Inc. exclusively for RSD2020!

Regular Official Authorised Vinyl Version, Original Soundtrack.

The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii’s legendary science fiction anime film GHOST IN THE SHELL (1995). - LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork Tracklisting LP : A1 ?I - Making Of Cyborg A2 Ghosthack A3 Puppetmaster A4 Virtual Crime A5 ?II - Ghost City B1 Access B2 Nightstalker B3 Floating Museum B4 Ghostdive B5 ?III - Reincarnation We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon). The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai’s compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook.

Parisian lynchpin Krikor Kouchian summons spooked-out radiophonic sounds in his superb, as-yet-unreleased soundtrack for the 2014 redux of Jean Epstein’s pioneering, silent 1920’s avant-garde cinema classic. A must check for fans of Elodie, Kevin Drumm, Mika Vainio, Eliane Radigue. The 1927 film ’Six Et Demi Onze’ tells the tragic romantic tale of two brothers who, unbeknownst to eachother, fall in love with the same woman. A timeless psychological narrative involving suicide and lies ensues across the film’s grand locations, but on his soundtrack Krikor prefers to home in on the internal thoughts of the film’s central protagonists, outlining a claustrophobic atmosphere in some of his subtlest and most affective soundtrack work, which follows from a panoply of scores for everything from an Arnold Schwarzenegger documentary, to films on Franco-Saudi geopolitics and fantasy sci-fi. It’s arguably Krikor’s finest endeavour in this arena.

New music from the HBO Series. Euphoria — which paved the way for Labrinth’s opportunity to score the show. His soundtrack, due out in album form this Friday, hums with soft electricity, perfectly complementing the journey of the main character, Rue, a teenager caught in limbo between the euphoria of a drug high and the harsh consequences of addiction. “When you look back to your teenage days,” he says, “it feels semi-magical but semi-crazy and semi-psychotic. I wanted to make sure the music felt like those things.”

Ship to Shore PhonoCo. is proud to present the o cial OST to Adult Swim Games’ KINGSWAY by Landon
Podbielski. A loving tribute to Windows 95, KINGSWAY is an RPG quest like no other with a soundtrack
crafted to sound just like the MIDI melodies of the past.
300 units pressed. Available on blue vinyl.

First time on vinyl for this utterly top level score composed by Luciano Michelini for the slasher/crime flick directed by Sergio Margino, "The Suspicious Death of a Minor" (Morte sospetta di una minorenne), and recorded in 1975 at Ortophonic Studio in Rome. The main theme echoes certain passages from Goblin’s “Deep Red” - recognizable by the use of the same church organ played a few months earlier by Claudio Simonetti’s hands for Dario Argento’s masterpiece, whilst the entire soundtrack sounds somehow “Goblinesque”, thanks to the prog-rock & funk action themes used for chases, murders, and suspense scenes. Remastered from the original reels preserved in the C.A.M. archives, this vinyl edition features new LP editing, and is housed in a hard tip-on sleeve with a stunning artwork designed by Luke Insect.

Luciano Michelini created symphonic background music that alternates romanticism with drama and mystery. Our LP opens with the theme of the opening credits, a dark motif produced by strings, percussion and piano which is reprised later in the film. A second recurring motif is a love theme that is introduced in a slow, romantic version with a modern arrangement that alternates with a fast, extravagant march. Initially only the mono mixed tapes were found, but further research into the RCA archives brought to light the stereophonic tape of a previously unreleased LP montage.

The day has finally come! We have waited with eageranticipation to release Matthew Cooper's spellbindingsoundtrack to Some Days Are Better Than Others sincebefore his creative breakthrough album, Similes(released under his more widely known Eluviummoniker) was even made. The film stars James Mercer(Broken Bells, The Shins) and Carrie Brownstein(Portlandia, Sleater-Kinney) as strangers whose livesoccasionally intersect as they navigate their way throughthe struggles of personal attachment and disconnection.

Released in 2020 to celebrate the 100th anniversary of the theremin, The Gateway features the instrument as a lead voice in the extraordinary realm of high-energy post-Italo electronics.

For this newest collection of original works, Brown transports the theremin to the heart of the dance floor – reimagining its mysterious interface as an electro-magical conduit for the opening of forbidden portals and the summoning of subversive spirits.

The Gateway also features a contemporary expansion of the classic theremin sound. Brown plays the Moog Etherwave Pro theremin in two ways – employing both its familiar heterodyne voicing and possessing a range of analog synthesizers via control voltage technology.

This groundbreaking combination presents a fresh voice and thrilling new context for the world’s oldest electronic instrument.

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) Mokadelic returns with a new score, for the theatre offshoot of the same show. The album renews the cinematic style of the band through a series of almost dramatic instrumental sketches. Equally informed by the post-rock signature of luminaries such as Godspeed You Black Emperor and Explosions In The Sky, the band delivers the job with several epic moments.

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) the Italian combo Mokadelic returns with a brand new score, Sulla Mia Pelle, for one the most controversial movies around. Based on the despicable history of Stefano Cucchi, literally killed in prison by a bunch of policemen, the album renews the cinematic style of Mokadelic through a series of almost dramatic instrumental sketches. Equally informed by the post-rock of luminaries such as Godspeed You Black Emperor and Explosions In The Sky - not to mention the subtle rhythms of contemporary IDM (Boards Of Canada first came to mind) - the band delivers their signature with several epic moments. That is the real companion to a tragic feature film.

Devon Goldberg's original score to director Kire Paputts' 2019 dark comedy feature-length film The Last Porno Show, performed by Morricone Youth, along with Cochemea Gastelum (Sharon Jones & The Dap Kings), Sean Mccaul (Philip Glass Ensemble), Karen Waltuch (Wilco, Jim O'rourke, JG Thirlwell) and Scott Hollingsworth (World/inferno Friendship Society). Limited edition of 500 copies with download card.

Original live re-score composed and performed by Morricone Youth to F.W. Murnau's 1927 silent film Sunrise: A Song Of Two Humans. Pressed on sunrise orange vinyl in an edition of 500 copies. Includes a download.

Clear Vinyl Edition.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

Limited to 500 copies.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

The 2nd Neo Gaia Phantasy Tour took place in November 2019 and included shows in Kobe, Kyoto, Osaka, and Tokyo, Japan. death's dynamic shroud, Equip, Groceries, Hcmj, R23x, and Vaperror performed live on tour. Neo Gaia Legend is the compilation featuring various artists from that tour—it's also the namesake of the tour kick-off show in Tokyo at Circus-tokyo. A "mixtape" featuring Hcmj, R23x, Equip, Vaperror, and death’s dynamic shroud. Unreleased material, reworks, remixes, and lots of previously unheard music. Special thank you to Local Visions, New Masterpiece, and Muzan Editions for making the Japan tour happen. Mixed/Sequenced by Hcmj. Cover artwork by Bani-chan. Packaging designed by R23x This mixtape serves as the “ost” for the upcoming documentary “Neo Gaia Phantasy: The Movie.”

Moonlight is the breathtaking soundtrack to the film of the same name Rolling Stone has called "A masterpiece" and won the Oscar 2017 for best movie. The album features the critically-acclaimed score by composer Nicholas Britell, as well as choice songs including "Every Nigger Is A Star" by Boris Gardner, "Cell Therapy" by Goodie Mob and "Hello Stranger" by Barbra Lewis. Britell is an award-winning composer, pianist, and producer. In 2015, Britell scored Adam McKay's Oscar-nominated film The Big Short, and his music also featured prominently in Steve McQueen's Oscar-winning film 12 Years A Slave, for which he composed and arranged the on-camera music including the violin performances, spiritual songs, work songs, and dances. As a producer, Britell produced Damien Chazelle's short film Whiplash, and subsequently co-produced the Oscar-nominated feature film. Britell's emotional and evocative score to Moonlight has resonated with audiences from early festival screenings, earning accolades from critics in their reviews of the film which underline how the music is wrapped into the very fabric of the film itself.

Wind River, the directorial debut from Sicario writer Taylor Sheridan, stars Elizabeth Olsen and Jeremy Renner.

'The soundtrack to the beautiful Wind River was first and foremost the incessant wind or the grieving silence of the snow,'' Cave and Ellis said in a press release. ''Amid those elemental forces, we made a kind of ghost score where voices whisper and choirs rise up and die away and electronics throb and pulse.'

This score is instantly reminiscent of Nick Cave & The Bad Seeds’ ‘Skeleton Tree’,