Soundtracks 147 Items

Penelope Spheeris’ cult film Suburbia sought to capture the teenage angst, alienation and soul-searching of the Los Angeles punk scene, the long-sought soundtrack a big part of its appeal. The live side gives us Tsol at their melodic best, with ‘Wash Away’ and ‘Darker My Love’ reminding of the broken hearts and damaged minds beneath the mosh pits, contrasted by the Vandals’ raucous ‘Legend Of Pat Brown,’ while D.I.’s ‘Richard Hung Himself’ is a one-away ode of self-destruction; the other side has Alex Gibson’s evocative film score, the edgy instrumentals capturing the on-screen estrangement. True grit and required listening!

A collection of mind blowing songs from Hindi films 1958-1984. 12 musical gems from the Bollywood vaults with a wide variety of styles thrown in the mix, from the classic to the rare, a must! An astonishing overview of the magnificent musical talents populating Bollywood films. With a predilection for movies with a strong musical backbone where songs and musical numbers play a pivotal role, the Hindi cinema boom gave birth to a strong and creative music industry where composers, musicians, musical directors, conductors, producers, singing actors, and playback singers (singers who provide vocals for the musical parts of roles played by actors or actresses) found a perfect place to develop their careers. A sample of those incredible talents is included in this compilation, the ideal point to start digging deeper into the lush garden of musical delights that is Bollywood

Still sealed. Yellow vinyl edition. Numbered copy. Tiny corner wear.

Bollywood rarities handpicked and remastered on a double LP release with laminate gatefold and multi-layered flower petal foldout. Featuring rare, overlooked or not-previously-on-vinyl music from Bappi Lahiri, R. D. Burman, Ilaiyaraaja, Kalyanji-Anandji, Anand Milind, Raamlaxman and Kirti Anuraag released between 1982 and 1986. Mastered for and cut to vinyl by multi Grammynominated Frank Merritt at his mastering studio The Carvery. Naya Beat is incredibly proud to present the first in our series of ‘Awaaz’ (‘sound’ in Hindi) archival projects focused on uncovering the sounds of 1980s Bollywood Original Soundtrack Recordings (OSTs). Series 1 focuses exclusively on the musical output of CBS Gramophone Records & Tapes (India) Ltd. Active during India’s peak disco era – a time when synthesisers and drum machines became a mainstay in Indian popular music – CBS India became a home for established composers to be experimental, up-and-coming composers to get their start, B-movie soundtracks, and straight-to-VHS releases. Expertly curated by Naya Beat co-founders Turbotito and Ragz, who were given unprecedented access to the original label archives, this compilation is not just a collection of four-to-the-floor Bollywood disco (although there are plenty of those). ‘Awaaz’ is designed to take listeners on a musical journey that includes everything from leftfield electronic and mood music to outrageous proto house. Be it classic and hard to find cuts like Ilaiyaraaja's "Aye Zindagi Gale Lagaa Le" and “Mere Jaisi Mehbooba” (Bappi Lahiri’s Hindi remake of Herbie Hancock's “Rockit”), or the instrumental mood music of Kirti Anuraag’s VHS movie soundtracks, to the proto house of Raamlaxman’s “Dil Gadbad Jhala” and Kalyanji-Anandji’s “Aage Bhi Dushman,” or the synth and guitar drenched breakdance madness of R. D. Burman’s “Dekho Idhar Jano Jigar,” the music on this compilation captures the output of a label that was unique as it was unconventional. An homage to the genre, every detail in this stunning release has been lovingly crafted. From the laminate cover to the absolutely incredible foldout, to the cut-out and collage design, to the font type and layout, there are countless authentic details and nods to classic Bollywood releases of the era. As much of the album has been made in India as is possible. The sleeves have been handmade in New Delhi. The liner notes have been compiled by music archivist Nishant Mittal (aka Digging In India).

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker, square
• KEATS Logo Sticker, square
• Beat Jazz International Logo Sticker, square
• For the RECORD Logo Sticker, round
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• HHV Mag Logo Sticker, round
• HHV Boombap 45's Logo Sticker, round
• 90's Tapes Logo Sticker, round
• For The CULTURE Logo Sticker, round
• Vinyl Diggers Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• 20 Years HHV Logo Sticker, round

Still sealed with hype sticker.

Dark red vinyl version!

JARV IS... have written & performed the original soundtrack for the critically acclaimed BBC TV series "This is Going to Hurt" based on Adam Kay"s award-winning international multi-million selling memoir of the same name. The soundtrack was recorded at Narcissus Studios, London by Drew Dungate-Smith during various sessions throughout 2021. Most of the performances are live takes featuring the entire band - often recorded whilst they watched the playback of key sequences from the series. Each episode features at least one song with lyrics by Cocker, who had access to the scripts (adapted by Adam Kay from his own book) from an early stage in the production process. JARV IS... is a band comprising Jarvis Cocker, Serafina Steer, Emma Smith, Andrew McKinney, Adam Betts & Jason Buckle. The soundtrack consists of a mixture of songs & instrumental pieces, with Cocker & Steer being the main composers. Cocker is quoted as saying "It"s our love song to the NHS".

Limited to 1 copy per customer.

We are extremely excited to announce that Licorice Pizza: The Original Motion Picture Soundtrack will be released on Friday 10rd December 2021 on both CD + Vinyl. Licorice Pizza is the story of Alana Kane (Alana Haim) & Gary Valentine (Cooper Hoffman) who grow up & fall in love in San Fernando Valley (1973). Written & directed by filmmaker Paul Thomas Anderson. Sean Penn, Bradley Cooper, Tom Waits & Benny Safdi also star. Limited movie release in the U.S. Nov 26 and goes wide in US on Dec 25. Radiohead's Jonny Greenwood composed the film's score & Paul Thomas Anderson curated the soundtrack also features songs by David Bowie, Paul McCartney and many more to be revealed. The title pays homage to the California record store, Licorice Pizza.

Scottish synth pop sensations Chvrches have a history of commissioning remixes for each of their chart topping albums. Given the cinematic concept of their latest Screen Violence they wanted to get a composer involved who worked in that universe. Singer and percussionist Lauren Mayberry said that the master of horror John Carpenter was the top of their wish list elaborating that "His films and music have been so impactful on us over the years, and without the stories he created I am not sure that the concept of Screen Violence (and female narratives within the album) would exist in the way they do." They decided to reach for the stars and contact Carpenter's team and to their delight Carpenter was excited by the idea. Lauren continues "As horror fans, we know that John Carpenter is the godfather and the gold standard and we're so excited to get to work with him in any capacity... we never really thought he'd reply, let alone that he'd send back something better than the original." Carpenter's remix of the Chvrches song "Good Girls," created alongside his creative partners Cody Carpenter and Daniel Davies, enhances the depths of the song's already infectious synthesizer melodies and adds his signature slightly sinister swagger and groove.

Original cover is missing!

Roger Waters: US + Them zeigt die gefeierte Tour 2017-2018 des legendären Pink Floyd-Künstlers. Als Gründungsmitglied, Texter, Komponist und kreative Kraft hinter Pink Floyd präsentiert US + Them Waters kraftvolle Musik in atemberaubender Form und unterstreicht seine Botschaft von Menschenrechten, Freiheit und Liebe. Basierend auf seiner gefeierten, ausverkauften US + Them-Welttournee 2017-18, die insgesamt 156 Shows für 2,3 Millionen Menschen auf der ganzen Welt umfasst, enthält das Produkt klassische Songs aus The Dark Side of the Moon, The Wall, Animals, Wish You Were Here sowie sein letztes Album Is This The Life We Really Want?


Waters zeigt eindringlich, dass er im Herzen ein musikalischer Aktivist und einer der leidenschaftlichsten politischen Sprecher seiner Zeit ist. Er hat sein Leben dem Kampf gegen diejenigen gewidmet, die unser Leben kontrollieren und unseren Planeten zerstören wollen. Welcome To The Machine und Another Brick In The Wall Part II erinnern stark an die düsteren Warnungen, die er vor Jahrzehnten über Entfremdung, Vertreibung, Gier, Leiden, Zerstörung und Verlust gegeben hat. Und doch kann die Menschlichkeit des Songwriters nicht deutlicher gesehen werden als in Wish You Were Here, denn obwohl er ein düsteres Bild des Zustands der Welt präsentiert, ist seine Botschaft letztendlich eine Botschaft der Hoffnung durch Einheit und Liebe.

n alternative soundtrack for Roy Andersson’s movie A Pigeon Sat on a Branch Reflecting on Existence

Emilie Zoé was invited in 2018 by the alternative film festival « 2300 plan 9 à Les Étranges Nuits du Cinéma » in La Chaux-de-Fonds, CH to create a live soundtrack for a movie of her choice. She asked Christian Garcia-Gaucher, who had recently produced her second album The Very Start, to join the project. They chose together Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence for its hypnotic rhythm and its overall contemplative atmosphere and worn out colors. Within a few days, they wrote a collection of delicate themes and slightly melancholic interludes that they could play along the original feature. The show sold out and it felt crucial to everyone that such an exciting project would not end there. They gathered few months later in Swiss producer Louis Jucker’s tiny attic studio to lay these sounds on rusty second hand tapes. These 11 demo tapes merged spontaneously into a rich collaborative album, that assembles lo-fi pop hits and intriguing field recordings into a surprisingly coherent whole.

Picture disc!

Clear vinyl seems unlayed. Hole in back cover. With stickers.

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

Golden vinyl limited edition. Cover is close to NM.

Pink vinyl is close to NM. limited edition. Original inner sleeve.

Still in shrink but opened, with OBI. Pink vinyl limited edition. Original inner sleeve. Vinyl seems unplayed.

Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.

Clear wax! Cover close to NM

Pressing error on side D, piece of paper pressed in to vinyl, audible. Besides that vinyl is close to NM. Original inner sleeves. With booklet.

Pink vinyl.

100 copies on black vinyl with poster.

Black vinyl.

Red Vinyl. Side 3 has a deeper scratch, the other sides are between VG+ and NM

Black vinyl edition.
Sleeve has price tag on front.

Steven Soderbergh’s take on Stanislaw Lem’s influential sci-fi tome Solaris was incredibly polarizing at the time. Some didn’t want to see it simply because it starred heart-throb George Clooney in what is essentially a mostly solo role, some didn’t appreciate it in light of legendary Russian director Andrei Tarkovsky’s overtly spiritual take on the same book. Soderbergh says of Martinez's pivotal role and his score, "I relied on it not only to unify the film emotionally, but to import actual narra-tive information." Martinez himself describes it as "one of the few soundtracks of mine that I can still stand to listen to.

I also think it was a score that made the greatest contribution to the film for which it was written." Described by BBC Music as "A brooding slow, meditative work" and a musical journey that "leaves the listener floating free" by Soundtrack.net, "Solaris' is an evocative and highly seductive score that still fully resonates with the listener more than a decade after it was first released.

Those that did manage to take it in would have noticed on thing in particular though – composer Cliff Martinez‘s haunting and deeply influential soundtrack. Percussive, but anchored with a slow, deeply affecting synthesized bass line throughout, the soundtrack served as a nudge in the right direction for drone-lovers and ambient types, and still sounds fresh even now. It’s hardly surprising then that Portishead’s Geoff Barrow has had the good sense to make sure it finally gets pressed to wax through his Invada imprint.

7 track mini album. 'Waterpark' is a film score written for Director Evan Prosofsky's same titled film, and explores the neutral element of sound in a massive indoor water park located in west Edmonton Mall, in the province of Alberta. A vacation home to countless stranded Canadians with no vacation in sight.

The instrumentation of oscillators, heavily reverberated strings, mellotron/chamberlain, and experimental electric guitar sets the mood for this bizarre plastic tropical paradise thats within a shopping mall.

Cover with small seam spit!

Copy is close to NM!

With booklet and comic. Vinyl with light scuffs ! Cover has slight edge wear. Excellent copy !

Reale Impero Britannico surely is the rarest record of the Goblin universe, together with Cherry Five of course. Released in a very small batch of copies in January 1976, as the soundtrack of an obscure movie called "Perché si uccidono" tough it was recorded some time before, when the members of Goblin still called themselves Cherry Five, as the band still featured Cherry Five singer Tony Tartarini (who sings in the excellent "My damned shit") and drummer Walter Martino. Afterwards the band will change its name in Goblin recording its breakthrough record bestseller: the soundtrack of Profondo Rosso.

This is also why "Perché si uccidono" is the perfect musical hook-up between Cherry Five and Goblin. Some tracks where composed by Fabio Frizzi, a famous composer of thriller and horror scores, one alone namely "Kalì", and the other four, "Epopea", "Ammoniaca", "Epopea (Reprise)" and "Edda" (sung by the Italian actress Edda dell'Orso) together with the musicians that soon will call themselves Goblin: Simonetti, Morante, Pignatelli and Martino.

Willy Brezza has composed the remaining instrumental five tracks: "My damned shit", with A. Pietravalle, "Dodici e un quarto", "Block", "R.I.B.", "Apotheke" and "Distrazioni". An essential and rare record for Goblin lovers!

CD comes in a soft case, instead of the original crystal case. All booklets included.

Limited edition.

Original inner sleeve

close to NM

everybody needs one copy !

Record shows some scuffs and slight scratches! Cover with storage wear and small seam split!

Writing and small sticker stain on cover.
Includes original insert.

Vinyl close to NM and cover to VG+.

Cover close to VG+

Original inner sleeve

Original japanese pressing with obi.
Writing on front cover.

close to NM

Cover with OBI has tiny wear. With inserts. Vinyl is close to NM, Japanese pressing.

Original inner sleeve. Allied Record Company Pressing. Writing on cover.

tiny wear