Soundtracks Vinyl 269 Items

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

Regular Official Authorised Vinyl Version, Original Soundtrack.

The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii’s legendary science fiction anime film GHOST IN THE SHELL (1995). - LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork Tracklisting LP : A1 ?I - Making Of Cyborg A2 Ghosthack A3 Puppetmaster A4 Virtual Crime A5 ?II - Ghost City B1 Access B2 Nightstalker B3 Floating Museum B4 Ghostdive B5 ?III - Reincarnation We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon). The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai’s compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook.

As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. Best known for his original soundtracks to Minecraft, the single best-selling video game of all time, he's developed a discography of instrumental music over the last decade that traverses electronic pop patterns, neo-classical dreamscapes, and sparse ambient motifs. The latter element has broken from the "8-bit" pigeonholing of game music and earned him accolades that reference artists like Erik Satie (The Guardian) and Brian Eno (vice). In 2015, after quietly self-releasing Minecraft Volume Alpha and Minecraft Volume Beta, Rosenfeld partnered with Ghostly International to reissue Minecraft Volume Alpha on vinyl and CD. The release garnered attention from proper music critics and the gaming community alike, becoming one of the most sought after records in the Ghostly catalog. Now, following several restocks of Alpha to fervent fan response, it is time for the soundtrack's second installment to shine. For the legion of listeners and players to, at long last, have Minecraft Volume Beta in tangible formats. Originally self-released in 2013, Minecraft Volume Beta was C418's longest batch of music to date at nearly 140 minutes. The collection features tracks that were "silently" added to Minecraft during its music updates and a few that never officially entered the game. The run time is now adapted to fit the double LP format, while digital downloads include the full set Rosenfeld's unmistakable abilities are on display; he creates a sweeping variety of musical ideas that mirror the limitless universe of Minecraft. Ghostly International is thrilled to give this unique collaboration its due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.

Limited to 500 copies, only at HHV! Only 1 per customer!

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

Double yellow, silver, and black splatter colored vinyl LP pressing. Upon release in March 2016, Dark Souls III was critically and commercially successful, with critics calling it a worthy and fitting conclusion to the series. The game's original score was primarily written by Dark Souls II and Bloodborne composer, Yuka Kitamura, and performed by the Tokyo Philharmonic Orchestra. Additional music was written by Dark Soulscomposer Motoi Sakuraba, with a single boss theme each by Tsukasa Saitoh and Nobuyoshi Suzuki

Dark Souls II, the highly anticipated sequel to 2009's Dark Souls was released with much fanfare in March 2014. As with it's predecessor, the intricate and moody score music struck a chord with fans of both composer Motoi Sakuraba and the game franchise, topping many a "best of 2014" list.

24 tracks selected by the RuneScape team and community Two heavyweight red gold LPs Deluxe gatefold sleeve 43track digital download included (mp3) Fancy a spin of “Sea Shanty 2” for old times’ sake? RuneScape: Original Soundtrack Classics takes a nostalgic journey through some of the most beloved tracks from Old School RuneScape and the early days of RuneScape. The vinyl album is arranged to follow the first journey a player might have taken through Gielinor. The digital download includes 19 bonus tracks, bursting with player favourites.

In 2009, Dark Souls was unleashed upon an unsuspecting gaming world and would quickly become one of the most critically acclaimed games in all of gaming history, for both it's punishingly-challenging gameplay and dark, brooding, and often outright terrifying soundtrack by industry legend Motoi Sakuraba.

Originally released in October 2015, the much-requested soundtrack to Sideways finally gets a repress on the original Burgundy Colored Vinyl. Multi award-winning film Sideways was the surprise box office hit of 2004 and its story of two disillusioned forty-somethings on a wine infused road trip around California still holds a unique mixture of comedy and pathos. Rolfe Kent’s jazz inflected soundtrack accompanied them on their journey, its subtle lightness of touch the perfect accompaniment to their mid-life crises. “Tickles the palate like a crisp Chablis in June” - Mojo “The seduction, making midlife seem funky, is slow, shy and as narcotic as it is nostalgic” –

Thomas Fehlmann remains as one of the most endearing and respected artists on Kompakt. He has inspired generations of fans and musicians over the course of his 30+ year career. From his early days as part of the legendary band Palais Schaumburg, and the pioneering Detroit/Berlin act 3mb (With Juan Atkins and Moritz Von Oswald), to his longstanding membership with The Orb, combined with his contributions as a solo artist to esteemed imprints R&S, Plug Research and of course Kompakt, where we have proudly released two full length solo albums: Visions Of Blah (Kompakt CD 20/Kompakt 67) and Honigpumpe (Kompakt CD 59 / Kompakt 157), his musical works have been prolific, not to mention four singles and a full serving of tracks found on our Pop Ambient and Total collections. Now, after 3 years, Fehlmann returns with 'Gute Luft'.

“Walk the Line: Original Motion Picture Soundtrack” is the soundtrack album to the 2005 biographical drama film of the same name released November, 2005. There are nine songs performed by Joaquin Phoenix (as Johnny Cash), four songs by Reese Witherspoon (as June Carter Cash), one song by Waylon Payne (as Jerry Lee Lewis), one song by Johnathan Rice (as Roy Orbison), two songs by Tyler Hilton (as Elvis Presley), and one song by Shooter Jennings (as Waylon Jennings).

At the Golden Globe Awards Joaquin Phoenix was awarded the Best Actor - Musical or Comedy and Reese Witherspoon was awarded the Best Actress - Musical or Comedy, as well as the film won the Best Picture - Musical or Comedy. Joaquin Phoenix and Reese Witherspoon were also nominated for the Academy Award for Best Actor and Best Actress, which Witherspoon won.

The cover features the two stars in an early publicity still, several of which were included as bonus postcards in the Collector's Edition DVD.

As of May 17, 2006 the soundtrack was certified platinum by the RIAA with over 1,000,000 copies sold.

On February 11, 2007 this album won a Grammy for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media.

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.

Featuring the songs present on Peter Quill's mixtape in the film and the separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

Jamie Cullum, Melody Gardot, Gregory Porter, Stacey Kent and Nikki Yanofsky share one thing in common. It’s their love for the Disnes movies. The brand new project by Verve "Jazz loves gives proof of this. Each artist performs old and new Disney songs form the “Jungle Book” to “Frozen” in their very unique style.

Original Soundtrack in a collectors edition.

Garden State is a 2004 comedy-drama film written and directed by Zach Braff and starring Natalie Portman, Peter Sarsgaard, Ian Holm and Braff himself. The music in the film features a number of Indie Rock artists, notably The Shins. Writer, actor and director Zack Braff was awarded a Grammy Award for Best Compilation Soundtrack for a Motion Picture for his work on the soundtrack album.

During the maiden voyage into an expansive vat of unreleased music by Polish composer Andrzej Korzynski, Finders Keepers Records originally presented his previously unreleased electro / orchestral / experimental score for Andrzej Zulawski's surrealist '80s horror classic Possession in 2012. These 25 cues were written and recorded exclusively for the 1981 award-winning film starring Isabelle Adjani and Sam Neil, but due to the progressive, stark and modernist nature of the finished film less than half of them made it on to the actual director's cut—leaving many of the tracks on this package totally unheard outside of Korzynski's studio. The intended Possession score in its entirety marks an important axis in Korzynski's career where his various musical disciplines overlap. In one respect it marks his first forays into to synth driven electronics and disco drum machines, while other tracks epitomize the well-honed techniques used in previous Zulawski scores, such as Third Part Of The Night and The Devil, which rely on his inimitable orchestral arrangements and combination of clavinet, Rhodes, piano and electric guitar. Available once again on black 12" vinyl for the first time since its original release some 11 years ago, Finders Keepers' ongoing commitment to the important restoration of Korzynski's music aims to shed new light on the seldom manufactured productions of the composer whose vast cinematic catalogue warrants overdue global status alongside other golden era Eastern European composers such as Kryzstof Komeda, Jan Hammer, and Zdenek Liska—not to mention the best of the French and Italian soundtrackers, such as Roubaix, Vannier, and Nicolai. Duplicated and carefully remastered directly from Korzynski's original master tapes this album boasts the uninhibited studio experiments and retains the pre-cut ambience.

Only five songs here were featured prominently in Quentin Tarantino's rousing crime film ("Little Green Bag," "Hooked on a Feeling," "I Gotcha," "Stuck in the Middle with You," and "Coconut"), but the record includes Steven Wright's introductions from the film, as well as Tarantino's infamous interpretation of the meaning of Madonna's "Like a Virgin" and Harvey Keitel's monologue on how to rob a jewelry store. Padding out the rest of the disc are three new songs that were heard in passing in the film.

Classic Edition & Special Edition - Available Now on We Release Whatever The Fuck We Want !

Wrwtfww Records is delighted to unleash the complete uncut soundtrack for Lucio Fulci & Bruno Mattei's cult zombie-ploitation gem Zombi 3 (aka Zombie Flesh Eaters 2 aka Sanguelia 2, 1988) available on 2 different collector's edition vinyls for the first time ever.

The Classic Edition comes in red is dead colored vinyl with a red Japanese Sanguelia 2 VHS obi and has a helicopter pictured on the back cover.

The Special Edition has the same songs as the Classic Edition Plus bonus skits/interludes with DJ Blue Heart talking (taken from the movie) on the b-side and comes in green inferno colored vinyl with a green Japanese Sanguelia 2 VHS obi and DJ Blue Heart pictured on the back cover.

Both versions are housed in heavy old style Stoughton casebound tip-on jackets - pick your poison - get infected!

This future deluxe edition OOP classic is packed with menacing synths, ghoulish melodies, and contaminated anthems remastered directly from the rare original reels of maestro Stefano Mainetti which were found at an abandoned top secret research facility.

Sacred Bones Records celebrates its 15th year anniversary by repressing this incredible debut by the one and only master of horror on vortex blue vinyl. John Carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes can instantly flood his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kungfu fighters, or a mirror holding the gateway to hell. The music on Lost Themes is there for Carpenter's acolytes to visualize their own nightmares. As is Carpenter's style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion. Horror fans will be reminded of Carpenter's past works, as well as ancestors like Mike Oldfield's Tubular Bells and Goblin's Suspiria. "They're little moments of score from movies made in our imaginations," Carpenter says. "Now I hope it inspires people to create films that could be scored with this music."

Limited to 1500 copies.

LA Dama Rossa Uccide Sette VOLTE—The Red Queen Kills Seven Times—blurs the line between thriller and horror. The cult success it enjoys can be attributed to its aesthetics that encapsulate the essence of the Italian thriller. Bruno Nicolai’s score for The Red Queen Kills Seven Times flawlessly brings together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot thanks to a clever use of harpsichords. The album is part of CAM Sugar’s Paura, a series of standalone soundtrack releases that follow the same-titled compilation which explores rare and unreleased horror gems from the label archive. This new limited 50th anniversary edition of this cult, sought-after soundtrack—a masterpiece of Italian Giallo cinema—is fully remastered from original tapes, includes two bonus tracks and is destined to become a staple for the collectors of the genre and for the fans of the golden age of Italian and horror cinema, making it an essential release of Record Store Day 2022.

A Fantastic Woman (Spanish: Una mujer fantástica) is a 2017 drama film directed by Sebastián Lelio and written by Lelio and Gonzalo Maza. It was selected as the Chilean entry for the Best Foreign Language Film where it won in the 90th Academy Awards. The film is about Marina, a transgender woman who works as a waitress and moonlights as a nightclub singer, is bowled over by the death of her older boyfriend. It premiered at the 67th Berlin International Film Festival in 2017 where it won the Silver Bear for Best Screenplay and the Teddy Award, an award given to films with a LGBT theme. Matthew Herbert is an award-winning composer, artist, producer and writer. He has had work commissioned by the Royal Opera House, the BBC and has remixed iconic artists such as Quincy Jones, Ennio Morricone and been a long-time collaborator of Bjork's, but he is best known for working with sound, turning ordinary or so-called found sound in to electronic music. This is a limited edition on transparent pink coloured vinyl. The LP package contains an insert with notes from director Sebastián Lelio.

* Transparent Red Vinyl
* 500 Limited Edition / Released for the first time on vinyl is Max Richter’s emotive and minimal score to Damon Lindelof’s TV series about a post-apocalyptic global event where 2% of the world’s population disappears without explanation. Richter’s approach explores the feelings of the protagonist’s family, the Garveys, through intimate, small scale music. He tackles this psychological landscape by bringing a ritual quality to the score, while themes of departure and loss are represented by a sense of sonic decay, relying on the instrumentation of a few sustained tones on pianos, harps and celesta. Max Richter is a classically trained composer that defies boundaries. Trained at the Royal Academy of Music and finishing his studies under the tutelage of avant-garde composer Luciano Berio in Florence, Richter’s career has followed many paths. His musical output ranges from ballets (Wayne MacGregor’s Infra), reinventions of classical works (Vivaldi’s Four Seasons), collaborations with The Future Sound Of London, Roni Size and Vashti Bunyan to writing scores for film and TV (Waltz With Bashir, Lost and Found, Last Days on Mars) and solo work (Memoryhouse, The Blue Notebooks, 24 Postcards In Full Colour).

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Thom Yorke’s Suspiria (Music for the Luca Guadagnino Film) is released on XL Recordings. Suspiria consists of 25 original compositions written by Thom specifically for Luca Guadagnino reimagining of the 1977 Dario Argento horror classic. The album is a mix of instrumental score work, interstitial pieces and interludes, and more traditional song structures featuring Thom’s vocals such as Unmade, Has Ended and Suspirium, the album's first single featuring the melodic theme that recurs throughout the film and its score.

As scoring a horror film presented Thom with altogether new challenges and opportunities, Suspiria stands apart from any of his other work. Piano / vocal ballads, Krautrock-esque modular synth work inspired by the film’s Berlin 1977 setting, multilayered vocals, and melodies that convey terror, longing and melancholy combine to create a chaotic yet cohesive musical spell.

Suspiria was written and arranged by Thom Yorke, recorded and produced by Thom and Sam Petts-Davies. The album also features the London Contemporary Orchestra and Choir, Noah Yorke on drums on Has Ended and Volk, and Pasha Mansurov on solo flute on Suspirium.

The soundtrack to Black Panther by Kendrick Lamar featuring SZA, James Blake, Future, Anderson .Paak etc.

Stranger Things: Music from the Netflix Original Series contains songs from Seasons 1 & 2! This 2LP set contains a mini fold-out poster, and a crack-and-peel sticker!

Denis Villenueve’s masterful Blade Runner 2049 races into theaters this weekend and the film’s accompanying soundtrack, composed by legendary film score maestro Hans Zimmer, is now streaming in full.

The score was composed in tandem by Zimmer and his longtime collaborator Benjamin Wallfisch. The duo was brought in somewhat later in the production process, after the score’s initial composer, Icelandic composer Jóhann Jóhannsson, ceased involvement due to creative differences.

Villeneuve explained his decision to replace Jóhannsson with Zimmer in an interview with Al Arabiya. “The thing I will say is that making movies is a laboratory,” he explained. “The movie needed something different, and I needed to go back to something closer to [the original film’s composer] Vangelis. Jóhann and I decided that I will need to go in another direction — that’s what I will say.”

The decision seemingly paid off, as Clint Worthington notes in his review of the film: “[Zimmer and Wallfisch] lean heavily on Vangelis’ original 1982 score for inspiration, but 2049 is refreshingly light on incidental music, mostly allowing the booming, immersive sound design to take center stage.”

As Editor-in-Chief Michael Roffman writes in his glowing A- review, the score is “a total evolution of what Vangelis set in motion way, way back in 1982. It’s louder, it’s gloomier, it’s heavier, and it’s much more expansive, all qualities one might tag with Villeneuve’s breathtaking sequel.”

In additional to Zimmer and Wallfisch’s original compositions, the soundtrack features songs by Frank Sinatra, Elvis Presley, and Lauren Daigle.

One of Entertainment Weeklies 100 Best Soundtracks Of All Time!

A precursor to Lynch’s Twin Peaks and Mulholland Drive, Blue Velvet sets a template for ethereal noir soundtracks in a modern, quite disturbed age. “The shock of the new fades by definition, but it has hardly done so in the case of Blue Velvet.” Dennis Lim, Salon, 2016

"The haunting soundtrack accompanies the title credits, then weaves through the narrative, accentuating the noir mood of the film." - John Alexander, The British Film Resource

You know that feeling you get when you’re shook awake in mid-dream? You were teetering on the ledge of a building, or maybe trying to free a butterfly from a spider web while wearing cricket gloves? Perhaps you’re running late for a train and your short cut takes you through a bad part of town, you’re being followed but the ever changing reflection in the shop window is a younger you, a healthier person – with a better hairstyle. It’s an anxiety thing, an off-kilter almost world, best summed up on the soundtrack for Blue Velvet, David Lynch’s 1986 film that nods somnambulantly to the shadowy netherworld of film noir. Oedipal fantasies, finding a severed ear on your way home, voyeurism, crime and retribution, violence; they’re all there in abundance in the movie, a rotten sleazy commercialism set off against a set of strange situations that the edge of the seat is never far away from. And what soundtrack would suit such an experience? Of course a mix of orchestral pieces from composer and conductor Angelo Badalamenti inspired by Shoshtakovich’s 15th Symphony (which rumour has it Lynch played onset to create the ‘mood’) mixed up with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive’s jukebox. That awkward mix plays itself out in Isabella Rossellini as Dorothy’s rendition of the song ‘Blue Velvet’ that melds beautifully and indeed hauntingly into ‘Blue Star’, a broken piece of vintage pop. Similarly, the track ‘Going Down To Lincoln’ with its narrative audio shtick takes all of the previously-mused elements to create a perfectly disjointed travelogue. The soundtrack album starts with Bernard Hermann-styled Hitchcock-esque strings and violin slashes, which dally before deconstructing the themes and motifs into a disturbing procession that climaxes with Julee Cruise’s funereal ‘Mysteries Of Love’, a fittingly titled epilogue to an epic that concludes with the hero’s true love’s reality of a simplistic birdsong dream from earlier in the film. It’s a cyclical trip that feeds directly back to the beginning and, yes, there’s that severed ear again, now ant infested laying on the ground, proving that dreams become real, or is it reality that becomes a dream?

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.
Featuring the songs present on Peter Quill's mixtape in the film. A separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates, was also released.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

“Labyrinth” is a soundtrack album by David Bowie and Trevor Jones, released on cassette and vinyl in 1986 for the film “Labyrinth”. The first audio CD release was in 1989. It was the second of three soundtrack releases in which Bowie had a major role, following “Christiane F.” and preceding “The Buddha of Suburbia”. The soundtrack album features Trevor Jones' score, which is split into six tracks for the soundtrack: "Into the Labyrinth", "Sarah", "Hallucination", "The Goblin Battle", "Thirteen O'Clock", and "Home at Last".

“Labyrinth” is a 1986 British-American adventure musical dark fantasy film directed by Jim Henson, executive-produced by George Lucas, and based upon conceptual designs by Brian Froud. The film revolves around 15-year-old Sarah's (Jennifer Connelly) quest to reach the center of an enormous otherworldly maze to rescue her infant brother Toby, who Sarah wished away to Jareth, the Goblin King (David Bowie). With the exception of Connelly and Bowie, most of the film's significant characters are played by puppets produced by Jim Henson's Creature Shop.

Finally back on vinyl!

“Gladiator” is the original soundtrack of the 2000 film of the same name. The original score and songs were composed by Hans Zimmer and Lisa Gerrard and were released in 2000, titled “Gladiator: Music From the Motion Picture”. The Lyndhurst Orchestra performing the score was conducted by Gavin Greenaway.

The album won the Golden Globe Award for Best Original Score and was also nominated for the Academy Award and BAFTA Award for Best Score ("Anthony Asquith Award for Film Music").

“Gladiator” is a 2000 epic historical drama film directed by Ridley Scott and written by David Franzoni, John Logan, and William Nicholson. It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Ralf Möller, Oliver Reed (in his final role), Djimon Hounsou, Derek Jacobi, John Shrapnel, and Richard Harris. Crowe portrays Hispano-Roman general Maximus Decimus Meridius, who is betrayed when Commodus, the ambitious son of Emperor Marcus Aurelius, murders his father and seizes the throne. Reduced to slavery, Maximus rises through the ranks of the gladiatorial arena to avenge the murders of his family and his emperor.

The film was released in the United States May , 2000, and grossed $457 million worldwide. The film won multiple awards, including Best Picture, Best Actor for Crowe and three other Oscars at the 73rd Academy Awards. It has also been credited with rekindling interest in entertainment centered around ancient Greek and Roman culture, such as Rome.

Winner of the Grand Jury Prize at the 2016 Venice International Film Festival, Nocturnal Animals, Tom Ford’s haunting romantic thriller has been hailed as “a tour de force” (The Independent). Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves. Nocturnal Animals marks the second film from writer/director Ford, and his second collaboration with composer Korzeniowski. Their first collaboration, A Single Man, earned Korzeniowski his first Golden Globe nomination for Best Score. The score was a breakout for the composer, earning him the prestigious Discovery Award at the 2010 Ghent Film Festival’s World Soundtrack Awards. Korzeniowski has described his latest score to Nocturnal Animals as “embracing two extremes, but switching their traditional genre characterization. The crime plot is scored as an intimate, personal story, while the psychological drama is treated as a thriller. The cold and detached intertwines with poignant and excruciating, the simple and intimate becomes grand and bold." The composer’s passionate and evocative compositions have been met with critical and industry acclaim. His score to Ford’s latest film has The Hollywood Reporter stating “the tempestuous strings of Abel Korzeniowski’s lush score provide an additional ballsy flourish, explicitly nodding to Hitchcock and Sirk.”

Fonit's "B 85", part of the legendary Serie Usignolo, which bears the signatures of the mysterious Coscia (perhaps a moniker of accordionist Gianni?) and Formini, is another cult library music release: an orchestral pop record whose tracks are curiously recommended to accompany 'viewings of vast parks, footage of agriculture, ads, moving crowds and congested traffic jams, American working-class districts' with hilarious titles such as "Dayda", "Schizzo", "Palmas", "Murlak" (which casts an incredible fuzz guitar), "Bronx" and "Ciresa Facaud". In two words: a must!