Soundtracks Vinyl 408 Items

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. Best known for his original soundtracks to Minecraft, the single best-selling video game of all time, he's developed a discography of instrumental music over the last decade that traverses electronic pop patterns, neo-classical dreamscapes, and sparse ambient motifs. The latter element has broken from the "8-bit" pigeonholing of game music and earned him accolades that reference artists like Erik Satie (The Guardian) and Brian Eno (vice). In 2015, after quietly self-releasing Minecraft Volume Alpha and Minecraft Volume Beta, Rosenfeld partnered with Ghostly International to reissue Minecraft Volume Alpha on vinyl and CD. The release garnered attention from proper music critics and the gaming community alike, becoming one of the most sought after records in the Ghostly catalog. Now, following several restocks of Alpha to fervent fan response, it is time for the soundtrack's second installment to shine. For the legion of listeners and players to, at long last, have Minecraft Volume Beta in tangible formats. Originally self-released in 2013, Minecraft Volume Beta was C418's longest batch of music to date at nearly 140 minutes. The collection features tracks that were "silently" added to Minecraft during its music updates and a few that never officially entered the game. The run time is now adapted to fit the double LP format, while digital downloads include the full set Rosenfeld's unmistakable abilities are on display; he creates a sweeping variety of musical ideas that mirror the limitless universe of Minecraft. Ghostly International is thrilled to give this unique collaboration its due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

Double yellow, silver, and black splatter colored vinyl LP pressing. Upon release in March 2016, Dark Souls III was critically and commercially successful, with critics calling it a worthy and fitting conclusion to the series. The game's original score was primarily written by Dark Souls II and Bloodborne composer, Yuka Kitamura, and performed by the Tokyo Philharmonic Orchestra. Additional music was written by Dark Soulscomposer Motoi Sakuraba, with a single boss theme each by Tsukasa Saitoh and Nobuyoshi Suzuki

Dark Souls II, the highly anticipated sequel to 2009's Dark Souls was released with much fanfare in March 2014. As with it's predecessor, the intricate and moody score music struck a chord with fans of both composer Motoi Sakuraba and the game franchise, topping many a "best of 2014" list.

4th pressing on 3xLP Black with Rainbow Sparkle Vinyl
Please Note: "The quality of sparkle vinyl is comparable to vinyl with metallic effects."
Rainbow Sparkle: Glitter in five colors
Beautiful trifold sleeve with original art by Daniele Giardini
Carefully remastered for vinyl by Christian Bethge
DESCRIPTION

Black Screen Records once again teams up with composer Chris Christodoulou and Hopoo Games to release the original soundtrack to Risk of Rain 2 on vinyl. The repress will be available on 3xLP vinyl and comes in a beautiful trifold sleeve with all-new original artwork illustrated by Italian artist Daniele Giardini. All 20 songs have been carefully remastered by Christian Bethge (Risk of Rain, Deadbolt, Divinity: Original Sin II, A Plague Tale) for the vinyl format.

The classic multiplayer rogue-like, Risk of Rain, returns with an extra dimension and more challenging action. No run will ever be the same with randomized stages, enemies, bosses, and items. Play solo, or team up with up to four friends to fight your way through hordes of monsters, unlock new loot, and find a way to escape the planet. In his third collaboration with Hopoo Games, Chris Christodoulou returns to the Risk of Rain franchise adding another dimension to the game’s music-verse. This two-hour-long genre-bending release spans from foreboding electronica to pounding progressive metal and features all music from the game and then some.

In 2009, Dark Souls was unleashed upon an unsuspecting gaming world and would quickly become one of the most critically acclaimed games in all of gaming history, for both it's punishingly-challenging gameplay and dark, brooding, and often outright terrifying soundtrack by industry legend Motoi Sakuraba.

Thomas Fehlmann remains as one of the most endearing and respected artists on Kompakt. He has inspired generations of fans and musicians over the course of his 30+ year career. From his early days as part of the legendary band Palais Schaumburg, and the pioneering Detroit/Berlin act 3mb (With Juan Atkins and Moritz Von Oswald), to his longstanding membership with The Orb, combined with his contributions as a solo artist to esteemed imprints R&S, Plug Research and of course Kompakt, where we have proudly released two full length solo albums: Visions Of Blah (Kompakt CD 20/Kompakt 67) and Honigpumpe (Kompakt CD 59 / Kompakt 157), his musical works have been prolific, not to mention four singles and a full serving of tracks found on our Pop Ambient and Total collections. Now, after 3 years, Fehlmann returns with 'Gute Luft'.

Originally released in October 2015, the much-requested soundtrack to Sideways finally gets a repress on the original Burgundy Colored Vinyl. Multi award-winning film Sideways was the surprise box office hit of 2004 and its story of two disillusioned forty-somethings on a wine infused road trip around California still holds a unique mixture of comedy and pathos. Rolfe Kent’s jazz inflected soundtrack accompanied them on their journey, its subtle lightness of touch the perfect accompaniment to their mid-life crises. “Tickles the palate like a crisp Chablis in June” - Mojo “The seduction, making midlife seem funky, is slow, shy and as narcotic as it is nostalgic” –

24 tracks selected by the RuneScape team and community Two heavyweight red gold LPs Deluxe gatefold sleeve 43track digital download included (mp3) Fancy a spin of “Sea Shanty 2” for old times’ sake? RuneScape: Original Soundtrack Classics takes a nostalgic journey through some of the most beloved tracks from Old School RuneScape and the early days of RuneScape. The vinyl album is arranged to follow the first journey a player might have taken through Gielinor. The digital download includes 19 bonus tracks, bursting with player favourites.

Jamie Cullum, Melody Gardot, Gregory Porter, Stacey Kent and Nikki Yanofsky share one thing in common. It’s their love for the Disnes movies. The brand new project by Verve "Jazz loves gives proof of this. Each artist performs old and new Disney songs form the “Jungle Book” to “Frozen” in their very unique style.

During the maiden voyage into an expansive vat of unreleased music by Polish composer Andrzej Korzynski, Finders Keepers Records originally presented his previously unreleased electro / orchestral / experimental score for Andrzej Zulawski's surrealist '80s horror classic Possession in 2012. These 25 cues were written and recorded exclusively for the 1981 award-winning film starring Isabelle Adjani and Sam Neil, but due to the progressive, stark and modernist nature of the finished film less than half of them made it on to the actual director's cut—leaving many of the tracks on this package totally unheard outside of Korzynski's studio. The intended Possession score in its entirety marks an important axis in Korzynski's career where his various musical disciplines overlap. In one respect it marks his first forays into to synth driven electronics and disco drum machines, while other tracks epitomize the well-honed techniques used in previous Zulawski scores, such as Third Part Of The Night and The Devil, which rely on his inimitable orchestral arrangements and combination of clavinet, Rhodes, piano and electric guitar. Available once again on black 12" vinyl for the first time since its original release some 11 years ago, Finders Keepers' ongoing commitment to the important restoration of Korzynski's music aims to shed new light on the seldom manufactured productions of the composer whose vast cinematic catalogue warrants overdue global status alongside other golden era Eastern European composers such as Kryzstof Komeda, Jan Hammer, and Zdenek Liska—not to mention the best of the French and Italian soundtrackers, such as Roubaix, Vannier, and Nicolai. Duplicated and carefully remastered directly from Korzynski's original master tapes this album boasts the uninhibited studio experiments and retains the pre-cut ambience.

Only five songs here were featured prominently in Quentin Tarantino's rousing crime film ("Little Green Bag," "Hooked on a Feeling," "I Gotcha," "Stuck in the Middle with You," and "Coconut"), but the record includes Steven Wright's introductions from the film, as well as Tarantino's infamous interpretation of the meaning of Madonna's "Like a Virgin" and Harvey Keitel's monologue on how to rob a jewelry store. Padding out the rest of the disc are three new songs that were heard in passing in the film.

Sacred Bones Records celebrates its 15th year anniversary by repressing this incredible debut by the one and only master of horror on vortex blue vinyl. John Carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes can instantly flood his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kungfu fighters, or a mirror holding the gateway to hell. The music on Lost Themes is there for Carpenter's acolytes to visualize their own nightmares. As is Carpenter's style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion. Horror fans will be reminded of Carpenter's past works, as well as ancestors like Mike Oldfield's Tubular Bells and Goblin's Suspiria. "They're little moments of score from movies made in our imaginations," Carpenter says. "Now I hope it inspires people to create films that could be scored with this music."

Limited to 1500 copies.

LA Dama Rossa Uccide Sette VOLTE—The Red Queen Kills Seven Times—blurs the line between thriller and horror. The cult success it enjoys can be attributed to its aesthetics that encapsulate the essence of the Italian thriller. Bruno Nicolai’s score for The Red Queen Kills Seven Times flawlessly brings together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot thanks to a clever use of harpsichords. The album is part of CAM Sugar’s Paura, a series of standalone soundtrack releases that follow the same-titled compilation which explores rare and unreleased horror gems from the label archive. This new limited 50th anniversary edition of this cult, sought-after soundtrack—a masterpiece of Italian Giallo cinema—is fully remastered from original tapes, includes two bonus tracks and is destined to become a staple for the collectors of the genre and for the fans of the golden age of Italian and horror cinema, making it an essential release of Record Store Day 2022.

A Fantastic Woman (Spanish: Una mujer fantástica) is a 2017 drama film directed by Sebastián Lelio and written by Lelio and Gonzalo Maza. It was selected as the Chilean entry for the Best Foreign Language Film where it won in the 90th Academy Awards. The film is about Marina, a transgender woman who works as a waitress and moonlights as a nightclub singer, is bowled over by the death of her older boyfriend. It premiered at the 67th Berlin International Film Festival in 2017 where it won the Silver Bear for Best Screenplay and the Teddy Award, an award given to films with a LGBT theme. Matthew Herbert is an award-winning composer, artist, producer and writer. He has had work commissioned by the Royal Opera House, the BBC and has remixed iconic artists such as Quincy Jones, Ennio Morricone and been a long-time collaborator of Bjork's, but he is best known for working with sound, turning ordinary or so-called found sound in to electronic music. This is a limited edition on transparent pink coloured vinyl. The LP package contains an insert with notes from director Sebastián Lelio.

50 years ago, Franco and Luciana De Gemini had recently moved to Rome, both looking for their place in the world. He a talented musician, she a beautiful young bride, they lived in a small penthouse with a huge terrace full of flowers and views that spanned Rome, from the dome of St. Peter to the Altar of the Fatherland to the Castelli Romani: over 40 kilometers of the Eternal City. Through his collaborations with many great maestros of the period and his involvement with the orchestras, Franco got to know many people including Fulvio Corradini and Benito Costa (the former an administrator of prestigious record catalogs, the second a trusted friend). In fact, they had already caught wind of a small record label called Beat Records Company, founded on May 12, 1966, but the two had no time to devote to the endeavor so they trusted its administration to Franco De Gemini by actively involving him as a partner. It was on March 23, 1968, that they set foot in that office on Viale Medaglie D'oro. Beat had published 58 tracks, had 16,500 Liras in cash and a tax fine of 140,000 liras for failure to report. That was the day that Franco and Luciana began their adventure, which would last for him until July 20, 2013, and for her until March 3, 2016. It was an Intense fifty years, always with one foot on an airplane, in a smoke-filled recording studio, in front of a Moviola viewing the scrolling images of film or around a table with incredible characters, to talk, create music and art, or simply to enjoy life. That little two-year-old son that was once picked up and held by Franco and Luciana is now a man of 50, a man with whom generations of film and music fans have been able to cultivate their passions, served and revered by the tireless work of this incredible couple. Having reached this important landmark in time, with over half a century of history behind us, we decided to revive five significant favorites from our musical catalog and replicate them in their original format, a tribute to our past and yours. The fifth appointment of this revival is with one of our scores unreleased on vinyl, Alla Ricerca DEL Piacere by Teo Usuelli, a score we love deeply for a movie featuring the divine Barbara Bouchet, a beautiful icon beloved on both sides of the ocean. The music--iconic as well, and among the most appreciated in our catalog--has been included on Beat at Cinecittà albums and used by the Cohen bros., who included Piacere Sequence M36 in The Big Lebowsky. What more shall we add? Thank you, Maestro Usuelli.

Limited to 500 copies.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

The original soundtrack to "CrossCode" by Radical Fish Games.

I started writing the the soundtrack way back when I was graduating from high school. Since then, I worked on it on the side while I attended university. CrossCode has always been part of my life, and I always tried to push myself to my limits to go out of my comfort zone. I hope you all have a great time with CrossCode and enjoy its music!

I would like to thank Samuel Ascher-Weiss and Eriko Imura for being big inspirations for me and encouraging me to fully commit to making music for a living. A big thank you to Alec “Lob” Pham for helping me make the final mixing and mastering decisions during these last stressful weeks.

And of course, I would like to thank Felix “Lachsen” Klein for letting me be part of such a great project, I am very lucky to be given such an amazing opportunity! - Deniz Akbulut

Record Store Day 2020 Release.

Two 12" black LPs in a gatefold sleeve with a set of 4 alternative 'Multiverse' covers printed on x2 double-sided inserts. Composer Lorne Balfe with BBC National Orchestra OF Wales introduces the series and character themes for HIS Dark Materials, the new TV adaptation of Philip Pullman's acclaimed series of novels.

Recently made available on Netflix and one of the flagship films in anime company Studio Ghibli’s stable, 1997’s Princess Mononoke also boasted a magnificent soundtrack and symphonic score by Joe Hisaishi. This soundtrack edition is performed by the Tokyo City Philharmonic Orchestra. Includes the Princess Mononoke Main Theme with vocals by Yoshikazu Mera. First-time on vinyl.