Soundtracks Vinyl 579 Items

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

Samurai Champloo Music Record: Departure is a soundtrack album, originally released on June 23, 2004. It is the second of four soundtrack albums released for the show. The album was produced by Japanese DJ / producer Nujabes, and American MC/producer Fat Jon, and featured Japanese rapper Shing02 and Japanese singer-songwriter MINMI on the album’s first and last tracks, respectively. Departure was critically lauded and is the best known album from the series, with especially high praise being reserved for “Battlecry”.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. Best known for his original soundtracks to Minecraft, the single best-selling video game of all time, he's developed a discography of instrumental music over the last decade that traverses electronic pop patterns, neo-classical dreamscapes, and sparse ambient motifs. The latter element has broken from the "8-bit" pigeonholing of game music and earned him accolades that reference artists like Erik Satie (The Guardian) and Brian Eno (vice). In 2015, after quietly self-releasing Minecraft Volume Alpha and Minecraft Volume Beta, Rosenfeld partnered with Ghostly International to reissue Minecraft Volume Alpha on vinyl and CD. The release garnered attention from proper music critics and the gaming community alike, becoming one of the most sought after records in the Ghostly catalog. Now, following several restocks of Alpha to fervent fan response, it is time for the soundtrack's second installment to shine. For the legion of listeners and players to, at long last, have Minecraft Volume Beta in tangible formats. Originally self-released in 2013, Minecraft Volume Beta was C418's longest batch of music to date at nearly 140 minutes. The collection features tracks that were "silently" added to Minecraft during its music updates and a few that never officially entered the game. The run time is now adapted to fit the double LP format, while digital downloads include the full set Rosenfeld's unmistakable abilities are on display; he creates a sweeping variety of musical ideas that mirror the limitless universe of Minecraft. Ghostly International is thrilled to give this unique collaboration its due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.

Limited to 500 copies, only at HHV! Only 1 per customer!

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

"Rob wanted the world of The Northman to feel harsh and uncomfortable, and for everything to feel like it was caked in mud and dry blood, so it was crucial for the score to mirror that." Composers Robin Carolan (Tri-Angle Records) and Sebastian Gainsborough (Vessel) were given a task of epic proportions when director Rob Eggers (The VVitch, The Lighthouse) asked them to create the score for his ambitious and highly anticipated new film The Northman, releasing on April 22nd. They needed to make a score that both honored the immense research that had gone into the authenticity of this Viking era period piece and complimented the cinematic maximalism of the film for a modern audience. The artists stretched themselves to the depths of their creativity and the resulting album is a gorgeous sonic tableaux that places the listener right in the center of the film. While arranging the score the composers consulted musician and ethnographer Poul Hoxbro for inspiration and insight into the history of Viking music. Having backgrounds in left field electronic music, Robin and Sebastian felt liberated by the constraint of using a small selection of musical tools for this piece. "Electronic music has almost limitless potential when it comes to making sounds and that's obviously an incredible thing, but you can also go down the wormhole and get lost in it sometimes. There's no risk of that happening when you only have a few primary instruments to draw upon." Robin remarked. They utilized traditional instruments such as the tagelharpa, langspil, kravik lyre, and säckpip to build the cinematic world of The Northman but they also took creative freedoms in adding instruments likes drums, which some academics believe wouldn't have played a big part in Viking musical culture, simply due to the lack of archaeological evidence of actual drums. "One of the pieces we wrote was intended to emulate the sound of a bullroarer; an ancient instrument used in sacred rituals or in battle to intimidate enemies. It makes a really disorienting roaring vibrato sound and low frequencies capable of traveling insane distances." Robin says when asked about one of the more unique aspects of the score. Everyone involved put so much effort into both their research and their creativity and this richness is evident in every track. The album as a whole is a cinematic masterpiece of sound and ambiance, both gorgeous and disturbing, like the film it so beautifully accompanies.

Double yellow, silver, and black splatter colored vinyl LP pressing. Upon release in March 2016, Dark Souls III was critically and commercially successful, with critics calling it a worthy and fitting conclusion to the series. The game's original score was primarily written by Dark Souls II and Bloodborne composer, Yuka Kitamura, and performed by the Tokyo Philharmonic Orchestra. Additional music was written by Dark Soulscomposer Motoi Sakuraba, with a single boss theme each by Tsukasa Saitoh and Nobuyoshi Suzuki

Dark Souls II, the highly anticipated sequel to 2009's Dark Souls was released with much fanfare in March 2014. As with it's predecessor, the intricate and moody score music struck a chord with fans of both composer Motoi Sakuraba and the game franchise, topping many a "best of 2014" list.

24 tracks selected by the RuneScape team and community Two heavyweight red gold LPs Deluxe gatefold sleeve 43track digital download included (mp3) Fancy a spin of “Sea Shanty 2” for old times’ sake? RuneScape: Original Soundtrack Classics takes a nostalgic journey through some of the most beloved tracks from Old School RuneScape and the early days of RuneScape. The vinyl album is arranged to follow the first journey a player might have taken through Gielinor. The digital download includes 19 bonus tracks, bursting with player favourites.

In 2009, Dark Souls was unleashed upon an unsuspecting gaming world and would quickly become one of the most critically acclaimed games in all of gaming history, for both it's punishingly-challenging gameplay and dark, brooding, and often outright terrifying soundtrack by industry legend Motoi Sakuraba.

NieR: Become as Gods takes Rozen+reven back to NieR: Automata.

•12" 2xLP Set, 180g audiophile •Machine Splatter (Black + White + Gold) •Gatefold Jacket, including a 16-page booklet with live recording session photos Much like the fast-adapting machines in the game, the two artists have leveled up their production since the days of their first foray with NieR: Glory to Mankind. Their sound here is sometimes darker, more mature, and overall more polished, thanks in large part to the wealth of collaborators they've brought in.

Within these eleven new covers, you'll hear the duo's hybrid orchestral-pop sound that blends heavy-hitting strings and brass, stark choir, textures of winds and synths, electric guitar, and a plethora of vocals from Reven. The live orchestra sections were recorded by Sofia Session Orchestra and Choir in Sofia, Bulgaria, including a traditional Bulgarian Choir on several tracks.

The result is an intense trip back through the world of the game, but whether this constitutes Ending B or perhaps Ending C, D, or E is up to interpretation.

Following the release of Ghibli Jazz and Ghibli Reggae comes a brand new compilation of Ghibli covers from underground hip-hop producer Grey October Sounds. Lofi Ghibli is the definitive Ghibli cover album - a 10-track record containing covers of Carrying You (Castle in the Sky), a Town with an Ocean View (Kiki’s Delivery Service), Yasashisa Ni Tsutsumareta Nara (Kiki’s Delivery Service), and other iconic Ghibli songs. Grey October Sounds’ deft production takes classic Ghibli melodies and melds them with hip-hop instrumentation, adding an all new dimension of chill to Joe Hisaishi’s compositions. With homages to both Ghibli and the aesthetics of lo-fi hip-hop, the artwork by illustrious illustrator Rika Hase is the cutest thing to ever grace P-VINE’s catalog! With one of our iconic obi-strips attached, this is sure to be one for the collectors! So put this on your turntable, take a deep breath, and chill out.

Zelda & Chill contains lo-fi- hip hop arrangements of music from the original LoZ, Link To The Past, Majora’s Mask, Wind Waker, Ocarina of Time, Skyward Sword, and Breath of the Wild.

The movie hit of 2014, Interstellar, chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. While the film is directed by acclaimed Christopher Nolan (Inception, Batman Begins, The Dark Knight…), the epic soundtrack score was composed by Nolan's longtime collaborator, Oscar, Grammy, and Golden Globe Award-winning composer Hans Zimmer.

180g vinyl.

Introducing PIOMBO, a new CAM Sugar collection on Italian crime soundtracks. Fused with American jazz-funk, acid progressive rock, synth-infused disco and more. PIOMBO journeys into the scores that captured the sociopolitical turmoil of 1970s Italy. Restored and remastered from the original tapes, this compilation features rare and previously unreleased music by Luis Bacalov, Stelvio Cipriani, Riz Ortolani, Franco Micalizzi and more. 2 LP.

Trailblazing instrumental synth pop experiments created to soundtrack Japan’s booming 1980s cartoon and comic industries. The brightly futuristic instrumentals on this collection reflect the mindset of composers and musicians who believed in a technological future where everything was possible.

In the late 1980s Japan experienced a brief but heady period where societal changes combined with new-found wealth to open up a world of possibilities. A huge influx of cash - artificially created by slashed interest rates after an agreement with the US to weaken the dollar relative to the yen - resulted in the inflation of real estate and stock market at a rapid pace. While the economic bubble it created was unprecedented and impossible to sustain, for a while money was in plentiful supply.

The musical genre City Pop reflected the aspirations of the country’s booming leisure class. Video games flourished with Nintendo's 1983 launch of their Family Computer (or FamiCom). Studio Ghibli was founded 1985 to later became one of the most famous and respected animation studios in the world, and Anime and Manga were established as major forms of entertainment for all generations of the Japanese public.

Music was no mere footnote to the anime and manga boom: the two forms of media often went hand in hand, and not simply through the presence of background melodies. With generous budgets available, even two-dimensional static manga comics could be released with an accompanying soundtrack of original music known as an ‘Image Album’.

Composer and arranger Kazuhiko Izu was one such beneficiary of this open budget approach. Written to accompany artist Katsuhiro Otomo’s manga comic Domu, the composer and arranger took advantage of the world-leading (and wallet-busting) Japanese synthesiser technology available at King Records’ fully equipped studio. Featured on this compilation, A3: Act 2 Scene 26 reflected the story’s sci fi themes with a blazingly futuristic yet warmly funky slice of synth pop that presents a joyful celebration of synthesisers and their seemingly endless possibilities.

Kan Ogasawara was another composer who made early mastery of the litany of synthesisers, drum machines and sequencers that had become available. Two tracks written to accompany the 1985 period manga Yume No Ishibumi are featured here; Honowo’s experimental electronic textures add spice to a jaunty electro pop melody that recalls the Rah band’s 1983 hit Messages From Stars; the jazz-tinged Utage rounds out Ogasawara’s shimmering synth textures with beautifully crafted backing from legendary musicians Yuji Toriyama (guitar), Pecker (percussion) and Jun Fukamachi (piano).

Before becoming one of the pioneers of Japanese Kankyo Ongaku (Ambient Music), Takashi Kokubo worked on the proto techno track Kiki (Jungle At Night). It was put together for the 1984 anime film Shonen Keniya (Kenya Boy) using some of the most expensive music technologies available at the time. This Africa-Inspired dance track offers a contemporary parallel to the early techno music that young Detroit based producers were then creating using cheap Japanese Roland drum machines and synthesisers.

This is the first compilation of Japanese anime and manga soundtracks curated by Kay Suzuki and Rintaro Sekizuka from Vinyl Delivery Service (a Tokyo based online record shop which also operates in East London's renowned wine and hifi shop Idle Moments). With a cover by artist Kazuki Takakura and two pages of liner notes, this vinyl only compilation of music never before released outside of Japan, captures a vital aural snapshot of an era whose forward-thinking sounds went hand in hand with cutting edge technology.

Samurai Champloo Music Record: Impression is the fourth soundtrack album in the series of the anime show Samurai Champloo. It contains tracks by Nujabes, Force of Nature, Fat Jon and MINMI. The lyrics on “Hiji Zuru Style” are written and performed by S-Word and Suiken. The lyrics on “Who’s Theme” are written and performed by MINMI; vibraphone is by Yoshihiko Katori.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.