Soundtracks 506 Items

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

Japanese pressing, no Obi.

Quartet Records and Universal Pictures Film Music Classics Collection proudly present the world premiere vinyl release of both the used and unused scores for Alfred Hitchcock’s Frenzy, celebrating the 50th anniversary of the film.

Frenzy marked the director’s triumphant return to London in 1972. With an excellent script by Anthony Shaffer, the film was immediately considered one of Hitchcok’s best and has since become a classic.

After the parting of ways with Bernard Herrmann, Hitchcock changed composers in each of his last four films, choosing from those who were popular at the time. For Frenzy, his first choice was Henry Mancini (breakfast AT Tiffany’s, THE Pink Panther, Hatari!, Charade), who wrote a sumptuous, gothic-hued score featuring an unusual orchestral palette. The main theme uses the dolorous tones and sepulchral pedals of a mighty organ, and the tension-filled score that follows is grim and at times almost brutal. Hitchcock, feeling it was too “dark and cruel,” turned it down and hired celebrated British composer Ron Goodwin (murder, SHE Said, Battle OF Britain, Where Eagles Dare, Squadron 633) to compose a lighter, yet still suspenseful, score. For the main title, a panoramic shot over the Thames, Goodwin wrote a majestic melody ornamented with trumpets and timpani, in the best English tradition of pomp and circumstance.

Frenzy was the only completely rejected score in Henry Mancini’s long career, and also one of the most famous and requested Goodwin scores over the ensuing decades. Neither of them, however, have previously been officially released in any form until today.

This 2-lp collection has been painstakingly produced, restored and mastered by Mike Matessino from stereo and mono elements vaulted at Universal Pictures, with the collaboration of both the Ron Goodwin and Henry Mancini estates.

This special edition features an exclusive, in-depth essay by writer and composer Deniz Cordell packaged in a deluxe tip-on gatefold and pressed in audiophile 180 GM black vinyl.

No Obi, with insert. Cover has light foxing.

Japanese pressing.

For the first time on 7’’, the two grooviest tracks from the soundtrack composed by Riz Ortolani for “Confessione di un commissario di polizia al procuratore della Repubblica” (aka, “Confessions of a Police Captain”), the renowned 1971 crime drama by Damiano Damiani, starring Franco Nero at the peak of his career. A succession of irresistible and elegant jazz-funk breaks, practically tailor-made for sampling.

* Music from the hit action-roguelite X base-management game * 42 tracks mastered for vinyl * Red and black splatter heavyweight LPs * Sleeve artwork by Carles DalmauNow here’s some wax worthy of worship… We’ve summoned forth a vinyl set forged in celebration of the demonically great music and art of Cult of the Lamb. 42 tracks specially mastered for vinyl will be pressed to heavyweight LPs with red and black splatter effect. These come housed in a deluxe gatefold sleeve adorned with artwork by illustrator Carles Dalmau. Cult of the Lamb’s composer and audio director River Boy (Narayana Johnson) faced the challenge of reflecting the two sides of the game: the safety of the cult’s home base, where marimbas, mallets and other sonically ‘little’ instruments are woven into laid-back lo-fi electronica tracks; and the dungeons, where heavily processed voices and gritty synth elements sit atop dense beats and distorted bass for a darker occult energy.

Cover with OBI has tiny wear. With inserts. Vinyl is close to NM, Japanese pressing.

Wrwtfww Records is not trolling when it says it is very very very happy to announce the official reissue of Richard Band’s soundtrack for horror fantasy classic Troll (1986).The limited edition yellow-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers.The album is also available on CD house in a classic jewel case with cavalier and video store sticker. Both versions contain liner notes by Richard Band himself.

Wrwtfww Records is giggling with pleasure as it announces the official reissue of Richard Band’s director’s cut soundtrack for sci-fi horror comedy classic TerrorVision (1986).The limited edition blue-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers. It includes liner notes by Richard Band himself. People of Earth Your planet is about to be destroyed… We’re terribly sorry for the inconvenience Conceived as a late 1960s Lost in Space type score with a 80s electronic twist, TerrorVision is one of the most unique soundtracks in Richard Band’s discography. Part oddball adventure, part eerie soundscape, it mixes the fun and flashy colors of the era with synth explorations that flirt with minimalism and experimental music. Band composed with a Yamaha Cs70 plus twin ARP 2800s, a mini Moog synthesizer, as well as DX5 and DX7 keyboards, creating a groovy twilight zone of electrifying alien funk. The soundtrack also includes 5 numbers by deliriously wild LA band The Fibonaccis. One of a kind - like the movie itself!