Soundtracks Vinyl 531 Items

This is the 3rd vinyl release of the critically acclaimed Frostpunk Original Soundtrack together with the music of its expansion packs: Following our previous prized releases of Frostpunk OSTs, we want to give a treat to everyone who missed those albums, as well as fans looking to enhance their collections with something extra. Released as a double 12-inch vinyl set produced in very cool colors (pun intended) reflecting the frigid mood of the game. High quality gatefold jacket with antistatic sleeves inside. Both the external cover and the inside present stunning panoramic artworks. Top-notch vinyl sound thanks to our seasoned mastering engineer.

Piotr Musiał’s love for working with live musicians and soaring orchestras led to him creating the iconic soundscape in his award-winning soundtrack for Frostpunk. Recognized for his work on The Witcher: Blood and Wine, This War of Mine among many others, Piotr has had the opportunity to work with some of the most amazing orchestras in the world such as London Symphony Orchestra, London Philharmonia, Capellen Orchestra, Berlin Scoring, including at legendary recording venues such as Abbey Road Studios.

Aside from his work with games, Piotr has a successful career in producing music for TV shows & film advertising. He has had his music used in some of the biggest Hollywood campaigns (Star Wars: The Rise of Skywalker, The House with a Clock in Its Walls, A Series of Unfortunate Events, Pete’s Dragon), and has also worked with John Paesano on Penny Dreadful: The City of Angels and Leonardo.

Please note that the coloring of each vinyl is unique and the final product may slightly differ from these preview images.

TAROT Original Motion Picture Soundtrack by Joseph Bishara. TAROT is a 2024 American supernatural horror film written and directed by Spenser Cohen and Anna Halberg. The story follows a group of
college students who, after using a strange Tarot card
deck, begin to gruesomely die one by one and must
uncover the deck’s mystery.
The soundtrack to TAROT was composed and conducted by Joseph Bishara (Malignant, The Conjuring, Insidious, Annabelle). The soundtrack features Bishara’s
signature dark and haunting composition style that
expertly blends heavy usage of synthesizers and electronics with evocative orchestral cues.

THE FALL OF THE HOUSE OF USHER Music From The Netflix Original Series By The Newton Brothers. The Fall Of The
House Of Usher is an American Gothic Horror Drama miniseries created by Mike Flanagan (The Haunting of Hill House,
Hush) and starring an ensemble cast led by Carla Gugino (Gerald’s Game, Sin City), Kate Siegel, Bruce Greenwood, Henry
Thomas, and Rahul Kohli.
Loosely based on various works by the 19th century author Edgar Allan Poe into a single narrative taking place from 1953 to
2023. It recounts the rise to power of Roderick Usher and his
sister Madeline Usher, and the events leading to the deaths of all
six of Roderick’s children.
The series score by Flanagan’s long-time collaborators, The
Newton Brothers, features sweeping and dark orchestral cues
expertly crafted to accompany the gothic, Poe inspired storytelling. While melancholic and brooding, the music is also beautiful and playful at times. Massive orchestral swells are met with
bombastic percussion which then pull the listener into haunting and fright inducing territory.

Mondo’s Superman THE Movie Original Soundtrack returns as a collector’s box set, featuring new vinyl variants bundled with DC’s Superman ‘78, a brilliant continuation of the story by Robert Venditti, Wilfredo Torres and Jordie Bellaire.

The box set comes in a newly designed clamshell with artwork by the Joe Quinones and Paolo Rivera, who also created new cover art for Superman ’78. And of course, the soundtrack boasts John Williams' legendary score, extensive liner notes by Michael Matessino and original art by Dkng.

DRAGONBALL SUPER is a Japanese anime produced by Toei Animation Studios. Scripted by original Dragon Ball author Akira Toriyama, it follows his work and begins shortly after my defeat of Boo in Dragon Ball Z..

"Four years after Boo's death, peace has returned to Earth, and everyone is living in peace.
Goku has become a farmer, and Vegeta spends time with his family. However, the desire to train and grow stronger never leaves them.
Goku goes to train with Master Kaio, who tells him that a powerful enemy has awakened from a 39-year slumber: Beerus, God of Destruction. The latter is looking for a warrior who appeared to him in a dream, the Divine Super Saiyen, against whom he wishes to measure himself."

The anime has been broadcast since 2017 in France on Toonami in a censored version, then in an uncensored version 1 month later. There are 131 episodes and 2 features.
The anime doesn't resume until 2025.

This is the soundtrack to Get Carter (1971), the all-time classic British gangster flick starring Michael Caine and directed by Mike Hodges. It became the bridge by which jazz musician Roy Budd successfully expanded his horizons to film music, with a score brimming with moments of his genius. To commemorate the 50th anniversary of the film's opening, we drew on the original Japanese (1971) and British (1998) OST releases to put together an expanded edition of the OST - including a bonus disc featuring various different outtakes and bits of dialogue. This is the 3rd installment in Beatball's series of Roy Budd Classic Soundtrack Scores, packed with a jazzy (and groovy) score done in Budd's signature style, as well as key lines of dialogue for you to relive the scenes from the film!

Compilation of (mainly instrumental) music from 1960-80s Estonian animated films. Comes with 8-page full-colour booklet in Estonian with texts by Andreas Trossek and Berk Vaher. Musically all over the place, as you'd expect.

Note: The animated films of this LP can be watched online at kohilarecords.eu/ark

In the mid1970s, when Tallinnfilm animation studios recruited a youthful bunch of skilled artists and cartoonists, interesting things started to happen. Contemporary themes and ironic depictions of domestic life were introduced into Estonian animation – as well as pop-art aesthetics and even psychedelic imagery. Also, composers found their chance to exercise something beyond the routine standards of pop and academic music, to try their hand at the edges of orchestral sonic palette and electronic soundscapes.

Suddenly, pop art merged pop music, and electric guitars, Rhodes pianos and synthesizers were telling tales of a better future that still hasn’t fully arrived today.

Composers: Arvo Pärt, Rein Rannap, Sven Grünberg, Tõnu Aare, Tõnu Naissoo and Olav Ehala

The discography of the phantom Gruppo Sound exceeds over thirty titles published in an undefined time frame between the Eighties and the Nineties. However, there is very little information about this curious pseudonym. it is possible to find a library music album by Gruppo Sound inside the Canopo, Deneb, Flower, Monosound Records and Teams catalogues, all managed by Flipper Music publishing group, but both the creators and the musicians have never been the same. Gruppo Sound is only a collective name, maybe to identify a certain number of 'new' productions characterized by an electronic background And, not by chance, the author of “New York City” is a single artist, the multi-instrumentalist Gabriele Ducros. Son of the prolific composer Remigio Ducros, he first followed his footsteps in the field of music libraries and soundtracks and then become the author of many tracks for television commercials of a certain relevance, winning some international awards. “Some of these tracks may have been associated with a pornographic film. Others were, however, made as brief comments for a theatrical show, perhaps never made”, remembers Gabriele Ducros. What unites the thirteen pieces is the same musical language, which derives from a widespread funk and jazz matrix. Both genres are thus declined through a different approach and taste, in line with the fusion trends of the time, when the early synthesizers were used by few artists. A handful of electric guitar notes for a 'urban' mood, the acoustic ones from a dreamy morning awakening. Electronic keyboards to arouse a sense of nostalgia in the listener, while flute and saxophone always punctuate different atmospheres. A computer melody, a theme for children and a sophisticated ode to the fusion sound of the Big Apple, perhaps true source of ispiration of the work. “New York City” is not a concept album, but one of the best cross-sections of Gabriele Ducros' great creativity.

HHV Exclusive edition on red wax, limited to 75 copies worldwide.

The discography of the phantom Gruppo Sound exceeds over thirty titles published in an undefined time frame between the Eighties and the Nineties. However, there is very little information about this curious pseudonym. it is possible to find a library music album by Gruppo Sound inside the Canopo, Deneb, Flower, Monosound Records and Teams catalogues, all managed by Flipper Music publishing group, but both the creators and the musicians have never been the same. Gruppo Sound is only a collective name, maybe to identify a certain number of 'new' productions characterized by an electronic background And, not by chance, the author of “New York City” is a single artist, the multi-instrumentalist Gabriele Ducros. Son of the prolific composer Remigio Ducros, he first followed his footsteps in the field of music libraries and soundtracks and then become the author of many tracks for television commercials of a certain relevance, winning some international awards. “Some of these tracks may have been associated with a pornographic film. Others were, however, made as brief comments for a theatrical show, perhaps never made”, remembers Gabriele Ducros. What unites the thirteen pieces is the same musical language, which derives from a widespread funk and jazz matrix. Both genres are thus declined through a different approach and taste, in line with the fusion trends of the time, when the early synthesizers were used by few artists. A handful of electric guitar notes for a 'urban' mood, the acoustic ones from a dreamy morning awakening. Electronic keyboards to arouse a sense of nostalgia in the listener, while flute and saxophone always punctuate different atmospheres. A computer melody, a theme for children and a sophisticated ode to the fusion sound of the Big Apple, perhaps true source of ispiration of the work. “New York City” is not a concept album, but one of the best cross-sections of Gabriele Ducros' great creativity.

26 tracks from the pirate coop openworld game (Standard Edition) Heavyweight black discs Deluxe double gatefold sleeve Printed inner sleeves