Soundtracks Vinyl 353 Items

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Returning to create the sound of Euphoria Season 2 Official Score From The HBO Original Series, Labrinth creates a haunting portrait to accompany the angst we've come to love from the HBO Original. With chilling layered vocals, several tracks featuring Zendaya, Dominic Fike and Angus Cloud, and driving electronic beats, the world of Euphoria comes to life.

The VMP exclusive edition of Labrinth's Euphoria Season 2 Official Score From The HBO Original Series is pressed on Hazy Dawn vinyl at Memphis Record Pressing (MRP). The 1LP will arrive in a single, tip-on, foil-stamped jacket with Collector's Edition Zendaya art.

West Side Story (2021) Original Soundtrack.

180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDING INSERT
CONTAINS SECRET INSCRIPTIONS IN RUN-OUT GROOVE
COLLECTION OF THE BEST MUSIC FROM THE MANDALORIAN, ROGUE ONE & SOLO
COMPOSED BY JOHN WILLIAMS, LUDWIG GÖRANSSON, JOHN POWELL, ANTHONY WILLIAMS &
MICHAEL GIACCHINO, AND CONDUCTED BY ONDŘEJ VRABEC

LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON “HYPERSPACE” COLOURED VINYL

During the maiden voyage into an expansive vat of unreleased music by Polish composer Andrzej Korzynski, Finders Keepers Records originally presented his previously unreleased electro / orchestral / experimental score for Andrzej Zulawski's surrealist '80s horror classic Possession in 2012. These 25 cues were written and recorded exclusively for the 1981 award-winning film starring Isabelle Adjani and Sam Neil, but due to the progressive, stark and modernist nature of the finished film less than half of them made it on to the actual director's cut—leaving many of the tracks on this package totally unheard outside of Korzynski's studio. The intended Possession score in its entirety marks an important axis in Korzynski's career where his various musical disciplines overlap. In one respect it marks his first forays into to synth driven electronics and disco drum machines, while other tracks epitomize the well-honed techniques used in previous Zulawski scores, such as Third Part Of The Night and The Devil, which rely on his inimitable orchestral arrangements and combination of clavinet, Rhodes, piano and electric guitar. Available once again on black 12" vinyl for the first time since its original release some 11 years ago, Finders Keepers' ongoing commitment to the important restoration of Korzynski's music aims to shed new light on the seldom manufactured productions of the composer whose vast cinematic catalogue warrants overdue global status alongside other golden era Eastern European composers such as Kryzstof Komeda, Jan Hammer, and Zdenek Liska—not to mention the best of the French and Italian soundtrackers, such as Roubaix, Vannier, and Nicolai. Duplicated and carefully remastered directly from Korzynski's original master tapes this album boasts the uninhibited studio experiments and retains the pre-cut ambience.

Trevor Alan Gomes's Piano Collections: Chrono Trigger album takes the same sort of pristine, crafted quality of the Final Fantasy Piano Collections to a beloved classic that had not yet been explored on the piano to such an extent. The vibrancy and creativity of Chrono Trigger translates to a piano album that is dynamic and versatile, with a fusion of classical, jazz, rock, Japanese pop and more, but in such a way that feels organic and essential. Each track has been carefully selected to create the most complete picture of the game possible in ten tracks.

While the arrangements have been written to give a sort of new life to the originals, at the heart of the Chrono Trigger Piano Collection is the desire to honor its source material and fill its listeners with the same bittersweet nostalgia that the game so immediately evokes.

As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. Best known for his original soundtracks to Minecraft, the single best-selling video game of all time, he's developed a discography of instrumental music over the last decade that traverses electronic pop patterns, neo-classical dreamscapes, and sparse ambient motifs. The latter element has broken from the "8-bit" pigeonholing of game music and earned him accolades that reference artists like Erik Satie (The Guardian) and Brian Eno (vice). In 2015, after quietly self-releasing Minecraft Volume Alpha and Minecraft Volume Beta, Rosenfeld partnered with Ghostly International to reissue Minecraft Volume Alpha on vinyl and CD. The release garnered attention from proper music critics and the gaming community alike, becoming one of the most sought after records in the Ghostly catalog. Now, following several restocks of Alpha to fervent fan response, it is time for the soundtrack's second installment to shine. For the legion of listeners and players to, at long last, have Minecraft Volume Beta in tangible formats. Originally self-released in 2013, Minecraft Volume Beta was C418's longest batch of music to date at nearly 140 minutes. The collection features tracks that were "silently" added to Minecraft during its music updates and a few that never officially entered the game. The run time is now adapted to fit the double LP format, while digital downloads include the full set Rosenfeld's unmistakable abilities are on display; he creates a sweeping variety of musical ideas that mirror the limitless universe of Minecraft. Ghostly International is thrilled to give this unique collaboration its due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.

Genesis Noir is a real gem — a fantastical riff that not only spans time and space, but also dabbles in fun little diddies like an celestial existential crisis and the notion of obliterating creation itself. It does so with tremendous style, drenched in monochromatic beauty and amazing animation, oozing with the essence of a smoky jazz club from another dimension. Did we just describe the game… or the album, because all those things are effectively captured in the soundtrack, too. Composer Skillbard does a phenomenal job of taking us on this massive mind trip, full of lively sax, energetic vocals, periodically somber notes and savvy future melodies. It’s absolutely fantastic and totally unique.

As one of the most triumphant and beguiling directorial debut features to emerge from the fruitful Polish New Wave, Andrzej Żuławski’s 1971 film Third Part Of The Night not only earned the thirtyyear- old filmmaker a place next to other radical Polish directors such as Polanski, Skolimowski and Has, but also galvanised a creative bond with long running collaborator and composer Andrzej Korzyński, providing fans of foreign abstract/suspense cinema with a potent creative fusion to match those of Polanski/Komeda, Fellini/Rota, Argento/Goblin…

Featuring one of the heaviest psych rock movie theme tunes of all time, Andrzej Korzyński’s short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, François de Roubaix and Alain Goraguer, creating a soundtrack that unknowingly begs comparison to Masahiko Satô’s Belladonna of Sadness and Billy Green’s Stone. As one of the first progressive pop writers to come out of the vibrant (but carefully scrutinised) Polish beat scene with his bands Ricecar 64 and later Arp Life (and composing for national heroes such as Czesław Niemen, Niebiesko-Czarni and Test) Korzyński’s growing passion for conceptual rock and jazz music soon led to instrumental composition and soundtrack scores. His cinematic debuts scoring two consecutive transitional new wave films for Andrzej Wajda (in collaboration with the radical Polski pop groups Trubadurzy and Grupa Abc) also provided Korzyński with another significant cinematic muse in that of the stunning actress Małgorzata Braunek, with whom they would both eventually achieve their finest performances under the direction of the ravenous first timer Żuławski. Third Part Of The Night (1971) perhaps epitomises that triangular on-screen unison in its vibrant youth and feeds it through a hallucinogenic mangle finding astonishing beauty (within a repulsive synopsis) against a bleak and shattered backdrop and accompanied by progressive, psychedelic orchestral rock music – elements which would intensify for all three creatives with the next film Diabeł, which was banned by the Polish government the following year until 1988. Third Part Of The Night also marks the public unison of Żuławski and Braunek whose later private romantic relationship is said to form the basis for another defining Żuławski/Korzyński endeavour with the 1981 film Possession exactly a decade later, encapsulating a period that bequeaths a previously unopened vault of some of the the composers finest and most inspired sonic adventures.

* Debut7' 45rpm * Mastered byMell Dettmer in Seattle, WA * Art, Design, and layout by Andy Reichel

“Nightshade” creeps in on sly keyboards, haunting cuica moans reminiscent of Airto Moreira’s work with Miles Davis, and skewed cha-cha beats before an incongruously jaunty synth melody plinks skyward, and releases all the tension that the intro built up. It proceeds to stack up three distinct keyboard motifs, each one more enchanting than the last. – Dave Segal

Cracking a brain teaser is a much easier prospect if you’ve got a good soundtrack humming along in the background. No one knows that better than the fine folks at Draknek & Friends, and this 2xLP is a testament to that fact. It’s a compilation of the most ponderous and whimsical melodies from four different and very awesome games: A Monster’s Expedition, Sokobond, Cosmic Express and A Good Snowman is Hard to Build, perfect for getting lost in thought or just unwinding after a tough day of puzzling.

Composers Eli Rainsberry, Allison Walker, Nick Dymond, and Priscilla Snow all crafted a wide range of soundscapes, each unique to their respective games. They come together on this 2xLP to create a compilation of Draknek & Friends’ early years that’ll have you saying “Eureka!” And of course, the wonderful album art by Andre Rodrigues ties all these notions together into one beautiful big rumination.

The visionaries at Bethesda, Arkane and Laced are bringing the twisted ’60s soundtrack for award-winning looper-shooter Deathloop to wax. The complete 59-track soundtrack has been specially mastered for vinyl and will be pressed onto heavyweight discs. These will come in spined inner sleeves housed in a rigid board slipcase. Tracklist curation and stunning original sleeve artwork is by the team at Arkane Lyon.

This Standard Edition quadruple LP box set features traditional black discs. Lead composer Tom Salta has built an enviable credits list, with entries in the Prince of Persia, Tom Clancy and Halo universes to his name. For Deathloop’s original score, he immersed himself in the music of Jimi He ndrix, Pi nk Floyd, Nelson Riddle and a host of other late-’60s influences. Layers of period-appropriate organs, synths and other instruments (including Rhodes, Wurlitzer and Hammond B3) help maintain the tension as Colt picks off Eternalists from the shadows. As things get dicey, or Julianna intervenes with extreme prejudice, tracks explode into furious guitar and drum grooves that propel the zany, supernaturally enhanced gunplay. Ross Tregenza’s multi-genre diegetic cues perfectly complement the psycho-sophisticate stylings of Blackreef’s artistically aspirational inhabitants, while songwriter Erich Talaba and singer Jeff Cummings brought to life the vicious visionary Frank Spicer with catchy in-universe songs. Music agency Sencit teamed up with powerful yet soulful vocalists for trailer and credits songs, including Bond-ish banger “Déjà Vu” (featuring Fjøra), “Pitch Black” (featuring Lady Blackbird) and “Down the Rabbit Hole” (featuring Samantha Howard & Haqq.)

Ship to Shore PhonoCo. is proud to present on vinyl for the first time: the original video game soundtrack to Capcom’s Breath Of Fire II!

Breath Of Fire II has consumed many a plucky gamer’s time since its release in the mid-90s when it made its first appearance on the SNES console. A whole new generation later discovered the game when it was ported over to the Game Boy Advance at the beginning of the 21st century, and then again when it was released on the Wii Virtual Console in 2007. The epic scope of its storyline, characterisations and turn-based combat have become the things of legend amongst the faithful and, as is to be expected, the 16-BIT soundtrack - this time composed by Capcom Sound Team’s Yuko Takehara - is indicative of the adventures that await any and all RPG junkies who dare to enter the Breath Of Fire world.

Presented on limited edition vinyl - the first time the score has been available on the format - with artwork by Tbone & AlJax and featuring liner notes by Axe of the Blood God podcast host Nadia Oxford, this is one release that both Breath Of Fire aficionados and video game soundtrack collectors will not want to miss!

Return to the magical world within Moss: Book II, the award-winning sequel to the fan favorite VR game Moss!

The vinyl soundtrack selection of Moss: Book II is composed by two-time Bafta award-winning composer Jason Graves, and features 14 in-game tracks and more than 80 minutes of music.

•12" 2xLP set •180 gram audiophile discs •Gatefold jacket

My Story, The Buraku Story is a new feature-length documentary film that explores the discrimination against a group of people - commonly called "the burakumin" - who were classed into lowly groups and segregated from the rest of Japanese society. This discrimination is not by race or ethnicity, but rather by place of residence and bloodline, and has existed for centuries - albeit very rarely acknowledged or discussed in Japan. When director Yusaku Mitsuwaka imagined the exemplary score for such a culturally sensitive and significant subject, he idealized Mono to help tell this story through their legendarily cinematic music. Following their recent experiments with electronic textures infused into their trademark dynamic rock compositions, My Story, The Buraku Story finds Mono at their most understated and elegiac. The songs that make up My Story, The Buraku Story are largely built around piano, strings, synths, and choral vocal loops. As one might expect from Mono, the arrangements are masterworks of understated execution with oversized emotional resonance. By far Mono's most delicate album, it is a fitting document of the band's first-ever full-length film soundtrack.

How To Train Your Dragon 2 was composed by John Powell, who has created the archetype for modern animation scoring. This soundtrack has never had a standard vinyl release, much less this deluxe edition which will be presented across two LP’s in a gatefold jacket and pressed on red mult-color splatter vinyl, in keeping with the theme of the green multi-color splatter on the How To Train Your Dragon 1 LP release, which was also produced exclusively for RSD in 2021. As with the first soundtrack, the theme song of the second film is done by Jonsi from the Icelandic band, Sigur Ros, and is unavailable anywhere else.

Waxwork Records is honored to present THE Sword OF Doom Original Motion Picture Soundtrack by Masaru Satô! Directed by Kihachi Okamoto, The Sword of Doom is a 1966 Japanese samurai movie that tells the bloody and brutal tale of revenge and redemption. This deluxe LP features new artwork from Yuko Shimizu and marks the first time that the soundtrack is available on vinyl!

Starring Tatsuya Nakadai and featuring Toshirô Mifune, The Sword of Doom tells the story of Ryunosuke Tsukue, a masterful but heartless swordsman in feudal Japan. After deliberately killing an opponent in a training exercise, Tsukue then murders his mistress and flees town. After spending time in a haunted geisha house, Tsukue sees the ghosts of all his victims and spirals into madness, leaving a trail of destruction and bloodshed in his wake. As time passes, the years of brutal killings and evil deeds begin to weigh on his mind, ending in a climactic battle between Tsukue, a group of assassins, and the ghost of his past.

The Sword of Doom soundtrack, composed by Masaru Satô (Yojimbo, Godzilla vs. Mechagodzilla), is full of dark and yet melodic cues, and takes many influences from traditional Japanese instruments and music. A minimalist yet powerful score that brings to life the struggles of Tsukue’s inner demons. The tone ranges from brash fight scene orchestrations into quiet and lilting flute themes, but underscoring it all, Satô's music feels the evils of Tsukue.

Available for the very first time on vinyl, Waxwork Records is honored to work with Toho to present The Sword Of Doom re-mastered on 180 gram Snow, Blood, Flames, and Katana swirled color vinyl, deluxe packaging, new artwork by Yuko Shimizu, heavyweight gatefold jackets with matte satin coating, a 12"x12" art print, and more!

THE Sword OF Doom Original Motion Picture Soundtrack Features:

The Complete Soundrack by Masaru Satô Available For The First Time On Vinyl 180 Gram "Snow, Blood, Flames, and Katana" Swirled Color Vinyl New Artwork By Yuko Shimizu Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print

With a gun full of lead and a fistful of witchcraft, Laced Records has formed a posse with Ice Code Games and Good Shepherd Entertainment to bring you music from turn-based supernatural westerns Hard West and Hard West 2 to good ol’ wax.

All music has been remastered for vinyl and will be pressed onto heavyweight LPs. Disc 1 is transparent light blue and features the full 14-track OST from 2015’s Hard West. Disc 2 is transparent orange and boasts 9 tracks selected from the Hard West 2 soundtrack. LPs come in printed inners, which are housed in a spined sleeve. Sleeve artwork for Hard West is by Grzegorz Przybyś, while Division48 Studio created the sleeve art for Hard West 2.

With Hard West, Marcin Przybyłowicz (Witcher 3: Wild Hunt, Cyberpunk 2077) set the mood for the series, employing twanging guitar, pounding drum beats, lonely trumpets and various atmospheric elements. On several of his more anxious cues, snatches of piano, guitar and violin emerge from the echoey fog to keep players on edge, while maintaining the heightened mix of fantasy-horror and Wild West aesthetics.

For Hard West 2, Jason Graves (Dead Space 1&2, Tomb Raider [2013], Dark Pictures Anthology) gets grittier and grungier, while honoring the sound world of the original. Through his spartan use of bass guitar, percussion, and spooky synths, Graves summons a more primal, earthy sound, while still layering in the acoustic and electric guitars we associate with the dark side of the West.

Co-op squadmates Laced and Ubisoft have extracted the spine-tingling electro-acoustic soundtrack to Rainbow Six Extraction and will infuse it into the ultimate form of analogue audio.

The double LP will see ‘react splatter’ discs slip into a deluxe gatefold sleeve adorned with artwork by the team at Ubisoft Montréal. 19 tracks mastered for vinyl by sonic special ops agents will be pressed to heavyweight LPs.

Composer James Duhamel teamed up with the One Take Tigers (the snappy nickname for the audio wizards at Ubisoft Montréal) to create an uneasy and mysterious generative real-time underscore for Extraction. The cue fragments queued up in the game comprise electronic sounds created by rabid synth-collector Duhamel and an array of acoustic instruments recorded by he and the ’Tigers — all synced to the same bpm and key to help the building blocks fit together.

The ‘power trio’ of the score is the octobass, the ondes martenot and the pipe organ, complemented by instruments like the banjo and clarinet, and percussion including angklung and waterphones. Certain live recordings were run through audio processing in real-time to create eerie effects in the moment. And never put it past an audio team to sneak other oddities into a soundscape — with rakes, sword clashes and kitchen utensils serving as percussive sounds on the Extraction OST.

To mix the soundtrack album from musical fragments for an otherwise randomised game score, the team brought an authorial hand to proceedings, creating a structured musical narrative of sorts. The goal was to make an album that’s original, immersive, and helps to communicate the mood of the game.

Return to Toby Fox's music of Deltarune Chapter 2 with chill lofi versions by Curaga Records artists Tofie, Floopy, High Tide Lofi, Lofi Lia, 88bit, Nokbient, bLiNd, Richie Branson, Besso0, GlitchxCity, Save Point, lost:tree.

180 gram 1xLP Black 12" vinyl. Comes in a holographic jacket, discs in black polylined sleeves. Art by Save Point, Layout by Isa Alcántara. Also available on cassette tape and CD.

Deluxe audiophile 180 gram 1xLP vinyl - snow white variant. Art by Save Point, Layout by Isa Alcántara.

Close the windows, curl up by the fire and get ready for chil wintertime vibes. Video Game LoFi: A Winter’s Tale is a collection of 15 tranquil, calming tracks from various video games with a special focus on icy, snow and winter levels and themes. Games included on the album include “Donkey Kong Country,” “Stardew Valley,” “Fable,” “Final Fantasy VII '' and more.

The album is a collaboration from GlitchxCity, High Tide Lofi, Save Point, Michael Staple, Besso0, lost:tree, and many more talented Curaga Records artists. While these relaxing tracks are great all year round, Video Game LoFI: A Winter’s Tale is perfect for the upcoming holiday season.

Trevor Alan Gomes's Piano Collections: Chrono Trigger album takes the same sort of pristine, crafted quality of the Final Fantasy Piano Collections to a beloved classic that had not yet been explored on the piano to such an extent. The vibrancy and creativity of Chrono Trigger translates to a piano album that is dynamic and versatile, with a fusion of classical, jazz, rock, Japanese pop and more, but in such a way that feels organic and essential. Each track has been carefully selected to create the most complete picture of the game possible in ten tracks.

While the arrangements have been written to give a sort of new life to the originals, at the heart of the Chrono Trigger Piano Collection is the desire to honor its source material and fill its listeners with the same bittersweet nostalgia that the game so immediately evokes.

Waxwork Records is proud to present Godzilla Singular Point Original Soundtrack from the Netflix Anime Series by Kan Sawada!

Godzilla Singular Point is a 2022 Anime kaiju series that follows engineer Yun Arikawa and graduate student Mei Kamino as they are drawn together by a mysterious song. Their investigations lead to a fight against forces that may threaten the entire world. Featuring fan favorites like Jet Jaguar, Rodan, and Anguirus, Godzilla Singular Point swings between science fiction, Japanese mythology, and ferocious kaiju battles fans have come to expect from the Godzilla franchise!

Character design was handled by Blue Exorcist manga creator Kazue Kato, with former Studio Ghibli animator Eiji Yamamori designing the monsters.

The score composed by famed Japanese composer Kan Sawada is a lavishly produced composition full of bombastic orchestra driven cues, evoking the intense action of the kaiju terror. Electronic elements are also brought into the mix to accent the futuristic, science fiction nature of the story. Sawada utilizes a variety of instruments and voices to pay his respects to the earlier Showa era films, while creating something uniquely new and original.

Waxwork Records is excited to present the full soundtrack to the 13 episode Godzilla Singular Point Anime series as a deluxe 2xLP set. Featuring 180 gram Jet Jaguar colored vinyl, heavyweight gatefold jackets with matte satin coating, original artwork from the series, a 12"x12" art print, and more!

Godzilla Singular Point Original Soundtrack from the Netflix Anime Series Features:

The Complete Soundtrack by composer Kan Sawada 180 Gram 2xLP "Jet Jaguar" Swirl Colored Vinyl Heavyweight Gatefold Jackets with Matte Satin Coating Original Artwork from the Anime Series 12"x12" Art Print Catalog Number: Ww160 UPC: 657768079528

Born of the overarching World of Darkness and the tabletop phenomenon Vampire: The Masquerade, Bloodhunt is Sharkmob’s thrilling spin on the multiplayer action genre that sees players take part in a ruthless war between vampire factions.

Bloodhunt boasts a sonically rich score sired by acclaimed Polish-Bulgarian composer Atanas Valkov, and featuring the Sofia Session Orchestra & Choir. The city of Prague provided much of the aesthetic inspiration for Bloodhunt’s soundscape: classical and romantic, yet with many a shadowy corner in which a vampire might secrete themselves. Valkov enjoyed creating contrast between modern electronic musical elements and old world ones, as well as layering guitars and using irregular rhythmic structures. The overall soundtrack is both cinematic and brutal.

The deluxe double LP set features a deluxe gatefold sleeve (individually inkjet numbered) and printed inners dripping with stylish artwork by Sharkmob. 16 tracks have been mastered specially for vinyl, and pressed onto heavyweight, red and transparent LPs with a cloudy effect. Also included are composer liner notes.

A Jazzman's Blues is the 2022 Netflix drama film written, produced, and directed by Tyler Perry. It stars Joshua Boone, Amirah Vann, Solea Pfeiffer, Austin Scott, and Ryan Eggold and others. The film centers on the forbidden romance between Bayou and Leanne who are best friends. They fall in love as soon as they cross paths, however Leanne's mother forbids their union and forcefully takes Leanne with her to Boston. The orchestral music in A Jazzman's Blues was composed by the classically trained composer Aaron Zigman, who has previously scored music for films including The Notebook, The Company Men and Sex & the City. He has also written, arranged, and produced for artists including Quincy Jones, John Legend, Phil Collins, Christina Aguilera, and Aretha Franklin amongst many others. The songs of this score have been arranged and produced by Oscar-nominated trumpeter and composer Terence Blanchard. He has been nominated for composing the scores for BlacKkKlansman and Da 5 Bloods.

Double Colored Vinyl, Gatefold sleeve, DL card. René Laloux's celebrated 1973 sci-fi animation 'La Planète Sauvage (Fantastic Planet)', is overhauled with a re-imagined soundtrack by electronic modernists Stealing Sheep and legendary sound innovators The Radiophonic Workshop. This exclusive release is part of Fire Records' re-imagined score series. "No institution has had a greater impact on the development of electronic music than the BBC Radiophonic Workshop." The Vinyl FactoryIt's a real pre-Avatar conundrum that Stealing Sheep, with the help of Bob Earland, Dick Mills and Roger Limb from the Radiophonic Workshop, unravel. Creating an ethereal excursion that's narrated by Roger Limb; like a futuristic Martin Denny, or Dr Who gone ambient techno, with a hint of Forbidden Planet 50 years on. It's an analogue swirl set in an off-world paradise; a field recording from the future. This is a creative, generation-spanning, union brought together to score this unique cult film.A must for fans of psyche electronica and Stealing Sheep's formidable 'Big Wows' album."Stealing Sheep devour a broad range of styles, incorporating everything from the dark dance-pop of Grace Jones to the experimentations of Radiophonic Workshop pioneer Delia Derbyshire and John Carpenter soundtracks." The Guardian'La Planète Sauvage' is a thing of ambient beauty punctuated with electronic earworms that switches from intensely ominous to otherworldly dream like moments.