Soundtracks Vinyl 151 Items

Transversales proudly presents the first LP reissue of “Les granges brûlées”, original soundtrack written and performed by Jean-Michel Jarre shortly after his work experience at G.R.M (Groupe de Recherches Musicales). Probably one the first ever electronic music score, recorded with very scanty means: a Vcs3 synthesizer, a Farsifa organ and three synchronized Revox tape recorders. Director Jean Chapot, who understood immediately the interest in the gap between this hyper classical rural thriller and this groundbreaking music, let Jarre absolutely free to compose. Built up around several melodic leitmotifs, the score of “Les granges brûlées” allowed Jarre to pursue his personal research: to bridge the gap between experimental music and pop music. This deluxe reissue also contains the bonus track “Happiness Is a Sad Song” composed during Jarre's time at the G.R.M. “Aphex Twin told me once that the original soundtrack of “Les granges brûlées” was one of his favorite records” JeanMichel Jarre

Analog disc containing the 2nd opening theme and ending theme to be released! An analog disc (7inch) containing the 2nd opening theme "Saint Myth - Soldier Dream" and the ending theme "Dream Traveler" of the TV anime "Saint Seiya" which started airing in 1986 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the theme song EP released on May 1, 1988.

A long awaited release for a wonderful soundtrack composed by Guido & Maurizio De Angelis for the first italian cop-movie. A great proof of ability by the director Enzo G. Castellari with this superb movie interpreted by a great Franco Nero.

Thanks to the brilliant debut “Night of the Living Dead” (1968), director and screenwriter George Romero is considered the creator of the ‘modern zombie’, a metaphor for the profoundly consumerist and capitalist society we live in, that was perfectly shown years later in “Dawn of the Dead” (1978); this movie was distributed in Italy as “Zombi”, with a different editing made by Dario Argento and a soundtrack once again composed by legendary Goblin.

“Zombi” is a very varied album where the electric guitars, taking the lead in the hard-rock track “Zaratozom”, often give way to keyboards, synthesizers and percussion elements of all kinds. The real masterpiece of the record remains the opening cut “L’Alba dei Morti Viventi” (Dawn of the Living Dead) with its sinister, unrelenting pace evoking a slow and unstoppable march of zombies, impossible to escape from.

This score is an absolute tour de force. It’s arguably one of the most outstanding horror scores ever recorded. It’s ferocious, full of wailing, screaming, and guttural noises. Incredibly intense yet still retaining a musicality that Italian cinema excelled at in the 1970s. Dario Argento and Goblin were a match made in heaven, and I’m not sure anyone has created such a nightmarish mix of visuals and sounds in the history of cinema. In addition, the artwork by Randy Otiz is one of the best interpretations of this film I have ever seen! A Masterpiece in every way.

“Contamination” was released in 1980 as a soundtrack for the eponymous horror/science fiction film, during what probably was the most prolific period in Goblin’s career, even if the band had already been abandoned by guitarist Massimo Morante and keyboardist Claudio Simonetti. Unkonwn by most listeners, it’s a release that deserves more attention, since it shows a wide range of music styles (Jazz, funk, rock, electronic) and once again Goblin’s ability in writing film scores.

“Buio Omega”, two short and simple words that, in the mind of Goblin’s fans as well as in the horror/splatter movies fanatics’ one, recall sounds and images of a legendary film. Directed in 1979 by Joe D’Amato, it still impresses with the rawness and morbidity of its scenes, the trademark of a director who, much more than others, befits the term ‘extreme’.

The soundtrack of the film, whose main ingredients are keyboards and synthesizers, swings among echoes of Alan Parsons Project, funk / fusion and melancholic atmospheres. It was never officially published when the film came out, and was finally released on CD by Cinevox Record in 1997 (CD MDF 304) and again in 2008 (CD MDF 631) with two completely different tracklist.

Goblin here appear in an atypical shape, with Massimo Morante (guitar) and Claudio Simonetti (keyboards) replaced by Carlo Pennisi and Maurizio Guarini respectively, completing the line-up along with Fabio Pignatelli (bass) and Augustin Marangolo (drums).

For the first time ever, Zoo Folle in its full, extended glory. Back in 2016 Four Flies Records put out the first official reissue of Zoo Folle. It sold out in a matter of months, leaving many vinyl collectors hungry for more. We’re now thinking of them with this new double LP, which contains both the soundtrack as released in 1974 (sides A and B) and previously unreleased gems (sides C and D).

"Rivelazioni di un maniaco sessuale al capo della squadra mobile" (best known internationally as “So sweet, so dead”) is a 1972 giallo film by Roberto Bianchi Montero, director of various other movies mainly belonging to the western and erotic genres; the latter is here mixed with thriller and noir, for a very good final result. The soundtrack is here entrusted to the well-known pianist, arranger and composer Giorgio Gaslini (1929-2014); among the most important Italian jazz musicians of all time, he’s been quite prolific during his whole career, also in the vast field of soundtracks. In this case, he creates a memorable theme with a handful of notes and enriches it with typical 70s orchestral pop arrangements, adding an elegant touch with easy-listening jazz and lounge atmospheres. Overall, “Rivelazioni…” is a multi-genre music work in which mellow and romantic sounds coexist with more obscure and abstract ones, made with only string instruments and percussion. Originally released in 1972, this soundtrack is now reissued on LP for the first time in over 50 years, in a yellow-coloured edition with audio remastered by Claudio Fuiano and five bonus tracks here released on vinyl for the first time ever!

Finally, after 45 years, comes the soundtrack, from the original master tapes, of the truly mad and weird exploitation euro-erotic-horror cult movie filmed in 1971 (but released only in 1973) by Renato Polselli (Ralph Brown). Incomprehensible and inconceivable beyond the reach of the human intellect, Riti, magie nere e segrete orge nel trecento... shows a cult of pseudo-Satanists in tight red jumpsuit and black cape requiring the blood and eyes of seven virgins in order to resurrect the corpse of the persecuted witch Isabella (Rita Calderoni), who was impaled and burned at the stake some 500 years ago. A precious nonsensical gem, with nervous zooming, nude women's breasts in a colorful scenery, and an overly cryptic storyline; loony.
The soundtrack encapsulates, in its fifteen total tracks (including the 2 released at the time on 45 RPM vinyl), all typical sound elements of the “scary music” ‘of the seventies but with a hard touch of madness, experimentation and psychedelia. Female vocals give out agonizing and distressing groans, tribal African rhythmic, turned over words, plucked stings of the piano, baroque elements and lot of effects makes this soundtrack a cult object, not even to mention the obsessive care of the packaging.
Released in a limited edition of 666 numbered copies in gatefold heavy thick cover with front cover design by Michele Targonato with embossed flames. Bi-color red-blue vinyl. Includes digital download code.

This is the masterful score that Italian composer Franco Micalizzi created for the 1979 Sci-fi horror film Stridulum (aka. The Visitor). The Giulio Paradisi film featured a star-studded cast including Mel Ferrer, John Huston, and Shelley Winters. Although it wasn’t as commercially successful as expected at the time, its unique subject matter and expressive style eventually attracted a cult following. While Micalizzi is better known for his ‘Poliziotteschi’ flic scores and collaborations with director Umberto Lenzi, his trademark sound is unmistakably present on Stridulum with its visually evocative, engaging, and spacey take on funk. The film’s commercial performance aside, all this is enough to make Stridulum one of Micalizzi’s most captivating, if eccentric, works. Packed with great tracks such as the film’s main theme, the multiple variations on the ‘Sadness Theme’, and the standout sci-fi disco-funk of ‘Jerzy Again’, the Stridulum score offers plenty in the way of listening enjoyment. The present re-issue features the original artwork from the 1979 first pressing, along with bonus tracks including 7 alternate tracks and outtakes.

Franco Chiari, born in 1927 in Naples, was an eclectic artist who is considered a bit of a wildcard of keyboard instruments: he played the piano, accordion, synthesizer, vibraphone and marimba in both jazz and symphony. For three consecutive years (1957/58/59) he won the National Jazz referendum, was vibraphonist in the national TV Orchestra and participated in numerous important broadcasts. He received many awards in his career, and numerous are the artists who have wanted to play live alongside him, including Lionel Hampton, Stéphane Grappelli, Django Reinhardt, Piero Piccioni, Armando Trovajoli, Lelio Luttazzi, and more.

In this album released in 1973, the most groovy in his career, and now the most wanted from collectors, he rearranges the compositions of Mario Bertolazzi electronically with the use of synthesizer on rhythms ranging from latin beats to funk.

Numbered limited edition with digital downloads included and an amazing cover with splashes of paint, making each copy unique and unrepeatable.

Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza (The Big Game), by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

The legendary Hip Hop / Dusty Fingers heavy tune "COL FIATO IN GOLA" by maestro Filippo Trecca, originally released in 1978 for the Giallo TV mini series "Diario Di Giudice" and directed by Dante Troisi. Sampled by tons of artists, this track represents a true holy grail for Italian TV-soundtracks music lovers and DJs with a totally mental downtempo Hip Hop beat played in a heavy Funk key with just everything you could dream about: sleazy and punishing drum patterns / huge and ceaseless string cuts / heavy Giallo orchestration / meandering flutes / groovy and totally killer mood. Essential stuff!

“Una pistola per Ringo” and “Il ritorno di Ringo” are two movies from 1965 that belong to the ‘spaghetti western’ genre, directed by Duccio Tessari and starring Giuliano Gemma as the main character. The two movies, not actually having much more in common besides their title and protagonist, were filmed in a very short time, thanks to the huge success of the first ‘chapter’. The soundtracks of both movies, by Ennio Morricone, show the incredible versatility of the composer, who at the time had already collaborated with Sergio Leone in “Per un pugno di dollari” and “Per qualche dollaro in più”. Thanks to the precious contribution of conductor Bruno Nicolai, the choir of the Cantori Moderni di Alessandroni, trumpeter Michere Lacerenza and harpist Anna Palombi, the Maestro wrote a mainly classical score, developing a wide range of sensations and dynamics in which epic atmosphere, drama and tension alternate to reflective moments or even romantic ones.

Although this wasn’t directed by but Sergio Leone, but by the less known Giulio Petroni, “Tepepa” is one of the best films in the spaghetti western genre, thanks to a perfect synopsis – even if as set in the ‘abused’ Mexican Revolution of the early ‘900 – to a trio of exceptional actors and, finally, to Ennio Morricone’s soundtrack. The protagonists are in fact the immovable doctor John Steiner, the histrionic revolutionary Tomas Milian and the massive Colonel Orson Welles, a unique and practically unrepeatable combination, however directed in a ‘leone-ish’ way by Petroni, who often focuses on large panoramas and close-ups on the character’s faces. As always, Morricone means quality: for “Tepepa” the Maestro creates a memorable soundtrack, dominated by strings and, curiously, by the acoustic guitar! Reissued several times on CD, this album has been reissued on vinyl almost 40 years later! When the film was premiered in the theatres (1969) just a the single 45rpm “Viva la Revolucion / In Mexico I would like” had been released; both songs are of course included here, the second of which is sung by Christy (stage name of Mary Cristina Brancucci) in a very felt and compelling way.

The fourth release in the "Morricone Segreto" series is the first complete issue of Morricone's psychedelic, erotic music for the film "Quando L'amore È Sensualità" (When Love is Lust, 1973), one of the legendary Italian's many masterpieces. Some tracks had already been heard on compilations and have cult status among Morricone fans. Here you can hear the unabridged soundtrack with 11 previously unreleased tracks for the first time, freshly remastered from the original tapes.



2-lp, 140g, gatefold, padded inner sleeves

Record is close to VG+. Cover has slight waterdamage.

Dario Argento’s ‘opera prima’ ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of Argento mark a clear step forward from the thrillers of that era and even the soundtrack was something utterly special.

Argento assigned the score to Ennio Morricone, composer of the soundtracks for ‘Comandamenti per un gangster’, ‘C’era una volta il west’, ‘Metti, una sera a cena’ ‘Un esercito di 5 uomini’ and ‘La stagione dei sensi’, which Argento had already written the screenplay of. For this movie the maestro adopted a particular style that draws heavily on contemporary music and on the studies of his Gruppo di Improvvisazione Nuova Consonanza. With ‘L’uccello dalle piume di cristallo’ Morricone develops this approach and defines a 'formula': he alternates traditional songs, built around an easy and immediate melody used as a leitmotiv, with avant-garde and abstract tracks that amplify the state of uneasiness and fear of the viewers of tension and violence sequences.

Cinevox released this soundtrack on an LP with 10 tracks in the spring of 1971 when ‘Il gatto a nove code’ was already a big hit in the Italian cinemas. The record was originally issued in mono, with different tracks from the Stereo US version. This is the first vinyl reissue featuring the original score in Stereo, enclosed in a brand new artwork made by Adventprod studios!

Limited Edition of 250 copies ONLY – Super Deluxe / Expanded BOX-Edition, containing:

Regular LP as above, but on Exclusive YELLOW SMOKE VINYL
Exclusive BONUS SILVER MARBLE VINYL with unreleased tracks (for the first time ever on Vinyl!), incl. ‘Il Gatto a nove Code (movie takes suite) of 12:33 minutes!

2 Full Colour Movie Posters
Special Insert
Exclusive Gatefold Photo Book.

Limited Edition of 499 copies. Contains bonus tracks.

The Limited Vinyl edition comes in a HEAVY Deluxe Gatefold Sleeve and on Transparent Black Cat Smoke Vinyl plus full colour Poster

To celebrate the 50th anniversary of the amazing movie, Rustblade is releasing the definitive Edition of the Soundtrack to Dario Argento’s Thrilling / Cult film Il Gatto a Nove Code” (The Cat o ‘Nine Tails).

On the Original Sound Track for this movie, Ennio Morricone succeeded to go even a step further in his art, creating a really dissonant and avant-garde sound with highly disturbing tension. For sure one of the most important, obscure compositional apexes of Maestro Morricone.

First Time Reissued On Vinyl
Sourced From The Original Master Tapes
Pressed at RTI for Maximum Fidelity
Limited Edition Fluorescent Green Vinyl

In one of his first forays into big-budget Hollywood, Ennio Morricone handed in one of his weirdest, eeriest scores.

From the beautiful to the absolutely demented, while still playing in the same sandbox. Once you get to the deranged Satanic prog-rock of “Magic And Ecstasy,” it hits you: this is the craziest we’ve ever heard Morricone. And it’s amazing.

1974 soundtrack from Ennio Morricone Pressed on Red Vinyl & includes a 30x30cm insert Liner notes and audio remastered by Claudio Fuiano “Allonsanfàn” is a 1974 historical film written and directed by Paolo and Vittorio Taviani; set in 1816 in Italy during the Restoration period, its cast features, among others, Marcello Mastroianni, Lea Massari, Laura Betti and Mimsy Farmer.

“Allonsanfàn” is the first collaboration between the two directors and Morricone, who would also compose the music for the film “Il prato” (The Meadow, 1979). The soundtrack starts with a main marching theme, “Rabbia e tarantella”, introduced by the piano and reworked in a thrilling way by the full orchestra; Giuseppe Tornatore liked it so much that in 2009 he asked Morricone to write a similar musical theme for a sequence of the film “Baarìa”. This motif is alternated with the bucolic passages for flute and orchestra of “Ritorno a casa”, the festive “Dirindindin”, the classical piece “Te Deum Laudamus” for orchestra and choir and “Frammenti di sonata” for solo violin and small ensemble.

This score was only partially issued on vinyl in 1979, and subsequently only on CD; for the first time, then, it’s here released on clear red vinyl in an extended version, including a 30x30cm insert. Liner notes and audio remastered by Claudio Fuiano.

A Record Store Day 2024 exclusive!

This soundtrack is one of many Cinevox Record rarities, this time brought forth over 50 years ago by the genius of Ennio Morricone, in the heyday of Italian underground cinema, years when true masterpieces were made, often innovative from various points of view (plot, photography, colors, settings, screenplay...). "4 Mosche di Velluto Grigio" (4 Flies on Grey Velvet) ends the so-called 'animal trilogy' by Dario Argento, and sees the director in an absolutely inspired moment, yet probably unconscious that he'll leave an indelible mark in the history of world cinema with his following works. This movie, for some reasons, was never officially released on videotape - apart, perhaps, in an obscure French edition - and only recently has finally been issued on optical disc, while from the soundtrack only released a 45rpm single was pressed at the time, before it was fully recovered in the '90s. In "4 Flies ..." Morricone wrote one of his most 'rock-oriented' soundtracks - without of course neglecting his indelible touch - also thanks to the fact that the protagonist of the film is a rock drummer. You hear echoes of Deep Purple, not surprisingly given that Argento wanted them as the first authors of the movie score, and it is no coincidence that his most famous film is titled... Deep Red!

* First Time Reissued On Vinyl * Sourced From The Original Master Tapes * Pressed at RTI for Maximum Fidelity

The magic 80s nostalgia is here! Sonor Music Editions in collaboration with Beppe Savoni and Giuseppe Giammetta, respectively known in the digital space as Disco Bambino and Sovraimpressione announce a special release by the Italian queen of silver screen, actress Eleonora Giorgi. The limited edition 7-inch includes a rework of the 1981 soulful disco track "Quale Appuntamento...", written by Bipap, Cristiano Malgioglio & Pino Presti, originally released on the iconic Ricordi label; on the B-side, restored and for the first time ever on vinyl, "Magic", taken from the 1980 original soundtrack of the film "Mia Moglie È Una Strega", with music arranged and directed by Detto Mariano.

Originally only officially available on a ultra-rare Japanese pressing, Mirurmir is incredibly pleased to announce the first issue of the groundbreaking and mindblowing soundtrack to Tarkovsky’s masterpiece, Solaris, in 20+ years. Composed by the electronic music pioneer, Edward Artemiev, Solaris was the first project in what proved to be a fruitful collaboration between director and composer. An absolutely essential piece of electronic music and Russian cinema history, lovingly reissued in a gorgeous package including rarely seen photos and a cover pulled from the Italian poster for the film, 180 gram vinyl.

Edmondo Giuliani - "IL MARE: Musica Con Strumenti Elettronici", originally released in 1972 on the micro-label Dischi Egede. A Mega-Rare Italian Electronic Underwater music Library production - recorded for an obscure documentary on sea from the early '70s. Infectious and trippy Abstract Experimental music that plumbs in the sea depths with abyssal echoes, sound iridescences and marine electronic themes. Addictive record out for our Underwater Library tryptych release. Another great vinyl obscurity is filed and published on our label with amazing renewed artwork.
Limited edition of 500 copies on 180 gram vinyl.

sampled by Redman, Warren G, ...

* The soundtrack to Wes Craven’s cult classic from 1972
* Composed & Performed by David Hess (Elvis, Sal Mineo)
* Seventeen tracks of psychedelic Manson-style folk music & soundscapes
* Comes with insert containing EXCLUSIVE liner notes and pictures
* Available on black vinyl and as a limited color variant (300 copies solid BROWN vinyl)
* Also available as a Digipack CD edition with bonus tracks and 12 page booklet

Born in 1936 in New York City, David Hess began his career recording million-dollar chart toppers for the likes of Elvis Presley, Sal Mineo & Andy Williams in the 50ies & 60ies. His biggest hit is probably ‘Speedy Gonzales’ which ended up selling more than eight million copies worldwide. After a career as a record company executive the 1970s, Hess took on the role of actor, writer, director and producer in the movie industry. Writing and working with directors as Rainer Werner Fassbinder and directing the 1980 slasher “To All A Good Night” were only a few of his many accomplishments.

Most of us will remember him as Krug Stillo, the leader of a gang in Wes Craven’s classic 1972 cult shocker “The Last House On The Left” as well as portraying the villains in Ruggero Deodato’s “House on the Edge of the Park” (1980) and Wes Craven’s “Swamp Thing” (1982). Other movie roles include ’21 Hours At Munich’, ‘Hitch-Hike’, ‘Body Count’ and ‘Zodiac Killer’. David Hess also appeared regularly on the TV screen with appearances in shows such as ‘Knight Rider’, ‘The A-Team’, ‘The Fall Guy’ & ‘Royal Pains’.

Throughout his film career Hess’ love for music never waned. He continued to produce music, including several albums (“Caught Up In The Moment” and “Live & Unplugged in Hollywood, 2002.”). Some of his music can also be heard on more recent soundtracks, such as ‘Cabin Fever’ (2002) and ‘Manhunt’ (2008). On October 7, 2004 just two years after his role in the 2009 horror epic “Smash Cut” starring Sasha Grey, David Hess sadly passed away at the age of 75. He will forever be in our hearts.

David Hess composed the soundtrack for ‘Last House on the Left’ & his work here contains some truly beautiful songs, the discovery of which, for some, may be in stark contrast to the brutal displays of sadism and violence for which he was known to purvey onscreen. The fact that Hess could perform as both the poet, and the monster, is a testament to his skill as an artist. The soundtrack to Last House On The Left is a brilliantly unique and diverse mixture of farcical comedy, poignant, reflective folk music and instrumental experimentalism. Hess constructed a wonderful counterbalancing entity, which serves only to accentuate the impact of the movie.

One Way Static Records now proudly presents the complete 1972 soundtrack to Wes Craven’s ‘THE LAST HOUSE ON THE LEFT’ composed by David Alexander Hess. Available as a deluxe limited Black vinyl edition complete with insert containing rare pictures and exclusive liner notes. Also available as a limited color vinyl variant (300 copies solid BROWN vinyl).

"Per un Pugno di Samba" is the fifth album recorded by Francisco Buarque de Hollanda, known as Chico Buarque, one of the most important authors and interpreters of Brazilian popular music. The album, released in 1970, was recorded during a self-imposed exile in Italy in 1969 following the arrest he had suffered in Brazil in 1968 for his political commitment against the military dictatorship. In Italy he met Sergio Bardotti who produced the disc writing lyrics in Italian and music, and especially the master Ennio Morricone who arranges the songs. To be noted the presence of Mia Martini and Loredana Bertè among the voices of the choirs.

The debut film for The Coen Brothers and Carter Burwell, who would go on to work together on numerous films including The Big Lebowski, No Country for Old Men and Fargo. Blood Simple has only been previously released as one side of a shared 12″ LP with an abbreviated score to Raising Arizona on the second side. The score will be expanded to a full album with unreleased tracks and alternate versions and pressed exclusive for RSD on transparent red smoke marble vinyl.

2-LP set
180g Black Vinyl
Mastered by Chris Malone
Tip-on gatefold jacket
Limited edition of 750 units

Premiere complete vinyl release of Steven Spielberg’s delightful fantasy-adventure classic YOUNG SHERLOCK HOLMES (1985)!

incl. three is a magic number

Reprint of the rare 1972 library LP by Maestro Giuliano Sorgini under the pseudonyms of Raskovich and The Bid-On. Originally released in just a few copies for a small label owned by a friend of Maestro Sorgini, this LP includes 12 really beautiful tracks with positive vibes. From Jazz Dance, Bossa Nova, Funk, and some Killer BreakBeat, with lots of percussion, growling flute and honking sax. Reissued with the original minimal artwork designed by Giuliano Sorgini drawn with chalk on a black sheet. Glossy Cinedelic cover. Limited to 600 copies.

Great classic and timeless tune of the 80s and French Boogie scene, « Histoire d’1 Soir (Bye bye les galères) » is an ode to party, liberty, youth and freedom, interpreted by Bibi Flash aka Brigitte Gasté, an atypical singer from the French Boogie.

With its light lyrics and mythical chorus, its euphoria and irresistible disco-rap vibe, this track produced by Philippe Renaux (Holly Guns, Clever, Pianola…) released in 1983 is a sincere photography of its time, during which these children of the « summer of love » and May 68 criss-crossed Paris in search of endless nights, pleasure and freedom.

A prized and rare record which is nowadays repressed by Barbecue imprint in 2021, in its 12’’ version, with the original, the Disco Mix, instrumental and the A Cappella, and is accompanied by a new modern and festive edit by French house producer Blutch.

Printed inner sleeve included.

“Thomas” is an Italian Soundtrack milestone and pure masterpiece of Italian Giallo Thriller exploitation. It’s the infamous and legendary score for the film directed by cult Italian director Pupi Avati and originally released on Gemelli label in 1970. Check out he mind-blowing scary Giallo vibes, stunning cinematic sinister beats with the participation of Edda Dell'Orso who gives some astonishing frightful vocals with dope thrilling vibes allover. “Thomas” aka “Thomas E Gli Indemoniati” is a horror-thriller, fantasy-drama and grotesque film cult from 1969, originally not distributed due to the bankrupt of film publisher. Mythical item for record collectors and fundamental piece for any Italian Giallo thriller enthusiast. This release is limited to 500 copies!

Ominous drums, obscure cellos, fuzzy and distorted guitars, psychedelic piano sequences: legendary Italian composer Alessandro Alessandroni creates a sombre and gritty war atmosphere on this classic library album "Storie Di Guerra". Originally released on the Octopus Records imprint by Flipper Music in 1972, this obscure and spooky library has been long out of print — 50 years past its release we are happy to bring this back on vinyl in collaboration with Flipper Music as a limited edition of 500 copies!

Sonor Music Editions proudly announces the first ever reissue of another Italian Library holy grail, fruit of the union between two of the most brilliant composers of Italian panorama: Alessandro Alessandroni and Rino De Filippi. "vacanze" album (in English 'holidays'), was originally released in early/mid 70s on Sermi output, and is one of the most elusive records from the label out there. From refined Lounge music to stunning Jazz-Funk and groovy vibes, this album features an unbelievable set of the coolest themed music from the whole Library scene, with maestro Rino De Filippi's harpsichord on evidence in many tracks and soaring, loungy and dreamy moods throughout the entire album. A superlative recording, with an incredible sleeve design that has obssessed Library collectors for years, and for sure among the best releases from the gold Sermi label along with "Nel Mondo Del Lavoro" release just announced. Edition of 800 copies

Akira Ifukube’s score to the legendary 1962 monster movie ‘King Kong vs. Godzilla’! Ifukube’s visionary music is tense and violent, a perfect complement to Ishirō Honda’s film. This incredible score alternates between brass and strings as we witness the death and destruction that comes in the wake of these two classic film monsters’ battles.

“Musiche per un Telefilm” by A.R. Luciani and Paolo Renosto is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as not-for-sale promotional material, and many of the original LP’s are now very rare and collectibles almost impossible to find!

“Musiche per un Telefilm” is the second title in the Redi Edizioni library music LP reissue series. Originally released in 1970 on Leo Records label, this musical masterpiece consisting of 19 tracks for 19 different musical themes, completely immerses the listeners in an ambience of both tension and anguish but also fun and relaxation, just as if they were in their very own television show! Antonio Riccardo Luciani, composer and keyboard player, was one of the most prolific artists in the Italian television and soundtrack world. His “Chanson Balladée” written in 1976 was the theme song for “L’Almanacco del Giorno” (rai) for 15 years. He is best known and remembered for “Tecnica di un Colpo di Stato” (1978). Paolo Renosto, composer, maestro, lyricist and pianist, wrote and released synchronization records under the pseudonym of Lesiman. He was a pioneer and one of the best interpreters of library music.